Double Bass Solo. By Peteris Vasks. Schott. Book only. Size 9x12 inches. 12 pages. Published by Schott.

Double bass - Grade 1

SKU: RM.ICHA04937

Composed by Jean-Philippe Ichard. Double bass and piano. Instrumental music. Duration 2 minutes, 30 seconds. Editions Robert Martin #ICHA04937. Published by Editions Robert Martin (RM.ICHA04937).

ISBN 9790231049374.

(for kontrabas). By Erland Von Koch (1910-). For double bass solo. Monolog 18 for Contrabass. 8 pages. Duration 6 minutes. Published by Gehrmans Musikforlag

Double bass solo

SKU: BR.EB-9268

Revised Version 2010. Composed by Helmut Lachenmann. Arranged by Caleb Salgado. Solo instruments; Folder. Edition Breitkopf. Music post-1945; New music (post-2000). Score. Composed 1969/2010. 26 pages. Duration 9'. Breitkopf and Haertel #EB 9268. Published by Breitkopf and Haertel (BR.EB-9268).

ISBN 9790004185681. 12 x 9 inches.

This piece originated as an introduction to instrumental musique-concrete. In this sort of piece it is common for sound phenomena to be so refined and organised that they are not so much the results of musical experiences as of their own acoustic attributes. Timbres, dynamics and so on arise not of their own volition but as components of a concrete situation characterised by texture, consistency, energy, resistance.This does not come from within but from a liberated compositional technique. At the same time it implies that our customary sharply-honed auditory habit is thwarted. The result is aesthetic provocation: beauty denying habit.(Helmut Lachenmann),,Cette nouvelle edition est une invitation faite aux violoncellistes qui souhaiteraient redecouvrir leur instrument et la maniere de la faire sonner en realisant dessus un nouveau genre de polyphonie: une polyphonie d'actions. (Francois-Xavier Feron, Circuit, Heft 25, Juni 2015)CDs/LPs:Michael Bach CD cpo 999 102-2 Lucas Fels CD Montaigne Auvidis MO 782075 Walter Grimmer CD col legno WWE 31863 Taco Kooistra CD Attacca Babel 9369-1 Pierre Strauch CD Accord 202082 Michael Bach LP ABE ERZ 1003 Werner Taube LP ABE ERZ 1003ensemble phorminxCD WER 6682 2Michael M. KasperCD Michael M. Kasper rounds per minute, Ensemble Modern Medien, EMCD-006Michael Svoboda (trombone)CD Wittener Tage fur neue Kammermusik 2011Bibliography:Deltz, Eberhard: begegnung im grenzbereich. Zwei Werke von Helmut Lachenmann und Hideaki Yamanobe im Spiegel eines Haiku von Matsuo Basho, in: Neue Zeitschrift fur Musik 167 (2006), Heft 1, pp. 36-41.Feron, Francois-Xavier: Enjeux et evolution du systeme de notation dans ,,Pression pour un(e) violoncelliste de Helmut Lachenmann, in: Circuit, Heft 25, 2015, pp. 55-65.GoGwilt, Keir: Templates for Technique in Mantel and Lachenmann. Between Transcendence and Immanence, in: The Dark Precursor: Deleuze and Artistic Research. Band I: The Dark Precursor in Sound and Writing, hrsg. von Paulo de Assis und Paolo Giudici, Leuven: Leuven University Press 2017, pp. 105-113.Griffiths, Paul: ModernMusic and After, 3rd edition, Oxford University Press 2010, pp. 216-219.Handschick, Matthias: Musik als ,,Medium der sich selbst erfahrenden Wahrnehmung. Moglichkeiten der Vermittlung Neuer Musik unter dem Aspekt der Auflosung und Reflexion von Gestalthaftigkeit (= Schriften der Hochschule fur Musik Freiburg 3), Hildesheim u. a.: Olms 2015, dort pp. 161-167.Hiekel, Jorn Peter: Helmut Lachenmann und seine Zeit, Laaber: Laaber 2023, S. 169-172, 231-232.Jahn, Hans-Peter: simultan eine Erinnerung, in: Neue