Harpsichord SKU: BA.BA04213-68 Composed by George Frideric Handel. Edited...(+)
Harpsichord
SKU:
BA.BA04213-68
Composed by George
Frideric Handel. Edited
by Adolf Hoffmann and
Hans Ferdinand Redlich.
This edition: urtext
edition. Stapled.
Barenreiter Urtext.
Single part. Opus 6/5,
HWV 323. 12 pages.
Baerenreiter Verlag
#BA04213_68. Published by
Baerenreiter Verlag
(BA.BA04213-68).
ISBN
9790006445707. 23 x 29.5
cm inches. Key: D
major.
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Harpsichord SKU: BA.BA08533-68 Urtext based on newly found source....(+)
Harpsichord
SKU:
BA.BA08533-68
Urtext based on newly
found source.
Composed by George
Frideric Handel. Edited
by Terence Best. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. HWV
287. Duration 8 minutes.
Baerenreiter Verlag
#BA08533_68. Published by
Baerenreiter Verlag
(BA.BA08533-68).
ISBN
9790006521487. 32.5 x
25.5 cm inches. Key: G
minor.
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Harpsichord; Early Music SKU: UT.HS-307 Composed by Antonio Valente. Edit...(+)
Harpsichord; Early Music
SKU: UT.HS-307
Composed by Antonio
Valente. Edited by Maria
Luisa Baldassari.
Paperback (Soft Cover).
Classical. Ut Orpheus #HS
307. Published by Ut
Orpheus (UT.HS-307).
ISBN 9790215327146. 9
x 12
inches.
Antonio
Valente blind,
Neapolitan since a
long time according
to the list of Neapolitan
musicians by Scipione
Cerreto and organist in
S. Angelo a Nilo in
Naples, is known in
modern times for his two
volumes of keyboard
music: Versi
spirituali published
in 1580 and, some years
before, the volume here
in transcription,
Intavolatura de
cimbalo, printed by
Giuseppe Cacchio in
1576. This volume has
many original features:
first keyboard tablature
ever printed in Naples,
itâ??s not written in
musical characters but in
a number-based system
never met, according to
the current studies, in
any other print or
manuscript both in and
outside Italy. The
dedication letter,
written by Fraâ??
Alberto Mazza, praises
Valente as the inventor
of this writing method,
so easy and effective
that everybody, even
uncouth youths that did
not know music and
keyboard, could attain
the result of playing
from it in two
months. The
Intavolatura presents
different genres of
music: a fantasia, six
ricercatas, a Salve
Regina on a cantus
firmus, four vocal
chansons
intabulated for keyboard
with more or less
diminutions,and nine
dances, variations and
dance/variations on
long-living tenors like
Romanesca or
Zefiro. There are
no liturgical
compositions, both
because unsuitable in a
collection for amateurs
and because Valente will
publish a new book of
sacred music in a few
years. The book is a
sort of compendium of the
keyboard genres of the
period, similar to some
older Spanish
publications and to the
later Neapolitan ones by
Trabaci and Majone. Other
contemporary volumes on
the contrary choose to
present a single type of
composition: this is the
case of the
Versetti by
Valente and the
Ricercate by Rocco
Rodio.
Harpsichord SKU: BA.BA04210-68 Composed by George Frideric Handel. Edited...(+)
Harpsichord
SKU:
BA.BA04210-68
Composed by George
Frideric Handel. Edited
by Adolf Hoffmann and
Hans Ferdinand Redlich.
This edition: urtext
edition. Stapled.
Barenreiter Urtext.
Single part. Opus 6/2,
HWV 320. 10 pages.
Baerenreiter Verlag
#BA04210_68. Published by
Baerenreiter Verlag
(BA.BA04210-68).
ISBN
9790006445509. 23 x 29.2
cm inches. Key: F
major.
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Harpsichord SKU: BA.BA04216-68 Composed by George Frideric Handel. Edited...(+)
Harpsichord
SKU:
BA.BA04216-68
Composed by George
Frideric Handel. Edited
by Adolf Hoffmann and
Hans Ferdinand Redlich.
This edition: urtext
edition. Stapled.
Barenreiter Urtext.
Single part. Opus 6/8,
HWV 326. 10 pages.
Baerenreiter Verlag
#BA04216_68. Published by
Baerenreiter Verlag
(BA.BA04216-68).
ISBN
9790006445929. 23 x 29.5
cm inches. Key: C minor.
