Double bass

SKU: M7.VHR-3903

Composed by Simone Drebenstedt. Sheet music. Student's edition. 172 pages. Holzschuh Musikverlag #VHR 3903. Published by Holzschuh Musikverlag (M7.VHR-3903).

ISBN 9783940069818.

Das neue Schulwerk verbindet Lieder und Aufgaben in sehr übersichtlicher Form. Viele Liedbeispiele und Liedbegleitungen mit Texten zum Singen erleichtern den Schülern den Zugang zur Musik. Alle Seiten dieses Unterrichtswerkes sind gleich aufgebaut. Das übersichtliche Layout erleichtert Lehrern und Schülern die Orientierung. Der Umfang des Materials ist auf zwei Unterrichtsjahre ausgerichtet.

Double bass

SKU: M7.VHR-3908

Arbeitsbuch Kontrabass. Composed by Simone Drebenstedt. Sheet music. 100 pages. Holzschuh Musikverlag #VHR 3908. Published by Holzschuh Musikverlag (M7.VHR-3908).

ISBN 9783940069863.

Umfa ngreiches Schulwerk für den Streicherklassenunterrich t- für 2 JahreBesetzung: Kontrabass Das neue Schulwerk verbindet Lieder und Aufgaben in sehr übersichtlicher Form. Viele Liedbeispiele und Liedbegleitungen mit Texten zum Singen erleichtern den Schülern den Zugang zur Musik. Alle Seiten dieses Unterrichtswerkes sind gleich aufgebaut. Das übersichtliche Layout erleichtert Lehrern und Schülern die Orientierung. Der Umfang des Materials ist auf zwei Unterrichtsjahre ausgerichtet.

Double Bass

SKU: HL.48182574

Composed by F. Fontaine. Leduc. Classical. Softcover. Alphonse Leduc #AL23922. Published by Alphonse Leduc (HL.48182574).

UPC: 888680833411. 10.25x13.25x0.086 inches.

F. Fontaine: Prelude et Allegro vivace (Double Bass & Piano).

For String Bass. String - Bass (Suzuki). The Suzuki Method Core Materials. Book. 24 pages. Published by Alfred Publishing.

(A book of orchestral excerpts). By Keith Hartley. For Double bass technique book. Double Bass. Double Bass Solo. Double bass solos. Method book. 32 pages

For String Bass. String - Bass (Suzuki). The Suzuki Method Core Materials. Book. 24 pages. Published by Alfred Publishing.

By Johann Sebastian Bach (1685-1750). Edited by August Wenzinger. For violone (double bass). Stapled. Single part. No. 2. Published by Baerenreiter Verlag

Sextett. Composed by Georg Philipp Telemann (1681-1767). Edited by Klaus Hofmann. Stapled. Hortus Musicus. Single part. TWV 44 : 32. Published by Hortus Musicus (BA.HM210-85).

Composed by Franz Joseph Haydn (1732-1809). Edited by Andreas Friesenhagen. This edition: urtext edition. Stapled. Urtext from: Joseph Haydn Werke, G. Henle Verlag Munchen. Single part. Hob. I:89. 7 pages. Duration 23 minutes. Baerenreiter Verlag #BA10979-85. Published by Baerenreiter Verlag (BA.BA10979-85).

Double bass

SKU: RM.CP2604

Composed by Francois Rosse. Contrebasse a cordes. Instrumental music. Editions Robert Martin #CP2604. Published by Editions Robert Martin (RM.CP2604).

ISBN 9790232626048.

Double bass solo

SKU: BR.DV-31080

Studien fur Bass und Drums. Composed by Herbert Junck and Jacki Reznicek. Solo instruments; Softcover. Deutscher Verlag. Music pedagogy. Score. 48 pages. Deutscher Verlag fur Musik #DV 31080. Published by Deutscher Verlag fur Musik (BR.DV-31080).

ISBN 9790200415629. 9 x 12 inches.

By Paul Chihara. For contrabass solo (may be played by 2 or more players). Duration 8-10'. Published by C.F. Peters.