Zeitschrift fur Musik 167 (2006), Heft 1, pp. 12-15.Lessing, Wolfgang: Musizieren als Prozess. Zur didaktischen Dimension von Helmut Lachenmanns Pression, in: Musik inszeniert. Prasentation und Vermittlung zeitgenossischer Musik heute, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 46), Mainz u. a.: Schott 2006, pp. 73-83.ders.: Verweigerung von Gewohnheit. Instrumentaldidaktische Annaherungen an Pression von Helmut Lachenmann, in: Darstellen und Mitteilen. Ein Handbuch der musikalischen Interpretation, hrsg. von Ursula Brandstatter, Martin Losert, Christoph Richter und Andrea Welte, Mainz: Schott 2010, pp. 111-122.ders.: Interpretation, Verstehen und Vermittlung, in: Ans Licht gebracht. Zur Interpretation Neuer Musik, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 53), Mainz u. a.: Schott 2013, pp. 24-39.Mosch, Ulrich: Das Unberuhrte beruhren Anmerkungen zur Interpretation von Helmut Lachenmanns Werken Pression und Allegro sostenuto, in: Musik inszeniert. Prasentation und Vermittlung zeitgenossischer Musik heute, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 46), Mainz u. a.: Schott 2006, pp. 25-46.Musik als Bildkritik Gesprach zwischen Gottfried Boehm, Helmut Lachenmann und Matteo Nanni, in: Helmut Lachenmann: Musik mit Bildern? Hrsg. von Matteo Nanni und Matthias Schmidt (= eikones, hrsg. von Nationalen Forschungsschwerpunkt Bildkritik an der Universitat Basel), Munchen: Wilhelm Fink 2012, pp. 237-269.Neuwirth, Markus: Strukturell vermittelte Magie. Kognitionswissenschaftlic he Annaherungen an Helmut Lachenmanns Pression und Allegro sostenuto, in: Musik als Wahrnehmungskunst. Untersuchungen zu Kompositionsmethodik und Horasthetik bei Helmut Lachenmann, hrsg. von Christian Utz und Clemens Gadenstatter (= musik.theorien der gegenwart 2), Saarbrucken: Pfau 2008, pp. 73-100.Orning, Tanja: The Polyphonic Performer. A Study of Performance Practice in Music for Cello Solo by Morton Feldman, Helmut Lachenmann, Klaus K. Hubler and Simon Steen-Andersen, Diss. Oslo 2014, Oslo: NMH-publikasjoner (mit DVD).Sparrer, Walter-Wolfgang: Wider den geolten Gleichlauf. Von der Notwendigkeit strukturierender Verfahrensweisen bei der Interpretation von Musik. Modell I: Kompositionen fur Violoncello solo von J. S. Bach, Isang Yun und Helmut Lachenmann, in: Musikalische Produktion und Interpretation, hrsg. von Otto Kolleritsch, Wien/Graz 2003 (= Studien zur Wertungsforschung, Band 43), pp. 75-100.Utz, Christian: Erinnerte Gestalt und gebannter Augenblick. Zur Analyse und Interpretation post-tonaler Musik als Wahrnehmungspraxis Klangorganisation und Zeiterfahrung bei Morton Feldman, Helmut Lachenmann und Brian Ferneyhough, in: Ans Licht gebracht. Zur Interpretation Neuer Musik, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 53), Mainz u. a.: Schott 2013, pp. 40-67.

World premiere: Como (Autunno musicale), September 30, 1970.

Double Bass - advanced

SKU: BT.YE0039

Composed by John Felice. Book Only. Yorke Edition #YE0039. Published by Yorke Edition (BT.YE0039).

'...beautiful six-minute plainsong...a fascinating sonic study.' Notes.

Grade: Advanced.

Double bass - Grade 1

SKU: RM.NAUL04448

Composed by Jerome Naulais. Double bass and piano. Instrumental music. Duration 2 minutes, 30 seconds. Editions Robert Martin #NAUL04448. Published by Editions Robert Martin (RM.NAUL04448).

ISBN 9790231044485.

Double bass

SKU: BR.OB-4953-27

Composed by Jean Sibelius. Stapled. Orchester-Bibliothek (Orchestral Library).

