Double bass SKU: GI.G-J328 The Instrumental Series. Composed by Ch...(+)
Double bass
SKU:
GI.G-J328
The
Instrumental Series.
Composed by Christopher
D. Azzara, Edwin E.
Gordon, and Richard F.
Grunow. Method Book. Jump
Right In. Music
Education. CD only. GIA
Publications #J328.
Published by GIA
Publications (GI.G-J328).
English.
The
newly revised Jump Right
In: The Instrumental
Series for Strings
incorporates hundreds of
improvements designed to
make the series
practical, engaging, and,
most of all, musical.
Like its counterparts for
winds and recorder, the
string series includes
high-quality CD
recordings of folk songs
and melodies and
performances by some of
the world’s
greatest musicians. And,
of course, this series
incorporates the latest
research and is sequenced
according to Edwin E.
Gordon’s Music
Learning Theory. The
522-page Teacher’s
Guide incorporates all of
Book 1 and 2 and includes
complete lesson plans, an
introduction to Music
Learning Theory,
connections to the
National Standards, and
information on testing,
recruiting, scheduling,
and many other critical
issues.
Double bass solo SKU: GI.G-J221 The Instrumental Series. Composed ...(+)
Double bass solo
SKU:
GI.G-J221
The
Instrumental Series.
Composed by Christopher
D. Azzara, Edwin E.
Gordon, and Richard F.
Grunow. Method Book. Jump
Right In. Music
Education. Book. 32
pages. GIA Publications
#J221. Published by GIA
Publications (GI.G-J221).
English.
The
newly revised Jump Right
In: The Instrumental
Series for Strings
incorporates hundreds of
improvements designed to
make the series
practical, engaging, and,
most of all, musical.
Like its counterparts for
winds and recorder, the
string series includes
high-quality CD
recordings of folk songs
and melodies and
performances by some of
the worldâ??s greatest
musicians. And, of
course, this series
incorporates the latest
research and is sequenced
according to Edwin E.
Gordonâ??s Music
Learning Theory. The
522-page Teacherâ??s
Guide incorporates all of
Book 1 and 2 and includes
complete lesson plans, an
introduction to Music
Learning Theory,
connections to the
National Standards, and
information on testing,
recruiting, scheduling,
and many other critical
issues.
The Instrumental Series. Composed by Richard F. Grunow / Edwin E. Gordon ...(+)
The Instrumental
Series. Composed by
Richard F. Grunow / Edwin
E. Gordon / Christopher
D. Azzara. Method Book.
Jump Right In. Music
Education. Book and CD.
48 pages. GIA
Publications #J329.
Published by GIA
Publications (GI.G-J329).
The Instrumental Series. Composed by Richard F. Grunow / Edwin E. Gordon ...(+)
The Instrumental
Series. Composed by
Richard F. Grunow / Edwin
E. Gordon / Christopher
D. Azzara. Method Book.
Jump Right In. Music
Education. Book and CD.
48 pages. GIA
Publications #J338.
Published by GIA
Publications (GI.G-J338).
Double bass SKU: GI.G-J337 The Instrumental Series. Composed by Ch...(+)
Double bass
SKU:
GI.G-J337
The
Instrumental Series.
Composed by Christopher
D. Azzara, Edwin E.
Gordon, and Richard F.
Grunow. Method Book. Jump
Right In. Music
Education. Book. 48
pages. GIA Publications
#J337. Published by GIA
Publications (GI.G-J337).
ISBN 9781579994636.
English.
The newly
revised Jump Right In:
The Instrumental Series
for Strings incorporates
hundreds of improvements
designed to make the
series practical,
engaging, and, most of
all, musical. Like its
counterparts for winds
and recorder, the string
series includes
high-quality CD
recordings of folk songs
and melodies and
performances by some of
the world’s
greatest musicians. And,
of course, this series
incorporates the latest
research and is sequenced
according to Edwin E.
Gordon’s Music
Learning Theory. The
522-page Teacher’s
Guide incorporates all of
Book 1 and 2 and includes
complete lesson plans, an
introduction to Music
Learning Theory,
connections to the
National Standards, and
information on testing,
recruiting, scheduling,
and many other critical
issues.
Double bass SKU: GI.G-J166 The Instrumental Series. Composed by Ch...(+)
Double bass
SKU:
GI.G-J166
The
Instrumental Series.
Composed by Christopher
D. Azzara, Edwin E.
Gordon, and Richard F.
Grunow. Method Book. Jump
Right In. Music
Education. Book. 32
pages. GIA Publications
#J166. Published by GIA
Publications (GI.G-J166).
