Keyboard

SKU: HH.HH481-SOL

Composed by Thomas Vincent. Edited by Michael Talbot. Keyboard. Playing score. Edition HH Music Publishers #HH481-SOL. Published by Edition HH Music Publishers (HH.HH481-SOL).

ISBN 9790708146926.

This set of six short two-movement keyboard sonatinas, or ‘lessons’ (in the traditional English manner), come from a hitherto overlooked 1755 publication by a composer already well known and appreciated for his slightly earlier oboe sonatas. Vincent’s melodic gifts and skill in musical construction, clearly evident in the wind sonatas, are here complemented by an obvious flair for effective keyboard writing and an ability to spring welcome musical surprises.

Keyboard

SKU: HH.HH570-SOL

Composed by Henri-Joseph Rigel. Edited by Michael Talbot. Playing score. Edition HH Music Publishers #HH570-SOL. Published by Edition HH Music Publishers (HH.HH570-SOL).

ISBN 9790708185857.

Rige l’s keyboard music is a relatively neglected area within his oeuvre. This edition of his first published collection – a set of six sonatas for solo harpsichord or piano issued in 1767 – seeks to bring it to the attention of players and listeners. These highly idiomatic sonatas display the richness and pan-European character of Rigel’s musical inheritance. In them we hear a blend of influences drawn from the Italian tradition of galant keyboard music, the drama-filled world of the German symphony and the intimate milieu of French pièces de clavecin.

Keyboard

SKU: HH.HH569-SOL

Composed by Henri-Joseph Rigel. Edited by Michael Talbot. Playing score. Edition HH Music Publishers #HH569-SOL. Published by Edition HH Music Publishers (HH.HH569-SOL).

ISBN 9790708185840.

Rige l’s keyboard music is a relatively neglected area within his oeuvre. This edition of his first published collection – a set of six sonatas for solo harpsichord or piano issued in 1767 – seeks to bring it to the attention of players and listeners. These highly idiomatic sonatas display the richness and pan-European character of Rigel’s musical inheritance. In them we hear a blend of influences drawn from the Italian tradition of galant keyboard music, the drama-filled world of the German symphony and the intimate milieu of French pièces de clavecin.

Keyboard

SKU: HH.HH463-SOL

Composed by John Sheeles. Edited by Michael Talbot. Keyboard. Playing score. Edition HH Music Publishers #HH463-SOL. Published by Edition HH Music Publishers (HH.HH463-SOL).

ISBN 9790708146728.

Shee les has a distinct gift for melody and for developing musical motives intensively and inventively, while always treating the keyboard in a highly varied and idiomatic manner. Each of his thirteen suites, all containing between three and five movements, follows an individual plan, mixing lengthy and sometimes ambitious movements with shorter, simpler ones. This is their first modern edition, and one that promises to win his music many admirers.

Keyboard

SKU: HH.HH459-SOL

Composed by John Sheeles. Edited by Michael Talbot. Keyboard. Playing score. Edition HH Music Publishers #HH459-SOL. Published by Edition HH Music Publishers (HH.HH459-SOL).

ISBN 9790708146674.

Shee les has a distinct gift for melody and for developing musical motives intensively and inventively, while always treating the keyboard in a highly varied and idiomatic manner. Each of his thirteen suites, all containing between three and five movements, follows an individual plan, mixing lengthy and sometimes ambitious movements with shorter, simpler ones. This is their first modern edition, and one that promises to win his music many admirers.

Keyboard

SKU: HH.HH454-SOL

Composed by George Berg. Edited by Michael Talbot. Keyboard. Playing score. Edition HH Music Publishers #HH454-SOL. Published by Edition HH Music Publishers (HH.HH454-SOL).

ISBN 9790708146612.

Geor ge Berg’s eight keyboard suites, Op. 5, were published in London around 1760, while the composer was travelling in Italy. They are his most varied and resourceful compositions, following generally in the tradition of Handel’s suites but adding stylistic elements culled from Italian, German and French music in a playfully eclectic manner. This sparkling, idiomatic music – barely known until now – is equally suitable for private enjoyment and concert use.

Keyboard

SKU: HH.HH453-SOL

Composed by George Berg. Edited by Michael Talbot. Keyboard. Playing score. Edition HH Music Publishers #HH453-SOL. Published by Edition HH Music Publishers (HH.HH453-SOL).

ISBN 9790708146605.

Geor ge Berg’s eight keyboard suites, Op. 5, were published in London around 1760, while the composer was travelling in Italy. They are his most varied and resourceful compositions, following generally in the tradition of Handel’s suites but adding stylistic elements culled from Italian, German and French music in a playfully eclectic manner. This sparkling, idiomatic music – barely known until now – is equally suitable for private enjoyment and concert use.

Keyboard

SKU: HH.HH451-SOL

Composed by George Berg. Edited by Michael Talbot. Keyboard. Playing score. Edition HH Music Publishers #HH451-SOL. Published by Edition HH Music Publishers (HH.HH451-SOL).

ISBN 9790708146582.

At the heart of George Berg's oeuvre are his seven collections of keyboard music. His sonatinas for harpsichord were a by-product of his teaching, appearing in three volumes between 1759 and 1762. Technically fairly simple, these are lively, inventive and finely polished works. Berg's sonatinas are as well suited to the piano as the harpsichord sonatas of Domenico Scarlatti from which they draw so much inspiration, provided that the player makes sparing (or no) use of the sustaining pedal and avoids over-fussy dynamic variation.

Keyboard

SKU: HH.HH450-SOL

Composed by George Berg. Edited by Michael Talbot. Keyboard. Playing score. Edition HH Music Publishers #HH450-SOL. Published by Edition HH Music Publishers (HH.HH450-SOL).

ISBN 9790708146575.

At the heart of George Berg’s oeuvre are his seven collections of keyboard music. His sonatinas for harpsichord were a by-product of his teaching, appearing in three volumes between 1759 and 1762. Technically fairly simple, these are lively, inventive and finely polished works. Berg’s sonatinas are as well suited to the piano as the harpsichord sonatas of Domenico Scarlatti from which they draw so much inspiration, provided that the player makes sparing (or no) use of the sustaining pedal and avoids over-fussy dynamic variation.