Double bass solo

SKU: BR.EB-9268

Revised Version 2010. Composed by Helmut Lachenmann. Arranged by Caleb Salgado. Solo instruments; Folder. Edition Breitkopf. Music post-1945; New music (post-2000). Score. Composed 1969/2010. 26 pages. Duration 9'. Breitkopf and Haertel #EB 9268. Published by Breitkopf and Haertel (BR.EB-9268).

ISBN 9790004185681. 12 x 9 inches.

This piece originated as an introduction to instrumental musique-concrete. In this sort of piece it is common for sound phenomena to be so refined and organised that they are not so much the results of musical experiences as of their own acoustic attributes. Timbres, dynamics and so on arise not of their own volition but as components of a concrete situation characterised by texture, consistency, energy, resistance.This does not come from within but from a liberated compositional technique. At the same time it implies that our customary sharply-honed auditory habit is thwarted. The result is aesthetic provocation: beauty denying habit.(Helmut Lachenmann),,Cette nouvelle edition est une invitation faite aux violoncellistes qui souhaiteraient redecouvrir leur instrument et la maniere de la faire sonner en realisant dessus un nouveau genre de polyphonie: une polyphonie d'actions. (Francois-Xavier Feron, Circuit, Heft 25, Juni 2015)CDs/LPs:Michael Bach CD cpo 999 102-2 Lucas Fels CD Montaigne Auvidis MO 782075 Walter Grimmer CD col legno WWE 31863 Taco Kooistra CD Attacca Babel 9369-1 Pierre Strauch CD Accord 202082 Michael Bach LP ABE ERZ 1003 Werner Taube LP ABE ERZ 1003ensemble phorminxCD WER 6682 2Michael M. KasperCD Michael M. Kasper rounds per minute, Ensemble Modern Medien, EMCD-006Michael Svoboda (trombone)CD Wittener Tage fur neue Kammermusik 2011Bibliography:Deltz, Eberhard: begegnung im grenzbereich. Zwei Werke von Helmut Lachenmann und Hideaki Yamanobe im Spiegel eines Haiku von Matsuo Basho, in: Neue Zeitschrift fur Musik 167 (2006), Heft 1, pp. 36-41.Feron, Francois-Xavier: Enjeux et evolution du systeme de notation dans ,,Pression pour un(e) violoncelliste de Helmut Lachenmann, in: Circuit, Heft 25, 2015, pp. 55-65.GoGwilt, Keir: Templates for Technique in Mantel and Lachenmann. Between Transcendence and Immanence, in: The Dark Precursor: Deleuze and Artistic Research. Band I: The Dark Precursor in Sound and Writing, hrsg. von Paulo de Assis und Paolo Giudici, Leuven: Leuven University Press 2017, pp. 105-113.Griffiths, Paul: ModernMusic and After, 3rd edition, Oxford University Press 2010, pp. 216-219.Handschick, Matthias: Musik als ,,Medium der sich selbst erfahrenden Wahrnehmung. Moglichkeiten der Vermittlung Neuer Musik unter dem Aspekt der Auflosung und Reflexion von Gestalthaftigkeit (= Schriften der Hochschule fur Musik Freiburg 3), Hildesheim u. a.: Olms 2015, dort pp. 161-167.Hiekel, Jorn Peter: Helmut Lachenmann und seine Zeit, Laaber: Laaber 2023, S. 