By Madame Ravissa De Turin. Edited by Claudia Schweitzer. For harpsichord or period instrument and modern pianos. Level: intermediate. Full score. Published by Furore-Verlag (German import).

Serie I - France 1600-1800. Edited by Jean Saint-Arroman, Philippe Lescat. For Harpsichord. Facsimiles. Methodes & Traites. Level: Grade 0. 448 pages. Published by Editions Fuzeau Classique - France (French import).

By Jean-francois Dandrieu. Edited by Jean Saint-Arroman, Philippe Lescat. Harpsichord solo. For Harpsichord. Facsimiles. La Musique Francaise Classique de 1650 a 1800. Level: Grade 0. 127 pages. Published by Editions Fuzeau Classique - France (French import).

Harpsichord

SKU: BT.ALHE32487

Composed by Johann Jakob Froberger. Le Pupitre - Heugel. Book Only. 104 pages. Heugel & Cie #ALHE32487. Published by Heugel & Cie (BT.ALHE32487).

French.

First volume of the first tome of the Complete Harpsichord Work by Johann Jakob Froberger, this book (Version 1649) is a set of twenty-four pieces for Harpsichord. Edited by Howard Schott, the book has its preface and informationin French, English and German. It features six Toccatas, six Fantasias, six Canzones, 5 Suites and a partite. The works are of medium difficulty and can be played by intermediate players. Johann Jakob Froberger (1616-1667)is a German Baroque composer. He was a really famous musician amongst his peers and influenced many of them.

By Francois Couperin (1668-1733). Edited by Jean Saint-Arroman, Philippe Lescat. Harpsichord solo. For Harpsichord. Facsimiles. La Musique Francaise Classique de 1650 a 1800. Grade 0. 116 pages. Published by Anne Fuzeau Productions - France

Harpsichord (harpsichord)

SKU: HL.48188867

Composed by Johann Jakob Froberger. Leduc. Softcover. 108 pages. Heugel & Cie #HE33702. Published by Heugel & Cie (HL.48188867).

UPC: 888680872946. 9.0x12.0x0.264 inches. French.

Second volume of the second tome and fourth book of the Complete Harpsichord Work by Johann Jakob Froberger, this volume is a set of twenty-five pieces for Harpsichord. Edited by Howard Schott, the book has its preface and information in French, English and German. It features eighteen suites numbered from Suite XIII to Suite XXX, as well as seven other works, including three guigues and four other pieces. The works are of medium difficulty and can be played by intermediate players. Johann Jakob Froberger (1616-1667) is a German Baroque composer. He was a famous musician among his peers and influenced many of them..

By Francois Couperin (1668-1733). Edited by Jean Saint-Arroman, Philippe Lescat. Harpsichord solo. For Harpsichord. Facsimiles. La Musique Francaise Classique de 1650 a 1800. Grade 0. 118 pages. Published by Anne Fuzeau Productions - France

Harpsichord

SKU: BT.ALHE31812

Composed by Jacques Duphly. Le Pupitre - Heugel. Classical. Book Only. 122 pages. Heugel & Cie #ALHE31812. Published by Heugel & Cie (BT.ALHE31812).

French.

This first volume of Harpsichord Work by Jacques Duphly is the first of a series of two which includes the two parts of Volume 1. Featuring 19 pieces, this work for Harpsichord was reviewed and edited by Françoise Petit. With apreface in French, English and German that sets the context of the work and presents the composer, this first book offers a set of pieces for intermediate players. With simple rhythms, it includes few accidental alterations andsome arpeggios. Jacques Duphly (1715-1789) was a French organist who was living during the period of Jean-Jacques Rousseau.

Pan pipe and piano (harpsichord)

SKU: M7.SAE-1-05

Tamerlano. Composed by George Frideric Handel. Arranged by Lucian Moraru. Sheet music. Piano reduction with solo part. SonArt Edition #SAE 1-05. Published by SonArt Edition (M7.SAE-1-05).

ISBN 9790707651513.

This is a unique arrangement for panflute and piano, a work that preserves the beauty of the original work, an icon for classical music repertoire, but at the same time different in essence due to the creative and innovative flavour that was introduced in orchestration on this occasion. The piece has been carefully adapted to suit the technical needs of each instrument, being a smart choice for the players that want to achieve the acclaim from the audience. This piece of music is suitable both for concerts given by professionals and for auditions in schools, colleges, conservatories or can be used in various other private events.

By Charles Wuorinen. For Harpsichord. This edition: Photoprint Edition. Photoprint editions are made to order. Printed on high quality paper and cover stock, they are made on a Canon digital printer from clean digital masters. Most of the photoprint editions are saddle stitched, but larger books have wire spiral binding. Duration 13'. Published by C.F. Peters.