English.
The
newly revised Jump Right
In: The Instrumental
Series for Strings
incorporates hundreds of
improvements designed to
make the series
practical, engaging, and,
most of all, musical.
Like its counterparts for
winds and recorder, the
string series includes
high-quality CD
recordings of folk songs
and melodies and
performances by some of
the world’s
greatest musicians. And,
of course, this series
incorporates the latest
research and is sequenced
according to Edwin E.
Gordon’s Music
Learning Theory. The
522-page Teacher’s
Guide incorporates all of
Book 1 and 2 and includes
complete lesson plans, an
introduction to Music
Learning Theory,
connections to the
National Standards, and
information on testing,
recruiting, scheduling,
and many other critical
issues.
Double bass SKU: BA.BA08841-85 Composed by Claude Debussy. Edited by Doug...(+)
Double bass
SKU:
BA.BA08841-85
Composed by Claude
Debussy. Edited by
Douglas Woodfull-Harris.
This edition: urtext
edition. Folded.
Barenreiter Urtext.
Single part. 3 pages.
Duration 10 minutes.
Baerenreiter Verlag
#BA08841_85. Published by
Baerenreiter Verlag
(BA.BA08841-85).
ISBN
9790006541256. 32.5 x
25.5 cm
inches.
Prelude a
l'apres-midi d'un faune,
often referred to as the
first composition of the
modern era, is one of
Debussy's most popular
and frequently performed
orchestral works. The
piece comes down to us in
an array of sources, and
several important ones
are drawn upon for the
first time in
Baerenreiter's new
scholarly-critical
edition. Most of the
currently available
editions are based on the
first edition from 1895
which, however, contains
many engraver errors.
When the corresponding
orchestral parts are also
taken into consideration,
countless discrepancies
are
revealed.
Baerenreiter
's Urtext edition
incorporates readings of
a printed copy of the
score from c. 1908 which
shows corrections and
emendations by the
composer. These important
changes, found in no
other source, include
metronome markings,
different pitches and
additional notes, as well
as added tempo and
articulation markings,
which all subtly enhance
Debussy's finely sculpted
work. There is even a
breath mark added to the
famous solo flute passage
which opens the
work.* Scholarly
critical edition with
many corrections in the
score and orchestral
parts * Clear
presentation of
orchestral parts in an
enlarged format.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Double bass SKU: BA.BA07896-85 Composed by Camille Saint-Saens. Edited by...(+)
Double bass
SKU:
BA.BA07896-85
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
78. 15 pages.
Baerenreiter Verlag
#BA07896_85. Published by
Baerenreiter Verlag
(BA.BA07896-85).
ISBN
9790006563395. 32.5 x
25.5 cm inches. Key: C
minor.
In this work
I gave everything I had
to give. [...] What I did
here I will never do
again. Camille
Saint-Saens was
justifiably proud of his
Symphony No. 3 in C minor
op. 78, dedicated to the
memory of Franz Liszt.
Like Beethoven's Ninth,
this so-called Organ
Symphony was commissioned
by the Philharmonic
Society in London, where
it received its premiere
on 19 May
1886.
In this
first scholarly-critical
edition of the symphony,
a great many
inconsistencies and
mistakes inherent in the
previously used edition
have been unveiled and
corrected.
The
edition of Symphony No. 3
marks the launch of a
large-scale project: the
publication of Camille
Saint-Saens - Complete
Edition of the
Instrumental Works. This
performing Urtext edition
is based on volume BA
10303 from that
series.
* First
scholarly-critical
edition of this famous
symphony based on Camille
Saint-Saens aEUR Complete
Edition of the
Instrumental Works *
Now with separate parts
for all winds *
Orchestral parts in a
large format (25.5 cm x
32.5 cm).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Double bass SKU: BA.BA10418-85 Composed by Antonin Dvorak. Edited by Jona...(+)
Double bass
SKU:
BA.BA10418-85
Composed by Antonin
Dvorak. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
88. 12 pages.
Baerenreiter Verlag
#BA10418_85. Published by
Baerenreiter Verlag
(BA.BA10418-85).
ISBN
9790006564699. 32.5 x
25.5 cm inches. Key: G
major.
Mendelssohn'
s Violin Concerto op. 64,
is a key work of the 19th
century, adhering to the
classical style of
Beethoven while pointing
the way to the romantic
ethos of Brahms. It has
long been known that
Mendelssohn performed the
work with three soloists
in succession: Ferdinand
David, who worked closely
with the composer during
its composition and
played it at the
premiere; the 'child
prodigy' Joseph Joachim;
and Hubert Leonard, a
young Belgian virtuoso
about whom little is
known.
