By Ron Carter. 22 Fantastic Bass Solos over Standards by the bass legend. Book. Published by Jamey Aebersold Jazz.

Double Bass

SKU: HL.51483307

For String Orchestra Double Bass Part. Composed by Antonin Dvorá, Antonin Dvorak, and k. Edited by Peter Jost. Henle Music Folios. Classical. Softcover. 12 pages. G. Henle #HN3307. Published by G. Henle (HL.51483307).

UPC: 196288206828. 9.25x12.0x0.062 inches.

The serenade flourished in Mozart's era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvorák's cheerful and relaxed op. 22 came into being in 1875, during a very happy time for him both professionally and privately. Heput his personal stamp on the five-movement composition by incorporating stylized Slavonic dances. The spirited finale captivates by restating themes from the previous movements. Since its premiere in 1876 the work, with its melodic richness and particular harmonic modulations, has enjoyed great acclaim from audiences and critics alike. Today it is among Dvorák's most popular and most frequently performed compositions. As well as the autograph and printed editions, the composer's copy of the printed score with autograph corrections and additions has been consulted for Henle's Urtext edition.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

For Double Bass. Composed by Edouard Nanny. Leduc. Classical. Softcover. 22 pages. Alphonse Leduc #AL17928. Published by Alphonse Leduc

Double bass

SKU: M7.OERT-4361-05

21 Concert Studies. Composed by Friedrich Warnecke. This edition: Folding. Sheet music. 22 pages. Oertel Musikverlag #OERT 4361-05. Published by Oertel Musikverlag (M7.OERT-4361-05).

ISBN 9790501801213.

Double bass

SKU: BA.BA04675-85

Composed by Franz Joseph Haydn. Edited by Sonja Gerlach. This edition: urtext edition. Stapled. Single part. Hob. VIIb:2. 7 pages. Duration 22 minutes. Baerenreiter Verlag #BA04675_85. Published by Baerenreiter Verlag (BA.BA04675-85).

ISBN 9790006501977. 32.5 x 25.5 cm inches. Key: D major.

Urtext from the G. Henle Complete Edition of the Works of Joseph Haydn.

Double bass

SKU: BA.BA10978-85

Composed by Franz Joseph Haydn. Edited by Andreas Friesenhagen. This edition: urtext edition. Stapled. Urtext from: Henle Complete Edition of the Works of Joseph Haydn. Single part. Hob. I:91, No. 91. 11 pages. Duration 22 minutes. Baerenreiter Verlag #BA10978_85. Published by Baerenreiter Verlag (BA.BA10978-85).

ISBN 9790006559664. 32.5 x 25.5 cm inches. Key: E-flat major. Text Language: German, English.

Urtext from the Henle Complete Edition of the Works of Joseph Haydn.

Motette. By Johann Sebastian Bach. Edited by Konrad Ameln. For Violone/Contrabass. Chor-Archiv. Single Part. BWV 229. Published by Baerenreiter-Ausgaben (German import). (BA5134 85)

Book/CD Pack. By John Goldsby. Book (not sheet music). Book and CD package. Size 8.38x10.88 inches. 228 pages. Published by Backbeat Books.

(Motette). By Johann Sebastian Bach (1685-1750). Edited by Konrad Ameln. For Violone; Contrabass. Chor-Archiv. Sacred. Single Part. BWV 225

By Sturm, Wilhelm (1842-1922). String bass solo. Published by International Music Co.

By Sturm, Wilhelm (1842-1922). String bass solo. Published by International Music Co.

Double bass solo

SKU: BR.EB-9268

Revised Version 2010. Composed by Helmut Lachenmann. Arranged by Caleb Salgado. Solo instruments; Folder. Edition Breitkopf. Music post-1945; New music (post-2000). Score. Composed 1969/2010. 26 pages. Duration 9'. Breitkopf and Haertel #EB 9268. Published by Breitkopf and Haertel (BR.EB-9268).

ISBN 9790004185681. 12 x 9 inches.

