Double bass SKU: BR.OB-5509-27 Urtext. Composed by Carl Philipp Em...(+)
Double bass
SKU:
BR.OB-5509-27
Urtext. Composed
by Carl Philipp Emanuel
Bach. Edited by Ulrich
Leisinger. This edition:
double bass part.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
The concertos in A
minor and B flat major
were first written as
violoncello concertos
between 1750 and 1753.
They thus rank among the
very first concertos for
solo cello in
Germany.
Solo
concerto; Early
classical. Part. 8 pages.
Duration 27'. Breitkopf
and Haertel #OB 5509-27.
Published by Breitkopf
and Haertel
(BR.OB-5509-27).
ISBN
9790004338506. 9 x 12
inches.
The
concertos in A minor, B
flat major and A major
were first written as
violoncello concertos
between 1750 and 1753.
They thus rank among the
very first concertos for
solo cello in Germany.
The A minor Concerto,
composed in 1750, is
performed quite
frequently today. C. P.
E. Bach most likely wrote
the Concerto in B flat
major Wq. 171 as the last
of the little work group
in 1753 in Potsdam, at
the court of King
Frederick the Great. He
reworked the composition
for flute and harpsichord
shortly thereafter.
Various sources prove
that copies of the work
had made it known quite
extensively in the second
half of the 18th century.
In his new Urtext
edition, Ulrich Leisinger
bases himself on two
reliable manuscripts.
Spielstucke fur kleine
Leute ab funf Jahren.
Composed by Claus
Freudenstein. German /
English. Sheet music.
Friedrich Hofmeister
Musikverlag #FH 2984.
Published by Friedrich
Hofmeister Musikverlag
(HF.FH-2984).
ISBN
9790203429845. 9 x 12
inches.
1. Riesen
Spass; 2. Tatu Tata, die
Feuerwehr ist da; 3.
Liebe Mama, schau mal an;
4. Ein alter Drache
grinst; 5. Bruder Jakob;
6. Wer geht mit nach
Rummelskirchen; 7. Drei
Chinesen; 8. In einem
kleinen Apfel; 9.
Bi-Ba-Butzemann; 10.
Summ, summ, summ; 11.
Tuk, tuk, tuk, ihr
Huhnerchen; 12. Hansel
und Gretel; 13. Fuchs, du
hast die Gans gestohlen;
14. Weisst du, wieviel
Sternlein stehen; 15. Auf
der Mauer, auf der Lauer;
16. Wer geht mit nach
Rummelskirchen; 17. Denkt
Euch nur, der Frosch ist
krank; 18. Taler, Taler,
du musst wandern; 19. Wie
geht mein bunter
Minibass; 20.
Geisterstunde; 21. Lieber
Nikolo; 22. Morgen kommt
der Weihnachtsmann; 23.
Ihr Kinderlein kommet;
24. Alle Jahre wieder;
25. Hey! Hey! Los
geht's!; 26. Die
Bassritter.
Double bass SKU: M7.VHR-3903 Composed by Simone Drebenstedt. Sheet music....(+)
Double bass
SKU:
M7.VHR-3903
Composed
by Simone Drebenstedt.
Sheet music. Student's
edition. 172 pages.
Holzschuh Musikverlag
#VHR 3903. Published by
Holzschuh Musikverlag
(M7.VHR-3903).
ISBN
9783940069818.
Das
neue Schulwerk verbindet
Lieder und Aufgaben in
sehr übersichtlicher
Form. Viele Liedbeispiele
und Liedbegleitungen mit
Texten zum Singen
erleichtern den
Schülern den Zugang
zur Musik. Alle Seiten
dieses Unterrichtswerkes
sind gleich aufgebaut.
Das übersichtliche
Layout erleichtert
Lehrern und Schülern
die Orientierung. Der
Umfang des Materials ist
auf zwei Unterrichtsjahre
ausgerichtet.
Traditional, Old Time, Bluegrass and Celtic Solos. By Mark Geslison. For String ...(+)
Traditional, Old Time,
Bluegrass and Celtic
Solos. By Mark Geslison.
For String Bass. Solos.
Fiddle Tunes. Level:
Beginning-Intermediate.
Book/CD Set. Size
8.75x11.75. 176 pages.
Published by Mel Bay
Publications, Inc.
Score and Part, with audio. Composed by Various. ABRSM Publications. ABRSM Exa...(+)
Score and Part, with
audio.