Music Minus One Double Bass. By David Walter. By Various. Music Minus One. Classical, Contest. Softcover Audio Online. 24 pages. Music Minus One #MMO4302. Published by Music Minus One

By J. Peter Close / Holger Sassmannshaus. For contrabass. This edition: Stapled. Barenreiter's Sassmannshaus. Instructional Method. Performance score, Teaching material. Text Language: English. 72 pages. Published by Baerenreiter Verlag

By Shelly Berg. For Bass. Jazz Ensemble Method. Play along. Book and 2 CDs. 40 pages. Published by Alfred Publishing.

Double bass solo

SKU: BR.DV-32135

Composed by H. (Hrsg.) Herrmann. Edited by H. Herrmann. Solo instruments; Softbound. Deutscher Verlag. Music pedagogy. Score. 92 pages. Deutscher Verlag fur Musik #DV 32135. Published by Deutscher Verlag fur Musik (BR.DV-32135).

ISBN 9790200426687. 9 x 12 inches.

Double bass

SKU: GI.G-J328

The Instrumental Series. Composed by Christopher D. Azzara, Edwin E. Gordon, and Richard F. Grunow. Method Book. Jump Right In. Music Education. CD only. GIA Publications #J328. Published by GIA Publications (GI.G-J328).

English.

The newly revised Jump Right In: The Instrumental Series for Strings incorporates hundreds of improvements designed to make the series practical, engaging, and, most of all, musical. Like its counterparts for winds and recorder, the string series includes high-quality CD recordings of folk songs and melodies and performances by some of the world’s greatest musicians. And, of course, this series incorporates the latest research and is sequenced according to Edwin E. Gordon’s Music Learning Theory. The 522-page Teacher’s Guide incorporates all of Book 1 and 2 and includes complete lesson plans, an introduction to Music Learning Theory, connections to the National Standards, and information on testing, recruiting, scheduling, and many other critical issues.

By F. Simandl. Arranged by Lucas Drew. String bass (Double Bass). Size 9 X 12. Published by Carl Fischer.

Double bass solo

SKU: BR.DV-31006

Composed by Lothar Spiller. Solo instruments; Softcover. Deutscher Verlag. Music pedagogy. Score. 28 pages. Deutscher Verlag fur Musik #DV 31006. Published by Deutscher Verlag fur Musik (BR.DV-31006).

ISBN 9790200415056. 9 x 12 inches. German.

By Johann Sebastian Bach. Edited by Sterling. For contrabass. BWV 1012. Published by C.F. Peters.

By Christoph Wolff. For contrabass. This edition: Photoprint Edition. Photoprint editions are made to order. Printed on high quality paper and cover stock, they are made on a Canon digital printer from clean digital masters. Most of the photoprint editions are saddle stitched, but larger books have wire spiral binding. Published by C.F. Peters.

Double bass solo

SKU: GI.G-J221

The Instrumental Series. Composed by Christopher D. Azzara, Edwin E. Gordon, and Richard F. Grunow. Method Book. Jump Right In. Music Education. Book. 32 pages. GIA Publications #J221. Published by GIA Publications (GI.G-J221).

English.

The newly revised Jump Right In: The Instrumental Series for Strings incorporates hundreds of improvements designed to make the series practical, engaging, and, most of all, musical. Like its counterparts for winds and recorder, the string series includes high-quality CD recordings of folk songs and melodies and performances by some of the worldâ??s greatest musicians. And, of course, this series incorporates the latest research and is sequenced according to Edwin E. Gordonâ??s Music Learning Theory. The 522-page Teacherâ??s Guide incorporates all of Book 1 and 2 and includes complete lesson plans, an introduction to Music Learning Theory, connections to the National Standards, and information on testing, recruiting, scheduling, and many other critical issues.

By Johann Sebastian Bach. Edited by Sterling. For contrabass. BWV 1010-1011. Published by C.F. Peters.

Double Bass

SKU: BT.YE0064

Composed by F. Petracchi. Book Only. 34 pages. Yorke Edition #YE0064. Published by Yorke Edition (BT.YE0064).