As proof
sheets for the Violin
Concerto in E minor were
long considered lost, it
could be described as
somewhat of a sensation
when proofs for the solo
violin part resurfaced
together with a letter
from Mendelssohn to
Leonard.
The
letter informs us that
the composer invited
Leonard to his home in
Frankfurt in order to
make his acquaintance. It
was already known that
Mendelssohn had given
proof sheets to David;
now we know that he also
gave some to
Leonard.
The
recently discovered
proofs reveal how Leonard
played the concerto with
Mendelssohn on that
memorable evening in
February 1845. Besides
containing bowing marks
and fingering, they also
show how Leonard executed
shifts of position and
where he employed open
strings. Furthermore
modifications made to
dynamic markings and
additional legato bowing
are shown.
It is
safe to assume that all
of this was done with
Mendelssohn's approval.
That the young violinist
made a positive
impression on the
composer is confirmed in
the latter's
correspondence following
their joint performance.
Mendelssohn is full of
praise for Leonard's
playing and offers to
lend his support in
finding employment in
Germany.
This
revised edition of the
Mendelssohn Violin
Concerto (only the
orchestral parts remain
unchanged) includes a
separate booklet on
performance practice.
The editor, Clive
Brown, is an acknowledged
expert on Romantic
performance
practice.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Double bass SKU: BA.BA09079-85 Composed by Felix Bartholdy Mendelssohn. E...(+)
Double bass
SKU:
BA.BA09079-85
Composed by Felix
Bartholdy Mendelssohn.
Edited by John Michael
Cooper. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. Opus 31, MWV
A 9. 7 pages.
Baerenreiter Verlag
#BA09079_85. Published by
Baerenreiter Verlag
(BA.BA09079-85).
ISBN
9790006531431. 32.5 x
25.5 cm inches. Text:
Felix Mendelssohn
Bartholdy.
Latin
text from the Vulgate
(Psalm 113). German text
by Felix Mendelssohn
Bartholdy after Psalm 115
from the Lutheran
Bible.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Double bass SKU: BA.BA05798-85 Romance for Violin. Composed by Hec...(+)
Double bass
SKU:
BA.BA05798-85
Romance for
Violin. Composed by
Hector Berlioz. Edited by
Hugh MacDonald. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part.
Baerenreiter Verlag
#BA05798_85. Published by
Baerenreiter Verlag
(BA.BA05798-85).
ISBN
9790006521791. 32.5 x
25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Messa da Requiem Contre Basse - Intermédiaire/avancé Barenreiter
Double bass - Level 4 SKU: BA.BA07590-85 Composed by Giuseppe Verdi. Edit...(+)
Double bass - Level 4
SKU: BA.BA07590-85
Composed by Giuseppe
Verdi. Edited by Marco
Uvietta. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. 20 pages.
Baerenreiter Verlag
#BA07590_85. Published by
Baerenreiter Verlag
(BA.BA07590-85).
ISBN
9790006541652. 32.5 x
25.5 cm inches. Preface:
Marco Uvietta.
For
this scholarly-critical
edition, the editor has
consulted no less than 16
sources, many more than
were ever used for any
other edition of the
Requiem; some of these
sources were never
evaluated before and one
source, a hand-written
vocal score, particularly
relevant to the
evaluation of the Liber
scriptus, was newly
discovered.
As
such, this edition offers
new philological and
editorial decisions
regarding phrasing,
articulation and dynamics
and succeeds in
presenting practical
suggestions to solve
musical problems and
those concerning the
interpretation of this
famous work.
This
edition comprises a
concise Critical
Commentary in the score
as well as a detailed one
on the Barenreiter
website. The most
important editions
published in the 19th
century are compared with
regard to musicological
questions in the work.
The genesis of some
misunderstandings
included in the 1913 and
1964 Ricordi editions is
traced. The first version
of the Liber scriptus for
chorus is included in the
appendix while the later
version for mezzosoprano
solo is to be found in
the main part of the
edition.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Double bass SKU: BA.BA10422-85 Composed by Antonin Dvorak. Edited by Iaco...(+)
Double bass
SKU:
BA.BA10422-85
Composed by Antonin
Dvorak. Edited by Iacopo
Cividini. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. Opus 53. 10
pages. Baerenreiter
Verlag #BA10422_85.
Published by Baerenreiter
Verlag (BA.BA10422-85).
ISBN 9790260108165.
