Double Bass solo SKU: SU.32020090 For Double Bass solo. Composed b...(+)
Double Bass solo
SKU:
SU.32020090
For
Double Bass solo.
Composed by Dorothy
Hindman. Strings,
Contrabass. Score. Subito
Music Corporation
#32020090. Published by
Subito Music Corporation
(SU.32020090).
…the
vocabulary of this work
is filled with extended
gestures such as
artificial harmonic
glissandi, bowing behind
the bridge, left hand
hammer-ons, overly
pressed scratchy tones,
etc. The piece has all
the attributes of a great
story, beginning in a
quirky fun manner and
then becoming something
unexpected, a virtuosic
display with a wildly
exciting ending. It is
the effect of the pacing
that is the tour de
force, a one-way downhill
roller coaster
ride…the work
remains in the lower half
of the instrument for the
most part and only
ventures into the very
highest registers for
effect. The extraordinary
challenge is to execute
the variety of extended
gestures within the tempo
over eleven minutes. To
play this work
successfully requires
mastering the art of Time
Management. ~Hans Sturm,
editor. Bass WorldDouble
Bass solo Duration: 12'
Composed: 2004 Published
by: Distributed
Composer.
(A Comprehensive Curriculum for Use During Fundamentals Time). Composed by Scott...(+)
(A Comprehensive
Curriculum for Use During
Fundamentals Time).
Composed by Scott Rush.
For double bass. Habits
of a Successful Musician.
Music Education - Band
Method. Method book. 72
pages. Published by GIA
Publications
Double bass SKU: BA.BA07887-85 Composed by Gabriel Faure. Edited by Robin...(+)
Double bass
SKU:
BA.BA07887-85
Composed by Gabriel
Faure. Edited by Robin
Tait. This edition:
urtext edition. Folded.
Barenreiter Urtext.
Single part. Opus 50. 3
pages. Duration 16
minutes. Baerenreiter
Verlag #BA07887_85.
Published by Baerenreiter
Verlag (BA.BA07887-85).
ISBN 9790006558544.
32.5 x 25.5 cm
inches.
The
popularity of Faure's
Pavane is mostly
attributed to its many
arrangements but the
original version for
orchestra is being
published here for the
first time. Shortly after
completing the orchestral
work, Faure began work on
a version for choir,
which was actually
premiered before the
orchestral
version.
This new
Barenreiter edition
offers conductors and
orchestras a reliable
Urtext edition of the
Pavane's original
orchestral version which
will surely enhance
symphonic concert
programmes
everywhere.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Double Bass SKU: BT.YE0030 Composed by F. Keyper. Exam Material. Book Onl...(+)
Double Bass
SKU:
BT.YE0030
Composed by
F. Keyper. Exam Material.
Book Only. Yorke Edition
#YE0030. Published by
Yorke Edition
(BT.YE0030).
An easy
virtuoso work published
here for the first time
and now much performed.
Recorded Slatford/Academy
of St
Martin-in-the-Fields
(EMI). AMEB (Australian
Syllabus) 2004.
Orchestral material on
hire from Yorke Edition
(notSpartan).
Pr
ogramme Note:
As
a young professional
player in the 1960s, my
work as a double bassist
with chamber ensembles
and small orchestras took
me all over the world.
This presented an
unparalleledopportunity
to scour libraries and
archives wherever I went.
Long before the advent of
the photocopier and
e-mail, research was far
more challenging than it
is today. Eastern Europe
was particularly
difficult to access,
withmanycollections kept
under lock and key for
all but a few hours a
week. One quickly found
colleagues who were keen
to share information
gleaned in passing, even
though they had no
specific interest in
one's own
particularspecialism (it
is so often the
peripheral topics that
fascinate as much as the
main subject under
investigation, and one
can quickly be
side-tracked into
political and social
issues that have only
slender bearing on the
job inhand!).
In
the early 1970s James
Brown, the then
sub-principal oboist of
the English Chamber
Orchestra with whom I was
working at the time,
stumbled across a small
collection of double bass
manuscripts at the
RoyalDanish State Library
in Copenhagen. They were
by Franz Anton Leopold
Keÿper (b. c.1756, d.
