(Foundation Studies in 20th Century Music for Double Bass). By Charles K. Hoag. For Double Bass. Soft Cover. Standard notation. 34 pages

Double Bass Solo - Grade 1.5

SKU: AP.36-52740545

Composed by Lynne Latham. Method/Instruction; Reference Textbooks; Solo; Solo Small Ensembles. Ludwig Masters. Book. Latham Music Enterprises #36-52740545. Published by Latham Music Enterprises (AP.36-52740545).

ISBN 9781628768428. UPC: 746241223883. English.

This audition survival guide for teachers and students of all levels begins with one-octave major and minor scales to three sharps and flats. Two-octave scales are introduced subsequently, and the book concludes with three-octave scales to five sharps and flats. Two-octave blues scales to four sharps and flats are included as a bonus. Bowings and fingerings are not included in this workbook, which includes blank staves in the back for teachers to make suggestions. An introduction by Lynne Latham offers tips on how to practice scales and includes a lesson on scale construction and theory.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

By Various. For double bass. Method book. 56 pages. Published by The FJH Music Company Inc

(A Guide to Chords, Scales, Arpeggios and Other Concepts and Techniques for the Advancing Bassist). Musicians Institute Press. Softcover with CD. 36 pages. Published by Musicians Institute Press

Written by Ray Brown. For bass. Format: instructional book. With standard notation (no tablature), fingerings, instructional photos and introductory text. Technique, scales and studies. 136 pages. 9x12 inches. Published by Hal Leonard.

By Renaud Gruss. Double Bass Solo. For Double Bass (String Bass). Technique, Scales and Studies, Instructional method, Classical, Educational. Grade 1, Grade 2. Book. 124 pages. Published by FLEX Editions

For Double Bass. Grades 1-5. Method book. Published by ABRSM (Associated Board of the Royal Schools of Music)

Scale Exercises in All Major and Minor Keys for Daily Study. By Carl Flesch. Arranged by Gerd Reinke. For Double Bass. Classical. Soft Cover. 75 pages. Published by Carl Fischer.

By Robert Frost. Orchestra. For string bass. Orchestra method/study. Rhythm Techniques For Superior Musical Performance. Intermediate. Method book. Published by Neil A. Kjos Music Company

By J. Peter Close / Holger Sassmannshaus. For contrabass. This edition: Stapled. Barenreiter's Sassmannshaus. Instructional Method. Performance score, Teaching material. Text Language: English. 72 pages. Published by Baerenreiter Verlag

Essential Elements String Method. Size 9x12 inches. 48 pages. Published by Hal Leonard.

Double Bass

SKU: HL.48186481

Composed by Rabbath Francois. Leduc. Softcover. 10 pages. Alphonse Leduc #AL30748. Published by Alphonse Leduc (HL.48186481).

UPC: 888680828264. 9.0x12.0x0.065 inches.

Francois Rabbath : Trombes d?eau for double bass (AL 30 748) The international fame of bass player Francois Rabbath acknowledges both the untiring teacher, author of a Nouvelle technique de la contrebasse, which a whole generation of students, desirous of freeing themselves from the fetters of traditional teaching, has taken up, and the inspired soloist, unsparing of himself in concert. For several years now, he has become accustomed to spending a few days in the summer in Kansas City (Missouri) to give master classes and a concert there, in the framework of the ?KC BassFest?. In July 2016, a moving surprise awaited him: on the stage of the American Jazz Museum a full-length portrait was unveiled, painted by local artist Ruthie Ingram from photos taken during his recital the previous year. By way of thanks, Rabbath dedicated Trombes d?eau to her, a solo piece lasting approximately six minutes, composed at the instigation of the International Society of Bassists for the 2017 edition of the International Double Bass Competition. Conceived as a series of short variations on an impassioned theme, the work emphasises evocative glissandi and explores double stopping and artificial harmonics without ever sacrificing the essential: the pleasure of musical expression..

(A Comprehensive Curriculum for Use During Fundamentals Time). Composed by Scott Rush. For double bass. Habits of a Successful Musician. Music Education - Band Method. Method book. 72 pages. Published by GIA Publications

Double Bass

SKU: HL.14021087

Composed by John McCabe. Music Sales America. Classical. Book [Softcover]. 8 pages. Music Sales #NOV955163. Published by Music Sales (HL.14021087).

8.25x12.0x0.059 inches.

John McCabe's Pueblo for solo Double Bass. Duration: approx. 7 minutes.

