Keyboard

SKU: SU.80101353

For Keyboard. Composed by Carson Cooman. Keyboard. Score. Zimbel Press #80101353. Published by Zimbel Press (SU.80101353).

Keyboard Duration: 6' Composed: 2014 Published by: Zimbel Press Inspired by Bach's BWV 998 (a keyboard piece likely originally conceived for the lautenwerk or lute harpsichord), this piece may be played effectively on any keyboard instrument (organ, piano, harmonium/reed organ, harpsichord, clavichord, or electronic keyboard). The opening triple-meter prelude in Eb major is sunny and bright in character, with its arpeggiated textures evoking plucked strings. The fughetta begins in the relative minor (C), with a darker and more dissonantly chromatic character; however, it works through several keys to end in Eb major. The concluding allegro returns to joyous mood of the opening movement (though its middle section returns again to C minor).

Keyboard

SKU: SU.80101352

For Keyboard. Composed by Carson Cooman. Keyboard. Score. Zimbel Press #80101352. Published by Zimbel Press (SU.80101352).

Keyboard Duration: 5' Composed: 2014 Published by: Zimbel Press The formal inspiration for this piece came from early Italian keyboard toccatas (those of Frescobaldi are probably the most famous today, though there are certainly many others). However, the early influences do not come exclusively from a single source. The toccatas of Hassler, the ricercari of Steigleder, the fantasias of Cornet and Kerckhoven, the fugues of Couperin, and anonymous late medieval keyboard music all are thrown into the mix, and blended with a contemporary use of mixed modality. This piece may be played on any keyboard instrument (organ, piano, harmonium/reed organ, harpsichord, clavichord, or electronic keyboard).

Keyboard

SKU: SU.80101342

For Keyboard. Composed by Carson Cooman. Keyboard, Piano/Harpsichord, Keyboard, Organ. Score. Zimbel Press #80101342. Published by Zimbel Press (SU.80101342).

Keyboard Duration: 8' Composed: 2013 Published by: Zimbel Press Ricercari are three pieces inspired by the keyboard music of the early and mid 16th century. During this time, the genre of the ricercare developed as a sort of instrumental motet and a kind of proto-fugue. Each work here is a contrapuntal ricercare in a modal cast, each in a different number of voices. However, all three blend elements of the 16th century style with more contemporary sounds. These pieces may be played on any keyboard instrument (organ, piano, harmonium/reed organ, harpsichord, clavichord, or electronic keyboard).

Keyboard

SKU: SU.80101322

For Keyboard. Composed by Craig A. Penfield. Keyboard, Piano/Harpsichord. Score. Zimbel Press #80101322. Published by Zimbel Press (SU.80101322).

A set of 24 three movement sonatas that can be played on any keyboard instrument (organ, piano, harmonium/reed organ, harpsichord, clavichord, or electronic keyboard). The composer writes the following: My inspiration for composing these sonatas comes as a direct result of the music of the Renaissance and early Baroque. It is an attempt by this composer to capture in his own musical vocabulary some of the 'essence' that pervades the music of these past centuries. These pieces are easy to play and extremely useful for services, recitals, or teaching. Instrumentation: Keyboard. Composed: 2012 Published by: Zimbel Press.