Copenhagen 7 June 1815),
a double bassist of Dutch
origin who worked as
principal of the Royal
Chapel Orchestra in
Copenhagen.Keÿper's son
was the bassoonist Franz
Jacob August Keÿper
(1792-1859). The
collection included a
number of concertos, some
chamber music, and
various naïve fragments.
Although hardly the work
of a Mozart or Haydn,the
style is characteristic
of the period. For an
instrument such as the
double bass, whose 18th
century solo repertoire
is largely written for
tunings that are no
longer in everyday use,
Keÿper's music is easily
approachablein its.
Double bass SKU: BA.BA08841-85 Composed by Claude Debussy. Edited by Doug...(+)
Double bass
SKU:
BA.BA08841-85
Composed by Claude
Debussy. Edited by
Douglas Woodfull-Harris.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Single part. 3 pages.
Duration 10 minutes.
Baerenreiter Verlag
#BA08841_85. Published by
Baerenreiter Verlag
(BA.BA08841-85).
ISBN
9790006541256. 32.5 x
25.5 cm
inches.
Prelude a
l'apres-midi d'un faune,
often referred to as the
first composition of the
modern era, is one of
Debussy's most popular
and frequently performed
orchestral works. The
piece comes down to us in
an array of sources, and
several important ones
are drawn upon for the
first time in
Baerenreiter's new
scholarly-critical
edition. Most of the
currently available
editions are based on the
first edition from 1895
which, however, contains
many engraver errors.
When the corresponding
orchestral parts are also
taken into consideration,
countless discrepancies
are
revealed.
Baerenreiter
's Urtext edition
incorporates readings of
a printed copy of the
score from c. 1908 which
shows corrections and
emendations by the
composer. These important
changes, found in no
other source, include
metronome markings,
different pitches and
additional notes, as well
as added tempo and
articulation markings,
which all subtly enhance
Debussy's finely sculpted
work. There is even a
breath mark added to the
famous solo flute passage
which opens the
work.* Scholarly
critical edition with
many corrections in the
score and orchestral
parts * Clear
presentation of
orchestral parts in an
enlarged format.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Bass - Grade Elementary SKU: AP.12-0571543030 The Fully Integrated Str...(+)
Bass - Grade Elementary
SKU:
AP.12-0571543030
The Fully Integrated
String Series with Over
60 Fun Pieces Ideal for
Individual and Group
Teaching. Composed by
Mark Wilson and Paul
Wood. Method/Instruction;
String Series.
Stringtastic. Book and
Digital Download. 104
pages. Faber Music
#12-0571543030. Published
by Faber Music
(AP.12-0571543030).
ISBN 9780571543038.
English.
Stringtast
ic Book 2: Double Bass
teaches through playing
in an engaging
exploration of musical
styles. Part of the fully
integrated Stringtastic
series in which violin,
viola, cello, and double
bass can all learn and
play together in any
combination.
Learn as you play
through the world of
Stringtastic, with 62
imaginative pieces that
have been specifically
designed to establish a
secure playing technique
and build confidence one
step at a time. Following
on from Stringtastic Book
1, this book takes the
student from Grade 1
(Early Elementary) to
Grade 2 (Elementary)
level. Featuring
equal-level duets for all
instruments, the pieces
are ideal for individual
and group tuition as well
as flexible ensemble and
classroom settings.
Every piece is
supported by an exciting
backing track plus a
piano-only track for
practice---all available
to download. The
Stringtastic Book 2:
Teacher's Accompaniment
book provides the
complete piano score
which works with any
combination of the
instrumental parts.
Mark Wilson and
Paul Wood have developed
an engaging and
accessible new series of
string-playing method
books… The
presentation will appeal
to young learners, and
the careful,
well-conceived pedagogy
will thrill their
teachers! Furthermore,
the Stringtastic
integrated approach gives
proper deference to the
social aspect of
music-making by allowing
violinists, violists,
cellists, and bassists to
play together from the
start. I look forward to
sharing this method with
my young students and
colleagues in early music
education.
