Double bass SKU: BA.BA10418-85 Composed by Antonin Dvorak. Edited by Jona...(+)
Double bass
SKU:
BA.BA10418-85
Composed by Antonin
Dvorak. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
88. 12 pages.
Baerenreiter Verlag
#BA10418_85. Published by
Baerenreiter Verlag
(BA.BA10418-85).
ISBN
9790006564699. 32.5 x
25.5 cm inches. Key: G
major.
Mendelssohn'
s Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Double Bass Starter Contre Basse [Partition + CD] - Facile De Haske Publications
Double Bass - easy SKU: BT.DHP-1115113-400 22 Pieces in various styles...(+)
Double Bass - easy
SKU:
BT.DHP-1115113-400
22 Pieces in various
styles. Composed by
Ruud van der Meulen. Book
with CD. Composed 2011.
32 pages. De Haske
Publications #DHP
1115113-400. Published by
De Haske Publications
(BT.DHP-1115113-400).
ISBN 9789043139205.
9x12 inches.
English-German-French-Dut
ch.
In Double
Bass Starter you will
find a variety of tunes
for beginner double bass
players - young as well
as old. It is a fantastic
album, with a solid
methodical structure. A
range of styles is
featured, from classical
to jazz and pop. The
tunes can be picked or
bowed. The CD features
demo tracks together with
play-along tracks for
each piece.
In
Double Bass
Starter zijn
verschillende stukken
voor beginners op de
contrabas verzameld. Het
is zowel een geweldig
speelboek als een goed
doordachte aanvulling op
het gebruikelijke
lesmateriaal. Allerlei
stijlen passerende revue
- van klassiek tot pop.
Alle stukken kunnen zowel
pizzicato als con arco
worden
gespeeld.
In
Double Bass
Starter sind
vielfältige Stu?cke
fu?r Anfänger auf dem
Kontrabass versammelt. Es
ist zugleich ein
fantastisches Spielbuch
und sehr lehrreiches
Zusatzmaterial fu?r den
Unterricht mit einem
durchdachten methodischen
Aufbau. Allerlei Stile
kommen darin an die Reihe
- von Klassik u?ber Jazz
bis hin zu Pop. Alle
Stu?cke können sowohl
gezupft als auch
gestrichen werden.Die CD
bietet sowohl Demo- als
auch Play-Along Tracks
an.
In
Double Bass
Starter troverete una
variet di pezzi per
avviare i principianti
allo studio del
contrabbasso. Oltre al
materiale pedagogico
utile a supportare
l'insegnamento, vengono
anche trattati tutti i
generi musicali dalla
classica al jazz al
pop.
Written by Ray Brown. For bass. Format: instructional book. With standard notati...(+)
Written by Ray Brown. For
bass. Format:
instructional book. With
standard notation (no
tablature), fingerings,
instructional photos and
introductory text.
Technique, scales and
studies. 136 pages. 9x12
inches. Published by Hal
Leonard.
(for String Quartet or String Orchestra) Edited by Joanne Martin. Performance pa...(+)
(for String Quartet or
String Orchestra) Edited
by Joanne Martin.
Performance part for
string bass (double
bass). With bowings,
fingerings and
introductory text.
Published by Alfred
Publishing.
Concert Pieces for Teaching Beginning Strings (Bass Book - Audio CD Included). B...(+)
Concert Pieces for
Teaching Beginning
Strings (Bass Book -
Audio CD Included). By
Doris Gazda; Henry
Purcell; James Pierpont.
Arranged by Doris Gazda.
For Double Bass I, Double
Bass II. Score and Audio
CD. 16 pages. Published
by Carl Fischer.
Written by Gerald E. Anderson, Kathleen Brungard, Michael Alexander, Sandra Dack...(+)
Written by Gerald E.
Anderson, Kathleen
Brungard, Michael
Alexander, Sandra Dackow.
Instructional Book & CD
for string bass. Series:
Orchestra Expressions. 56
pages. Published by
Alfred Publishing
(Studies for Bass - Based on the Violin Studies of Franz Wohlfahrt). Edited by G...(+)
(Studies for Bass - Based
on the Violin Studies of
Franz Wohlfahrt). Edited
by Gaelen McCormick. For
double bass. Softcover.
