Keyboard SKU: GI.G-001226 Gospel Style Piano Technique. Composed b...(+)
Keyboard
SKU:
GI.G-001226
Gospel
Style Piano
Technique. Composed
by Thomas W. Jefferson.
Sacred. 96 pages. GIA
Publications #001226.
Published by GIA
Publications
(GI.G-001226).
Use this
comprehensive method
book, written by master
pianist Thomas W.
Jefferson, to learn
gospel-style piano
playing techniques that
will elevate you to a
whole new level of
musical skill and style.
The basics of
gospel-style piano are
presented in 100
authentic and practical
examples and exercises
that will help you to
understand and implement
that extra flare into
your playing technique.
Several full-length
pieces are also included
for you to apply the new
methods you have
learned. .
Instrumental Method. DVD . Published by Music Sales. This easy-to-follow keyboa...(+)
Instrumental Method. DVD
. Published by Music
Sales. This
easy-to-follow keyboard
DVD tutor will take you
step by step from first
day exercises to playing
along with a professional
backing track. Learn how
to maintain posture and
playing position, read
basic music notation,
play with hands
separately and then
together, and perform
your very first songs.
Includes a 32-page
booklet matching the
exercises on the DVD.
Professional Know-How of Contemporary Keyboard-Playing. By Hans Moser. This edit...(+)
Professional Know-How of
Contemporary
Keyboard-Playing. By Hans
Moser. This edition:
ED7291. Schott. Book with
CD. 136 pages. Published
by Schott Music.
Performed by The Beatles. E-Z Play Today (Easy big-note right-hand-only arrangem...(+)
Performed by The Beatles.
E-Z Play Today (Easy
big-note right-hand-only
arrangements for piano,
organ, and electronic
keyboard). Size 9x12
inches. 208 pages.
Published by Hal Leonard.
Clavier [Livre + CD] - Intermédiaire Alfred Publishing
Written by Bert Konowitz. For keyboard. Includes instructional book and accompan...(+)
Written by Bert Konowitz.
For keyboard. Includes
instructional book and
accompaniment/examples
CD. With chord names,
instructional text,
fingerings, chord chart
and introductory text.
Chords. 80 pages. 9x12
inches. Published by
Alfred Publishing.
El Teclado Electronico De La A a La Z composed by Robert Moore. For electronic k...(+)
El Teclado Electronico De
La A a La Z composed by
Robert Moore. For
electronic keyboard. This
edition: Paperback.
Instructional. Method.
Book. Text Language:
Spanish. 144 pages.
Published by Santorella
Publications
Keyboard SKU: M7.VOGG-417 Composed by Jacky Dreksler and Richard Haertel....(+)
Keyboard
SKU:
M7.VOGG-417
Composed
by Jacky Dreksler and
Richard Haertel. Sheet
music with CD.
Voggenreiter #VOGG 417.
Published by Voggenreiter
(M7.VOGG-417).
ISBN
9783802404177.
English.
Tutor,
Reference book, Songbook
& dictionary all in one!
It's fun and easy to
understand with plenty of
informative tips,
therefore well suited to
beginners and novices who
wish to get the most out
of their keyboards. Split
into 12 progressive
sections it covers
practically everything
you need to know about
keyboards, such as
intervals, dominant and
subdominant chains, all
scales, riffs, licks,
phrases, patterns, intros
and endings. Moreover,
you'll learn everything
about improvisation,
arranging and composing
in Blues, Rock, Pop and
Jazz styles. Finally,
various special keyboard
voicings, programming
drum computers and MIDI
make this book an
invaluable encyclopedia.
The accompanying CD
includes many examples
and songs to listen or
play along to.
Keyboard SKU: GI.G-8589 The Songs of Sally Ann Morris and Adam M. L. T...(+)
Keyboard
SKU:
GI.G-8589
The
Songs of Sally Ann Morris
and Adam M. L. Tice.
Composed by Sally Ann
Morris. Celebration
Series. Sacred.
Collection. GIA
Publications #8589.
Published by GIA
Publications (GI.G-8589).
UPC: 785147858935.
English. Text by Adam M.
L. Tice.
Sally Ann
Morris and Adam Tice
began working together in
2008, when Sally was
asked to compose a few
tunes for Adam’s
first collection, Woven
into Harmony. This
initial collaboration was
the beginning of what has
become a dynamic
partnership. In this
symbiotic pairing new
inspiration emerged,
generating contemporary
but timeless music where
text and tune seamlessly
unite.
    The a
cappella choral writing
on “Will You Hold
Me in the Lightâ€
and “This Is My
Body†is so lush
and intricate that
accompaniment is not
necessary, while the
poetry of “God Give
Me Faith like a
Child†and
“Breath of God,
Breath of Peaceâ€
illustrates the innocence
and fearlessness
essential in our love and
trust of God.
Stylistically ranging
from a cappella choral to
Latin jazz, each piece
offers a musical and
textual sophistication
that powerfully conveys
themes of journey and
longing for God’s
guidance.
Composed by Carlos Campos and Andrew D. Gordon. Saddle stitch. Latin/Piano Instr...(+)
Composed by Carlos Campos
and Andrew D. Gordon.
Saddle stitch.
Latin/Piano Instruction.
Book and downloadable
audio. Duration 70
minutes. Published by ADG
Productions
Keyboard SKU: ST.MB96 Composed by Various. Edited by Alan Brown. Library ...(+)
Keyboard
SKU:
ST.MB96
Composed by
Various. Edited by Alan
Brown. Library Volumes.
Edited by Alan Brown.
First published in 2014..
Pages: 240. Format:
Hardback. Dimensions
(mm): 330 x 254 x 26.
Keyboard collection.
Stainer & Bell Ltd.
#MB96. Published by
Stainer & Bell Ltd.
(ST.MB96).
ISBN
9790220223853.
This
volume is the first of
two intended to extend
the coverage of keyboard
music in Musica
Britannica
comprehensively into the
first quarter of the 17th
century. (The other,
MB102, includes material
from the two virginal
books in the Fitzwilliam
Museum, Cambridge.) The
present edition contains
music by anonymous and a
dozen or so named
composers, including the
complete keyboard works
of Nicholas Carleton, the
surviving twenty
'Miserere' canons by
Thomas Woodson, and the
anonymous 'Pretty ways
for young beginners to
look on'. The 77 complete
pieces are organised by
genre, including
preludes, plainsong
settings, voluntaries,
dances and character
pieces. Drawing on 22
manuscripts which mostly
also transmit music by
Byrd and other noted
virginalists, this
residue of music from
these sources shows great
diversity and a pleasing
level of technical skill
and musical interest,
sufficient to enhance our
wider view of English
Renaissance music.