Sibelius composed this short (only five minutes long) Romance in C Op. 42 in 1903; the work was first performed in Turku in March 1904. The Romance is not a concerto movement in disguise, but features the dark, dense string writing typical of Sibelius. Early modern; Late-romantic. Part. 4 pages. Duration 5'. Breitkopf and Haertel #OB 4953-27. Published by Breitkopf and Haertel (BR.OB-4953-27).

ISBN 9790004326503. 10 x 12.5 inches.

Sibelius composed this short (only five minutes long) Romance in C Op. 42 in 1903; the work was first performed in Turku in March 1904. The Romance is not a concerto movement in disguise, but features the dark, dense string writing typical of Sibelius.

Double Bass

SKU: HL.14021087

Composed by John McCabe. Music Sales America. Classical. Book [Softcover]. 8 pages. Music Sales #NOV955163. Published by Music Sales (HL.14021087).

8.25x12.0x0.059 inches.

John McCabe's Pueblo for solo Double Bass. Duration: approx. 7 minutes.

Pueblo is an off-shoot of a series of compositions inspired by desert country, and it was commissioned by Leon Bosch with the aid of funds provided by North West Arts. The piece is continous, falling into several sections, and is largeley based on the high circling motif heard at the start and referred to again in the harmonics at the close.
It is prefaced by the following quotation from Scenes in American Deserta by Reyner Banham, published by Thames and Hudson:

'Clouds, high and flat, were now building up in thesky, the wind was settling to silent calm, the weather was very cold, and the stream through the center of the pueblo was almost frozen across, the Indians chipping out ice to melt down for water.'

The aim in writing the piece was to express in musical terms a response to the vivid picture of a scene relating to life in the American desert conveyed by Reyner Banham's text. Although not numbered among other Desert works, this belongs to this family of compositions, along with another Banham setting, written for the King's Singers, Scenes In America Deserta. - John McCabe
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Double bass - Level 4

SKU: KU.GM-1967_KB

Composed by Wolfgang Amadeus Mozart. Edited by Bruno Borralhinho. Arranged by Bruno Borralhinho. Bach format (230 x 302). Aus Kv 492. Folded. Part. 2 pages. Duration 7 minutes. Edition Kunzelmann #GM-1967_KB. Published by Edition Kunzelmann (KU.GM-1967_KB).

ISBN 9790206208850. Key: C major.

Double Bass

SKU: HL.48186481

Composed by Rabbath Francois. Leduc. Softcover. 10 pages. Alphonse Leduc #AL30748. Published by Alphonse Leduc (HL.48186481).

UPC: 888680828264. 9.0x12.0x0.065 inches.

Francois Rabbath : Trombes d?eau for double bass (AL 30 748) The international fame of bass player Francois Rabbath acknowledges both the untiring teacher, author of a Nouvelle technique de la contrebasse, which a whole generation of students, desirous of freeing themselves from the fetters of traditional teaching, has taken up, and the inspired soloist, unsparing of himself in concert. For several years now, he has become accustomed to spending a few days in the summer in Kansas City (Missouri) to give master classes and a concert there, in the framework of the ?KC BassFest?. In July 2016, a moving surprise awaited him: on the stage of the American Jazz Museum a full-length portrait was unveiled, painted by local artist Ruthie Ingram from photos taken during his recital the previous year. By way of thanks, Rabbath dedicated Trombes d?eau to her, a solo piece lasting approximately six minutes, composed at the instigation of the International Society of Bassists for the 2017 edition of the International Double Bass Competition. Conceived as a series of short variations on an impassioned theme, the work emphasises evocative glissandi and explores double stopping and artificial harmonics without ever sacrificing the essential: the pleasure of musical expression..

Double bass - Level 4

SKU: KU.GM-1968_KB

Composed by Wolfgang Amadeus Mozart. Edited by Bruno Borralhinho. Arranged by Bruno Borralhinho. Bach format (230 x 302). Kv 486A. Folded. Part. 2 pages. Duration 6 minutes. Edition Kunzelmann #GM-1968_KB. Published by Edition Kunzelmann (KU.GM-1968_KB).

ISBN 9790206208911. Key: Eb major.

