Harpsichord SKU: HL.48188422 Composed by Jean-Philippe Rameau. Leduc. CD....(+)
Harpsichord
SKU:
HL.48188422
Composed
by Jean-Philippe Rameau.
Leduc. CD. 163 pages.
Heugel and Cie #HE32533.
Published by Heugel and
Cie (HL.48188422).
UPC: 888680948566.
9.0x12.0x0.787 inches.
French.
â??This
edition of Harpsichord
Music features the three
volumes composed by
Jean-Philippe Rameau:
?Livre de Piece de
clavecin?, ?Pieces de
Clavessin? and ?Nouvelle
suite de Pieces de
clavecin?. The second and
third volumes are divided
into 2 parts each and the
whole book has a total
duration of 2 hours and
10 minutes (22 minutes
for the first book, 52
and 53 minutes for the
following ones). For
upper intermediate and
above level. Harpsichord
Music has a baroque
style, as most of the
music byJean-Philippe
Rameau (1683-1764) who
was one of the most
famous composers of that
era. He replaced Lully'
as the main composer of
the Opera.â?.
Harpsichord SKU: HL.48188858 Composed by Louis Couperin. Leduc. Softcover...(+)
Harpsichord
SKU:
HL.48188858
Composed
by Louis Couperin. Leduc.
Softcover. 172 pages.
Heugel & Cie #HE33691.
Published by Heugel & Cie
(HL.48188858).
UPC:
840126994933.
9.0x12.0x0.306 inches.
French.
The
complete Harpsichord work
- Volume 2 by Louis
Couperin is the second of
a series of volumes with
suites for Harpsichord.
Composed in a Baroque
style, the whole series
features 133 pieces for
advanced players. Louis
Couperin (1626-1661) was
a French composer and
performer, who created
many pieces for Organ and
for Harpsichord who later
became musician at the
court. He invented the
genre of Unmeasured
Prelude for which he
created a form of
notation where the
harpsichordist can choose
how long each note lasts.
Francois Couperin, Louis?
nephew, is also a very
famous musician who
played the
Harpsichord..
Harpsichord SKU: BT.ALHE33874 Composed by Richard Siegel. Book with Onlin...(+)
Harpsichord
SKU:
BT.ALHE33874
Composed
by Richard Siegel. Book
with Online Audio. 60
pages. Heugel & Cie
#ALHE33874. Published by
Heugel & Cie
(BT.ALHE33874).
French.
Richard
Siegel won prizes for the
Harpsichord and Chamber
Music at the Paris
Conservatoire before
going on the win first
prize in the 1977
International Harpsichord
Competition. He has since
recorded over 30 CDs and
his passionfor the
instrument has been
further apparent in his
production of Apprendre
Toucher le Clavecin. As
stated in the preface,
the study of the
Harpsichord has long been
reserved, frequently
dismissed as an
'old-fashioned'instrument
. However, a recent rise
in the popularity of
early music has rekindled
interest in the
Harpsichord. In Apprendre
Toucher le Clavecin,
volume 1 being the first
of two helpful volumes to
aid student's learning
andprogression, Siegel
enables Harpsichord
beginners to learn
through repertoire pieces
themselves, drawn from
the Keyboard masters of
the Baroque period. The
pupil will be guided
towards an understanding
of technique and
stylesuited to the
Harpsichord. Furthermore,
Apprendre Toucher le
Clavecin, which is
accompanied by a CD,
enables adults who learnt
the instrument as a child
to return to the
instrument and have the
instant feeling of making
music.
ISBN 9790006505623. 31
x 24.3 cm inches.
Preface: Denis
Herlin.
‘Once
again the French
musicologist Denis
Herlin, who mastered the
harpsichord under the
tutelage of such keyboard
legends as Kenneth
Gilbert and Huguette
Dreyfus, has presented an
exemplary edition of a
classic from the
harpsichord
repertoire.’ (Jury
of the German Music
Edition Prize on BA
10844)
Bärenrei
ter presents Book II of
Couperin’s
“Pièces de
clavecinâ€, first
published in 1717, In
addition the eight
preludes and one
allemande from his
treatise
“L’Art de
toucher le
clavecin†are
included in the appendix.