Pueblo is an off-shoot of a series of compositions inspired by desert country, and it was commissioned by Leon Bosch with the aid of funds provided by North West Arts. The piece is continous, falling into several sections, and is largeley based on the high circling motif heard at the start and referred to again in the harmonics at the close.
It is prefaced by the following quotation from Scenes in American Deserta by Reyner Banham, published by Thames and Hudson:

'Clouds, high and flat, were now building up in thesky, the wind was settling to silent calm, the weather was very cold, and the stream through the center of the pueblo was almost frozen across, the Indians chipping out ice to melt down for water.'

The aim in writing the piece was to express in musical terms a response to the vivid picture of a scene relating to life in the American desert conveyed by Reyner Banham's text. Although not numbered among other Desert works, this belongs to this family of compositions, along with another Banham setting, written for the King's Singers, Scenes In America Deserta. - John McCabe
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Book/CD Pack. By John Goldsby. Book (not sheet music). Book and CD package. Size 8.38x10.88 inches. 228 pages. Published by Backbeat Books.

Composed by J. Peter Close; Holger Sassmannshaus. Stapled. Barenreiter's Sassmannshaus. Instructional. Performance score. 72 pages. Published by Baerenreiter Verlag (BA.BA9660).

Double bass

SKU: BR.OB-4953-27

Composed by Jean Sibelius. Stapled. Orchester-Bibliothek (Orchestral Library).

Sibelius composed this short (only five minutes long) Romance in C Op. 42 in 1903; the work was first performed in Turku in March 1904. The Romance is not a concerto movement in disguise, but features the dark, dense string writing typical of Sibelius. Early modern; Late-romantic. Part. 4 pages. Duration 5'. Breitkopf and Haertel #OB 4953-27. Published by Breitkopf and Haertel (BR.OB-4953-27).

ISBN 9790004326503. 10 x 12.5 inches.

Sibelius composed this short (only five minutes long) Romance in C Op. 42 in 1903; the work was first performed in Turku in March 1904. The Romance is not a concerto movement in disguise, but features the dark, dense string writing typical of Sibelius.

Double bass solo

SKU: BR.EB-9268

Revised Version 2010. Composed by Helmut Lachenmann. Arranged by Caleb Salgado. Solo instruments; Folder. Edition Breitkopf. Music post-1945; New music (post-2000). Score. Composed 1969/2010. 26 pages. Duration 9'. Breitkopf and Haertel #EB 9268. Published by Breitkopf and Haertel (BR.EB-9268).

ISBN 9790004185681. 12 x 9 inches.