169-172, 231-232.Jahn, Hans-Peter: simultan eine Erinnerung, in: Neue Zeitschrift fur Musik 167 (2006), Heft 1, pp. 12-15.Lessing, Wolfgang: Musizieren als Prozess. Zur didaktischen Dimension von Helmut Lachenmanns Pression, in: Musik inszeniert. Prasentation und Vermittlung zeitgenossischer Musik heute, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 46), Mainz u. a.: Schott 2006, pp. 73-83.ders.: Verweigerung von Gewohnheit. Instrumentaldidaktische Annaherungen an Pression von Helmut Lachenmann, in: Darstellen und Mitteilen. Ein Handbuch der musikalischen Interpretation, hrsg. von Ursula Brandstatter, Martin Losert, Christoph Richter und Andrea Welte, Mainz: Schott 2010, pp. 111-122.ders.: Interpretation, Verstehen und Vermittlung, in: Ans Licht gebracht. Zur Interpretation Neuer Musik, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 53), Mainz u. a.: Schott 2013, pp. 24-39.Mosch, Ulrich: Das Unberuhrte beruhren Anmerkungen zur Interpretation von Helmut Lachenmanns Werken Pression und Allegro sostenuto, in: Musik inszeniert. Prasentation und Vermittlung zeitgenossischer Musik heute, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 46), Mainz u. a.: Schott 2006, pp. 25-46.Musik als Bildkritik Gesprach zwischen Gottfried Boehm, Helmut Lachenmann und Matteo Nanni, in: Helmut Lachenmann: Musik mit Bildern? Hrsg. von Matteo Nanni und Matthias Schmidt (= eikones, hrsg. von Nationalen Forschungsschwerpunkt Bildkritik an der Universitat Basel), Munchen: Wilhelm Fink 2012, pp. 237-269.Neuwirth, Markus: Strukturell vermittelte Magie. Kognitionswissenschaftlic he Annaherungen an Helmut Lachenmanns Pression und Allegro sostenuto, in: Musik als Wahrnehmungskunst. Untersuchungen zu Kompositionsmethodik und Horasthetik bei Helmut Lachenmann, hrsg. von Christian Utz und Clemens Gadenstatter (= musik.theorien der gegenwart 2), Saarbrucken: Pfau 2008, pp. 73-100.Orning, Tanja: The Polyphonic Performer. A Study of Performance Practice in Music for Cello Solo by Morton Feldman, Helmut Lachenmann, Klaus K. Hubler and Simon Steen-Andersen, Diss. Oslo 2014, Oslo: NMH-publikasjoner (mit DVD).Sparrer, Walter-Wolfgang: Wider den geolten Gleichlauf. Von der Notwendigkeit strukturierender Verfahrensweisen bei der Interpretation von Musik. Modell I: Kompositionen fur Violoncello solo von J. S. Bach, Isang Yun und Helmut Lachenmann, in: Musikalische Produktion und Interpretation, hrsg. von Otto Kolleritsch, Wien/Graz 2003 (= Studien zur Wertungsforschung, Band 43), pp. 75-100.Utz, Christian: Erinnerte Gestalt und gebannter Augenblick. Zur Analyse und Interpretation post-tonaler Musik als Wahrnehmungspraxis Klangorganisation und Zeiterfahrung bei Morton Feldman, Helmut Lachenmann und Brian Ferneyhough, in: Ans Licht gebracht. Zur Interpretation Neuer Musik, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 53), Mainz u. a.: Schott 2013, pp. 40-67.

