(Volume 3 (5 1/2 - 7 position), Book/CD). For Double Bass. Boosey and Hawkes Cha...(+)
(Volume 3 (5 1/2 - 7
position), Book/CD). For
Double Bass. Boosey and
Hawkes Chamber Music.
Book with CD. 92 pages.
Bote and Bock
#M202523155. Published by
Bote and Bock
Double bass solo SKU: BR.EB-8986 23 Song Settings for Young String Pla...(+)
Double bass solo
SKU:
BR.EB-8986
23 Song
Settings for Young String
Players. Composed by
Esther Klein and Michael
Dartsch. Solo
instruments. Edition
Breitkopf. Music
pedagogy. Sheet Music.
Breitkopf and Haertel #EB
8986. Published by
Breitkopf and Haertel
(BR.EB-8986).
ISBN
9790004187159. 0 x 0
inches.
German.
Songs are
part of the childhood.
This collection aims to
offer a variety of songs
for string ensembles,
such as young string
orchestras or string
classes. Included are
older and newer songs,
songs of various origins,
and songs for different
occasions and with themes
ranging from animals to
seasons and times of day
to tongue-in-cheek scary
subjects.Taking up the
motif of diversity in
their own way, the
six-part arrangements are
not confined to the usual
cadence harmonies and
accompaniment forms,
There is something
special to discover in
each of the songs. Small
vignettes with lyrics to
them are found in the
parts, and can be taken
up in rehearsals and
lessons.The songs begin
with fingering positions
and bowing techniques
that are usually learned
at the beginning of
lessons, then gradually
increase in difficulty,
though the booklet as a
whole is set at the
elementary level.
Suggestions for
improvisation and pieces
for practicing certain
requirements round out
the booklet. Special
emphasis is placed on
playing together - true
to the title: Together on
Strings!
Double Bass SKU: HL.48024112 Double Bass. Composed by Gerd Reinke....(+)
Double Bass
SKU:
HL.48024112
Double
Bass. Composed by
Gerd Reinke. Boosey &
Hawkes Chamber Music.
Classical, Etude,
Instruction. Softcover.
48 pages. Bote & Bock
#M202534755. Published by
Bote & Bock
(HL.48024112).
9.0x12.0
inches.
Preface:
The emphasis of the
present etudes is on
systematic exercises for
the left hand. The lower
positions demanded above
all in orchestral
playing, and the
accompanying physical
effort required, are
consciously employed here
in many variants and
offer outstanding
practice material. At the
beginning, a slow,
constant tempo should be
paramount, the tempo then
being increased with
theaid of a metronome. I
recommend these etudes as
daily exercises for
double bass players of
all proficiency levels.
Klaus Trumpf (Professor
emeritus at the Colleges
of Music in Berlin,
Saarbrucken, and
Munich).