Double Bass SKU: HU.F0571528031 Composed by Christopher Bull, Olive Goodborn, a...(+)
Double Bass
SKU: HU.F0571528031
Composed by Christopher
Bull, Olive Goodborn, and
Richard Duckett. Strings,
Methods. Team Strings -
Double Bass (with CD).
Softcover Book and CD. 72
pages. Faber Music
#F0571528031. Published
by Faber Music
By Chuck Sher . For Bass. A complete method book, over 200 pages, filled with in...(+)
By Chuck Sher . For Bass.
A complete method book,
over 200 pages, filled
with information and
exercises on all aspects
of bass playing, for both
acoustic and electric
bass. Method. Published
by Sher Music Company.
For Double Bass. Includes : A high-quality music book featuring solo parts for e...(+)
For Double Bass. Includes
: A high-quality music
book featuring solo parts
for each tune; A CD
featuring a complete
digital stereo reference
recording; A 2nd CD of
recordings of the
accompaniments minus you,
the soloist!. Published
by Music Minus One.
Composed by James Froseth and Bret Smith. For double bass. Music Education - Met...(+)
Composed by James Froseth
and Bret Smith. For
double bass. Music
Education - Method. Book
and CD. Text language:
English. 48 pages.
Published by GIA
Publications
Studio City Contre Basse [Partition + CD] Music Minus One
For Double Bass. Includes a high-quality music book featuring solo parts for eac...(+)
For Double Bass. Includes
a high-quality music book
featuring solo parts for
each tune; and a compact
disc featuring a complete
digital stereo reference
recording, followed by
recordings of the
accompaniments minus the
soloist. Published by
Music Minus One.
Double bass SKU: BR.EOS-20897-27 Suite in Olden Style. Composed by...(+)
Double bass
SKU:
BR.EOS-20897-27
Suite in Olden
Style. Composed by
Edvard Grieg. Edited by
Richard Clarke.
Orchestra; stapled.
Eulenburg Orchestral
Series.
Breitkopf is
currently preparing the
release of new and
complete performance
material in the framework
of its cooperation with
Eulenburg.
Romantic
period. Part. 4 pages.
Duration 20'. Breitkopf
and Haertel #EOS
20897-27. Published by
Breitkopf and Haertel
(BR.EOS-20897-27).
ISBN 9790004780107. 10
x 12.5 inches.
In
1884 the Norwegian city
of Bergen celebrated the
200th birthday of Ludvig
Holberg, one of its most
famous sons and a
symbolic figure of the
late Baroque era. For
this occasion Grieg wrote
the piano suite Aus
Holbergs Zeit , which he
orchestrated for string
orchestra. To this day,
the Suite - particularly
in this arrangement -
ranks among Grieg's most
popular works. By using
the romantic string
sound, Grieg brings the
late Baroque orchestral
suite and its various
dance forms to life
again. Along with the
string serenades of
Dvorak and Tchaikovsky,
Aus Holbergs Zeit is
regarded as the third
great late-romantic work
for string orchestra.
Breitkopf is currently
preparing the release of
new and complete
performance material in
the framework of its
cooperation with
Eulenburg.
Breitko
pf is currently preparing
the release of new and
complete performance
material in the framework
of its cooperation with
Eulenburg.
By Chuck Sher and Marc Johnson. For Bass. The only book ever published specifica...(+)
By Chuck Sher and Marc
Johnson. For Bass. The
only book ever published
specifically designed to
improve your soloing!.
Book and 2 CD's.
Published by Sher Music
Company.
Score and Part, with audio. Composed by Various. ABRSM Publications. ABRSM Exa...(+)
Score and Part, with
audio.
Composed by Various.
ABRSM
Publications. ABRSM Exam
Pieces. Book. 32 pages.
ABRSM (Associated Board
of
the Royal Schools of
Music)
#9781786012814. Published
by
ABRSM (Associated Board
of
the Royal Schools of
Music)
(For the Developing Student). By Janice Tucker Rhoda. For string bass. The ABC's...(+)
(For the Developing
Student). By Janice
Tucker Rhoda. For string
bass. The ABC's of Bass.
Method. Instructional
book. Standard notation.
48 pages. Published by
Carl Fischer
(A Comprehensive Method in Developing a Total Musical Concept for the Aspiring J...(+)
(A Comprehensive Method
in Developing a Total
Musical Concept for the
Aspiring Jazz Bass
Player). By Rufus Reid.
For Bass Guitar.
Artist/Personality; Bass
Guitar Method or
Supplement;
Method/Instruction. Book.
Published by Alfred Music
Publishing
(Bass Part). Composed by Dr. Shinichi Suzuki. For Bass. This edition: Revised. B...(+)
(Bass Part). Composed by
Dr. Shinichi Suzuki. For
Bass. This edition:
Revised. Book; CD;
Method/Instruction;
String - Bass (Suzuki);
Suzuki. Suzuki Bass
School. 24 pages.
Published by Alfred Music
Written by Ray Brown. For bass. Format: instructional book. With standard notati...(+)
Written by Ray Brown. For
bass. Format:
instructional book. With
standard notation (no
tablature), fingerings,
instructional photos and
introductory text.
Technique, scales and
studies. 136 pages. 9x12
inches. Published by Hal
Leonard.
Double bass solo SKU: BR.EB-8813 Eine Schule fur Kinder und Jugendlich...(+)
Double bass solo
SKU:
BR.EB-8813
Eine
Schule fur Kinder und
Jugendliche. Composed
by Thomas Schlink.
Arranged by Thomas
Blomenkamp. Solo
instruments; Softbound.
Edition Breitkopf. Music
pedagogy. Score. 116
pages. Breitkopf and
Haertel #EB 8813.