48 pages. Published by
Carl Fischer
Composed by Annette Costanzi, George Vance. Instructional book and accompaniment...(+)
Composed by Annette
Costanzi, George Vance.
Instructional book and
accompaniment CD for
String bass (Double
Bass). With bowings and
fingerings. 37 pages.
Published by Carl
Fischer.
By Kathleen Deberry Brungard, Michael Alexander, Gerald Anderson, Sandra Dackow,...(+)
By Kathleen Deberry
Brungard, Michael
Alexander, Gerald
Anderson, Sandra Dackow,
Consulting Editor Anne C.
Witt, And Contributing
Arrangers Jack Bullock,
Victor Lopez, And Tom
Roed. For String Bass.
String Orchestra
Method/Supplement.
Expressions Music
Curriculum[TM]. Book and
CD. 56 pages. Published
by Alfred Publishing.
Composed by George Vance. Instructional book and accompaniment CD for String bas...(+)
Composed by George Vance.
Instructional book and
accompaniment CD for
String bass (Double
Bass). With bowings and
fingerings. Published by
Carl Fischer.
Studio City Contre Basse [Partition + CD] Music Minus One
For Double Bass. Includes a high-quality music book featuring solo parts for eac...(+)
For Double Bass. Includes
a high-quality music book
featuring solo parts for
each tune; and a compact
disc featuring a complete
digital stereo reference
recording, followed by
recordings of the
accompaniments minus the
soloist. Published by
Music Minus One.
Double bass - Level 1 SKU: HF.FH-3356 Pieces for little ones from the ...(+)
Double bass - Level 1
SKU: HF.FH-3356
Pieces for little ones
from the age of five
up. Composed by Claus
Freudenstein. Sheet
music. 20 pages.
Friedrich Hofmeister
Musikverlag #FH 3356.
Published by Friedrich
Hofmeister Musikverlag
(HF.FH-3356).
ISBN
9790203433569. 9 x 12
inches.
1. Big
Smile; 2. Tatu tata, the
firefighters; 3. Dear
Mama; 4. A green old
dragon sneers; 5. Brother
John; 6. Come with me to
New York City (version
a); 7. Three Chinese with
a doublebass; 8. The
Bi-Ba-Boogeyman; 9. Buzz,
Buzz, Buzz; 10. Hansel
and Gretel; 11. Fox, you
stole my goosey gander;
12. Do you know, how many
stars there be? (Melodie:
Westfalen, Text: W. Hey);
13. On the wall, on the
lookout; 14. Come with me
to New York City (version
b); 15. Just look there
the frog is sick; 16. My
coloured minibass; 17.
Witching hour; 18. Bass
Knights; 19. Hey! Hey!
Let's start!
[Etiudowe oczko: Opowiesci na kontrabas solo]. Composed by Ryszard Kusek. PW...(+)
[Etiudowe oczko:
Opowiesci na
kontrabas solo]. Composed
by
Ryszard Kusek. PWM.
Softcover. 28 pages.
Polskie
Wydawnictwo Muzyczne
#11628010. Published by
Polskie Wydawnictwo
Muzyczne
(Developing the Stroke Systematically through a Variety of Exercises and Etudes)...(+)
(Developing the Stroke
Systematically through a
Variety of Exercises and
Etudes). Edited by Gaelen
McCormick. For contrabass
unaccompanied. 72 pages.
Published by Carl Fischer
For Double Bass. Includes newly engraved solo charts printed on acid-free, ivory...(+)
For Double Bass. Includes
newly engraved solo
charts printed on
acid-free, ivory paper;
and two compact discs
featuring complete
versions of each tune,
plus a recording of the
accompaniments minus the
soloist. Also includes
slow-tempo versions of
most up-tempo pieces for
practice purposes.
Published by Music Minus
One.
Edited by Thomas Martin, compiled by Jamal Rossi. Instrumental solo book for str...(+)
Edited by Thomas Martin,
compiled by Jamal Rossi.
Instrumental solo book
for string bass. With
bowings and introductory
text. 67 pages. Published
by International Music
Co.
