(Sequential Repertoire for Solo Strings or String Ensemble). By Laurie Scott, Wi...(+)
(Sequential Repertoire
for Solo Strings or
String Ensemble). By
Laurie Scott, Winifred
Crock, and William Dick.
For Bass. String
Orchestra
Method/Supplement. Book &
CD. 36 pages. Published
by Alfred Music
Publishing
Sequential Repertoire for Solo Strings or String Ensemble (Bass). Composed by ...(+)
Sequential Repertoire for
Solo Strings or String
Ensemble (Bass). Composed
by
Winifred Crock, William
Dick, and Laurie Scott.
Book; CD;
Method/Instruction;
String
Orchestra
Method/Supplement;
Suzuki. 48 pages.
Published
by Alfred Music
Double bass solo SKU: BR.EB-8986 23 Song Settings for Young String Pla...(+)
Double bass solo
SKU:
BR.EB-8986
23 Song
Settings for Young String
Players. Composed by
Esther Klein and Michael
Dartsch. Solo
instruments. Edition
Breitkopf. Music
pedagogy. Sheet Music.
Breitkopf and Haertel #EB
8986. Published by
Breitkopf and Haertel
(BR.EB-8986).
ISBN
9790004187159. 0 x 0
inches.
German.
Songs are
part of the childhood.
This collection aims to
offer a variety of songs
for string ensembles,
such as young string
orchestras or string
classes. Included are
older and newer songs,
songs of various origins,
and songs for different
occasions and with themes
ranging from animals to
seasons and times of day
to tongue-in-cheek scary
subjects.Taking up the
motif of diversity in
their own way, the
six-part arrangements are
not confined to the usual
cadence harmonies and
accompaniment forms,
There is something
special to discover in
each of the songs. Small
vignettes with lyrics to
them are found in the
parts, and can be taken
up in rehearsals and
lessons.The songs begin
with fingering positions
and bowing techniques
that are usually learned
at the beginning of
lessons, then gradually
increase in difficulty,
though the booklet as a
whole is set at the
elementary level.
Suggestions for
improvisation and pieces
for practicing certain
requirements round out
the booklet. Special
emphasis is placed on
playing together - true
to the title: Together on
Strings!
Bass - Grade Elementary SKU: AP.12-0571543030 The Fully Integrated Str...(+)
Bass - Grade Elementary
SKU:
AP.12-0571543030
The Fully Integrated
String Series with Over
60 Fun Pieces Ideal for
Individual and Group
Teaching. Composed by
Mark Wilson and Paul
Wood. Method/Instruction;
String Series.
Stringtastic. Book and
Digital Download. 104
pages. Faber Music
#12-0571543030. Published
by Faber Music
(AP.12-0571543030).
ISBN 9780571543038.
English.
Stringtast
ic Book 2: Double Bass
teaches through playing
in an engaging
exploration of musical
styles. Part of the fully
integrated Stringtastic
series in which violin,
viola, cello, and double
bass can all learn and
play together in any
combination.
Learn as you play
through the world of
Stringtastic, with 62
imaginative pieces that
have been specifically
designed to establish a
secure playing technique
and build confidence one
step at a time. Following
on from Stringtastic Book
1, this book takes the
student from Grade 1
(Early Elementary) to
Grade 2 (Elementary)
level. Featuring
equal-level duets for all
instruments, the pieces
are ideal for individual
and group tuition as well
as flexible ensemble and
classroom settings.
Every piece is
supported by an exciting
backing track plus a
piano-only track for
practice---all available
to download. The
Stringtastic Book 2:
Teacher's Accompaniment
book provides the
complete piano score
which works with any
combination of the
instrumental parts.
Mark Wilson and
Paul Wood have developed
an engaging and
accessible new series of
string-playing method
books… The
presentation will appeal
to young learners, and
the careful,
well-conceived pedagogy
will thrill their
teachers! Furthermore,
the Stringtastic
integrated approach gives
proper deference to the
social aspect of
music-making by allowing
violinists, violists,
cellists, and bassists to
play together from the
start. I look forward to
sharing this method with
my young students and
colleagues in early music
education.
-- Dr.
Mark Elliot Bergman,
Director of Strings and
Orchestral Studies,
Sheridan College.