32.5 x 25.5 cm inches.
Key: A minor.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Double bass SKU: BA.BA10401-85 Composed by Antonin Dvorak. Edited by Robe...(+)
Double bass
SKU:
BA.BA10401-85
Composed by Antonin
Dvorak. Edited by Robert
Simon. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. Opus 45/1. 7
pages. Baerenreiter
Verlag #BA10401_85.
Published by Baerenreiter
Verlag (BA.BA10401-85).
ISBN 9790260108226.
32.5 x 25.5 cm inches.
Key: D major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Double bass SKU: BA.BA09056-85 Concert Overture. Composed by Felix...(+)
Double bass
SKU:
BA.BA09056-85
Concert Overture.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christopher
Hogwood. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. Opus 21. 5
pages. Duration 12
minutes. Baerenreiter
Verlag #BA09056_85.
Published by Baerenreiter
Verlag (BA.BA09056-85).
ISBN 9790006523191.
32.5 x 25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Double bass SKU: BA.BA09052-85 Composed by Felix Bartholdy Mendelssohn. E...(+)
Double bass
SKU:
BA.BA09052-85
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christopher
Hogwood. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. Opus 101.
Duration 10 minutes.
Baerenreiter Verlag
#BA09052_85. Published by
Baerenreiter Verlag
(BA.BA09052-85).
ISBN
9790006522750. 32.5 x
25.5 cm inches. Key: C
major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Double Bass SKU: BA.BA09092-85 A Symphony-Cantata after Texts from the...(+)
Double Bass
SKU:
BA.BA09092-85
A
Symphony-Cantata after
Texts from the Holy
Scriptures. Composed
by Felix Bartholdy
Mendelssohn. Edited by
John Michael Cooper. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
52, MWV A 18. 21 pages.
Baerenreiter Verlag
#BA09092_85. Published by
Baerenreiter Verlag
(BA.BA09092-85).
ISBN
9790006565856. 32.5 x
25.5 cm inches. Text:
Mendelssohn Bartholdy,
Felix (nach der
Luther-Bibel und Martin
Rinckart) / Monicke,
Charles Henry.
About
Barenreiter Urtext
Orchestral
Parts
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love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Double bass SKU: BA.BA09054-85 Overture. Composed by Felix Barthol...(+)
Double bass
SKU:
BA.BA09054-85
Overture. Composed
by Felix Bartholdy
Mendelssohn. Edited by
Christopher Hogwood. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Versions 1 and 2.
Single part. 9 pages.
Duration 10 minutes.
Baerenreiter Verlag
#BA09054_85. Published by
Baerenreiter Verlag
(BA.BA09054-85).
ISBN
9790006522965. 32.5 x
25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Double Bass SKU: BA.BA09099-85 Composed by Felix Bartholdy Mendelssohn. E...(+)
Double Bass
SKU:
BA.BA09099-85
Composed by Felix
Bartholdy Mendelssohn.
Edited by R. Larry Todd.
This edition: urtext
edition. Stapled.
Barenreiter Urtext.
Single part. Opus 64. 14
pages. Baerenreiter
Verlag #BA09099_85.
Published by Baerenreiter
Verlag (BA.BA09099-85).
ISBN 9790006565726.
32.5 x 25.5 cm inches.
Key: E
minor.
Replaces BA
9050-85.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Double bass SKU: BA.BA07887-85 Composed by Gabriel Faure. Edited by Robin...(+)
Double bass
SKU:
BA.BA07887-85
Composed by Gabriel
Faure. Edited by Robin
Tait. This edition:
urtext edition. Folded.
Barenreiter Urtext.
Single part. Opus 50. 3
pages. Duration 16
minutes. Baerenreiter
Verlag #BA07887_85.
Published by Baerenreiter
Verlag (BA.BA07887-85).
ISBN 9790006558544.
32.5 x 25.5 cm
inches.
The
popularity of Faure's
Pavane is mostly
attributed to its many
arrangements but the
original version for
orchestra is being
published here for the
first time. Shortly after
completing the orchestral
work, Faure began work on
a version for choir,
which was actually
premiered before the
orchestral
version.
This new
Barenreiter edition
offers conductors and
orchestras a reliable
Urtext edition of the
Pavane's original
orchestral version which
will surely enhance
symphonic concert
programmes
everywhere.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Composed by Antonin
Dvorak. Edited by Robert
Simon. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. Opus 45/2. 8
pages. Baerenreiter
Verlag #BA10402_85.
Published by Baerenreiter
Verlag (BA.BA10402-85).
ISBN 9790260108288.