Preface: Adolf
Hoffmann.
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Clearly presented divisi
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Harpsichord SKU: BA.BA10208-68 Congratulatory Cantata for the Birthday...(+)
Harpsichord
SKU:
BA.BA10208-68
Congratulatory Cantata
for the Birthday of Duke
Christian of
Saxony-Weißenfels and
of Duke Ernst August of
Saxony-Weimar.
Composed by Johann
Sebastian Bach. Edited by
Alfred Durr. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. BWV
208. Duration 38 minutes.
Baerenreiter Verlag
#BA10208_68. Published by
Baerenreiter Verlag
(BA.BA10208-68).
ISBN
9790006491797. 32.5 x
25.5 cm
inches.
Congratulat
ory Cantata for the
Birthday of Duke
Christian of
Saxony-Weissenfels and of
Duke Ernst August of
Saxony-Weimar.
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Harpsichord SKU: BA.BA04212-68 Composed by George Frideric Handel. Edited...(+)
Harpsichord
SKU:
BA.BA04212-68
Composed by George
Frideric Handel. Edited
by Adolf Hoffmann and
Hans Ferdinand Redlich.
This edition: urtext
edition. Stapled.
Barenreiter Urtext.
Single part. Opus 6/4,
HWV 322. 10 pages.
Baerenreiter Verlag
#BA04212_68. Published by
Baerenreiter Verlag
(BA.BA04212-68).
ISBN
9790006445622. 23 x 29.6
cm inches. Key: A
minor.
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Harpisc (Harpsichord) SKU: BA.BA05146-68 Composed by Johann Sebastian Bac...(+)
Harpisc (Harpsichord)
SKU: BA.BA05146-68
Composed by Johann
Sebastian Bach. Edited by
Wilfried Fischer. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Reconstructed
from BWV 1056. Single
part. 7 pages.
Baerenreiter Verlag
#BA05146_68. Published by
Baerenreiter Verlag
(BA.BA05146-68).
ISBN
9790006566778. 32.5 x
25.5 cm inches. Key: G
minor.
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Harpsich. (Harpsichord) SKU: BA.BA10252-68 Composed by George Frideric Ha...(+)
Harpsich. (Harpsichord)
SKU: BA.BA10252-68
Composed by George
Frideric Handel. Edited
by Terence Best. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. HWV
331. 5 pages.
Baerenreiter Verlag
#BA10252_68. Published by
Baerenreiter Verlag
(BA.BA10252-68).
ISBN
9790006538836. 32.5 x
25.5 cm inches. Key: F
major.
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Harpsichord SKU: BA.BA08348-68 Fourth movement with choir. Compose...(+)
Harpsichord
SKU:
BA.BA08348-68
Fourth movement with
choir. Composed by
George Frideric Handel.
Edited by Terence Best
and William D. Gudger.
This edition: urtext
edition. Stapled.
Barenreiter Urtext.
Fourth movement with
choir. Single part. Opus
4/4, HWV 292. 4 pages.
Baerenreiter Verlag
#BA08348_68. Published by
Baerenreiter Verlag
(BA.BA08348-68).
ISBN
9790006525294. 32.5 x
25.5 cm inches. Key: F
major.
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does not glare under
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Harpsichord SKU: BA.BA04218-68 Composed by George Frideric Handel. Edited...(+)
Harpsichord
SKU:
BA.BA04218-68
Composed by George
Frideric Handel. Edited
by Adolf Hoffmann and
Hans Ferdinand Redlich.
This edition: urtext
edition. Stapled.
Barenreiter Urtext.
Single part. Opus 6/10,
HWV 328. 14 pages.
Baerenreiter Verlag
#BA04218_68. Published by
Baerenreiter Verlag
(BA.BA04218-68).
ISBN
9790006446049. 23 x 29.5
cm inches. Key: D
minor.
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cues, rehearsal letters,
and page turns where
players need them -
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passages so that players
know exactly what they
have to play -
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slight yellow tinge which
does not glare under
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Harpsichord SKU: BA.BA04220-68 Composed by George Frideric Handel. Edited...(+)
Harpsichord
SKU:
BA.BA04220-68
Composed by George
Frideric Handel. Edited
by Adolf Hoffmann and
Hans Ferdinand Redlich.
This edition: urtext
edition. Stapled.
Barenreiter Urtext.
Single part. Opus 6/12,
HWV 330. 12 pages.