This piece originated as an introduction to instrumental musique-concrete. In this sort of piece it is common for sound phenomena to be so refined and organised that they are not so much the results of musical experiences as of their own acoustic attributes. Timbres, dynamics and so on arise not of their own volition but as components of a concrete situation characterised by texture, consistency, energy, resistance.This does not come from within but from a liberated compositional technique. At the same time it implies that our customary sharply-honed auditory habit is thwarted. The result is aesthetic provocation: beauty denying habit.(Helmut Lachenmann),,Cette nouvelle edition est une invitation faite aux violoncellistes qui souhaiteraient redecouvrir leur instrument et la maniere de la faire sonner en realisant dessus un nouveau genre de polyphonie: une polyphonie d'actions. (Francois-Xavier Feron, Circuit, Heft 25, Juni 2015)CDs/LPs:Michael Bach CD cpo 999 102-2 Lucas Fels CD Montaigne Auvidis MO 782075 Walter Grimmer CD col legno WWE 31863 Taco Kooistra CD Attacca Babel 9369-1 Pierre Strauch CD Accord 202082 Michael Bach LP ABE ERZ 1003 Werner Taube LP ABE ERZ 1003ensemble phorminxCD WER 6682 2Michael M. KasperCD Michael M. Kasper rounds per minute, Ensemble Modern Medien, EMCD-006Michael Svoboda (trombone)CD Wittener Tage fur neue Kammermusik 2011Bibliography:Deltz, Eberhard: begegnung im grenzbereich. Zwei Werke von Helmut Lachenmann und Hideaki Yamanobe im Spiegel eines Haiku von Matsuo Basho, in: Neue Zeitschrift fur Musik 167 (2006), Heft 1, pp. 36-41.Feron, Francois-Xavier: Enjeux et evolution du systeme de notation dans ,,Pression pour un(e) violoncelliste de Helmut Lachenmann, in: Circuit, Heft 25, 2015, pp. 55-65.GoGwilt, Keir: Templates for Technique in Mantel and Lachenmann. Between Transcendence and Immanence, in: The Dark Precursor: Deleuze and Artistic Research. Band I: The Dark Precursor in Sound and Writing, hrsg. von Paulo de Assis und Paolo Giudici, Leuven: Leuven University Press 2017, pp. 105-113.Griffiths, Paul: ModernMusic and After, 3rd edition, Oxford University Press 2010, pp. 216-219.Handschick, Matthias: Musik als ,,Medium der sich selbst erfahrenden Wahrnehmung. Moglichkeiten der Vermittlung Neuer Musik unter dem Aspekt der Auflosung und Reflexion von Gestalthaftigkeit (= Schriften der Hochschule fur Musik Freiburg 3), Hildesheim u. a.: Olms 2015, dort pp. 161-167.Hiekel, Jorn Peter: Helmut Lachenmann und seine Zeit, Laaber: Laaber 2023, S. 169-172, 231-232.Jahn, Hans-Peter: simultan eine Erinnerung, in: Neue Zeitschrift fur Musik 167 (2006), Heft 1, pp. 12-15.Lessing, Wolfgang: Musizieren als Prozess. Zur didaktischen Dimension von Helmut Lachenmanns Pression, in: Musik inszeniert. Prasentation und Vermittlung zeitgenossischer Musik heute, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 46), Mainz u. a.: Schott 2006, pp. 73-83.ders.: Verweigerung von Gewohnheit. Instrumentaldidaktische Annaherungen an Pression von Helmut Lachenmann, in: Darstellen und Mitteilen. Ein Handbuch der musikalischen Interpretation, hrsg. von Ursula Brandstatter, Martin Losert, Christoph Richter und Andrea Welte, Mainz: Schott 2010, pp. 111-122.ders.: Interpretation, Verstehen und Vermittlung, in: Ans Licht gebracht. Zur Interpretation Neuer Musik, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 53), Mainz u. a.: Schott 2013, pp. 24-39.Mosch, Ulrich: Das Unberuhrte beruhren Anmerkungen zur Interpretation von Helmut Lachenmanns Werken Pression und Allegro sostenuto, in: Musik inszeniert. Prasentation und Vermittlung zeitgenossischer Musik heute, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 46), Mainz u. a.: Schott 2006, pp. 25-46.Musik als Bildkritik Gesprach zwischen Gottfried Boehm, Helmut Lachenmann und Matteo Nanni, in: Helmut Lachenmann: Musik mit Bildern? Hrsg. von Matteo Nanni und Matthias Schmidt (= eikones, hrsg. von Nationalen Forschungsschwerpunkt Bildkritik an der Universitat Basel), Munchen: Wilhelm Fink 2012, pp. 237-269.Neuwirth, Markus: Strukturell vermittelte Magie. Kognitionswissenschaftlic he Annaherungen an Helmut Lachenmanns Pression und Allegro sostenuto, in: Musik als Wahrnehmungskunst. Untersuchungen zu Kompositionsmethodik und Horasthetik bei Helmut Lachenmann, hrsg. von Christian Utz und Clemens Gadenstatter (= musik.theorien der gegenwart 2), Saarbrucken: Pfau 2008, pp. 73-100.Orning, Tanja: The Polyphonic Performer. A Study of Performance Practice in Music for Cello Solo by Morton Feldman, Helmut Lachenmann, Klaus K. Hubler and Simon Steen-Andersen, Diss. Oslo 2014, Oslo: NMH-publikasjoner (mit DVD).Sparrer, Walter-Wolfgang: Wider den geolten Gleichlauf. Von der Notwendigkeit strukturierender Verfahrensweisen bei der Interpretation von Musik. Modell I: Kompositionen fur Violoncello solo von J. S. Bach, Isang Yun und Helmut Lachenmann, in: Musikalische Produktion und Interpretation, hrsg. von Otto Kolleritsch, Wien/Graz 2003 (= Studien zur Wertungsforschung, Band 43), pp. 75-100.Utz, Christian: Erinnerte Gestalt und gebannter Augenblick. Zur Analyse und Interpretation post-tonaler Musik als Wahrnehmungspraxis Klangorganisation und Zeiterfahrung bei Morton Feldman, Helmut Lachenmann und Brian Ferneyhough, in: Ans Licht gebracht. Zur Interpretation Neuer Musik, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 53), Mainz u. a.: Schott 2013, pp. 40-67.

