E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and...(+)
E-Z Play Today (Easy
big-note right-hand-only
arrangements for piano,
organ, and electronic
keyboard). Size 9x12
inches. 88 pages.
Published by Hal Leonard.
Keyboard SKU: GI.G-9590 Composed by Ephrem Feeley. Sacred. Collection. GI...(+)
Keyboard
SKU:
GI.G-9590
Composed by
Ephrem Feeley. Sacred.
Collection. GIA
Publications #9590.
Published by GIA
Publications (GI.G-9590).
UPC: 785147959038.
English.
Ephrem
Feeley’s second
published collection Our
Hearts Are Restless
mirrors the flexibility
and variety of his first,
Here in Christ We Gather.
The music is flexible to
accompany the ritual
action it accompanies,
and the scoring allows
for performance by cantor
or choir. Above all, this
is elegant liturgical
music at the service of
the liturgy.
Ephrem’s musical
style sits comfortably
between classical and
contemporary, allowing
for immediate engagement
by all. Â
CONTENTS:Â I Will Go Up
to the Altar of God
• A Blessing on the
Young • Christ Has
No Body Now but Yours
• Be Near at Either
Hand • God’s
Love for Us • Our
Hearts Are Restless, O
God • Song of
Farewell • Sing a
New Song to the Lord
• Call to Your
Table • Our Eyes
Are Fixed on the Lord
•For You, My Soul
Is Thirsting • When
in Our Music God Is
Glorified.
Keyboard SKU: ST.K48 Composed by Various. Edited by Alan Brown. Piano & k...(+)
Keyboard
SKU:
ST.K48
Composed by
Various. Edited by Alan
Brown. Piano & keyboard
music. By Nicholas
Carleton, John Amner and
John Tomkins.. Six pieces
from Musica Britannica
Volume 96. Edited by Alan
Brown. Keyboard
collection. Stainer &
Bell Ltd. #K48. Published
by Stainer & Bell Ltd.
(ST.K48).
ISBN
9790220224454.
Comp
lementary to K49, this
collection is a unique
offering of music by John
Amner, Nicholas Carleton
and John Tomkins that is
the only surviving
keyboard music by the
respective composers. In
addition to a pair of
duets, in themselves an
unusual feature from the
period, there are two
lengthy sets of
variations, Amner's being
a rare example of those
on a metrical psalm or
hymn-tune (possibly by
Tallis in this case),
John Tomkins's being more
conventionally modelled
on the variation sets of
William Byrd. Nicholas
Carleton's 'A verse of 4
parts' and 'Upon the
sharp' include several
examples of unusual
chromatic notation and
wide-ranging tonal
schemes.
CONTENTS Prelude (for
two to play): Nicholas
Carleton? A verse (In
nomine) for two to play:
Nicholas Carleton A
verse of 4 parts:
Nicholas Carleton
Upon the sharp: Nicholas
Carleton O Lord, in
thee is all my trust:
John Amner John come
kiss me now: John
Tomkins.
