E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and...(+)
E-Z Play Today (Easy
big-note right-hand-only
arrangements for piano,
organ, and electronic
keyboard). Size 9x12
inches. 136 pages.
Published by Hal Leonard.
Keyboard SKU: SU.80101342 For Keyboard. Composed by Carson Cooman....(+)
Keyboard
SKU:
SU.80101342
For
Keyboard. Composed by
Carson Cooman. Keyboard,
Piano/Harpsichord,
Keyboard, Organ. Score.
Zimbel Press #80101342.
Published by Zimbel Press
(SU.80101342).
Keyboard
Duration: 8' Composed:
2013 Published by: Zimbel
Press Ricercari are three
pieces inspired by the
keyboard music of the
early and mid 16th
century. During this
time, the genre of the
ricercare developed as a
sort of instrumental
motet and a kind of
proto-fugue. Each work
here is a contrapuntal
ricercare in a modal
cast, each in a different
number of voices.
However, all three blend
elements of the 16th
century style with more
contemporary sounds.
These pieces may be
played on any keyboard
instrument (organ, piano,
harmonium/reed organ,
harpsichord, clavichord,
or electronic
keyboard).
Keyboard SKU: SU.80101349 For Keyboard. Composed by Arthur Fracken...(+)
Keyboard
SKU:
SU.80101349
For
Keyboard. Composed by
Arthur Frackenpohl.
Keyboard. Score. Zimbel
Press #80101349.
Published by Zimbel Press
(SU.80101349).
Three movements
in a Baroque-inspired
style that can be played
on any keyboard
instrument (including
organ, harpsichord, or
piano). Two chorale
preludes (Ach Gott, wie
manches Herzelied and Nur
mein Jesus ist mein
Leben) are followed by a
freely-composed fugue in
D minor. Instrumentation:
Keyboard. Composed: 1948,
rev. 2007 Published by:
Zimbel Press.
Keyboard SKU: SU.80101352 For Keyboard. Composed by Carson Cooman....(+)
Keyboard
SKU:
SU.80101352
For
Keyboard. Composed by
Carson Cooman. Keyboard.
Score. Zimbel Press
#80101352. Published by
Zimbel Press
(SU.80101352).
Keyboard
Duration: 5' Composed:
2014 Published by: Zimbel
Press The formal
inspiration for this
piece came from early
Italian keyboard toccatas
(those of Frescobaldi are
probably the most famous
today, though there are
certainly many others).
However, the early
influences do not come
exclusively from a single
source. The toccatas of
Hassler, the ricercari of
Steigleder, the fantasias
of Cornet and Kerckhoven,
the fugues of Couperin,
and anonymous late
medieval keyboard music
all are thrown into the
mix, and blended with a
contemporary use of mixed
modality. This piece may
be played on any keyboard
instrument (organ, piano,
harmonium/reed organ,
harpsichord, clavichord,
or electronic
keyboard).