Volume 1: 18th century printed sources. By Giovanni Battista Sammartini. Published by Ut Orpheus. (ES 29)

Harpsichord

SKU: FG.55011-764-8

Composed by Esa Pietilä. Classical, contemporary. Book. Fennica Gehrman #55011-764-8. Published by Fennica Gehrman (FG.55011-764-8).

ISBN 9790550117648.

The title of Esa Pietilä’s solo harpsichord work Fata morgana (2019) refers to a special weather con-dition, which creates illusory effect of mirage-like fairy castle-like monuments in the horizon of the sea. The piece brings forth the frightening bass sonority on double manual, full size harpsichord and the brightness on the treble and makes a dialogue out of them. “I got fasci-nated by the sonority, character and power of the low register sound on the instrument, es-pecially when used in non-traditional way and found some kind of especially delightful and outlandish cluster-mud and airy glimmering things which seem to play together, the com-poser describes. The challenges of the piece lie in rhythmical ideas, which are surprisingly multi-faceted and in the short, improvised section.

Duration: c. 6’

Esa Pietilän soolo-cembalolle tehdyn sävellyksen otsikko Fata morgana (2019) viittaa erityisen sääil-miön aiheuttamaan illusatoriseen kangastuksen tapaiseen efektiin, joka tuo esiin satulinnojen kaltaisten rakennelmien ilmaantumisen meren horisonttiin. Sävellys tuo esiin cembalon bas-sorekisterin pelottavuuden sekä diskantin kirkkauden ja käy niillä vuoropuhelua. Haltioiduin cembalon alarekisterin erityisestä soinnista, karakteerista ja voimasta, jos sitä käyttää hyvinkin ei-perinteisesti. Löysin myös erityisen hauskasti soivaa klusteri-mutaa ja ilmavaa kimallusta, jotka sointuvat yhteen, Pietilä kuvaa sävellystään. Kappaleen haasteena ovat rytmisesti yllät-tävät ja monitahoiset ideat sekä lyhyt improvisaatiojakso.

Composed by Dieterich Buxtehude. Broude Brothers #BT-BUX18. Published by Broude Brothers (PE.BT-BUX18).

Chamber Music Harpsichord

SKU: PR.110418390

Composed by Eric Ewazen. Full score. 11 pages. Duration 10 minutes. Theodore Presser Company #110-41839. Published by Theodore Presser Company (PR.110418390).

ISBN 9781491134603. UPC: 680160685158.

Eric Ewazen’s THREE INVENTIONS were inspired by Bach’s Two-part Inventions, yet they sound thoroughly like Ewazen. Composed for harpsichord (with a piano adaptation following later), Ewazen’s inventions maintain a pure “one note per hand” texture until their final chord, with strong-but-free imitative counterpoint between the two voices. While Ewazen may be best known for his wind music, he is a pianist himself, and composers’ works for their own instrument are a direct insight into how they write for their own performances. The piano adaptation of THREE INVENTIONS is also available as a separate publication.
THREE INVENTIONS was written for my dear friend Maria Rojas, who premiered the work on a faculty recital at Juilliard. Maria is both a pianist and a harpsichordist, and I first met her when she gave a demonstration of the harpsichord for the students in my theory classes.I’ve always been captivated by Bach’s series of Two-Part and Three-Part Inventions. With the Two-Part Inventions, I’m amazed how Bach could create such wonderful intricacy and counterpoint with only two voices. I consequently modeled my inventions after the counterpoint of Bach, involving the traditional contrapuntal devices he used: imitation, development, harmonic and modal shifts, fragmentation, and sequence, essentially creating a dialog between two completely equal voices conversing with each other!Bach wrote 15 Two-Part Inventions (as well as 15 Three-Part Inventions, not to mention the 48 preludes and fugues in The Well-Tempered Clavier!), and that’s just the start of his voluminous repertoire for the keyboard! I was happy just to write three!!!Each of my inventions has a distinctive mood. The first is in a relaxed, yet cheerful C Major tonality (as a nod to Bach’s Invention No. 1 in C Major); the second is heartfelt and lyrical; and the third invention (involving a Gigue rhythm in the compound meter of 12/8) is energetic, and full of life and spontaneity. The third is primarily in a minor tonality, resulting in a feeling of drama, bringing the THREE INVENTIONS to an exciting finale.

Harpsichord

SKU: FG.55011-499-9

Composed by Jyrki Linjama. Fennica Gehrman #55011-499-9. Published by Fennica Gehrman (FG.55011-499-9).

