Keyboard

SKU: SU.80101352

For Keyboard. Composed by Carson Cooman. Keyboard. Score. Zimbel Press #80101352. Published by Zimbel Press (SU.80101352).

Keyboard Duration: 5' Composed: 2014 Published by: Zimbel Press The formal inspiration for this piece came from early Italian keyboard toccatas (those of Frescobaldi are probably the most famous today, though there are certainly many others). However, the early influences do not come exclusively from a single source. The toccatas of Hassler, the ricercari of Steigleder, the fantasias of Cornet and Kerckhoven, the fugues of Couperin, and anonymous late medieval keyboard music all are thrown into the mix, and blended with a contemporary use of mixed modality. This piece may be played on any keyboard instrument (organ, piano, harmonium/reed organ, harpsichord, clavichord, or electronic keyboard).

E-Z Play�® Today Volume 23. By Various. E-Z Play Today. Softcover. 184 pages. Published by Hal Leonard (HL.234685).

Keyboard

SKU: HH.HH451-SOL

Composed by George Berg. Edited by Michael Talbot. Keyboard. Playing score. Edition HH Music Publishers #HH451-SOL. Published by Edition HH Music Publishers (HH.HH451-SOL).

ISBN 9790708146582.

At the heart of George Berg's oeuvre are his seven collections of keyboard music. His sonatinas for harpsichord were a by-product of his teaching, appearing in three volumes between 1759 and 1762. Technically fairly simple, these are lively, inventive and finely polished works. Berg's sonatinas are as well suited to the piano as the harpsichord sonatas of Domenico Scarlatti from which they draw so much inspiration, provided that the player makes sparing (or no) use of the sustaining pedal and avoids over-fussy dynamic variation.

Keyboard

SKU: HH.HH450-SOL

Composed by George Berg. Edited by Michael Talbot. Keyboard. Playing score. Edition HH Music Publishers #HH450-SOL. Published by Edition HH Music Publishers (HH.HH450-SOL).

ISBN 9790708146575.

At the heart of George Berg’s oeuvre are his seven collections of keyboard music. His sonatinas for harpsichord were a by-product of his teaching, appearing in three volumes between 1759 and 1762. Technically fairly simple, these are lively, inventive and finely polished works. Berg’s sonatinas are as well suited to the piano as the harpsichord sonatas of Domenico Scarlatti from which they draw so much inspiration, provided that the player makes sparing (or no) use of the sustaining pedal and avoids over-fussy dynamic variation.

Smart PianoSoft. Performed by Chicago. Pianosoft Sync (this is NOT sheet music). Floppy disk. Published by Yamaha.

Keyboard

SKU: SU.80101322

For Keyboard. Composed by Craig A. Penfield. Keyboard, Piano/Harpsichord. Score. Zimbel Press #80101322. Published by Zimbel Press (SU.80101322).

A set of 24 three movement sonatas that can be played on any keyboard instrument (organ, piano, harmonium/reed organ, harpsichord, clavichord, or electronic keyboard). The composer writes the following: My inspiration for composing these sonatas comes as a direct result of the music of the Renaissance and early Baroque. It is an attempt by this composer to capture in his own musical vocabulary some of the 'essence' that pervades the music of these past centuries. These pieces are easy to play and extremely useful for services, recitals, or teaching. Instrumentation: Keyboard. Composed: 2012 Published by: Zimbel Press.

Written by Noah Baerman. Instructional book and examples/accompaniment CD for keyboard. Series: National Keyboard Workshop Book - Approved Curriculum. 96 pages. Published by Alfred Publishing.

Keyboard

SKU: GI.G-008807

Lent 5 Year B, OT 7 Year B, easter 3 Year B. Sacred. GIA Publications #008807. Published by GIA Publications (GI.G-008807).

UPC: 641151088075.

In this gospel-inspired arrangement, syncopated writing for the choir and piano provides just the right musical effect as we seek God‚ mercy through song. The careful dynamic markings within phrases and throughout the verses guide you to an interpretation that brings new life to this beloved text and tune. A refreshing addition to your choral repertoire!

Keyboard

SKU: GI.G-003427

Composed by Paul Nienaber. Sacred. GIA Publications #003427. Published by GIA Publications (GI.G-003427).

Paul Nienaber, a Jesuit physicist and hymn-text author, offers these twenty-eight inspiring and beautifully-written texts that have been set to music by WLP composers across a variety of styles, from John Angotti to Charles Thatcher.  .