The Italian virtuoso Francesco Petracchi enjoys an international reputation both as a player and a teacher. This book is the essence of his teaching and explains his system of fingering in the thumb positions with clarity and withmany musical examples.

Grade: Advanced.

Double Bass

SKU: BT.YE0007

Yorke Edition. Composed by F. Baines. Book Only. Yorke Edition #YE0007. Published by Yorke Edition (BT.YE0007).

Born in Oxford in 1917, Francis Baines was a well-known and much respected professional double bass player. He studied at the Royal College of Music in London with Claude Hobday, where he later taught. Something of an eccentric,he immersed himself in early music at a time when few people were taking it seriously. He owned a beautiful Amati bass that he had restored as a violone, which it probably was originally, and he was a regular fixture as aprincipal player in a number of orchestras and ensembles that dedicated themselves to period performing, including those directed by Denys Darlow, with whom he broadcast and recorded frequently.

Besi des playing thedoublebass, Francis Baines was an exponent of the treble viol and led the Jaye Consort of Viols which he founded. He also played several kinds of bagpipe and the hurdy-gurdy. As a composer he dabbled in many styles, one of hisgreatest claims to fame being that of writing for the popular Hoffnung concerts in the 1960s.

He was the author of a number of papers about the history of the double bass, sometimes arriving at scholarly conclusionsthat were colourful, if not always entirely accurate. He discovered the Giovannino del Violone sonatas, subsequently published by Yorke Edition, although today it is thought that they were probably not written for a 16' pitchinstrument at all. His edition of the Capuzzi double bass concerto, published by Boosey & Hawkes, was for many years one of the few solo works available for the instrument. This, however, he largely re-composed because hethought it could be improved: towards the end of his life he confessed that with hindsight he probably should have treated it differently.

Gro unds was written in 1969 as a sort of party piece and was given to YorkeEdition in support of a drive to enlarge the repertoire for the instrument in a wide variety of styles. It was set on the syllabus of the Associated Board of the Royal Schools of Music for many years.

Francis Baines died.

Composed by John Cage (1912-1992). For contra bass. Format: performance part. With standard notation. 20th century. Composed 1983-1985. 9x12 inches. Published by C.F. Peters.

Double Bass

SKU: BT.YE0030

Composed by F. Keyper. Exam Material. Book Only. Yorke Edition #YE0030. Published by Yorke Edition (BT.YE0030).

An easy virtuoso work published here for the first time and now much performed. Recorded Slatford/Academy of St Martin-in-the-Fields (EMI). AMEB (Australian Syllabus) 2004. Orchestral material on hire from Yorke Edition (notSpartan).

Pr ogramme Note:

As a young professional player in the 1960s, my work as a double bassist with chamber ensembles and small orchestras took me all over the world. This presented an unparalleledopportunity to scour libraries and archives wherever I went. Long before the advent of the photocopier and e-mail, research was far more challenging than it is today. Eastern Europe was particularly difficult to access, withmanycollections kept under lock and key for all but a few hours a week. One quickly found colleagues who were keen to share information gleaned in passing, even though they had no specific interest in one's own particularspecialism (it is so often the peripheral topics that fascinate as much as the main subject under investigation, and one can quickly be side-tracked into political and social issues that have only slender bearing on the job inhand!).

In the early 1970s James Brown, the then sub-principal oboist of the English Chamber Orchestra with whom I was working at the time, stumbled across a small collection of double bass manuscripts at the RoyalDanish State Library in Copenhagen. They were by Franz Anton Leopold Keÿper (b. c.1756, d. Copenhagen 7 June 1815), a double bassist of Dutch origin who worked as principal of the Royal Chapel Orchestra in Copenhagen.Keÿper's son was the bassoonist Franz Jacob August Keÿper (1792-1859). The collection included a number of concertos, some chamber music, and various naïve fragments. Although hardly the work of a Mozart or Haydn,the style is characteristic of the period. For an instrument such as the double bass, whose 18th century solo repertoire is largely written for tunings that are no longer in everyday use, Keÿper's music is easily approachablein its.