Par CHOSTAKOVITCH DIMITRI. Dmitri Shostakovich's Trio No. 1 Op. 8 & Trio No. 2 Op. 67 for Violin, Cello and Piano./ Répertoire / Conducteur

Par MOZART WOLFGANG AMADEUS. Wolfgang Amadeus Mozart's horn concertos: the Mozart expert Henrik Wiese edits the central work genre of Viennese classicism according to the current status of international Mozart research. Mozart wrote the Horn Concerto K. 417 - like the other works of this genre as well - for his horn-playing friend Joseph Leutgeb. The jokes which the composer made at Leutgeb's expense are wellknown. For example, he called the dedicatee a 'donkey” in the autograph, and, as Henrik Wiese evidences in his preface, Mozart also occasionally enjoyed a bit of tomfoolery with the soloist in the musical text as well. Otherwise the editor's task was anything but amusing. The main source - the autograph score - is incomplete: missing are the close of Movement I as well as the entire slow middle movement. For these two sections, Wiese used a copy of the score from the archive of the publisher Johann André. The unusual circumstance that Mozart generally left the horn part almost unmarked recurs in the Concerto K. 417 and was deliberately maintained in the Urtext edition./ Répertoire / Conducteur

Norton Critical notes sont des éditions de taille d'étude faisant autoritées de grandes oeuvres musicales, chacune accompagnée de soigneusement sélectionné matériel supplémentaire - sources primaires - un large éventail d'historique, critique et les interprétations analytiques - et une bibliographie - pour améliorer la compréhension du lecteur du travail, son origine et sa réception. / Conducteur

Edward Elgars „Konzert für Violoncello und Orchester“ ist sein letztes großes Werk. Es ist eine klar strukturierte und hochemotionale Komposition, die in der Violoncelloliteratur von zentraler Bedeutung ist.
Die Studienpartitur basiert auf der Urtext-Ausgabe von Jonathan Del Mar, die 2005 publiziert worden ist. Sie enthält ein neues Vorwort des Herausgebers, das umfassend Auskunft über das berühmte Werk gibt. Diese Studienpartitur ist eine Referenzausgabe für jeden Cellisten und Konzertgänger.
- Studienpartitur zur ersten kritischen Edition
- Berücksichtigt sämtliche Quellen
- Mit neuem erweitertem Vorwort (engl./dt.)
“So sieht eine äußerst gewissenhafte Edition aus.”
(FonoForum 1/08) / Partitions classique / Ensemble et orchestre / Conducteur / BARENREITER

The Richard Wagner Complete Edition presents the composer's entire output for the first time in a reliable form. The conductor Michael Balling, in the early years of the 20th century, attempted to make Wagner's work more accessible for research and performance, but the edition only reached 10 volumes - some with grave shortcomings - and was discontinued after Balling's death in 1925. A further attempt at a complete edition by Otto Strobel was abandoned at the preliminary stages.This third attempt at a complete edition will be the first scholarly, critical edition, based on an evaluation of all the accessible source materials and the latest findings of serious Wagner research. As the edition is also intended for practical performance, the musical text has been kept free of philological insertions - these are listed in the appendices of each volume in the Critical Commentary. Numerous, partly unpublished works - some relatively unknown - and variant versions are published here for the first time. The edition presents authentic texts for Wagner specialists and researchers and critically based performing materials. Contrary to widely held opinions, even the well-known works of Wagner are not necessarily available in reliable editions. The genesis, history and performances directed by Wagner himself are extensively documented so as to present as complete an image as possible of Wagner's compositional intentions. / Conducteur

Conductor. Par STEINEL MIKE. Mike Steinel's follow-up book to his popular Essential Elements for Jazz Ensemble features a wealth of instructional material that can be used in a full band setting or individually. After a brief review of style basics, this comprehensive method includes a section of daily warm-ups and workouts for rehearsal, followed by a variety of lessons covering specific styles and improvisation concepts. Each lesson ends with a full band performance piece. Take your students to the next level with this masterful approach! Features · Review of important concepts from Book 1 · Warm-ups and workouts for the start of rehearsals · Lessons covering a variety of jazz styles and improvisation concepts · Nine rewarding full band pieces that reinforce each lesson · Information on the cities, regions, and people influencing the evolution of jazz · Recordings of all exercises, including full band arrangements and sample solos* · Grade/Level 3 * Each book includes an access code for audio files on MyLibrary (internet required.) Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right./ Recueil / Conducteur

Par DOBSON SIMON. Firefly was composed by award-winning composer Simon Dobson (b.1981) to provide an entertaining uptempo concert work for community and youth bands. Composed in funk-rock style, and is based on the groove beat with which it opens. Dobson says, 'Firefly was written as a break from my more serious music and as a 'hat tip' to the various types of beat orientated music I listen to.” It was first performed by Oslofjord Brass in Norway and in its wind version by Harmonie Shostakovich, Switzerland. Duration: 5-6 minutes. INSTRUMENTATION: 1 Eflat Sop. Cornet, Solo Cornets (4), Bflat Rep. Cornet (1), 2nd Bflat, Cornets (2), 3rd Bflat Cornets (2) - Flugel horn, Solo Eflat Horn, 1st Eflat Horn, 2nd Eflat Horn - 1st Bflat Bar., 1 2nd Bflat Bar., 1st Trombone, 2nd Trombone, Bass Trombone - Bflat Euphoniums (2) - Eflat Tubas (2) - Bflat Tubas (2) - 2 percussion/ Répertoire / Conducteur