Published by Breitkopf
and Haertel (BR.EB-8813).
ISBN 9790004183588. 9
x 12 inches.
First
steps with the double
bass It's not by chance
that Kontrabass! (Double
Bass!) has an exclamation
mark in its title, for
Thomas Schlink's method
begins from scratch, i.e.
it requires no practical
knowledge of the
instrument. The
Kontrabass! concept is so
broad that all teachers
can proceed from their
own playing techniques
and methods, and can
teach them without
difficulty. In Book 1,
the student goes from
plucked and bowed playing
on open strings to the
first position. In order
to let the student
interact with others from
the very start, the book
often includes an
accompanying part for
bass, piano or melody
instrument. Of course,
such a well-planned
instrumental method
offers more yet: work
materials, exercises,
suggestions in a word,
double-bass lessons are
rounded off perfectly
with
Kontrabass!
The
Kontrabass! concept is so
broad that all teachers
can proceed from their
own playing techniques
and methods, and can
teach them without
difficulty..
Double bass - Level 1 SKU: HF.FH-3356 Pieces for little ones from the ...(+)
Double bass - Level 1
SKU: HF.FH-3356
Pieces for little ones
from the age of five
up. Composed by Claus
Freudenstein. Sheet
music. 20 pages.
Friedrich Hofmeister
Musikverlag #FH 3356.
Published by Friedrich
Hofmeister Musikverlag
(HF.FH-3356).
ISBN
9790203433569. 9 x 12
inches.
1. Big
Smile; 2. Tatu tata, the
firefighters; 3. Dear
Mama; 4. A green old
dragon sneers; 5. Brother
John; 6. Come with me to
New York City (version
a); 7. Three Chinese with
a doublebass; 8. The
Bi-Ba-Boogeyman; 9. Buzz,
Buzz, Buzz; 10. Hansel
and Gretel; 11. Fox, you
stole my goosey gander;
12. Do you know, how many
stars there be? (Melodie:
Westfalen, Text: W. Hey);
13. On the wall, on the
lookout; 14. Come with me
to New York City (version
b); 15. Just look there
the frog is sick; 16. My
coloured minibass; 17.
Witching hour; 18. Bass
Knights; 19. Hey! Hey!
Let's start!
Double Bass SKU: BT.YE0030 Composed by F. Keyper. Exam Material. Book Onl...(+)
Double Bass
SKU:
BT.YE0030
Composed by
F. Keyper. Exam Material.
Book Only. Yorke Edition
#YE0030. Published by
Yorke Edition
(BT.YE0030).
An easy
virtuoso work published
here for the first time
and now much performed.
Recorded Slatford/Academy
of St
Martin-in-the-Fields
(EMI). AMEB (Australian
Syllabus) 2004.
Orchestral material on
hire from Yorke Edition
(notSpartan).
Pr
ogramme Note:
As
a young professional
player in the 1960s, my
work as a double bassist
with chamber ensembles
and small orchestras took
me all over the world.
This presented an
unparalleledopportunity
to scour libraries and
archives wherever I went.
Long before the advent of
the photocopier and
e-mail, research was far
more challenging than it
is today. Eastern Europe
was particularly
difficult to access,
withmanycollections kept
under lock and key for
all but a few hours a
week. One quickly found
colleagues who were keen
to share information
gleaned in passing, even
though they had no
specific interest in
one's own
particularspecialism (it
is so often the
peripheral topics that
fascinate as much as the
main subject under
investigation, and one
can quickly be
side-tracked into
political and social
issues that have only
slender bearing on the
job inhand!).
In
the early 1970s James
Brown, the then
sub-principal oboist of
the English Chamber
Orchestra with whom I was
working at the time,
stumbled across a small
collection of double bass
manuscripts at the
RoyalDanish State Library
in Copenhagen. They were
by Franz Anton Leopold
Keÿper (b. c.1756, d.
Copenhagen 7 June 1815),
a double bassist of Dutch
origin who worked as
principal of the Royal
Chapel Orchestra in
Copenhagen.Keÿper's son
was the bassoonist Franz
Jacob August Keÿper
(1792-1859). The
collection included a
number of concertos, some
chamber music, and
various naïve fragments.
Although hardly the work
of a Mozart or Haydn,the
style is characteristic
of the period. For an
instrument such as the
double bass, whose 18th
century solo repertoire
is largely written for
tunings that are no
longer in everyday use,
Keÿper's music is easily
approachablein its.
Double bass SKU: BA.BA10418-85 Composed by Antonin Dvorak. Edited by Jona...(+)
Double bass
SKU:
BA.BA10418-85
Composed by Antonin
Dvorak. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
88. 12 pages.
Baerenreiter Verlag
#BA10418_85. Published by
Baerenreiter Verlag
(BA.BA10418-85).
ISBN
9790006564699. 32.5 x
25.5 cm inches. Key: G
major.
Mendelssohn'
s Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
(Bass Part). Composed by Dr. Shinichi Suzuki. For Bass. This edition: Revised. B...(+)
(Bass Part). Composed by
Dr. Shinichi Suzuki. For
Bass. This edition:
Revised. Book; CD;
Method/Instruction;
String - Bass (Suzuki);
Suzuki. Suzuki Bass
School. 24 pages.
Published by Alfred Music
(Bass Part). Composed by Dr. Shinichi Suzuki. For Bass. This edition: Revised. B...(+)
(Bass Part). Composed by
Dr. Shinichi Suzuki. For
Bass. This edition:
Revised. Book; CD;
Method/Instruction;
String - Bass (Suzuki);
Suzuki. Suzuki Bass
School. 20 pages.
Published by Alfred Music