For the first time Denis
Herlin has evaluated the
many later impressions of
the original print, most
of which he unearthed
himself in international
libraries. By preserving
the essential features of
the original print while
largely dispensing with
disruptive page-turns
within the pieces, the
volume brings modern
performers close to the
special sound of this
music. Rounding off this
pioneering new edition
are an extensive
Foreword, notes on
historical performance
practice, a comprehensive
glossary, facsimile pages
and a detailed Critical
Commentary.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Harpsichord SKU: OT.21125 Composed by Daniel Akiva. 5 short pieces for ha...(+)
Harpsichord
SKU:
OT.21125
Composed by
Daniel Akiva. 5 short
pieces for
harpsichord/cembalo.
Classical. Score. OR-TAV
Music Publications
#21125. Published by
OR-TAV Music Publications
(OT.21125).
ISBN
9789655051117. 8.27 x
11.69 inches.
The
five short movements for
solo cembalo are brief,
personal prayers that
depict how the subject
manages a range of
feelings and emotions.
The miniatures each
represent a different
emotional state:
reflection, searching,
meditation, agitation,
and resolution. Each is a
small-scale
representation of a
grand, wide-ranging
prayer of
supplication. As a
composer, performer, and
researcher of early
music, writing for
cembalo allows me not
only to express my
special connection to the
instrument and the period
in which it flourished,
but also to present its
contemporary dimensions
as a rich and versatile
instrument. The
piece was composed at the
request of Hagai Yodan,
who performs it with
great skill. Daniel
Akiva is a composer,
performer, and educator
whose performances on
guitar and lute have won
great acclaim. Mr. Akiva
graduated from the Rubin
Academy of Music in
Jerusalem in 1981, where
he studied classical
guitar with Haim Asulin
and composition with Haim
Alexander. In 1987 he
completed his studies at
the Geneva Conservatorium
in Switzerland where he
studied lute with
Jonathon Rubin and
composition with Jean
Ballisa. For many years,
he headed the Music
Department at the WIZO
High School for the Arts
in Haifa, which he
founded in 1986, and
served as the Artistic
Director of the Guitar
Gems Festival from
2006-2019. As part of his
work at WIZO High School,
he has developed a method
for teaching free
improvisation that has
been incorporated into
the music program at the
school. Mr. Akiva has
appeared in concert as a
guitarist and lutist and
given master classes in
Israel, Europe, Russia,
the United States, and
Latin America. Daniel
Akiva’s
compositional output
includes works for solo
instruments, chamber
ensembles, choir, voice
and guitar, piano, and
chamber orchestra. His
works have been recorded
on twelve CDs, the latest
of which, Malchut, was
issued by OR-TAV in
2014. A native of
Haifa whose family has
lived in Israel for over
five hundred years, he
was steeped in the
Sephardic
(Jewish-Spanish)
tradition from his youth.
Much of his compositional
output has been devoted
to a dialogue with the
music of the Sephardic
Jews. Daniel Akiva has
also maintained a
creative dialogue over
many years with the poets
and writers Amnon
Shamash, Rivka Miriam,
and Avner Peretz.
Harpsichord SKU: HL.48188975 Composed by Richard Siegel. Leduc. Softcover...(+)
Harpsichord
SKU:
HL.48188975
Composed
by Richard Siegel. Leduc.
Softcover. 64 pages.
Heugel and Cie #HE33876.
Published by Heugel and
Cie (HL.48188975).
UPC: 888680948825.
9x12 inches.
French.
