Double Bass SKU: HL.14036937 By O. Hegner. By H. E. Kayser. Edited by O. ...(+)
Double Bass
SKU:
HL.14036937
By O.
Hegner. By H. E. Kayser.
Edited by O. Hegner.
Music Sales America.
Classical. Book
[Softcover]. Composed
2005. 48 pages. Edition
Wilhelm Hansen #WH26198.
Published by Edition
Wilhelm Hansen
(HL.14036937).
Double bass solo SKU: BR.DV-32135 Composed by H. (Hrsg.) Herrmann. Edited...(+)
Double bass solo
SKU:
BR.DV-32135
Composed
by H. (Hrsg.) Herrmann.
Edited by H. Herrmann.
Solo instruments;
Softbound. Deutscher
Verlag. Music pedagogy.
Score. 92 pages.
Deutscher Verlag fur
Musik #DV 32135.
Published by Deutscher
Verlag fur Musik
(BR.DV-32135).
By Wolfgang Amadeus Mozart. Edited by Robbins H Landon. For Contrabass. Single P...(+)
By Wolfgang Amadeus
Mozart. Edited by Robbins
H Landon. For Contrabass.
Single Part. KV 551.
Published by
Baerenreiter-Ausgaben
(German import). (BA4703
85)
Kontrabass! Contre Basse [Conducteur] Breitkopf & Härtel
Double bass solo SKU: BR.EB-8813 Eine Schule fur Kinder und Jugendlich...(+)
Double bass solo
SKU:
BR.EB-8813
Eine
Schule fur Kinder und
Jugendliche. Composed
by Thomas Schlink.
Arranged by Thomas
Blomenkamp. Solo
instruments; Softbound.
Edition Breitkopf. Music
pedagogy. Score. 116
pages. Breitkopf and
Haertel #EB 8813.
Published by Breitkopf
and Haertel (BR.EB-8813).
ISBN 9790004183588. 9
x 12 inches.
First
steps with the double
bass It's not by chance
that Kontrabass! (Double
Bass!) has an exclamation
mark in its title, for
Thomas Schlink's method
begins from scratch, i.e.
it requires no practical
knowledge of the
instrument. The
Kontrabass! concept is so
broad that all teachers
can proceed from their
own playing techniques
and methods, and can
teach them without
difficulty. In Book 1,
the student goes from
plucked and bowed playing
on open strings to the
first position. In order
to let the student
interact with others from
the very start, the book
often includes an
accompanying part for
bass, piano or melody
instrument. Of course,
such a well-planned
instrumental method
offers more yet: work
materials, exercises,
suggestions in a word,
double-bass lessons are
rounded off perfectly
with
Kontrabass!
The
Kontrabass! concept is so
broad that all teachers
can proceed from their
own playing techniques
and methods, and can
teach them without
difficulty..
Siegfried-Idyll Contre Basse [Partie séparée] Breitkopf & Härtel
(contrabass). By Richard Wagner (1813-1883). For orchestra (contrabass). Orchest...(+)
(contrabass). By Richard
Wagner (1813-1883). For
orchestra (contrabass).
Orchester-Bibliothek
(Orchestral Library).
Individual part. 4 pages.
Published by Breitkopf
and Haertel
By Wolfgang Amadeus Mozart. Edited by Robbins H. C. Landon. For Contrabass. Sing...(+)
By Wolfgang Amadeus
Mozart. Edited by Robbins
H. C. Landon. For
Contrabass. Single Part.
KV 550. Published by
Baerenreiter-Ausgaben
(German import). (BA4724
85)
Double Bass SKU: PR.HM000171E Critical Edition of the Complete Symphon...(+)
Double Bass
SKU:
PR.HM000171E
Critical Edition of
the Complete
Symphonies. Composed
by Franz Joseph Haydn.
Edited by H. C. Landon.
Haydn-Mozart Presse.
Part. With Standard
notation. Composed 1787.
Hob. I:88. Duration 25
minutes. Universal
Edition #HM000171E.
Published by Universal
Edition (PR.HM000171E).
ISBN 9783702433383.
UPC: 680160500093. Key: G
major.
(Improving Reading and Sight-Reading Skills in the String Classroom or Studio) E...(+)
(Improving Reading and
Sight-Reading Skills in
the String Classroom or
Studio) Edited by Andrew
H. Dabczynski, Bob
Phillips, Richard Meyer.