Baerenreiter Verlag
#BA04220_68. Published by
Baerenreiter Verlag
(BA.BA04220-68).
ISBN
9790006446162. 23 x 29.5
cm inches. Key: B
minor.
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x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
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Harpsichord SKU: BA.BA08346-68 Composed by George Frideric Handel. Edited...(+)
Harpsichord
SKU:
BA.BA08346-68
Composed by George
Frideric Handel. Edited
by Terence Best and
William D. Gudger. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
4/6, HWV 294. 3 pages.
Baerenreiter Verlag
#BA08346_68. Published by
Baerenreiter Verlag
(BA.BA08346-68).
ISBN
9790006522422. 32.5 x
25.5 cm inches. Key:
B-flat major.
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cues, rehearsal letters,
and page turns where
players need them -
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passages so that players
know exactly what they
have to play -
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slight yellow tinge which
does not glare under
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Harpsichord SKU: BA.BA04211-68 Composed by George Frideric Handel. Edited...(+)
Harpsichord
SKU:
BA.BA04211-68
Composed by George
Frideric Handel. Edited
by Adolf Hoffmann and
Hans Ferdinand Redlich.
This edition: urtext
edition. Stapled.
Barenreiter Urtext.
Single part. Opus 6/3,
HWV 321. 10 pages.
Baerenreiter Verlag
#BA04211_68. Published by
Baerenreiter Verlag
(BA.BA04211-68).
ISBN
9790006445561. 24 x 29.5
cm inches. Key: E minor.
Language: German/English.
Preface: Adolf
Hoffmann.
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cues, rehearsal letters,
and page turns where
players need them -
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Harpsichord SKU: BA.BA05255-68 Composed by Johann Sebastian Bach. Edited ...(+)
Harpsichord
SKU:
BA.BA05255-68
Composed by Johann
Sebastian Bach. Edited by
Hans Grüß and
Heinrich Besseler. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. BWV
1069. 12 pages. Duration
22 minutes. Baerenreiter
Verlag #BA05255_68.
Published by Baerenreiter
Verlag (BA.BA05255-68).
ISBN 9790006540525.
32.5 x 25.5 cm inches.
Key: D major.
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Harpsichord SKU: OT.21125 Composed by Daniel Akiva. 5 short pieces for ha...(+)
Harpsichord
SKU:
OT.21125
Composed by
Daniel Akiva. 5 short
pieces for
harpsichord/cembalo.
Classical. Score. OR-TAV
Music Publications
#21125. Published by
OR-TAV Music Publications
(OT.21125).
ISBN
9789655051117. 8.27 x
11.69 inches.
The
five short movements for
solo cembalo are brief,
personal prayers that
depict how the subject
manages a range of
feelings and emotions.
The miniatures each
represent a different
emotional state:
reflection, searching,
meditation, agitation,
and resolution. Each is a
small-scale
representation of a
grand, wide-ranging
prayer of
supplication. As a
composer, performer, and
researcher of early
music, writing for
cembalo allows me not
only to express my
special connection to the
instrument and the period
in which it flourished,
but also to present its
contemporary dimensions
as a rich and versatile
instrument. The
piece was composed at the
request of Hagai Yodan,
who performs it with
great skill. Daniel
Akiva is a composer,
performer, and educator
whose performances on
guitar and lute have won
great acclaim. Mr. Akiva
graduated from the Rubin
Academy of Music in
Jerusalem in 1981, where
he studied classical
guitar with Haim Asulin
and composition with Haim
Alexander. In 1987 he
completed his studies at
the Geneva Conservatorium
in Switzerland where he
studied lute with
Jonathon Rubin and
composition with Jean
Ballisa. For many years,
he headed the Music
Department at the WIZO
High School for the Arts
in Haifa, which he
founded in 1986, and
served as the Artistic
Director of the Guitar
Gems Festival from
2006-2019. As part of his
work at WIZO High School,
he has developed a method
for teaching free
improvisation that has
been incorporated into
the music program at the
school. Mr. Akiva has
appeared in concert as a
guitarist and lutist and
given master classes in
Israel, Europe, Russia,
the United States, and
Latin America. Daniel
Akiva’s
compositional output
includes works for solo
instruments, chamber
ensembles, choir, voice
and guitar, piano, and
chamber orchestra. His
works have been recorded
on twelve CDs, the latest
of which, Malchut, was
issued by OR-TAV in
2014. A native of
Haifa whose family has
lived in Israel for over
five hundred years, he
was steeped in the
Sephardic
(Jewish-Spanish)
tradition from his youth.
