Double bass - Level 1 SKU: HF.FH-3356 Pieces for little ones from the ...(+)
Double bass - Level 1
SKU: HF.FH-3356
Pieces for little ones
from the age of five
up. Composed by Claus
Freudenstein. Sheet
music. 20 pages.
Friedrich Hofmeister
Musikverlag #FH 3356.
Published by Friedrich
Hofmeister Musikverlag
(HF.FH-3356).
ISBN
9790203433569. 9 x 12
inches.
1. Big
Smile; 2. Tatu tata, the
firefighters; 3. Dear
Mama; 4. A green old
dragon sneers; 5. Brother
John; 6. Come with me to
New York City (version
a); 7. Three Chinese with
a doublebass; 8. The
Bi-Ba-Boogeyman; 9. Buzz,
Buzz, Buzz; 10. Hansel
and Gretel; 11. Fox, you
stole my goosey gander;
12. Do you know, how many
stars there be? (Melodie:
Westfalen, Text: W. Hey);
13. On the wall, on the
lookout; 14. Come with me
to New York City (version
b); 15. Just look there
the frog is sick; 16. My
coloured minibass; 17.
Witching hour; 18. Bass
Knights; 19. Hey! Hey!
Let's start!
Double bass SKU: BA.BA08841-85 Composed by Claude Debussy. Edited by Doug...(+)
Double bass
SKU:
BA.BA08841-85
Composed by Claude
Debussy. Edited by
Douglas Woodfull-Harris.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Single part. 3 pages.
Duration 10 minutes.
Baerenreiter Verlag
#BA08841_85. Published by
Baerenreiter Verlag
(BA.BA08841-85).
ISBN
9790006541256. 32.5 x
25.5 cm
inches.
Prelude a
l'apres-midi d'un faune,
often referred to as the
first composition of the
modern era, is one of
Debussy's most popular
and frequently performed
orchestral works. The
piece comes down to us in
an array of sources, and
several important ones
are drawn upon for the
first time in
Baerenreiter's new
scholarly-critical
edition. Most of the
currently available
editions are based on the
first edition from 1895
which, however, contains
many engraver errors.
When the corresponding
orchestral parts are also
taken into consideration,
countless discrepancies
are
revealed.
Baerenreiter
's Urtext edition
incorporates readings of
a printed copy of the
score from c. 1908 which
shows corrections and
emendations by the
composer. These important
changes, found in no
other source, include
metronome markings,
different pitches and
additional notes, as well
as added tempo and
articulation markings,
which all subtly enhance
Debussy's finely sculpted
work. There is even a
breath mark added to the
famous solo flute passage
which opens the
work.* Scholarly
critical edition with
many corrections in the
score and orchestral
parts * Clear
presentation of
orchestral parts in an
enlarged format.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Double Bass SKU: HL.48186481 Composed by Rabbath Francois. Leduc. Softcov...(+)
Double Bass
SKU:
HL.48186481
Composed
by Rabbath Francois.
Leduc. Softcover. 10
pages. Alphonse Leduc
#AL30748. Published by
Alphonse Leduc
(HL.48186481).
UPC:
888680828264.
9.0x12.0x0.065
inches.
Francois
Rabbath : Trombes d?eau
for double bass (AL 30
748) The international
fame of bass player
Francois Rabbath
acknowledges both the
untiring teacher, author
of a Nouvelle technique
de la contrebasse, which
a whole generation of
students, desirous of
freeing themselves from
the fetters of
traditional teaching, has
taken up, and the
inspired soloist,
unsparing of himself in
concert. For several
years now, he has become
accustomed to spending a
few days in the summer in
Kansas City (Missouri) to
give master classes and a
concert there, in the
framework of the ?KC
BassFest?. In July 2016,
a moving surprise awaited
him: on the stage of the
American Jazz Museum a
full-length portrait was
unveiled, painted by
local artist Ruthie
Ingram from photos taken
during his recital the
previous year. By way of
thanks, Rabbath dedicated
Trombes d?eau to her, a
solo piece lasting
approximately six
minutes, composed at the
instigation of the
International Society of
Bassists for the 2017
edition of the
International Double Bass
Competition. Conceived as
a series of short
variations on an
impassioned theme, the
work emphasises evocative
glissandi and explores
double stopping and
artificial harmonics
without ever sacrificing
the essential: the
pleasure of musical
expression..