Instructional book for
string bass. String
Orchestra
Method/Supplement.
Series: Sight-Read It for
Strings. 32 pages.
Published by Alfred
Publishing.
Double bass SKU: BR.OB-5509-27 Urtext. Composed by Carl Philipp Em...(+)
Double bass
SKU:
BR.OB-5509-27
Urtext. Composed
by Carl Philipp Emanuel
Bach. Edited by Ulrich
Leisinger. This edition:
double bass part.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
The concertos in A
minor and B flat major
were first written as
violoncello concertos
between 1750 and 1753.
They thus rank among the
very first concertos for
solo cello in
Germany.
Solo
concerto; Early
classical. Part. 8 pages.
Duration 27'. Breitkopf
and Haertel #OB 5509-27.
Published by Breitkopf
and Haertel
(BR.OB-5509-27).
ISBN
9790004338506. 9 x 12
inches.
The
concertos in A minor, B
flat major and A major
were first written as
violoncello concertos
between 1750 and 1753.
They thus rank among the
very first concertos for
solo cello in Germany.
The A minor Concerto,
composed in 1750, is
performed quite
frequently today. C. P.
E. Bach most likely wrote
the Concerto in B flat
major Wq. 171 as the last
of the little work group
in 1753 in Potsdam, at
the court of King
Frederick the Great. He
reworked the composition
for flute and harpsichord
shortly thereafter.
Various sources prove
that copies of the work
had made it known quite
extensively in the second
half of the 18th century.
In his new Urtext
edition, Ulrich Leisinger
bases himself on two
reliable manuscripts.
Double bass solo SKU: BR.EB-8986 23 Song Settings for Young String Pla...(+)
Double bass solo
SKU:
BR.EB-8986
23 Song
Settings for Young String
Players. Composed by
Esther Klein and Michael
Dartsch. Solo
instruments. Edition
Breitkopf. Music
pedagogy. Sheet Music.
Breitkopf and Haertel #EB
8986. Published by
Breitkopf and Haertel
(BR.EB-8986).
ISBN
9790004187159. 0 x 0
inches.
German.
Songs are
part of the childhood.
This collection aims to
offer a variety of songs
for string ensembles,
such as young string
orchestras or string
classes. Included are
older and newer songs,
songs of various origins,
and songs for different
occasions and with themes
ranging from animals to
seasons and times of day
to tongue-in-cheek scary
subjects.Taking up the
motif of diversity in
their own way, the
six-part arrangements are
not confined to the usual
cadence harmonies and
accompaniment forms,
There is something
special to discover in
each of the songs. Small
vignettes with lyrics to
them are found in the
parts, and can be taken
up in rehearsals and
lessons.The songs begin
with fingering positions
and bowing techniques
that are usually learned
at the beginning of
lessons, then gradually
increase in difficulty,
though the booklet as a
whole is set at the
elementary level.
Suggestions for
improvisation and pieces
for practicing certain
requirements round out
the booklet. Special
emphasis is placed on
playing together - true
to the title: Together on
Strings!
Composed by Johann Strauss. Orchester-Bibliothek (Orchestral Library). Romantic....(+)
Composed by Johann
Strauss.
Orchester-Bibliothek
(Orchestral Library).
Romantic. Individual
part. 4 pages. Published
by Breitkopf and Haertel
(BR.OB-3284-27).
(contrabass). By Ludwig van Beethoven (1770-1827). Edited by Peter Hauschild. Fo...(+)
(contrabass). By Ludwig
van Beethoven
(1770-1827). Edited by
Peter Hauschild. For
orchestra (contrabass).
This edition: Urtext.
Orchester-Bibliothek
(Orchestral Library).
Individual part. 20
pages. Published by
Breitkopf and Haertel
Double bass SKU: BR.OB-4947-27 Formerly ascribed to Richard Wagner...(+)
Double bass
SKU:
BR.OB-4947-27
Formerly ascribed to
Richard Wagner.
Composed by Heinrich
Joseph Baermann.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Romantic period. Part. 4
pages. Duration 4'.
Breitkopf and Haertel #OB
4947-27. Published by
Breitkopf and Haertel
(BR.OB-4947-27).
Pression Contre Basse [Conducteur] Breitkopf & Härtel
Double bass solo SKU: BR.EB-9268 Revised Version 2010. Composed by...(+)
Double bass solo
SKU:
BR.EB-9268
Revised
Version 2010.