?Richard
Siegel won prizes for the
Harpsichord and Chamber
Music at the Paris
Conservatoire before
going on the win first
prize in the 1977
International Harpsichord
Competition. He has since
recorded over 30 CDs and
his passion for the
instrument has been
apparent further in his
production of Learn to
Play the Harpsichord. As
stated in the preface,
the study of the
Harpsichord has long been
reserved, frequently
dismissed as an
'old-fashioned'
instrument. However, a
recent rise in the
popularity of early music
has rekindled interest in
it. In Learn to Play the
Harpsichord Volume 2
being the second of two
helpful volumes to aid
student's learning and
progression, Siegel
enables Harpsichord
beginners to learn
through repertoire pieces
themselves, drawn from
the Keyboard masters of
the Baroque period. The
pupil will be guided
towards an understanding
of technique and style
suited to the
Harpsichord. Furthermore,
Learn to Play the
Harpsichord enables
adults who learnt the
instrument as a child to
return to the instrument
and have the instant
feeling of ??music
making??. andrdquo.
Harpsichord SKU: BT.ALHE31972 Le Pupitre. Composed by Francois Cou...(+)
Harpsichord
SKU:
BT.ALHE31972
Le
Pupitre. Composed by
Francois Couperin. Le
Pupitre - Heugel. Book
Only. 140 pages. Heugel &
Cie #ALHE31972. Published
by Heugel & Cie
(BT.ALHE31972).
French.
Harpsich
ord work - Volume 4,
LP.24 by Francois
Couperin is the fourth in
a series of 4 volumes of
suites for Harpsichord.
Published in 1930, three
years before
Couperin_x001A_s death,
when he was very ill,
this volume
initiallypresented some
small mistakes and some
white pages. It features
seven Ordres, from the
20th to the 27th, with a
total of 43 pieces. For
upper-intermediate
players, this volume was
edited by Kenneth
Gilbert. François
Couperinwas a very famous
French composer who
played the Harpsichord,
the Organ. Coming from a
famous family of
musicians, he was
nicknamed _x001A_Couperin
le Grand_x001A_ (Couperin
the Great).
Harpsichord SKU: HL.48188014 Composed by Francois Couperin. Leduc. Baroqu...(+)
Harpsichord
SKU:
HL.48188014
Composed
by Francois Couperin.
Leduc. Baroque.
Softcover. 140 pages.
Heugel and Cie #HE31972.
Published by Heugel and
Cie (HL.48188014).
UPC: 888680844363.
9.0x12.0x0.39
inches.
â??Harpsic
hord work - Volume 4,
LP.24 by Francois
Couperin is the fourth in
a series of 4 volumes of
suites for Harpsichord.
Published in 1930, three
years before Couperin?s
death, when he was very
ill, this volume
initially presented some
small mistakes and some
white pages. It features
seven Ordres, from the
20th to the 27th, with a
total of 43 pieces. For
upper-intermediate
players, this volume was
edited by Kenneth
Gilbert. François
Couperin was a very
famous French composer
who played the
Harpsichord, the Organ.
Coming from a famous
family of musicians, he
was nicknamed ?Couperin
le Grand?
(â?â??Couperin the
Greatâ?â??).â?.
Harpsichord SKU: HL.48187911 Composed by Jacques Duphly. Leduc. Classical...(+)
Harpsichord
SKU:
HL.48187911
Composed
by Jacques Duphly. Leduc.
Classical. Softcover. 122
pages. Heugel & Cie
#HE31812. Published by
Heugel & Cie
(HL.48187911).
UPC:
888680907433. 0.33
inches.
French.
This first
volume of Harpsichord
Work by Jacques Duphly is
the first of a series of
two which includes the
two parts of Volume 1.
Featuring 19 pieces, this
work for Harpsichord was
reviewed and edited by
Francoise Petit. With a
preface in French,
English and German that
sets the context of the
work and presents the
composer, this first book
offers a set of pieces
for intermediate players.
With simple rhythms, it
includes few accidental
alterations and some
arpeggios. Jacques Duphly
(1715-1789) was a French
organist who was living
during the period of
Jean-Jacques
Rousseau..
Harpsichord SKU: HL.48181261 Composed by Jacques-Francois Ibert. Leduc. C...(+)
Harpsichord
SKU:
HL.48181261
Composed
by Jacques-Francois
Ibert. Leduc. Classical.
16 pages. Alphonse Leduc
#AL20630. Published by
Alphonse Leduc
(HL.48181261).
