Bisher war es fast unmöglich, für Kinder ab fünf Jahren dieses Instrumente zu erlernen. Der Musikschullehrer Claus Freudenstein hatte die Idee, einen Minibass für Kinder zu entwickelen. Die hier vorliegende Sammlung wurde aus den langjährigen Unterrichtserfahrungen entwickelt und ist für Kinder ab 5 Jahren gedacht. Sie soll dem Schüler schon in der ersten Stunde sein Erfolgserlebnis bereiten, das sich dann mit jeder weiteren Stunde bzw. mit jedem weiteren Lied wiederholt. Die Sammlung versteht sich nicht als Schule, sonder als Ergänzung zur jeweiligen Unterrichtsmethode. Seit es E-Bässe für Kinder gibt, sind diese Stücke auch für den Unterricht mit Kindern am E-Bass geeignet. / Contrebasse

19 chansons transcrites pour la basse: Blues for D.P. o Blues for Two o Bottoms Up o Doom o Eight o Einbahnstrasse o Fill in the Blank Spaces o First Trip o For Toddlers Only o Fragile o Last Resort o Little Waltz o Nearly o New Waltz o No Flowers Please o One Bass Rag o Tail Feathers o Tear Drop o The Third Plane. / Contrebasse

La référence R17147 de l'éditeur Billaudot dont l'auteur célèbre est Wenzel Hause, qui a pour titre 96 ETUDES PROGRESSIVES VOLUME 4, a été écrite et composée pour Diverses Formations. Cette partition musicale appartient à la catégorie Pédagogie. / Etudes / Partition

Dieses Heft führt die umfassenden Unterrichtsmaterialien zu ?Jedem Kind ein Instrument' fort.Im didaktischen Teil der Hefte finden sich viele neue Lieder und Spielstücke, differenzierte Aufgabenstellungen und methodische Anregungen zur Weiterführung des instrumentalen Unterrichts in der Grundschule. Darüber hinaus beinhaltet jeder Band einen umfassenden ?Ensemble Kunterbunt'-Teil mit zahlreichen fantasievollen Arrangements, die sich sowohl im Kleingruppenunterricht als auch im (Schul)-Orchester flexibel einsetzen lassen. / Contrebasse

Par STANCZYK MARCIN. In the mid-twentieth century, Wladyslaw Strzeminski painted a series of solaristic pictures entitled Powidoki swiatla (?Afterimages of light?), illustrating the optical impressions triggered by gazing at the sun. They can be observed when we look at the sun and then suddenly turn our eyes to a white sheet of paper. We then see a reflection of the light ? a trail in blue, contrasting with the yellow. The reflection of the notes in this work are their harmonics. The three movements are formed from the relationship between the fundamental pitches and their overtones. The first is built on the principle of the mutual contrast between the sounding ?light? and its ?afterimages?. In the second movement, the transitions between the ?lights? and their ?afterimages? are smooth, while in the third, the juxtaposing of fundamentals and overtones is initially smooth, but then alters in the direction of the contrast from the beginning of the work. / Date parution : 2022-12-12/ Répertoire / Contrebasse

BASS RUNS GALORE!! That's what you've been asking for, that's what you get!! We show you the notes, name the notes, and show you how to put the runs in the songs. We introduce waltz time, and how to use the runs here too. We introduce the key of B and as a special treat, Marshall shows you how to play the 'boogie woogie' on the bass. We also include a special section on simple theory-'The reason behind the notes.' No Tab. / Contrebasse / 120 pages / niveau : Intermédiaire / Dvd - Format: 7,5 X 5,25

Par RAVEL MAURICE. In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane”. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano, producing a sound similar to the rich overtones of the Cimbalon), the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel later orchestrated 'Tzigane” and both versions remain a 'must” for music-lovers and aspiring violinists today. Jelly D'Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel's masterpiece. It is published both in the orchestral version, complete with full score and performance material, as well as in the composer's earlier version for violin and piano. All known sources, including letters, have been drawn on for the new edition - one of the available sources, consulted for the first time, was a copy of 'Tzigane” from the estate of Jelly D'Aranyi, which is today part of a private collection. The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions by Jelly D'Aranyi. D'Aranyi's alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D'Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto. - First scholarly-critical Urtext edition of the work - Presented are both versions: for violin and orchestra and for violin and piano - Includes Jelly D'Aranyi's fingering/ Répertoire / Contrebasse

This new book from one of the most popular bass players in the business brings players great tools to improve their skills. Bass players can advance their knowledge of the fingerboard, improve intonation and time, develop flexibility and work though modes and scales presented in the book. This work combines music and technique in one powerful package!
Langue : en anglais