This piece originated as an introduction to instrumental musique-concrete. In this sort of piece it is common for sound phenomena to be so refined and organised that they are not so much the results of musical experiences as of their own acoustic attributes. Timbres, dynamics and so on arise not of their own volition but as components of a concrete situation characterised by texture, consistency, energy, resistance.This does not come from within but from a liberated compositional technique. At the same time it implies that our customary sharply-honed auditory habit is thwarted. The result is aesthetic provocation: beauty denying habit.(Helmut Lachenmann),,Cette nouvelle edition est une invitation faite aux violoncellistes qui souhaiteraient redecouvrir leur instrument et la maniere de la faire sonner en realisant dessus un nouveau genre de polyphonie: une polyphonie d'actions. (Francois-Xavier Feron, Circuit, Heft 25, Juni 2015)CDs/LPs:Michael Bach CD cpo 999 102-2 Lucas Fels CD Montaigne Auvidis MO 782075 Walter Grimmer CD col legno WWE 31863 Taco Kooistra CD Attacca Babel 9369-1 Pierre Strauch CD Accord 202082 Michael Bach LP ABE ERZ 1003 Werner Taube LP ABE ERZ 1003ensemble phorminxCD WER 6682 2Michael M. KasperCD Michael M. Kasper rounds per minute, Ensemble Modern Medien, EMCD-006Michael Svoboda (trombone)CD Wittener Tage fur neue Kammermusik 2011Bibliography:Deltz, Eberhard: begegnung im grenzbereich. Zwei Werke von Helmut Lachenmann und Hideaki Yamanobe im Spiegel eines Haiku von Matsuo Basho, in: Neue Zeitschrift fur Musik 167 (2006), Heft 1, pp. 36-41.Feron, Francois-Xavier: Enjeux et evolution du systeme de notation dans ,,Pression pour un(e) violoncelliste de Helmut Lachenmann, in: Circuit, Heft 25, 2015, pp. 55-65.GoGwilt, Keir: Templates for Technique in Mantel and Lachenmann. Between Transcendence and Immanence, in: The Dark Precursor: Deleuze and Artistic Research. Band I: The Dark Precursor in Sound and Writing, hrsg. von Paulo de Assis und Paolo Giudici, Leuven: Leuven University Press 2017, pp. 105-113.Griffiths, Paul: ModernMusic and After, 3rd edition, Oxford University Press 2010, pp. 216-219.Handschick, Matthias: Musik als ,,Medium der sich selbst erfahrenden Wahrnehmung. Moglichkeiten der Vermittlung Neuer Musik unter dem Aspekt der Auflosung und Reflexion von Gestalthaftigkeit (= Schriften der Hochschule fur Musik Freiburg 3), Hildesheim u. a.: Olms 2015, dort pp. 161-167.Hiekel, Jorn Peter: Helmut Lachenmann und seine Zeit, Laaber: Laaber 2023, S. 169-172, 231-232.Jahn, Hans-Peter: simultan eine Erinnerung, in: Neue Zeitschrift fur Musik 167 (2006), Heft 1, pp. 12-15.Lessing, Wolfgang: Musizieren als Prozess. Zur didaktischen Dimension von Helmut Lachenmanns Pression, in: Musik inszeniert. Prasentation und Vermittlung zeitgenossischer Musik heute, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 46), Mainz u. a.: Schott 2006, pp. 73-83.ders.: Verweigerung von Gewohnheit. Instrumentaldidaktische Annaherungen an Pression von Helmut Lachenmann, in: Darstellen und Mitteilen. Ein Handbuch der musikalischen Interpretation, hrsg. von Ursula Brandstatter, Martin Losert, Christoph Richter und Andrea Welte, Mainz: Schott 2010, pp. 111-122.ders.: Interpretation, Verstehen und Vermittlung, in: Ans Licht gebracht. Zur Interpretation Neuer Musik, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 53), Mainz u. a.: Schott 2013, pp. 24-39.Mosch, Ulrich: Das Unberuhrte beruhren Anmerkungen zur Interpretation von Helmut Lachenmanns Werken Pression und Allegro sostenuto, in: Musik inszeniert. Prasentation und Vermittlung zeitgenossischer Musik heute, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 46), Mainz u. a.: Schott 2006, pp. 25-46.Musik als Bildkritik Gesprach zwischen Gottfried Boehm, Helmut Lachenmann und Matteo Nanni, in: Helmut Lachenmann: Musik mit Bildern? Hrsg. von Matteo Nanni und Matthias Schmidt (= eikones, hrsg. von Nationalen Forschungsschwerpunkt Bildkritik an der Universitat Basel), Munchen: Wilhelm Fink 2012, pp. 237-269.Neuwirth, Markus: Strukturell vermittelte Magie. Kognitionswissenschaftlic he Annaherungen an Helmut Lachenmanns Pression und Allegro sostenuto, in: Musik als Wahrnehmungskunst. Untersuchungen zu Kompositionsmethodik und Horasthetik bei Helmut Lachenmann, hrsg. von Christian Utz und Clemens Gadenstatter (= musik.theorien der gegenwart 2), Saarbrucken: Pfau 2008, pp. 73-100.Orning, Tanja: The Polyphonic Performer. A Study of Performance Practice in Music for Cello Solo by Morton Feldman, Helmut Lachenmann, Klaus K. Hubler and Simon Steen-Andersen, Diss. Oslo 2014, Oslo: NMH-publikasjoner (mit DVD).Sparrer, Walter-Wolfgang: Wider den geolten Gleichlauf. Von der Notwendigkeit strukturierender Verfahrensweisen bei der Interpretation von Musik. Modell I: Kompositionen fur Violoncello solo von J. S. Bach, Isang Yun und Helmut Lachenmann, in: Musikalische Produktion und Interpretation, hrsg. von Otto Kolleritsch, Wien/Graz 2003 (= Studien zur Wertungsforschung, Band 43), pp. 75-100.Utz, Christian: Erinnerte Gestalt und gebannter Augenblick. Zur Analyse und Interpretation post-tonaler Musik als Wahrnehmungspraxis Klangorganisation und Zeiterfahrung bei Morton Feldman, Helmut Lachenmann und Brian Ferneyhough, in: Ans Licht gebracht. Zur Interpretation Neuer Musik, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 53), Mainz u. a.: Schott 2013, pp. 40-67.

World premiere: Como (Autunno musicale), September 30, 1970.

Double Bass

SKU: BT.YE0097

Composed by Bertram Turetzky. Book Only. Yorke Edition #YE0097. Published by Yorke Edition (BT.YE0097).

A large-scale solo piece using the blues form and jazz language, changing meters, contrasting tempi and vocal sounds to fuse the jazz world with the world of concert music in a unique way. The composer is one of the world'sforemost exponents of contemporary bass music. Duration c.4'.

Grade: Advanced.