Composed by Various.
ABRSM
Publications. ABRSM Exam
Pieces. Book. 32 pages.
ABRSM (Associated Board
of
the Royal Schools of
Music)
#9781786012814. Published
by
ABRSM (Associated Board
of
the Royal Schools of
Music)
(Complete Bass Parts to 90 Orchestral Masterworks on CD-ROM) For bass. Includes ...(+)
(Complete Bass Parts to
90 Orchestral Masterworks
on CD-ROM) For bass.
Includes CD-ROM (Windows
and Mac). With standard
notation. Classical.
Series: The Orchestra
Musician's CD-ROM
Library. 9x12 inches.
Published by Hal Leonard.
Double bass solo SKU: BR.EB-9268 Revised Version 2010. Composed by...(+)
Double bass solo
SKU:
BR.EB-9268
Revised
Version 2010.
Composed by Helmut
Lachenmann. Arranged by
Caleb Salgado. Solo
instruments; Folder.
Edition Breitkopf. Music
post-1945; New music
(post-2000). Score.
Composed 1969/2010. 26
pages. Duration 9'.
Breitkopf and Haertel #EB
9268. Published by
Breitkopf and Haertel
(BR.EB-9268).
ISBN
9790004185681. 12 x 9
inches.
This piece
originated as an
introduction to
instrumental
musique-concrete. In this
sort of piece it is
common for sound
phenomena to be so
refined and organised
that they are not so much
the results of musical
experiences as of their
own acoustic attributes.
Timbres, dynamics and so
on arise not of their own
volition but as
components of a concrete
situation characterised
by texture, consistency,
energy, resistance.This
does not come from within
but from a liberated
compositional technique.
At the same time it
implies that our
customary sharply-honed
auditory habit is
thwarted. The result is
aesthetic provocation:
beauty denying
habit.(Helmut
Lachenmann),,Cette
nouvelle edition est une
invitation faite aux
violoncellistes qui
souhaiteraient
redecouvrir leur
instrument et la maniere
de la faire sonner en
realisant dessus un
nouveau genre de
polyphonie: une
polyphonie d'actions.
(Francois-Xavier Feron,
Circuit, Heft 25, Juni
2015)CDs/LPs:Michael Bach
CD cpo 999 102-2 Lucas
Fels CD Montaigne Auvidis
MO 782075 Walter Grimmer
CD col legno WWE 31863
Taco Kooistra CD Attacca
Babel 9369-1 Pierre
Strauch CD Accord 202082
Michael Bach LP ABE ERZ
1003 Werner Taube LP ABE
ERZ 1003ensemble
phorminxCD WER 6682
2Michael M. KasperCD
Michael M. Kasper rounds
per minute, Ensemble
Modern Medien,
EMCD-006Michael Svoboda
(trombone)CD Wittener
Tage fur neue Kammermusik
2011Bibliography:Deltz,
Eberhard: begegnung im
grenzbereich. Zwei Werke
von Helmut Lachenmann und
Hideaki Yamanobe im
Spiegel eines Haiku von
Matsuo Basho, in: Neue
Zeitschrift fur Musik 167
(2006), Heft 1, pp.
36-41.Feron,
Francois-Xavier: Enjeux
et evolution du systeme
de notation dans
,,Pression pour un(e)
violoncelliste de Helmut
Lachenmann, in: Circuit,
Heft 25, 2015, pp.
55-65.GoGwilt, Keir:
Templates for Technique
in Mantel and Lachenmann.
Between Transcendence and
Immanence, in: The Dark
Precursor: Deleuze and
Artistic Research. Band
I: The Dark Precursor in
Sound and Writing, hrsg.
von Paulo de Assis und
Paolo Giudici, Leuven:
Leuven University Press
2017, pp.
105-113.Griffiths, Paul:
ModernMusic and After,
3rd edition, Oxford
University Press 2010,
pp. 216-219.Handschick,
Matthias: Musik als
,,Medium der sich selbst
erfahrenden Wahrnehmung.
Moglichkeiten der
Vermittlung Neuer Musik
unter dem Aspekt der
Auflosung und Reflexion
von Gestalthaftigkeit (=
Schriften der Hochschule
fur Musik Freiburg 3),
Hildesheim u. a.: Olms
2015, dort pp.