ISBN 9790550114999.

Sona ta da chiesa III was commissioned by Petteri Pitko, who played the first perfor-mance in Kemionsaaren Musiikkijuhlat in the summer of 2016. The sonata has three movements, each of which has a definite liturgical character and a choral tune as a can-tus firmus. Hence the music can be performed either in a concert or as a part of liturgy.

From the composer's foreword: The first movement, Kyrie, has got an introvert mood. The choral melody is veiled, an indirect part of arpeggiated texture. The Gloria is open, even brilliant: the cantus firmus is worked out to a virtuosic, dance-like texture. The third movement closes the music by means of polyphony and bird singing. Concerning the harpsichord, for me it is essen-tial not to use equal temperament: the possibility to play with pure or almost pure in-tervals is crucial to the sound, having very high and strong overtones.

Duration c. 12'.

Harpsichord

SKU: ST.Y231

Composed by Rhian Samuel. Octavo. Stainer & Bell Ltd. #Y231. Published by Stainer & Bell Ltd. (ST.Y231).

ISBN 9790220221767.

Writ ten for harpsichordist Jane Chapman, and clearly inspired by her virtuosity, Copper Ribbons is a fantasy-movement of throbbing tremolandi and scrunchy arpeggiated chords that both support and intrude upon a recitative-like 'line' of elusive, questioning melody. Exploiting the instruments rich variety of tone colours with a Debussian passion for texture and timbre, the composer here creates a miniature tone-poem, which sustains to its closing bars a sense of mystery and suggestion. The work may stand alone, or as a pair with its companion-piece Silver Threads, which should precede it.

Harpsichord

SKU: HL.48188385

Sonates K306 a K357 LP37. Composed by Domenico Scarlatti. Edited by Kenneth Gilbert. Leduc. Baroque. Softcover. 216 pages. Heugel & Cie #HE32485. Published by Heugel & Cie (HL.48188385).

UPC: 196288026600. 9.0x12.0x0.575 inches.

“The seventh volume of the series of twelve, Sonatas - Volume VII, LP. 37 features the Sonatas K.306 to K.357. Composed by Domenico Scarlatti, this edition by the Harpsichordist Kenneth Gilbert regroups the 555 sonatas arranged for Piano. Based on the two sets of books discovered in Venice and in Parma, this edition still contains some of the annotations initially suggested by Kirkpatrick, whose book can be considered as an essential guide for this series.”.

Harpsichord

SKU: KU.OCT-10105_CEMB

Composed by George Frideric Handel. Edited by Hermann Müller. Arranged by Hermann Müller. Bach format (230 x 302). Folded. Part. 8 pages. Edition Kunzelmann #OCT-10105_CEMB. Published by Edition Kunzelmann (KU.OCT-10105_CEMB).

Cantata for the Feast of Reformation. By Johann Sebastian Bach. Edited by Frieder Rempp. For Harpsichord. Single Part. BWV 80. Published by Baerenreiter-Ausgaben (German import). (BA10080 68)

By Johann Kuhnau (1660-1722). Edited by Philippe Lescat. Harpischord solo. For Harpsichord. Facsimiles. Collection Dominantes. Grade 0. 105 pages

Composed by Johann Sebastian Bach (1685-1750). Edited by Werner Neumann. For harpsichord. This edition: Urtext edition. Stapled. Single part. BWV 212. 24 pages. Published by Baerenreiter Verlag

Harpsichord

SKU: KU.OCT-10043_CEMB

Composed by Georg Philipp Telemann. Edited by Felix Schroeder. Arranged by Felix Schroeder. Bach format (230 x 302). Twv 54:F1. Staple Bound. Part. 12 pages. Edition Kunzelmann #OCT-10043_CEMB. Published by Edition Kunzelmann (KU.OCT-10043_CEMB).

Key: F major.

Harpsichord

SKU: HL.48188417

Composed by Domenico Scarlatti. Edited by Kenneth Gilbert. Heugel. Baroque. Softcover. 200 pages. Heugel & Cie #HE32522. Published by Heugel & Cie (HL.48188417).

UPC: 888680866266. 9.0x12.0x0.53 inches.

“Ital ian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this second volume is indispensable to performers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. The second volume, comprising Sonatas 53-103, includes the popular and recognised Sonatas in F minor (K. 69) and B minor (K. 87). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in the service of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre. ”.

(Manuscrit autographe, 1702). By Bernardo Pasquini (1637-1710). Edited by Emer Buckley. For Harpsichord. Facsimiles. Collection Dominantes. Grade 0. 488 pages