Double Bass Starter Contre Basse [Partition + CD] - Facile De Haske Publications
Double Bass - easy SKU: BT.DHP-1115113-400 22 Pieces in various styles...(+)
Double Bass - easy
SKU:
BT.DHP-1115113-400
22 Pieces in various
styles. Composed by
Ruud van der Meulen. Book
with CD. Composed 2011.
32 pages. De Haske
Publications #DHP
1115113-400. Published by
De Haske Publications
(BT.DHP-1115113-400).
ISBN 9789043139205.
9x12 inches.
English-German-French-Dut
ch.
In Double
Bass Starter you will
find a variety of tunes
for beginner double bass
players - young as well
as old. It is a fantastic
album, with a solid
methodical structure. A
range of styles is
featured, from classical
to jazz and pop. The
tunes can be picked or
bowed. The CD features
demo tracks together with
play-along tracks for
each piece.
In
Double Bass
Starter zijn
verschillende stukken
voor beginners op de
contrabas verzameld. Het
is zowel een geweldig
speelboek als een goed
doordachte aanvulling op
het gebruikelijke
lesmateriaal. Allerlei
stijlen passerende revue
- van klassiek tot pop.
Alle stukken kunnen zowel
pizzicato als con arco
worden
gespeeld.
In
Double Bass
Starter sind
vielfältige Stu?cke
fu?r Anfänger auf dem
Kontrabass versammelt. Es
ist zugleich ein
fantastisches Spielbuch
und sehr lehrreiches
Zusatzmaterial fu?r den
Unterricht mit einem
durchdachten methodischen
Aufbau. Allerlei Stile
kommen darin an die Reihe
- von Klassik u?ber Jazz
bis hin zu Pop. Alle
Stu?cke können sowohl
gezupft als auch
gestrichen werden.Die CD
bietet sowohl Demo- als
auch Play-Along Tracks
an.
In
Double Bass
Starter troverete una
variet di pezzi per
avviare i principianti
allo studio del
contrabbasso. Oltre al
materiale pedagogico
utile a supportare
l'insegnamento, vengono
anche trattati tutti i
generi musicali dalla
classica al jazz al
pop.
Bass Notes Contre Basse [Partition + CD] - Intermédiaire/avancé Jamey Aebersold Jazz
By John Goldsby. For bass. Transcribed Bass lines from Volume 41, 48, and 55 of ...(+)
By John Goldsby. For
bass. Transcribed Bass
lines from Volume 41, 48,
and 55 of the Aebersold
series. Level:
intermediate, advanced.
Book with CD. Published
by Jamey Aebersold Jazz.
By Chuck Sher . For Bass. A complete method book, over 200 pages, filled with in...(+)
By Chuck Sher . For Bass.
A complete method book,
over 200 pages, filled
with information and
exercises on all aspects
of bass playing, for both
acoustic and electric
bass. Method. Published
by Sher Music Company.
Score and Part, with audio. Composed by Various. ABRSM Publications. ABRSM Exa...(+)
Score and Part, with
audio.
Composed by Various.
ABRSM
Publications. ABRSM Exam
Pieces. Book. 32 pages.
ABRSM (Associated Board
of
the Royal Schools of
Music)
#9781786012814. Published
by
ABRSM (Associated Board
of
the Royal Schools of
Music)
Ideas, Tips and Pointers for the Complete Professional. Composed by Orin ...(+)
Ideas, Tips and
Pointers for the Complete
Professional.
Composed by Orin O'Brien.
Edited by Orin O'Brien.
Book (spiral-bound). 96
pages. Carl Fischer
#BF00112. Published by
Carl Fischer (CF.BF112).
By J. Peter Close / Holger Sassmannshaus. For contrabass. This edition: Stapled....(+)
By J. Peter Close /
Holger Sassmannshaus. For
contrabass. This edition:
Stapled. Barenreiter's
Sassmannshaus.
Instructional Method.
Performance score,
Teaching material. Text
Language: English/German.
72 pages. Published by
Baerenreiter Verlag
Double bass SKU: BA.BA10418-85 Composed by Antonin Dvorak. Edited by Jona...(+)
Double bass
SKU:
BA.BA10418-85
Composed by Antonin
Dvorak. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
88. 12 pages.
Baerenreiter Verlag
#BA10418_85. Published by
Baerenreiter Verlag
(BA.BA10418-85).
ISBN
9790006564699. 32.5 x
25.5 cm inches. Key: G
major.
Mendelssohn'
s Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through