Double bass solo

SKU: BR.EB-9268

Revised Version 2010. Composed by Helmut Lachenmann. Arranged by Caleb Salgado. Solo instruments; Folder. Edition Breitkopf. Music post-1945; New music (post-2000). Score. Composed 1969/2010. 26 pages. Duration 9'. Breitkopf and Haertel #EB 9268. Published by Breitkopf and Haertel (BR.EB-9268).

ISBN 9790004185681. 12 x 9 inches.

This piece originated as an introduction to instrumental musique-concrete. In this sort of piece it is common for sound phenomena to be so refined and organised that they are not so much the results of musical experiences as of their own acoustic attributes. Timbres, dynamics and so on arise not of their own volition but as components of a concrete situation characterised by texture, consistency, energy, resistance.This does not come from within but from a liberated compositional technique. At the same time it implies that our customary sharply-honed auditory habit is thwarted. The result is aesthetic provocation: beauty denying habit.(Helmut Lachenmann),,Cette nouvelle edition est une invitation faite aux violoncellistes qui souhaiteraient redecouvrir leur instrument et la maniere de la faire sonner en realisant dessus un nouveau genre de polyphonie: une polyphonie d'actions. (Francois-Xavier Feron, Circuit, Heft 25, Juni 2015)CDs/LPs:Michael Bach CD cpo 999 102-2 Lucas Fels CD Montaigne Auvidis MO 782075 Walter Grimmer CD col legno WWE 31863 Taco Kooistra CD Attacca Babel 9369-1 Pierre Strauch CD Accord 202082 Michael Bach LP ABE ERZ 1003 Werner Taube LP ABE ERZ 1003ensemble phorminxCD WER 6682 2Michael M. KasperCD Michael M. Kasper rounds per minute, Ensemble Modern Medien, EMCD-006Michael Svoboda (trombone)CD Wittener Tage fur neue Kammermusik 2011Bibliography:Deltz, Eberhard: begegnung im grenzbereich. Zwei Werke von Helmut Lachenmann und Hideaki Yamanobe im Spiegel eines Haiku von Matsuo Basho, in: Neue Zeitschrift fur Musik 167 (2006), Heft 1, pp. 36-41.Feron, Francois-Xavier: Enjeux et evolution du systeme de notation dans ,,Pression pour un(e) violoncelliste de Helmut Lachenmann, in: Circuit, Heft 25, 2015, pp. 55-65.GoGwilt, Keir: Templates for Technique in Mantel and Lachenmann. Between Transcendence and Immanence, in: The Dark Precursor: Deleuze and Artistic Research. Band I: The Dark Precursor in Sound and Writing, hrsg. von Paulo de Assis und Paolo Giudici, Leuven: Leuven University Press 2017, pp. 105-113.Griffiths, Paul: ModernMusic and After, 3rd edition, Oxford University Press 2010, pp. 216-219.Handschick, Matthias: Musik als ,,Medium der sich selbst erfahrenden Wahrnehmung. Moglichkeiten der Vermittlung Neuer Musik unter dem Aspekt der Auflosung und Reflexion von Gestalthaftigkeit (= Schriften der Hochschule fur Musik Freiburg 3), Hildesheim u. a.: Olms 2015, dort pp. 161-167.Hiekel, Jorn Peter: Helmut Lachenmann und seine Zeit, Laaber: Laaber 2023, S. 169-172, 231-232.Jahn, Hans-Peter: simultan eine Erinnerung, in: Neue Zeitschrift fur Musik 167 (2006), Heft 1, pp. 12-15.Lessing, Wolfgang: Musizieren als Prozess. Zur didaktischen Dimension von Helmut Lachenmanns Pression, in: Musik inszeniert. Prasentation und Vermittlung zeitgenossischer Musik heute, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 46), Mainz u. a.: Schott 2006, pp. 73-83.ders.: Verweigerung von Gewohnheit. Instrumentaldidaktische Annaherungen an Pression von Helmut Lachenmann, in: Darstellen und Mitteilen. Ein Handbuch der musikalischen Interpretation, hrsg. von Ursula Brandstatter, Martin Losert, Christoph Richter und Andrea Welte, Mainz: Schott 2010, pp. 111-122.ders.: Interpretation, Verstehen und Vermittlung, in: Ans Licht gebracht. Zur Interpretation Neuer Musik, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 53), Mainz u. a.: Schott 2013, pp. 24-39.Mosch, Ulrich: Das Unberuhrte beruhren Anmerkungen zur Interpretation von Helmut Lachenmanns Werken Pression und Allegro sostenuto, in: Musik inszeniert. Prasentation und Vermittlung zeitgenossischer Musik heute, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 46), Mainz u. a.: Schott 2006, pp. 25-46.Musik als Bildkritik Gesprach zwischen Gottfried Boehm, Helmut Lachenmann und Matteo Nanni, in: Helmut Lachenmann: Musik mit Bildern? Hrsg. von Matteo Nanni und Matthias Schmidt (= eikones, hrsg. von Nationalen Forschungsschwerpunkt Bildkritik an der Universitat Basel), Munchen: Wilhelm Fink 2012, pp. 237-269.Neuwirth, Markus: Strukturell vermittelte Magie. Kognitionswissenschaftlic he Annaherungen an Helmut Lachenmanns Pression und Allegro sostenuto, in: Musik als Wahrnehmungskunst. Untersuchungen zu Kompositionsmethodik und Horasthetik bei Helmut Lachenmann, hrsg. von Christian Utz und Clemens Gadenstatter (= musik.theorien der gegenwart 2), Saarbrucken: Pfau 2008, pp. 73-100.Orning, Tanja: The Polyphonic Performer. A Study of Performance Practice in Music for Cello Solo by Morton Feldman, Helmut Lachenmann, Klaus K. Hubler and Simon Steen-Andersen, Diss. Oslo 2014, Oslo: NMH-publikasjoner (mit DVD).Sparrer, Walter-Wolfgang: Wider den geolten Gleichlauf. Von der Notwendigkeit strukturierender Verfahrensweisen bei der Interpretation von Musik. Modell I: Kompositionen fur Violoncello solo von J. S. Bach, Isang Yun und Helmut Lachenmann, in: Musikalische Produktion und Interpretation, hrsg. von Otto Kolleritsch, Wien/Graz 2003 (= Studien zur Wertungsforschung, Band 43), pp. 75-100.Utz, Christian: Erinnerte Gestalt und gebannter Augenblick. Zur Analyse und Interpretation post-tonaler Musik als Wahrnehmungspraxis Klangorganisation und Zeiterfahrung bei Morton Feldman, Helmut Lachenmann und Brian Ferneyhough, in: Ans Licht gebracht. Zur Interpretation Neuer Musik, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 53), Mainz u. a.: Schott 2013, pp. 40-67.