161-167.Hiekel, Jorn
Peter: Helmut Lachenmann
und seine Zeit, Laaber:
Laaber 2023, S. 169-172,
231-232.Jahn, Hans-Peter:
simultan eine Erinnerung,
in: Neue Zeitschrift fur
Musik 167 (2006), Heft 1,
pp. 12-15.Lessing,
Wolfgang: Musizieren als
Prozess. Zur didaktischen
Dimension von Helmut
Lachenmanns Pression, in:
Musik inszeniert.
Prasentation und
Vermittlung
zeitgenossischer Musik
heute, hrsg. von Jorn
Peter Hiekel (=
Veroffentlichungen des
Instituts fur Neue Musik
und Musikerziehung
Darmstadt, Band 46),
Mainz u. a.: Schott 2006,
pp. 73-83.ders.:
Verweigerung von
Gewohnheit.
Instrumentaldidaktische
Annaherungen an Pression
von Helmut Lachenmann,
in: Darstellen und
Mitteilen. Ein Handbuch
der musikalischen
Interpretation, hrsg. von
Ursula Brandstatter,
Martin Losert, Christoph
Richter und Andrea Welte,
Mainz: Schott 2010, pp.
111-122.ders.:
Interpretation, Verstehen
und Vermittlung, in: Ans
Licht gebracht. Zur
Interpretation Neuer
Musik, hrsg. von Jorn
Peter Hiekel (=
Veroffentlichungen des
Instituts fur Neue Musik
und Musikerziehung
Darmstadt, Band 53),
Mainz u. a.: Schott 2013,
pp. 24-39.Mosch, Ulrich:
Das Unberuhrte beruhren
Anmerkungen zur
Interpretation von Helmut
Lachenmanns Werken
Pression und Allegro
sostenuto, in: Musik
inszeniert. Prasentation
und Vermittlung
zeitgenossischer Musik
heute, hrsg. von Jorn
Peter Hiekel (=
Veroffentlichungen des
Instituts fur Neue Musik
und Musikerziehung
Darmstadt, Band 46),
Mainz u. a.: Schott 2006,
pp. 25-46.Musik als
Bildkritik Gesprach
zwischen Gottfried Boehm,
Helmut Lachenmann und
Matteo Nanni, in: Helmut
Lachenmann: Musik mit
Bildern? Hrsg. von Matteo
Nanni und Matthias
Schmidt (= eikones, hrsg.
von Nationalen
Forschungsschwerpunkt
Bildkritik an der
Universitat Basel),
Munchen: Wilhelm Fink
2012, pp.
237-269.Neuwirth, Markus:
Strukturell vermittelte
Magie.
Kognitionswissenschaftlic
he Annaherungen an Helmut
Lachenmanns Pression und
Allegro sostenuto, in:
Musik als
Wahrnehmungskunst.
Untersuchungen zu
Kompositionsmethodik und
Horasthetik bei Helmut
Lachenmann, hrsg. von
Christian Utz und Clemens
Gadenstatter (=
musik.theorien der
gegenwart 2),
Saarbrucken: Pfau 2008,
pp. 73-100.Orning, Tanja:
The Polyphonic Performer.
A Study of Performance
Practice in Music for
Cello Solo by Morton
Feldman, Helmut
Lachenmann, Klaus K.
Hubler and Simon
Steen-Andersen, Diss.
Oslo 2014, Oslo:
NMH-publikasjoner (mit
DVD).Sparrer,
Walter-Wolfgang: Wider
den geolten Gleichlauf.
Von der Notwendigkeit
strukturierender
Verfahrensweisen bei der
Interpretation von Musik.
Modell I: Kompositionen
fur Violoncello solo von
J. S. Bach, Isang Yun und
Helmut Lachenmann, in:
Musikalische Produktion
und Interpretation, hrsg.
von Otto Kolleritsch,
Wien/Graz 2003 (= Studien
zur Wertungsforschung,
Band 43), pp. 75-100.Utz,
Christian: Erinnerte
Gestalt und gebannter
Augenblick. Zur Analyse
und Interpretation
post-tonaler Musik als
Wahrnehmungspraxis
Klangorganisation und
Zeiterfahrung bei Morton
Feldman, Helmut
Lachenmann und Brian
Ferneyhough, in: Ans
Licht gebracht. Zur
Interpretation Neuer
Musik, hrsg. von Jorn
Peter Hiekel (=
Veroffentlichungen des
Instituts fur Neue Musik
und Musikerziehung
Darmstadt, Band 53),
Mainz u. a.: Schott 2013,
pp. 40-67.