UPC:
888680787110.
9.25x12.25x0.083
inches.
“Bein
g an unusual composer of
his day, Ibert did not
attach himself to any of
the predominant genres of
music of the time.
Described as elicit, the
composer's Deux
Interludes for Flute,
Violin and Harpsichord is
pleasantly unusual in
instrumentation, creating
a worthy addition to the
classical music
repertoire. Ibert stands
out as a composer who
tackled all styles with
equal success, his Deux
Interludes for Flute,
Violin and Harpsichord
being no exception. With
clear, separate parts,
this edition is a must
buy for aspiring
musicians seeking to
expand their
repertoire.â€.
Harpsichord SKU: BT.ALHE31812 Composed by Jacques Duphly. Le Pupitre - He...(+)
Harpsichord
SKU:
BT.ALHE31812
Composed
by Jacques Duphly. Le
Pupitre - Heugel.
Classical. Book Only. 122
pages. Heugel & Cie
#ALHE31812. Published by
Heugel & Cie
(BT.ALHE31812).
French.
This
first volume of
Harpsichord Work by
Jacques Duphly is the
first of a series of two
which includes the two
parts of Volume 1.
Featuring 19 pieces, this
work for Harpsichord was
reviewed and edited by
Françoise Petit. With
apreface in French,
English and German that
sets the context of the
work and presents the
composer, this first book
offers a set of pieces
for intermediate players.
With simple rhythms, it
includes few accidental
alterations andsome
arpeggios. Jacques Duphly
(1715-1789) was a French
organist who was living
during the period of
Jean-Jacques
Rousseau.
Harpsichord SKU: HL.48188874 By Diana Petech. By Joseph-Hector Fiocco. Le...(+)
Harpsichord
SKU:
HL.48188874
By Diana
Petech. By Joseph-Hector
Fiocco. Leduc. Classical.
Softcover. 67 pages.
Heugel & Cie #HE33712.
Published by Heugel & Cie
(HL.48188874).
UPC:
888680873066. 9x12
inches.
French.
“Harp
sichord Pieces, LP. 78 is
a set of works for
Harpsichord, written by
Joseph Hector Fiocco and
edited by Diana Petech.
This edition includes a
really complete preface,
with comments and advice
to work through this book
and explanations of all
the symbols that can be
found in it. It features
24 pieces divided in two
suites, with the second
suite set in a more
traditional layout than
the first one. The name
of each piece is also not
especially appropriate
regarding their style.
First suite: - L'anglaise
- L'harmonieuse - La
plaintive - La
villageoise - Les
promenades -
L'inconfiante -
L'italienne - La
française -
L'adagio - L'alegro -
L'andante - La vivace
Second suite: -
L'alemande - La
legère - La guigue
- La farabande -
L'inquiette - La gavotte
- Les menuets - Les
sautèrelles -
L'agitée - Les
zéphirs - La
musette - La fringuante
Joseph Hector Fiocco
(1703-1741) is a Belgian
harpsichordist who had
Italian origins.He was
Deputy Choir Master at
the court and resigned to
become Choir Master in
another French city. He
composed numerous
religious music
works.&rdquo.
Harpsichord SKU: BT.ALHE33712 By Diana Petech. By Joseph-Hector Fiocco. L...(+)
Harpsichord
SKU:
BT.ALHE33712
By Diana
Petech. By Joseph-Hector
Fiocco. Le Pupitre -
Heugel. Classical. Score
Only. 67 pages. Heugel &
Cie #ALHE33712. Published
by Heugel & Cie
(BT.ALHE33712).
(for Cembalo or Harpsichord). By Hermann Schroeder (1904-1984). For Harpsichord,...(+)
(for Cembalo or
Harpsichord). By Hermann
Schroeder (1904-1984).
For Harpsichord, Cembalo.
Schott. Softcover. 12
pages. Schott Music
#ED20936. Published by
Schott Music
Chamber Music Harpsichord SKU: PR.110418390 Composed by Eric Ewazen. Full...(+)
Chamber Music Harpsichord
SKU: PR.110418390
Composed by Eric Ewazen.