World premiere: Como (Autunno musicale), September 30, 1970.

For Solo Contrabass. By Bertram Turetzky. For Double Bass Solo. Classical. Solo part. 7 pages. Duration 5:30. Published by Theodore Presser Company.

Double bass

SKU: BR.OB-5509-27

Urtext. Composed by Carl Philipp Emanuel Bach. Edited by Ulrich Leisinger. This edition: double bass part. Stapled. Orchester-Bibliothek (Orchestral Library).

The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany.

Solo concerto; Early classical. Part. 8 pages. Duration 27'. Breitkopf and Haertel #OB 5509-27. Published by Breitkopf and Haertel (BR.OB-5509-27).

ISBN 9790004338506. 9 x 12 inches.

The concertos in A minor, B flat major and A major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. The A minor Concerto, composed in 1750, is performed quite frequently today. C. P. E. Bach most likely wrote the Concerto in B flat major Wq. 171 as the last of the little work group in 1753 in Potsdam, at the court of King Frederick the Great. He reworked the composition for flute and harpsichord shortly thereafter. Various sources prove that copies of the work had made it known quite extensively in the second half of the 18th century. In his new Urtext edition, Ulrich Leisinger bases himself on two reliable manuscripts.

Double Bass solo

SKU: SU.32020090

For Double Bass solo. Composed by Dorothy Hindman. Strings, Contrabass. Score. Subito Music Corporation #32020090. Published by Subito Music Corporation (SU.32020090).

…the vocabulary of this work is filled with extended gestures such as artificial harmonic glissandi, bowing behind the bridge, left hand hammer-ons, overly pressed scratchy tones, etc. The piece has all the attributes of a great story, beginning in a quirky fun manner and then becoming something unexpected, a virtuosic display with a wildly exciting ending. It is the effect of the pacing that is the tour de force, a one-way downhill roller coaster ride…the work remains in the lower half of the instrument for the most part and only ventures into the very highest registers for effect. The extraordinary challenge is to execute the variety of extended gestures within the tempo over eleven minutes. To play this work successfully requires mastering the art of Time Management. ~Hans Sturm, editor. Bass WorldDouble Bass solo Duration: 12' Composed: 2004 Published by: Distributed Composer.

Double Bass Solo - Grade 1.5

SKU: AP.36-52740545

Composed by Lynne Latham. Method/Instruction; Reference Textbooks; Solo; Solo Small Ensembles. Ludwig Masters. Book. Latham Music Enterprises #36-52740545. Published by Latham Music Enterprises (AP.36-52740545).

ISBN 9781628768428. UPC: 746241223883. English.

This audition survival guide for teachers and students of all levels begins with one-octave major and minor scales to three sharps and flats. Two-octave scales are introduced subsequently, and the book concludes with three-octave scales to five sharps and flats. Two-octave blues scales to four sharps and flats are included as a bonus. Bowings and fingerings are not included in this workbook, which includes blank staves in the back for teachers to make suggestions. An introduction by Lynne Latham offers tips on how to practice scales and includes a lesson on scale construction and theory.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Solo Double bass

SKU: SU.81001299

For solo Double bass. Composed by Michael Gordon. Strings, Contrabass. Score. Subito Music Corporation #81001299. Published by Subito Music Corporation (SU.81001299).