Composed by Helmut
Lachenmann. Arranged by
Caleb Salgado. Solo
instruments; Folder.
Edition Breitkopf. Music
post-1945; New music
(post-2000). Score.
Composed 1969/2010. 26
pages. Duration 9'.
Breitkopf and Haertel #EB
9268. Published by
Breitkopf and Haertel
(BR.EB-9268).
ISBN
9790004185681. 12 x 9
inches.
This piece
originated as an
introduction to
instrumental
musique-concrete. In this
sort of piece it is
common for sound
phenomena to be so
refined and organised
that they are not so much
the results of musical
experiences as of their
own acoustic attributes.
Timbres, dynamics and so
on arise not of their own
volition but as
components of a concrete
situation characterised
by texture, consistency,
energy, resistance.This
does not come from within
but from a liberated
compositional technique.
At the same time it
implies that our
customary sharply-honed
auditory habit is
thwarted. The result is
aesthetic provocation:
beauty denying
habit.(Helmut
Lachenmann),,Cette
nouvelle edition est une
invitation faite aux
violoncellistes qui
souhaiteraient
redecouvrir leur
instrument et la maniere
de la faire sonner en
realisant dessus un
nouveau genre de
polyphonie: une
polyphonie d'actions.
(Francois-Xavier Feron,
Circuit, Heft 25, Juni
2015)CDs/LPs:Michael Bach
CD cpo 999 102-2 Lucas
Fels CD Montaigne Auvidis
MO 782075 Walter Grimmer
CD col legno WWE 31863
Taco Kooistra CD Attacca
Babel 9369-1 Pierre
Strauch CD Accord 202082
Michael Bach LP ABE ERZ
1003 Werner Taube LP ABE
ERZ 1003ensemble
phorminxCD WER 6682
2Michael M. KasperCD
Michael M. Kasper rounds
per minute, Ensemble
Modern Medien,
EMCD-006Michael Svoboda
(trombone)CD Wittener
Tage fur neue Kammermusik
2011Bibliography:Deltz,
Eberhard: begegnung im
grenzbereich. Zwei Werke
von Helmut Lachenmann und
Hideaki Yamanobe im
Spiegel eines Haiku von
Matsuo Basho, in: Neue
Zeitschrift fur Musik 167
(2006), Heft 1, pp.
36-41.Feron,
Francois-Xavier: Enjeux
et evolution du systeme
de notation dans
,,Pression pour un(e)
violoncelliste de Helmut
Lachenmann, in: Circuit,
Heft 25, 2015, pp.
55-65.GoGwilt, Keir:
Templates for Technique
in Mantel and Lachenmann.
Between Transcendence and
Immanence, in: The Dark
Precursor: Deleuze and
Artistic Research. Band
I: The Dark Precursor in
Sound and Writing, hrsg.
von Paulo de Assis und
Paolo Giudici, Leuven:
Leuven University Press
2017, pp.
105-113.Griffiths, Paul:
ModernMusic and After,
3rd edition, Oxford
University Press 2010,
pp. 216-219.Handschick,
Matthias: Musik als
,,Medium der sich selbst
erfahrenden Wahrnehmung.
Moglichkeiten der
Vermittlung Neuer Musik
unter dem Aspekt der
Auflosung und Reflexion
von Gestalthaftigkeit (=
Schriften der Hochschule
fur Musik Freiburg 3),
Hildesheim u. a.: Olms
2015, dort pp.
161-167.Hiekel, Jorn
Peter: Helmut Lachenmann
und seine Zeit, Laaber:
Laaber 2023, S. 169-172,
231-232.Jahn, Hans-Peter:
simultan eine Erinnerung,
in: Neue Zeitschrift fur
Musik 167 (2006), Heft 1,
pp. 12-15.Lessing,
Wolfgang: Musizieren als
Prozess. Zur didaktischen
Dimension von Helmut
Lachenmanns Pression, in:
Musik inszeniert.
Prasentation und
Vermittlung
zeitgenossischer Musik
heute, hrsg. von Jorn
Peter Hiekel (=
Veroffentlichungen des
Instituts fur Neue Musik
und Musikerziehung
Darmstadt, Band 46),
Mainz u. a.: Schott 2006,
pp. 73-83.ders.:
Verweigerung von
Gewohnheit.