So Low Contre Basse [Conducteur] University Of York Music Press
Double Bass SKU: BT.MUSM570209859 Composed by George Nicholson. Book Only...(+)
Double Bass
SKU:
BT.MUSM570209859
Composed by George
Nicholson. Book Only. 15
pages. University of York
Music Press
#MUSM570209859. Published
by University of York
Music Press
(BT.MUSM570209859).
English.
For
solo Double Bass.
Composed 1981.
Commissioned by Roger
Dean. First performance:
Stamford Arts Centre, 27
November, 1981.
Score.
Double bass SKU: BA.BA08841-85 Composed by Claude Debussy. Edited by Doug...(+)
Double bass
SKU:
BA.BA08841-85
Composed by Claude
Debussy. Edited by
Douglas Woodfull-Harris.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Single part. 3 pages.
Duration 10 minutes.
Baerenreiter Verlag
#BA08841_85. Published by
Baerenreiter Verlag
(BA.BA08841-85).
ISBN
9790006541256. 32.5 x
25.5 cm
inches.
Prelude a
l'apres-midi d'un faune,
often referred to as the
first composition of the
modern era, is one of
Debussy's most popular
and frequently performed
orchestral works. The
piece comes down to us in
an array of sources, and
several important ones
are drawn upon for the
first time in
Baerenreiter's new
scholarly-critical
edition. Most of the
currently available
editions are based on the
first edition from 1895
which, however, contains
many engraver errors.
When the corresponding
orchestral parts are also
taken into consideration,
countless discrepancies
are
revealed.
Baerenreiter
's Urtext edition
incorporates readings of
a printed copy of the
score from c. 1908 which
shows corrections and
emendations by the
composer. These important
changes, found in no
other source, include
metronome markings,
different pitches and
additional notes, as well
as added tempo and
articulation markings,
which all subtly enhance
Debussy's finely sculpted
work. There is even a
breath mark added to the
famous solo flute passage
which opens the
work.* Scholarly
critical edition with
many corrections in the
score and orchestral
parts * Clear
presentation of
orchestral parts in an
enlarged format.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Double Bass SKU: BT.YE0007 Yorke Edition. Composed by F. Baines. B...(+)
Double Bass
SKU:
BT.YE0007
Yorke
Edition. Composed by
F. Baines. Book Only.
Yorke Edition #YE0007.
Published by Yorke
Edition (BT.YE0007).
Born in Oxford
in 1917, Francis Baines
was a well-known and much
respected professional
double bass player. He
studied at the Royal
College of Music in
London with Claude
Hobday, where he later
taught. Something of an
eccentric,he immersed
himself in early music at
a time when few people
were taking it seriously.
He owned a beautiful
Amati bass that he had
restored as a violone,
which it probably was
originally, and he was a
regular fixture as
aprincipal player in a
number of orchestras and
ensembles that dedicated
themselves to period
performing, including
those directed by Denys
Darlow, with whom he
broadcast and recorded
frequently.
Besi
des playing
thedoublebass, Francis
Baines was an exponent of
the treble viol and led
the Jaye Consort of Viols
which he founded. He also
played several kinds of
bagpipe and the
hurdy-gurdy. As a
composer he dabbled in
many styles, one of
hisgreatest claims to
fame being that of
writing for the popular
Hoffnung concerts in the
1960s.
He was
the author of a number of
papers about the history
of the double bass,
sometimes arriving at
scholarly conclusionsthat
were colourful, if not
always entirely accurate.
He discovered the
Giovannino del Violone
sonatas, subsequently
published by Yorke
Edition, although today
it is thought that they
were probably not written
for a 16' pitchinstrument
at all. His edition of
the Capuzzi double bass
concerto, published by
Boosey & Hawkes, was for
many years one of the few
solo works available for
the instrument. This,
however, he largely
re-composed because
hethought it could be
improved: towards the end
of his life he confessed
that with hindsight he
probably should have
treated it
differently.
Gro
unds was written in 1969
as a sort of party piece
and was given to
YorkeEdition in support
of a drive to enlarge the
repertoire for the
instrument in a wide
variety of styles. It was
set on the syllabus of
the Associated Board of
the Royal Schools of
Music for many
years.