(For Solo Double Bass). Composed by Jean-Sebastien Bach. Arranged by Richard Dubugnon. For double bass. Collection Richard Dubugnon. Intermediate - advanced. Full score - study. 7 pages. Duration 15 minutes. Gerard Billaudot Editeur #514-05539. Published by Gerard Billaudot Editeur

Composed by Franz Joseph Haydn (1732-1809). Edited by Andreas Friesenhagen. This edition: urtext edition. Stapled. Urtext from: Joseph Haydn Werke, G. Henle Verlag Munchen. Single part. Hob. I:89. 7 pages. Duration 23 minutes. Baerenreiter Verlag #BA10979-85. Published by Baerenreiter Verlag (BA.BA10979-85).

Solo Contrabass

SKU: SU.50500320

For Solo Contrabass. Composed by Leo Kraft. Strings, Contrabass. Score. Seesaw Music Corp #50500320. Published by Seesaw Music Corp (SU.50500320).

Duration: about 7 minutes.Copyright 2008. Published by: Seesaw Music.

Double bass

SKU: BA.BA04694-85

Composed by Franz Joseph Haydn. Edited by Robert von Zahn. This edition: urtext edition. Stapled. Single part. Hob. I:97. 12 pages. Duration 28 minutes. Baerenreiter Verlag #BA04694_85. Published by Baerenreiter Verlag (BA.BA04694-85).

ISBN 9790006532124. 32.5 x 25.5 cm inches. Key: C major.

Urtext from the G. Henle Complete Edition of the Works of Joseph Haydn.

Double Bass solo

SKU: SU.32020090

For Double Bass solo. Composed by Dorothy Hindman. Strings, Contrabass. Score. Subito Music Corporation #32020090. Published by Subito Music Corporation (SU.32020090).

…the vocabulary of this work is filled with extended gestures such as artificial harmonic glissandi, bowing behind the bridge, left hand hammer-ons, overly pressed scratchy tones, etc. The piece has all the attributes of a great story, beginning in a quirky fun manner and then becoming something unexpected, a virtuosic display with a wildly exciting ending. It is the effect of the pacing that is the tour de force, a one-way downhill roller coaster ride…the work remains in the lower half of the instrument for the most part and only ventures into the very highest registers for effect. The extraordinary challenge is to execute the variety of extended gestures within the tempo over eleven minutes. To play this work successfully requires mastering the art of Time Management. ~Hans Sturm, editor. Bass WorldDouble Bass solo Duration: 12' Composed: 2004 Published by: Distributed Composer.

Double bass

SKU: BA.BA04675-85

Composed by Franz Joseph Haydn. Edited by Sonja Gerlach. This edition: urtext edition. Stapled. Single part. Hob. VIIb:2. 7 pages. Duration 22 minutes. Baerenreiter Verlag #BA04675_85. Published by Baerenreiter Verlag (BA.BA04675-85).

ISBN 9790006501977. 32.5 x 25.5 cm inches. Key: D major.

Urtext from the G. Henle Complete Edition of the Works of Joseph Haydn.

Double bass

SKU: BA.BA10978-85

Composed by Franz Joseph Haydn. Edited by Andreas Friesenhagen. This edition: urtext edition. Stapled. Urtext from: Henle Complete Edition of the Works of Joseph Haydn. Single part. Hob. I:91, No. 91. 11 pages. Duration 22 minutes. Baerenreiter Verlag #BA10978_85. Published by Baerenreiter Verlag (BA.BA10978-85).

ISBN 9790006559664. 32.5 x 25.5 cm inches. Key: E-flat major. Text Language: German, English.

Urtext from the Henle Complete Edition of the Works of Joseph Haydn.

Concert Overture. Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by Christopher Hogwood. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 26. 15 pages. Duration 7 minutes. Baerenreiter Verlag #BA09053-85. Published by Baerenreiter Verlag (BA.BA09053-85).

3 symphonic sketches. Composed by Claude Debussy (1862-1918). Edited by Douglas Woodfull-Harris. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. 9 pages. Duration 19 minutes. Baerenreiter Verlag #BA07880-85. Published by Baerenreiter Verlag (BA.BA07880-85).