32.5 x 25.5 cm inches.
Key: G minor.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Double bass SKU: BA.BA09071-85 Composed by Felix Bartholdy Mendelssohn. E...(+)
Double bass
SKU:
BA.BA09071-85
Composed by Felix
Bartholdy Mendelssohn.
Edited by John Michael
Cooper. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Oratorium (Oratorios).
Single part. Opus 36. 59
pages. Baerenreiter
Verlag #BA09071_85.
Published by Baerenreiter
Verlag (BA.BA09071-85).
ISBN 9790006527656.
32.5 x 25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Double bass SKU: BA.BA06999-85 Composed by Edouard Lalo. Edited by Hugh M...(+)
Double bass
SKU:
BA.BA06999-85
Composed by Edouard Lalo.
Edited by Hugh MacDonald.
This edition: Urtext
edition. Stapled.
Barenreiter Urtext.
Orchestral part. 8 pages.
Duration 26 minutes.
Baerenreiter Verlag
#BA06999_85. Published by
Baerenreiter Verlag
(BA.BA06999-85).
ISBN
9790006531899. 32.5 x
25.5 cm inches. Key: D
minor.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Double bass SKU: BA.BA09051-85 Ouvertüre. Composed by Felix Bar...(+)
Double bass
SKU:
BA.BA09051-85
Ouvertüre.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christopher
Hogwood. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. Opus 32. 13
pages. Duration 8
minutes. Baerenreiter
Verlag #BA09051_85.
Published by Baerenreiter
Verlag (BA.BA09051-85).
ISBN 9790006522682.
32.5 x 25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Double bass SKU: BA.BA09026-85 Composed by Ludwig van Beethoven. Edited b...(+)
Double bass
SKU:
BA.BA09026-85
Composed by Ludwig van
Beethoven. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Part, anthology.
Opus 50, 40. 5 pages.
Baerenreiter Verlag
#BA09026_85. Published by
Baerenreiter Verlag
(BA.BA09026-85).
ISBN
9790006529384. 32.5 x
25.5 cm inches. Key: F
major, g
major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Double bass SKU: BA.BA08961-85 Missa pro defunctis. Composed by Lu...(+)
Double bass
SKU:
BA.BA08961-85
Missa pro
defunctis. Composed
by Luigi Cherubini.
Edited by Hans
Schellevis. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. 19 pages.
Baerenreiter Verlag
#BA08961_85. Published by
Baerenreiter Verlag
(BA.BA08961-85).
ISBN
9790006559312. 32.5 x
25.5 cm inches. Key: C
minor.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Double bass SKU: BA.BA08849-85 Concert rhapsody for violin and orchest...(+)
Double bass
SKU:
BA.BA08849-85
Concert rhapsody for
violin and orchestra.
Composed by Maurice
Ravel. Edited by Douglas
Woodfull-Harris. This
edition: urtext edition.
Folded. Barenreiter
Urtext. Single part. 4
pages. Duration 10
minutes. Baerenreiter
Verlag #BA08849_85.
Published by Baerenreiter
Verlag (BA.BA08849-85).
ISBN 9790006542925.
32.5 x 25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Double Bass SKU: BA.BA10419-85 Composed by Antonin Dvorak. Edited by Jona...(+)
Double Bass
SKU:
BA.BA10419-85
Composed by Antonin
Dvorak. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
95. 13 pages.
Baerenreiter Verlag
#BA10419_85. Published by
Baerenreiter Verlag
(BA.BA10419-85).
ISBN
9790006564774. 32.5 x
25.5 cm inches. Key: E
minor.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Double bass SKU: BA.BA09057-85 Overture. Composed by Felix Barthol...(+)
Double bass
SKU:
BA.BA09057-85
Overture. Composed
by Felix Bartholdy
Mendelssohn. Edited by
Christopher Hogwood. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part.
Composed 1828/1834. Opus
27. 11 pages. Duration 10
minutes. Baerenreiter
Verlag #BA09057_85.
Published by Baerenreiter
Verlag (BA.BA09057-85).
ISBN 9790006523337.
32.5 x 25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Double bass SKU: BA.BA09045-85 Composed by Antonin Dvorak. Edited by Jona...(+)
Double bass
SKU:
BA.BA09045-85
Composed by Antonin
Dvorak. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
104. 11 pages. Duration
37 minutes. Baerenreiter
Verlag #BA09045_85.
Published by Baerenreiter
Verlag (BA.BA09045-85).
ISBN 9790006537709.
32.5 x 25.5 cm inches.
Key: B minor.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