Instrumentaldidaktische
Annaherungen an Pression
von Helmut Lachenmann,
in: Darstellen und
Mitteilen. Ein Handbuch
der musikalischen
Interpretation, hrsg. von
Ursula Brandstatter,
Martin Losert, Christoph
Richter und Andrea Welte,
Mainz: Schott 2010, pp.
111-122.ders.:
Interpretation, Verstehen
und Vermittlung, in: Ans
Licht gebracht. Zur
Interpretation Neuer
Musik, hrsg. von Jorn
Peter Hiekel (=
Veroffentlichungen des
Instituts fur Neue Musik
und Musikerziehung
Darmstadt, Band 53),
Mainz u. a.: Schott 2013,
pp. 24-39.Mosch, Ulrich:
Das Unberuhrte beruhren
Anmerkungen zur
Interpretation von Helmut
Lachenmanns Werken
Pression und Allegro
sostenuto, in: Musik
inszeniert. Prasentation
und Vermittlung
zeitgenossischer Musik
heute, hrsg. von Jorn
Peter Hiekel (=
Veroffentlichungen des
Instituts fur Neue Musik
und Musikerziehung
Darmstadt, Band 46),
Mainz u. a.: Schott 2006,
pp. 25-46.Musik als
Bildkritik Gesprach
zwischen Gottfried Boehm,
Helmut Lachenmann und
Matteo Nanni, in: Helmut
Lachenmann: Musik mit
Bildern? Hrsg. von Matteo
Nanni und Matthias
Schmidt (= eikones, hrsg.
von Nationalen
Forschungsschwerpunkt
Bildkritik an der
Universitat Basel),
Munchen: Wilhelm Fink
2012, pp.
237-269.Neuwirth, Markus:
Strukturell vermittelte
Magie.
Kognitionswissenschaftlic
he Annaherungen an Helmut
Lachenmanns Pression und
Allegro sostenuto, in:
Musik als
Wahrnehmungskunst.
Untersuchungen zu
Kompositionsmethodik und
Horasthetik bei Helmut
Lachenmann, hrsg. von
Christian Utz und Clemens
Gadenstatter (=
musik.theorien der
gegenwart 2),
Saarbrucken: Pfau 2008,
pp. 73-100.Orning, Tanja:
The Polyphonic Performer.
A Study of Performance
Practice in Music for
Cello Solo by Morton
Feldman, Helmut
Lachenmann, Klaus K.
Hubler and Simon
Steen-Andersen, Diss.
Oslo 2014, Oslo:
NMH-publikasjoner (mit
DVD).Sparrer,
Walter-Wolfgang: Wider
den geolten Gleichlauf.
Von der Notwendigkeit
strukturierender
Verfahrensweisen bei der
Interpretation von Musik.
Modell I: Kompositionen
fur Violoncello solo von
J. S. Bach, Isang Yun und
Helmut Lachenmann, in:
Musikalische Produktion
und Interpretation, hrsg.
von Otto Kolleritsch,
Wien/Graz 2003 (= Studien
zur Wertungsforschung,
Band 43), pp. 75-100.Utz,
Christian: Erinnerte
Gestalt und gebannter
Augenblick. Zur Analyse
und Interpretation
post-tonaler Musik als
Wahrnehmungspraxis
Klangorganisation und
Zeiterfahrung bei Morton
Feldman, Helmut
Lachenmann und Brian
Ferneyhough, in: Ans
Licht gebracht. Zur
Interpretation Neuer
Musik, hrsg. von Jorn
Peter Hiekel (=
Veroffentlichungen des
Instituts fur Neue Musik
und Musikerziehung
Darmstadt, Band 53),
Mainz u. a.: Schott 2013,
pp. 40-67.
World
premiere: Como (Autunno
musicale), September 30,
1970.
Double Bass SKU: PR.HM000151E Critical Edition of the Complete Symphon...(+)
Double Bass
SKU:
PR.HM000151E
Critical Edition of
the Complete
Symphonies. Composed
by Franz Joseph Haydn.
Edited by H. C. Landon.
Part. With Standard
notation. Composed 1778.
Hob. I:69. Duration 22
minutes. Universal
Edition #HM000151E.
Published by Universal
Edition (PR.HM000151E).
ISBN 9783702403676.
UPC: 803452001232. Key: C
major.
Double bass SKU: HF.FH-5004 Wolfgang Amadeus Mozart, Hector Berlioz, L...(+)
Double bass
SKU:
HF.FH-5004
Wolfgang Amadeus
Mozart, Hector Berlioz,
L. Cherubini, D.F.E.
Auber, Franz Schubert,
Robert Schumann.