World premiere: Como (Autunno musicale), September 30, 1970.

Double Bass

SKU: BT.VOLMB874

Traduzione Di Stefano Dall?Ora. Composed by Franz Simandl. Method. Book Only. Composed 2022. 150 pages. Volonte e Co #VOLMB874. Published by Volonte e Co (BT.VOLMB874).

ISBN 9788863888751. Italian.

Double Bass

SKU: ST.YE0022

Composed by Rodney Slatford. String music. Yorke Edition #YE0022. Published by Yorke Edition (ST.YE0022).

ISBN 9790570590223.

Double bass solo

SKU: GI.G-J221

The Instrumental Series. Composed by Christopher D. Azzara, Edwin E. Gordon, and Richard F. Grunow. Method Book. Jump Right In. Music Education. Book. 32 pages. GIA Publications #J221. Published by GIA Publications (GI.G-J221).

English.

The newly revised Jump Right In: The Instrumental Series for Strings incorporates hundreds of improvements designed to make the series practical, engaging, and, most of all, musical. Like its counterparts for winds and recorder, the string series includes high-quality CD recordings of folk songs and melodies and performances by some of the worldâ??s greatest musicians. And, of course, this series incorporates the latest research and is sequenced according to Edwin E. Gordonâ??s Music Learning Theory. The 522-page Teacherâ??s Guide incorporates all of Book 1 and 2 and includes complete lesson plans, an introduction to Music Learning Theory, connections to the National Standards, and information on testing, recruiting, scheduling, and many other critical issues.

Double bass

SKU: KU.OCT-10226_KB

Composed by Bernhard Henrik Crusell. Edited by Otto Mayer. Bach format (230 x 302). Staple Bound. Part. Op. 11. 11 pages. Duration 20 minutes. Edition Kunzelmann #OCT-10226_KB. Published by Edition Kunzelmann (KU.OCT-10226_KB).

ISBN 9790206209529. Key: Bb major.

Contrabass

SKU: SU.50600220

For Contrabass. Composed by Marshall Bialosky. Strings, Contrabass. Score. Seesaw Music Corp #50600220. Published by Seesaw Music Corp (SU.50600220).

Published by Seesaw Music.

Contrabass

SKU: SU.50022360

For Contrabass. Composed by Eldon Obrecht. Strings, Contrabass. Part. Seesaw Music Corp #50022360. Published by Seesaw Music Corp (SU.50022360).

Published by: Seesaw Music.

Double Bass

SKU: HL.48184022

Composed by Amellé, André, and r. Leduc. Softcover. Alphonse Leduc #AL26303. Published by Alphonse Leduc (HL.48184022).

UPC: 888680852078. 9.0x12.0x0.029 inches.

Andre Ameller: Wymsol Op.323 & Ypers Op.324.

Double Bass Solo

SKU: SS.50600220

Composed by Marshall Bialosky. Published by Seesaw Music Corp (SS.50600220).

Double Bass

SKU: HL.48022472

Double Bass Tutor. Boosey & Hawkes Chamber Music. Softcover. Hal Leonard #M550110120. Published by Hal Leonard (HL.48022472).

Author: Panu Parssinen.

Finnish and Swedish language.