World
premiere: Como (Autunno
musicale), September 30,
1970.
Double Bass SKU: BT.YE0030 Composed by F. Keyper. Exam Material. Book Onl...(+)
Double Bass
SKU:
BT.YE0030
Composed by
F. Keyper. Exam Material.
Book Only. Yorke Edition
#YE0030. Published by
Yorke Edition
(BT.YE0030).
An easy
virtuoso work published
here for the first time
and now much performed.
Recorded Slatford/Academy
of St
Martin-in-the-Fields
(EMI). AMEB (Australian
Syllabus) 2004.
Orchestral material on
hire from Yorke Edition
(notSpartan).
Pr
ogramme Note:
As
a young professional
player in the 1960s, my
work as a double bassist
with chamber ensembles
and small orchestras took
me all over the world.
This presented an
unparalleledopportunity
to scour libraries and
archives wherever I went.
Long before the advent of
the photocopier and
e-mail, research was far
more challenging than it
is today. Eastern Europe
was particularly
difficult to access,
withmanycollections kept
under lock and key for
all but a few hours a
week. One quickly found
colleagues who were keen
to share information
gleaned in passing, even
though they had no
specific interest in
one's own
particularspecialism (it
is so often the
peripheral topics that
fascinate as much as the
main subject under
investigation, and one
can quickly be
side-tracked into
political and social
issues that have only
slender bearing on the
job inhand!).
In
the early 1970s James
Brown, the then
sub-principal oboist of
the English Chamber
Orchestra with whom I was
working at the time,
stumbled across a small
collection of double bass
manuscripts at the
RoyalDanish State Library
in Copenhagen. They were
by Franz Anton Leopold
Keÿper (b. c.1756, d.
Copenhagen 7 June 1815),
a double bassist of Dutch
origin who worked as
principal of the Royal
Chapel Orchestra in
Copenhagen.Keÿper's son
was the bassoonist Franz
Jacob August Keÿper
(1792-1859). The
collection included a
number of concertos, some
chamber music, and
various naïve fragments.
Although hardly the work
of a Mozart or Haydn,the
style is characteristic
of the period. For an
instrument such as the
double bass, whose 18th
century solo repertoire
is largely written for
tunings that are no
longer in everyday use,
Keÿper's music is easily
approachablein its.
Double bass - Level 1 SKU: HF.FH-3321 Mi Ni Di Yin Da Ti Qin Gei Wu Su...(+)
Double bass - Level 1
SKU: HF.FH-3321
Mi Ni Di Yin Da Ti Qin
Gei Wu Sui Yi Shang You
Er De Ge Qu. Composed
by Claus Freudenstein.
Sheet music. With Text
language: Chinese. 24
pages. Friedrich
Hofmeister Musikverlag
#FH 3321. Published by
Friedrich Hofmeister
Musikverlag (HF.FH-3321).
ISBN 9790203433217. 9
x 12 inches.
1. Qi
Chang Qi Zou ; 2. Double
Bass Shi Wo Peng You ; 3.
Da Kai Wen Zhang ; 4.
Xiao Xiao Shou Zhi ; 5.
Wa Ha Ha !; 6. Bu Ting
Chang Ge ; 7. Hao Peng
You ; 8. Ha Ha Ha ; 9.
Kan Kan Shi Jie ; 10. Hui
Gu Niang De Qi Dai ; 11.
Chui Niu De Xiao Wu Gui ;
12 .Meng Jing ; 13. Xiao
Qing Wa Qu Dong Wu Yuan ;
14. An Xian Ge ; 15. Wu
Zhi Xiao Mao Miao Miao
Jiao ; 16. Wan Sheng Jie
; 17. Yi Shan Yi Shan
Xiao Xing Xing ; 18. Zhu
Ye Su Jiang Shi.
Double Bass SKU: PR.HM000171E Critical Edition of the Complete Symphon...(+)
Double Bass
SKU:
PR.HM000171E
Critical Edition of
the Complete
Symphonies. Composed
by Franz Joseph Haydn.
Edited by H. C. Landon.
Haydn-Mozart Presse.
Part. With Standard
notation. Composed 1787.
Hob. I:88. Duration 25
minutes. Universal
Edition #HM000171E.
Published by Universal
Edition (PR.HM000171E).
ISBN 9783702433383.