Solo double bass Duration: 11' Composed: 1988 Published by: Red Poppy Ltd.

(Woodwind Solos & Ensemble/Eb Contrabass Music). By Jean Baptiste Senaille (1687-1730). Arranged by Richard S. Thurston. Woodwind Solos & Ensembles - Eb Contrabass Music. Southern Music. Grade 3. Southern Music Company #SU115. Published by Southern Music Company

(Woodwind Solos & Ensemble/Bb Contrabass Music). By Jean Baptiste Senaille (1687-1730). Arranged by Richard S. Thurston. Woodwind Solos & Ensembles - Bb Contrabass Music. Southern Music. Grade 3. 8 pages. Southern Music Company #SU114. Published by Southern Music Company

(Acoustic and Electric). For Bass. Berklee Guide. Softcover Audio Online. Published by Berklee Press

Solo Contrabass

SKU: SU.50500320

For Solo Contrabass. Composed by Leo Kraft. Strings, Contrabass. Score. Seesaw Music Corp #50500320. Published by Seesaw Music Corp (SU.50500320).

Duration: about 7 minutes.Copyright 2008. Published by: Seesaw Music.

Double bass solo

SKU: BR.DV-31080

Studien fur Bass und Drums. Composed by Herbert Junck and Jacki Reznicek. Solo instruments; Softcover. Deutscher Verlag. Music pedagogy. Score. 48 pages. Deutscher Verlag fur Musik #DV 31080. Published by Deutscher Verlag fur Musik (BR.DV-31080).

ISBN 9790200415629. 9 x 12 inches.

For Either Contrabass Quartet, Ensemble, or Solo Contrabass with Self-Prepared Tape. By Bertram Turetzky. For Double Bass, Double Bass Solo, Tape. Classical. Set of performance scores. 4 pages. Duration 7:00. Published by Theodore Presser Company.

Double Bass solo

SKU: SU.81001059

For Double Bass solo. Composed by David Lang. Strings, Contrabass. Score. Subito Music Corporation #81001059. Published by Subito Music Corporation (SU.81001059).

Double bass Duration: 5' Composed: 2001 Published by: Red Poppy Ltd.

(For Solo Contrabass). By Francis Thorne. Solo instrument. For Double Bass. Contemporary. Performance score. Standard notation. 4 pages. Published by Theodore Presser Company

Double bass solo

SKU: BR.DV-32135

Composed by H. (Hrsg.) Herrmann. Edited by H. Herrmann. Solo instruments; Softbound. Deutscher Verlag. Music pedagogy. Score. 92 pages. Deutscher Verlag fur Musik #DV 32135. Published by Deutscher Verlag fur Musik (BR.DV-32135).

ISBN 9790200426687. 9 x 12 inches.

(Double Bass Solo). By Heinz Holliger (1939-2002). For Double Bass. String Solo. Softcover. 8 pages. Schott Music #KBB17. Published by Schott Music

Double bass solo

SKU: BR.DV-31006

Composed by Lothar Spiller. Solo instruments; Softcover. Deutscher Verlag. Music pedagogy. Score. 28 pages. Deutscher Verlag fur Musik #DV 31006. Published by Deutscher Verlag fur Musik (BR.DV-31006).

ISBN 9790200415056. 9 x 12 inches. German.

(Double Bass Solo). By Fernando Grillo. For Double Bass. String Solo. Softcover. 20 pages. Schott Music #KBB18. Published by Schott Music

Double Bass Solo. By Iannis Xenakis. String Solo. Size 10.75x13.75 inches. Published by Salabert.

Double bass solo

SKU: BR.DV-32113

Composed by Konrad (Hrsg.) Siebach. Edited by Konrad Siebach. Solo instruments; Softbound. Deutscher Verlag. Music pedagogy. Score. 128 pages. Deutscher Verlag fur Musik #DV 32113. Published by Deutscher Verlag fur Musik (BR.DV-32113).

ISBN 9790200426502. 9 x 12 inches.

Cello Suites Transcribed for Solo Double Bass. By Johann Sebastian Bach. This edition: RER2957. String Solo. 104 pages. Published by Ricordi.

(For Solo Double Bass). By Ronald Caltabiano (1959-). For Double Bass. Classical. Solo part. Standard notation. 14 pages

Methode Complete et Progressive en Trois Cahiers. Composed by Francois Rabbath. Leduc. Instruction. Softcover. 54 pages. Alphonse Leduc #AL25806. Published by Alphonse Leduc

By Tyrone Brown. For bass. Book and CD. 40 pages. Published by Jamey Aebersold Jazz