Composed by Schwabe.
Edited by Schwabe and
Starke. Arranged by
Schwabe and Starke. Sheet
music. Friedrich
Hofmeister Musikverlag
#FH 5004. Published by
Friedrich Hofmeister
Musikverlag (HF.FH-5004).
ISBN 9790203450047.
8.3 x 11.7
inches.
1. Wolfgang
Amadeus Mozart: La Nozze
di Figaro; 2. Wolfgang
Amadeus Mozart: Don Juan,
Ouverture; 3. Wolfgang
Amadeus Mozart: II Flauto
magico, Ouverture; 4.
Wolfgang Amadeus Mozart:
Sinfonie g-Moll K. V.
550; 5. Wolfgang Amadeus
Mozart: Sinfonie C-Dur K.
V. 551; 6. Wolfgang
Amadeus Mozart: Sinfonie
Es-Dur K. V. 543; 7.
Hector Berlioz: Harold en
Italie; 8. Luigi
Cherubini: Anacreon,
Ouverture; 9. D. F. E.
Auber: Fra Diavolo; 10.
Franz Schubert: Sinfonie
h-Moll; 11. Robert
Schumann: Sinfonie Nr. II
C-Dur; 12. Robert
Schumann: Sinfonie Nr. IV
d-Moll.
Double bass SKU: BR.EOS-20897-27 Suite in Olden Style. Composed by...(+)
Double bass
SKU:
BR.EOS-20897-27
Suite in Olden
Style. Composed by
Edvard Grieg. Edited by
Richard Clarke.
Orchestra; stapled.
Eulenburg Orchestral
Series.
Breitkopf is
currently preparing the
release of new and
complete performance
material in the framework
of its cooperation with
Eulenburg.
Romantic
period. Part. 4 pages.
Duration 20'. Breitkopf
and Haertel #EOS
20897-27. Published by
Breitkopf and Haertel
(BR.EOS-20897-27).
ISBN 9790004780107. 10
x 12.5 inches.
In
1884 the Norwegian city
of Bergen celebrated the
200th birthday of Ludvig
Holberg, one of its most
famous sons and a
symbolic figure of the
late Baroque era. For
this occasion Grieg wrote
the piano suite Aus
Holbergs Zeit , which he
orchestrated for string
orchestra. To this day,
the Suite - particularly
in this arrangement -
ranks among Grieg's most
popular works. By using
the romantic string
sound, Grieg brings the
late Baroque orchestral
suite and its various
dance forms to life
again. Along with the
string serenades of
Dvorak and Tchaikovsky,
Aus Holbergs Zeit is
regarded as the third
great late-romantic work
for string orchestra.
Breitkopf is currently
preparing the release of
new and complete
performance material in
the framework of its
cooperation with
Eulenburg.
Breitko
pf is currently preparing
the release of new and
complete performance
material in the framework
of its cooperation with
Eulenburg.
By Johann Sebastian Bach. For orchestra. This edition: contrabass. Breitkopf Orc...(+)
By Johann Sebastian Bach.
For orchestra. This
edition: contrabass.
Breitkopf Orchestral
Library. 8 pages.
Published by Breitkopf
and Haertel (German
import).
Double bass SKU: BR.OB-5721-27 Urtext. Composed by Pjotr Iljitsch ...(+)
Double bass
SKU:
BR.OB-5721-27
Urtext. Composed
by Pjotr Iljitsch
Tschaikowsky. Edited by
Tanja Geschwind.
Orchestra.
Orchester-Bibliothek
(Orchestral Library).
Serenade/divertimento;
Symphony; Late-romantic.
Sheet Music. Duration
28'. Breitkopf and
Haertel #OB 5721-27.
Published by Breitkopf
and Haertel
(BR.OB-5721-27).
Double Bass SKU: PR.HM000078E Critical Edition of the Complete Symphon...(+)
Double Bass
SKU:
PR.HM000078E
Critical Edition of
the Complete
Symphonies. Composed
by Franz Joseph Haydn.
Arranged by H. C. Landon.
Haydn-Mozart Presse.
Part. With Standard
notation. Composed 1792.
Hob. I:97. Duration 26
minutes. Universal
Edition #HM000078E.
Published by Universal
Edition (PR.HM000078E).
ISBN 9783702403201.
UPC: 803452000761. Key: C
major.