-- Dr.
Mark Elliot Bergman,
Director of Strings and
Orchestral Studies,
Sheridan College.
Double Bass SKU: BT.YE0007 Yorke Edition. Composed by F. Baines. B...(+)
Double Bass
SKU:
BT.YE0007
Yorke
Edition. Composed by
F. Baines. Book Only.
Yorke Edition #YE0007.
Published by Yorke
Edition (BT.YE0007).
Born in Oxford
in 1917, Francis Baines
was a well-known and much
respected professional
double bass player. He
studied at the Royal
College of Music in
London with Claude
Hobday, where he later
taught. Something of an
eccentric,he immersed
himself in early music at
a time when few people
were taking it seriously.
He owned a beautiful
Amati bass that he had
restored as a violone,
which it probably was
originally, and he was a
regular fixture as
aprincipal player in a
number of orchestras and
ensembles that dedicated
themselves to period
performing, including
those directed by Denys
Darlow, with whom he
broadcast and recorded
frequently.
Besi
des playing
thedoublebass, Francis
Baines was an exponent of
the treble viol and led
the Jaye Consort of Viols
which he founded. He also
played several kinds of
bagpipe and the
hurdy-gurdy. As a
composer he dabbled in
many styles, one of
hisgreatest claims to
fame being that of
writing for the popular
Hoffnung concerts in the
1960s.
He was
the author of a number of
papers about the history
of the double bass,
sometimes arriving at
scholarly conclusionsthat
were colourful, if not
always entirely accurate.
He discovered the
Giovannino del Violone
sonatas, subsequently
published by Yorke
Edition, although today
it is thought that they
were probably not written
for a 16' pitchinstrument
at all. His edition of
the Capuzzi double bass
concerto, published by
Boosey & Hawkes, was for
many years one of the few
solo works available for
the instrument. This,
however, he largely
re-composed because
hethought it could be
improved: towards the end
of his life he confessed
that with hindsight he
probably should have
treated it
differently.
Gro
unds was written in 1969
as a sort of party piece
and was given to
YorkeEdition in support
of a drive to enlarge the
repertoire for the
instrument in a wide
variety of styles. It was
set on the syllabus of
the Associated Board of
the Royal Schools of
Music for many
years.
For Double Bass. Includes a high-quality printed music score and a compact disc ...(+)
For Double Bass. Includes
a high-quality printed
music score and a compact
disc containing a
complete performance with
soloist; then a second
version with the
accompaniment, minus you,
the soloist. Published by
Music Minus One.
Double bass solo SKU: BR.EB-8986 23 Song Settings for Young String Pla...(+)
Double bass solo
SKU:
BR.EB-8986
23 Song
Settings for Young String
Players. Composed by
Esther Klein and Michael
Dartsch. Solo
instruments. Edition
Breitkopf. Music
pedagogy. Sheet Music.
Breitkopf and Haertel #EB
8986. Published by
Breitkopf and Haertel
(BR.EB-8986).
ISBN
9790004187159. 0 x 0
inches.
German.
Songs are
part of the childhood.
This collection aims to
offer a variety of songs
for string ensembles,
such as young string
orchestras or string
classes. Included are
older and newer songs,
songs of various origins,
and songs for different
occasions and with themes
ranging from animals to
seasons and times of day
to tongue-in-cheek scary
subjects.Taking up the
motif of diversity in
their own way, the
six-part arrangements are
not confined to the usual
cadence harmonies and
accompaniment forms,
There is something
special to discover in
each of the songs. Small
vignettes with lyrics to
them are found in the
parts, and can be taken
up in rehearsals and
lessons.The songs begin
with fingering positions
and bowing techniques
that are usually learned
at the beginning of
lessons, then gradually
increase in difficulty,
though the booklet as a
whole is set at the
elementary level.
Suggestions for
improvisation and pieces
for practicing certain
requirements round out
the booklet. Special
emphasis is placed on
playing together - true
to the title: Together on
Strings!