World premiere: Como (Autunno musicale), September 30, 1970.

Double Bass

SKU: HL.48183629

Composed by Antonio Vivaldi. Leduc. Baroque. Softcover. Alphonse Leduc #AL25805. Published by Alphonse Leduc (HL.48183629).

UPC: 888680870638. 9x12 inches.

Antonio Lucio Vivaldi: Concerto in E minor (Double Bass & Piano).

For String Bass. String - Bass (Suzuki). The Suzuki Method Core Materials. Book. 20 pages. Published by Alfred Publishing.

By Johann Sebastian Bach. Edited by Heinrich Besseler. For Contrabass/Violone. Single Part. BWV 1051. Duration 19'. Published by Baerenreiter-Ausgaben (German import). (BA5206 85)

Double bass

SKU: BA.BA10985-85

Composed by Franz Joseph Haydn. Edited by Sonja Gerlach and Sterling E. Murray. This edition: urtext edition. Stapled. Single part. Hob. I:78. 7 pages. Baerenreiter Verlag #BA10985_85. Published by Baerenreiter Verlag (BA.BA10985-85).

ISBN 9790006568901. 32.5 x 25.5 cm inches. Key: C minor.

Urtext from the G. Henle Complete Edition of the Works of Joseph Haydn.

Double bass - Level 4

SKU: KU.GM-1967_KB

Composed by Wolfgang Amadeus Mozart. Edited by Bruno Borralhinho. Arranged by Bruno Borralhinho. Bach format (230 x 302). Aus Kv 492. Folded. Part. 2 pages. Duration 7 minutes. Edition Kunzelmann #GM-1967_KB. Published by Edition Kunzelmann (KU.GM-1967_KB).

ISBN 9790206208850. Key: C major.

(Bass Part). Composed by Dr. Shinichi Suzuki. For Bass. This edition: Revised. Book; CD; Method/Instruction; String - Bass (Suzuki); Suzuki. Suzuki Bass School. 20 pages. Published by Alfred Music

Double bass - Level 4

SKU: KU.GM-1968_KB

Composed by Wolfgang Amadeus Mozart. Edited by Bruno Borralhinho. Arranged by Bruno Borralhinho. Bach format (230 x 302). Kv 486A. Folded. Part. 2 pages. Duration 6 minutes. Edition Kunzelmann #GM-1968_KB. Published by Edition Kunzelmann (KU.GM-1968_KB).

ISBN 9790206208911. Key: Eb major.

By Chuck Sher . For Bass. A complete method book, over 200 pages, filled with information and exercises on all aspects of bass playing, for both acoustic and electric bass. Method. Published by Sher Music Company.

Book/CD Pack. By John Goldsby. Book (not sheet music). Book and CD package. Size 8.38x10.88 inches. 228 pages. Published by Backbeat Books.

(Volume 3 (5 1/2 - 7 position), Book/CD). For Double Bass. Boosey and Hawkes Chamber Music. Book with CD. 92 pages. Bote and Bock #M202523155. Published by Bote and Bock

Double bass

SKU: KU.OCT-10102_KB

Composed by Gaetano Donizetti. Edited by Gabor Darvas. Bach format (230 x 302). Folded. Part. 6 pages. Edition Kunzelmann #OCT-10102_KB. Published by Edition Kunzelmann (KU.OCT-10102_KB).

ISBN 9790206207273. Key: G minor.

For String Bass. String - Bass (Suzuki). The Suzuki Method Core Materials. Book. 20 pages. Published by Alfred Publishing.

For String Bass. String - Bass (Suzuki). The Suzuki Method Core Materials. Book. 24 pages. Published by Alfred Publishing.

Double bass

SKU: BR.EOS-20897-27

Suite in Olden Style. Composed by Edvard Grieg. Edited by Richard Clarke. Orchestra; stapled. Eulenburg Orchestral Series.

Breitkopf is currently preparing the release of new and complete performance material in the framework of its cooperation with Eulenburg.

Romantic period. Part. 4 pages. Duration 20'. Breitkopf and Haertel #EOS 20897-27. Published by Breitkopf and Haertel (BR.EOS-20897-27).

ISBN 9790004780107. 10 x 12.5 inches.

In 1884 the Norwegian city of Bergen celebrated the 200th birthday of Ludvig Holberg, one of its most famous sons and a symbolic figure of the late Baroque era. For this occasion Grieg wrote the piano suite Aus Holbergs Zeit , which he orchestrated for string orchestra. To this day, the Suite - particularly in this arrangement - ranks among Grieg's most popular works. By using the romantic string sound, Grieg brings the late Baroque orchestral suite and its various dance forms to life again. Along with the string serenades of Dvorak and Tchaikovsky, Aus Holbergs Zeit is regarded as the third great late-romantic work for string orchestra. Breitkopf is currently preparing the release of new and complete performance material in the framework of its cooperation with Eulenburg.

Breitko pf is currently preparing the release of new and complete performance material in the framework of its cooperation with Eulenburg.

By Alan Hovhaness (1911-2000). For Double Bass. Modern, Orchestral. Double bass part. Published by Edition Peters