UPC: 680160500093. Key: G
major.
Double bass - Level 1 SKU: HF.FH-3356 Pieces for little ones from the ...(+)
Double bass - Level 1
SKU: HF.FH-3356
Pieces for little ones
from the age of five
up. Composed by Claus
Freudenstein. Sheet
music. 20 pages.
Friedrich Hofmeister
Musikverlag #FH 3356.
Published by Friedrich
Hofmeister Musikverlag
(HF.FH-3356).
ISBN
9790203433569. 9 x 12
inches.
1. Big
Smile; 2. Tatu tata, the
firefighters; 3. Dear
Mama; 4. A green old
dragon sneers; 5. Brother
John; 6. Come with me to
New York City (version
a); 7. Three Chinese with
a doublebass; 8. The
Bi-Ba-Boogeyman; 9. Buzz,
Buzz, Buzz; 10. Hansel
and Gretel; 11. Fox, you
stole my goosey gander;
12. Do you know, how many
stars there be? (Melodie:
Westfalen, Text: W. Hey);
13. On the wall, on the
lookout; 14. Come with me
to New York City (version
b); 15. Just look there
the frog is sick; 16. My
coloured minibass; 17.
Witching hour; 18. Bass
Knights; 19. Hey! Hey!
Let's start!
Double bass SKU: BA.BA02197-85 Geistliches Konzert. Composed by Ad...(+)
Double bass
SKU:
BA.BA02197-85
Geistliches
Konzert. Composed by
Adolf Brunner. Stapled.
Single part. Composed
1939. Duration 17
minutes. Baerenreiter
Verlag #BA02197_85.
Published by Baerenreiter
Verlag (BA.BA02197-85).
For Solo Contrabass. By Bertram Turetzky. Text: Jerome Rothenberg; Solomon Ibn G...(+)
For Solo Contrabass. By
Bertram Turetzky. Text:
Jerome Rothenberg;
Solomon Ibn Gabirol. For
Double Bass Solo. Solo
part. 11 pages. Duration
17:00. Published by
Theodore Presser Company.
(Woodwind Solos & Ensemble/Eb Contrabass Music). By Jean Baptiste Senaille (1687...(+)
(Woodwind Solos &
Ensemble/Eb Contrabass
Music). By Jean Baptiste
Senaille (1687-1730).
Arranged by Richard S.
Thurston. Woodwind Solos
& Ensembles - Eb
Contrabass Music.
Southern Music. Grade 3.
Southern Music Company
#SU115. Published by
Southern Music Company
(Woodwind Solos & Ensemble/Bb Contrabass Music). By Jean Baptiste Senaille (1687...(+)
(Woodwind Solos &
Ensemble/Bb Contrabass
Music). By Jean Baptiste
Senaille (1687-1730).
Arranged by Richard S.
Thurston. Woodwind Solos
& Ensembles - Bb
Contrabass Music.
Southern Music. Grade 3.
8 pages. Southern Music
Company #SU114. Published
by Southern Music Company
Double Bass SKU: PR.HM000151E Critical Edition of the Complete Symphon...(+)
Double Bass
SKU:
PR.HM000151E
Critical Edition of
the Complete
Symphonies. Composed
by Franz Joseph Haydn.
Edited by H. C. Landon.
Part. With Standard
notation. Composed 1778.
Hob. I:69. Duration 22
minutes. Universal
Edition #HM000151E.
Published by Universal
Edition (PR.HM000151E).
ISBN 9783702403676.
UPC: 803452001232. Key: C
major.
Double Bass SKU: PR.HM000078E Critical Edition of the Complete Symphon...(+)
Double Bass
SKU:
PR.HM000078E
Critical Edition of
the Complete
Symphonies. Composed
by Franz Joseph Haydn.
Arranged by H. C. Landon.
Haydn-Mozart Presse.
Part. With Standard
notation. Composed 1792.
Hob. I:97. Duration 26
minutes. Universal
Edition #HM000078E.
Published by Universal
Edition (PR.HM000078E).
ISBN 9783702403201.
UPC: 803452000761. Key: C
major.
(Op. 101). By Julien-Francois Zbinden (1917-). For 2 contrabasses. Contemporary....(+)
(Op. 101). By
Julien-Francois Zbinden
(1917-). For 2
contrabasses.
Contemporary. 4-5. 2
playing scores. Composed
2005. Duration 13'.
Published by Editions BIM