Full score. 11 pages.
Duration 10 minutes.
Theodore Presser Company
#110-41839. Published by
Theodore Presser Company
(PR.110418390).
ISBN
9781491134603. UPC:
680160685158.
Eric
Ewazen’s THREE
INVENTIONS were inspired
by Bach’s Two-part
Inventions, yet they
sound thoroughly like
Ewazen. Composed for
harpsichord (with a piano
adaptation following
later), Ewazen’s
inventions maintain a
pure “one note per
hand†texture until
their final chord, with
strong-but-free imitative
counterpoint between the
two voices. While Ewazen
may be best known for his
wind music, he is a
pianist himself, and
composers’ works
for their own instrument
are a direct insight into
how they write for their
own performances. The
piano adaptation of THREE
INVENTIONS is also
available as a separate
publication. THREE
INVENTIONS was written
for my dear friend Maria
Rojas, who premiered the
work on a faculty recital
at Juilliard. Maria is
both a pianist and a
harpsichordist, and I
first met her when she
gave a demonstration of
the harpsichord for the
students in my theory
classes.I’ve
always been captivated by
Bach’s series of
Two-Part and Three-Part
Inventions. With the
Two-Part Inventions,
I’m amazed how
Bach could create such
wonderful intricacy and
counterpoint with only
two voices. I
consequently modeled my
inventions after the
counterpoint of Bach,
involving the traditional
contrapuntal devices he
used: imitation,
development, harmonic and
modal shifts,
fragmentation, and
sequence, essentially
creating a dialog between
two completely equal
voices conversing with
each other!Bach wrote 15
Two-Part Inventions (as
well as 15 Three-Part
Inventions, not to
mention the 48 preludes
and fugues in The
Well-Tempered Clavier!),
and that’s just
the start of his
voluminous repertoire for
the keyboard! I was happy
just to write
three!!!Each of my
inventions has a
distinctive mood. The
first is in a relaxed,
yet cheerful C Major
tonality (as a nod to
Bach’s Invention
No. 1 in C Major); the
second is heartfelt and
lyrical; and the third
invention (involving a
Gigue rhythm in the
compound meter of 12/8)
is energetic, and full of
life and spontaneity. The
third is primarily in a
minor tonality, resulting
in a feeling of drama,
bringing the THREE
INVENTIONS to an exciting
finale.
(Manuscrit autographe, 1702). By Bernardo Pasquini (1637-1710). Edited by Emer B...(+)
(Manuscrit autographe,
1702). By Bernardo
Pasquini (1637-1710).
Edited by Emer Buckley.
For Harpsichord solo.
This edition: Facsimile.
Collection Dominantes.
Score. 264 pages.
Published by Anne Fuzeau
Productions - France
Harpsichord SKU: FG.55011-499-9 Composed by Jyrki Linjama. Fennica Gehrma...(+)
Harpsichord
SKU:
FG.55011-499-9
Composed by Jyrki
Linjama. Fennica Gehrman
#55011-499-9. Published
by Fennica Gehrman
(FG.55011-499-9).
ISBN
9790550114999.
Sona
ta da chiesa III was
commissioned by Petteri
Pitko, who played the
first perfor-mance in
Kemionsaaren
Musiikkijuhlat in the
summer of 2016. The
sonata has three
movements, each of which
has a definite liturgical
character and a choral
tune as a can-tus firmus.
Hence the music can be
performed either in a
concert or as a part of
liturgy.
From
the composer's foreword:
The first movement,
Kyrie, has got an
introvert mood. The
choral melody is veiled,
an indirect part of
arpeggiated texture. The
Gloria is open, even
brilliant: the cantus
firmus is worked out to a
virtuosic, dance-like
texture. The third
movement closes the music
by means of polyphony and
bird singing. Concerning
the harpsichord, for me
it is essen-tial not to
use equal temperament:
the possibility to play
with pure or almost pure
in-tervals is crucial to
the sound, having very
high and strong
overtones.