Composed by Carlos Campos. Spiral bound. Salsa/Piano Instruction. Book and Downloadable audio. Duration 70 minutes. Published by ADG Productions

Keyboard

SKU: GI.G-9600

Sacred. GIA Publications #9600. Published by GIA Publications (GI.G-9600).

In creating the African American ecumenical hymnal, One Lord, One Faith, One Baptism it was imperative to the core committee that the hymnal serve as a needed resource for the many denominations in the African American Church. It was the committee’s strong desire that this hymnal would represent and preserve the rich theological, cultural, and musical heritages of these traditions and offer a full breadth of music representing historical as well as vibrant contemporary worship, while looking toward the future. It was also of utmost importance that this hymnal draw the body of Christ together so that it may be enlarged, enriched, and inspired to live and worship based on what unites us: “one Lord, one faith, one baptism.” This hymnal contains selections of diverse styles and genres, including traditional ecumenical hymns, contemporary texts written for the twenty-first-century church, praise and worship selections, music from Taizé, choral responses, responsorial psalmody, traditional and contemporary gospel music, and Negro spirituals. The editors maintained a remarkably high degree of excellence in selecting and presenting this repertoire, and church musicians of all tastes could find this anthology useful either as a reference or as a repository for imaginitive congregational song. Jason Overall, The Journal of the Association of Anglican Musicians, Volume 27, Number 10, December 2018.

Keyboard

SKU: SU.80101365

For Keyboard. Composed by Carson Cooman. Keyboard. Score. Zimbel Press #80101365. Published by Zimbel Press (SU.80101365).

These three dances (pavane, tordion, and allemande) are inspired by Renaissance forms, although they employ a harmonic and melodic language that blends allusions to Renaissance harmony with more contemporary elements. They may be played on any keyboard instrument. Organ and harpsichord are the most likely candidates, but performance on clavichord, harmonium, reed organ, piano, or even electronic keyboard is also possible. Instrumentation: Keyboard. Composed: 2014 Published by: Zimbel Press.

Keyboard

SKU: SU.80101342

For Keyboard. Composed by Carson Cooman. Keyboard, Piano/Harpsichord, Keyboard, Organ. Score. Zimbel Press #80101342. Published by Zimbel Press (SU.80101342).

Keyboard Duration: 8' Composed: 2013 Published by: Zimbel Press Ricercari are three pieces inspired by the keyboard music of the early and mid 16th century. During this time, the genre of the ricercare developed as a sort of instrumental motet and a kind of proto-fugue. Each work here is a contrapuntal ricercare in a modal cast, each in a different number of voices. However, all three blend elements of the 16th century style with more contemporary sounds. These pieces may be played on any keyboard instrument (organ, piano, harmonium/reed organ, harpsichord, clavichord, or electronic keyboard).

Keyboard

SKU: SU.80101353

For Keyboard. Composed by Carson Cooman. Keyboard. Score. Zimbel Press #80101353. Published by Zimbel Press (SU.80101353).

Keyboard Duration: 6' Composed: 2014 Published by: Zimbel Press Inspired by Bach's BWV 998 (a keyboard piece likely originally conceived for the lautenwerk or lute harpsichord), this piece may be played effectively on any keyboard instrument (organ, piano, harmonium/reed organ, harpsichord, clavichord, or electronic keyboard). The opening triple-meter prelude in Eb major is sunny and bright in character, with its arpeggiated textures evoking plucked strings. The fughetta begins in the relative minor (C), with a darker and more dissonantly chromatic character; however, it works through several keys to end in Eb major. The concluding allegro returns to joyous mood of the opening movement (though its middle section returns again to C minor).

Keyboard

SKU: SU.80101349

For Keyboard. Composed by Arthur Frackenpohl. Keyboard. Score. Zimbel Press #80101349. Published by Zimbel Press (SU.80101349).

Three movements in a Baroque-inspired style that can be played on any keyboard instrument (including organ, harpsichord, or piano). Two chorale preludes (Ach Gott, wie manches Herzelied and Nur mein Jesus ist mein Leben) are followed by a freely-composed fugue in D minor. Instrumentation: Keyboard. Composed: 1948, rev. 2007 Published by: Zimbel Press.

Written by Bert Konowitz. For keyboard. Includes instructional book and accompaniment/examples CD. With chord names, instructional text, fingerings, chord chart and introductory text. Learn to play and jazz. 80 pages. 9x12 inches. Published by Alfred Publishing.