Much of his compositional
output has been devoted
to a dialogue with the
music of the Sephardic
Jews. Daniel Akiva has
also maintained a
creative dialogue over
many years with the poets
and writers Amnon
Shamash, Rivka Miriam,
and Avner Peretz.
Harpsichord; Piano (Harpsichord) SKU: HL.49047178 For Harpsichord or P...(+)
Harpsichord; Piano
(Harpsichord)
SKU:
HL.49047178
For
Harpsichord or Piano.
Composed by Fazil Say.
Piano. Classical, Jazz.
Softcover. 12 pages.
Duration 420 seconds.
Schott Music #ED23543.
Published by Schott Music
(HL.49047178).
ISBN
9781705197486. UPC:
842819115908.
9.0x12.0x0.075
inches.
Are you a
lover of classical piano
music looking for
something new and
exciting to add to your
repertoire? Look no
further than Goldberg in
Istanbul, the stunning
op. 94 composition by
Fazil Say. This concert
and encore piece takes
the well-known themes of
theGoldberg Variations by
Johann Sebastian Bach and
infuses them with Turkish
maqams, jazz elements,
and Istanbul rhythms. The
result is a breathtaking
fusion of cultures and
styles that is sure to
captivate any audience.
Whether you're a pianist
or harpsichordist, this
sheet music publication
is a must-have for any
performer looking to add
something fresh and
unique to their
repertoire. Get your copy
of Goldberg in Istanbul
today and experience the
magic for yourself.
(for Cembalo or Harpsichord). By Hermann Schroeder (1904-1984). For Harpsichord,...(+)
(for Cembalo or
Harpsichord). By Hermann
Schroeder (1904-1984).
For Harpsichord, Cembalo.
Schott. Softcover. 12
pages. Schott Music
#ED20936. Published by
Schott Music
Chamber Music Harpsichord SKU: PR.110418390 Composed by Eric Ewazen. Full...(+)
Chamber Music Harpsichord
SKU: PR.110418390
Composed by Eric Ewazen.
Full score. 11 pages.
Duration 10 minutes.
Theodore Presser Company
#110-41839. Published by
Theodore Presser Company
(PR.110418390).
ISBN
9781491134603. UPC:
680160685158.
Eric
Ewazen’s THREE
INVENTIONS were inspired
by Bach’s Two-part
Inventions, yet they
sound thoroughly like
Ewazen. Composed for
harpsichord (with a piano
adaptation following
later), Ewazen’s
inventions maintain a
pure “one note per
hand†texture until
their final chord, with
strong-but-free imitative
counterpoint between the
two voices. While Ewazen
may be best known for his
wind music, he is a
pianist himself, and
composers’ works
for their own instrument
are a direct insight into
how they write for their
own performances. The
piano adaptation of THREE
INVENTIONS is also
available as a separate
publication. THREE
INVENTIONS was written
for my dear friend Maria
Rojas, who premiered the
work on a faculty recital
at Juilliard. Maria is
both a pianist and a
harpsichordist, and I
first met her when she
gave a demonstration of
the harpsichord for the
students in my theory
classes.I’ve
always been captivated by
Bach’s series of
Two-Part and Three-Part
Inventions. With the
Two-Part Inventions,
I’m amazed how
Bach could create such
wonderful intricacy and
counterpoint with only
two voices. I
consequently modeled my
inventions after the
counterpoint of Bach,
involving the traditional
contrapuntal devices he
used: imitation,
development, harmonic and
modal shifts,
fragmentation, and
sequence, essentially
creating a dialog between
two completely equal
voices conversing with
each other!Bach wrote 15
Two-Part Inventions (as
well as 15 Three-Part
Inventions, not to
mention the 48 preludes
and fugues in The
Well-Tempered Clavier!),
and that’s just
the start of his
voluminous repertoire for
the keyboard! I was happy
just to write
three!!!Each of my
inventions has a
distinctive mood. The
first is in a relaxed,
yet cheerful C Major
tonality (as a nod to
Bach’s Invention
No. 1 in C Major); the
second is heartfelt and
lyrical; and the third
invention (involving a
Gigue rhythm in the
compound meter of 12/8)
is energetic, and full of
life and spontaneity. The
third is primarily in a
minor tonality, resulting
in a feeling of drama,
bringing the THREE
INVENTIONS to an exciting
finale.