Par NANNY. Complete Method For The Double Bass - Part 1 is the first of a series of two, created by Edouard Nanny, a French Double-Bass player, teacher and composer. Conceived as a way to acquire a correct technique and a good sonority the Complete Method For The Four- And Five-Stringed Double Bass - Part 1 is perfect for beginners and intermediate beginners. Including scales, exercises and small studies, this first volume is completed with a second part for intermediate players. Edouard Nanny (1872-1942) had internal recognition as a composer during his lifetime and composed two concerti andadditional methods such as Twenty Virtuoso Studies among others. / Niveau : Débutant / Méthode / Méthode / Contrebasse

Par GREGORY THOMAS. This is the brand new addition to the string series. Full of new pieces, mixed with arrangements of old favourites. Ideal for Double Bassists who are between grades 2-4./ Recueil / Contrebasse

Par WILSON MARK / WOOD PAUL. StringTastic Beginners is the first in a fun new series designed to teach through playing, for violin, viola, cello and double bass, fully integrated so that all instruments can play and learn together. Each book contains over 40 imaginative pieces to steadily establish a secure playing technique and build confidence, from complete beginner to Initial Grade level. As well as being a fully integrated series, the first 20 tunes are presented as duets to accommodate multiple stages of progress, ideal for individual tuition as well as group and classroom settings. Every piece is supported by an exciting backing track to transport you into its unique sound world, in addition to piano-only audio for practice. Plus, the teacher?s book provides the complete piano accompaniments which work with any combination of instrumental parts. / Date parution : 2021-12-09/ Recueil / Contrebasse

Par WILSON MARK. Stringtastic Book 2: Double Bass teaches through playing in an engaging exploration of musical styles. Part of the fully integrated Stringtastic series in which violin, viola, cello and double bass can all learn and play together in any combination. Learn as you play through the world of Stringtastic, with 62 imaginative pieces that have been specifically designed to establish a secure playing technique and build confidence one step at a time. Following on from Stringtastic Book 1, this book takes the student from Grade 1 (Early Elementary) to Grade 2 (Elementary) level. Featuring equal-level duets for all instruments, the pieces are ideal for individual and group tuition as well as flexible ensemble and classroom settings. Every piece is supported by an exciting backing track plus a piano-only track for practice, all available to download. The Stringtastic Book 2: Teacher’s Accompaniment book provides the complete piano score which works with any combination of the instrumental parts. / Date parution : 2023-10-31/ Recueil / Contrebasse

Par NANNY. Complete method for the Double Bass & Part 2 is the first of a series of two, created by Edouard Nanny, a French Double-Bass player, teacher and composer. Conceived to acquire correct technique and a good sonority, the Complete method for the four and five stringed Double Bass & Part 2 is perfect for intermediate players. Including scales, exercises and small studies, this second volume follows on Part 1, also available at Alphonse Leduc. Edouard Nanny (1872-1942) had internal recognition as a composer during his lifetime and composed two concerti and additional methods such as 'Twentyvirtuoso studies', among others. / Niveau : Débutant à Intermédiaire / Méthode / Méthode / Contrebasse

La méthode attendue Sassmannshaus 'Early Start sur le Double Bass' est maintenant ici. Enfin les étudiants de la plus grand instrument de la famille des cordes peut faire usage de cette méthode éprouvée et testée pour les débutants, avancés par Egon Sassmannshaus pour les autres instruments à cordes et appliqué ici à la contrebasse par Holger Sassmannshaus et J. Peter Fermer. Cette méthode permettra de répondre aux besoins du nombre croissant d'étudiants basses jeunes.'Early Start sur le Double Bass' englobe tout ce que l'on pourrait attendre d'une méthode Sassmannshaus: un démarrage facile, la progression à un taux approprié, de nombreux renvois vers les autres instruments à cordes, des chansons et des échelles dans différentes positions dès le début, comme ainsi que de nombreux duos. Illustrations vives et colorées par Charlotte Panowsky compléter l'édition.Depuis plus de trois décennies 'La Tradition Sassmannshaus' a été le nom du ménage pour l'excellence dans les méthodes de chaînes débutant en pays de langue allemande. Les éditions en anglais pour violon, alto et violoncelle, qui ont été introduits sur le marché international en 2008, se sont avérés très fructueux, en particulier aux Etats-Unis.Enfants à la basse!Alors que les enfants qui apprennent autres instruments à cordes peut commencer dès l'âge de quatre ans, l'âge approprié pour commencer la contrebasse est d'environ huit (peut-être même six), ce qui permet une progression plus rapide que sur les autres instruments à cordes, et la méthode consiste à de seulement trois volumes. Le premier volume sera publié séparément dans un anglais et une édition allemande, les deux volumes suivants auront texte allemand et en anglais dans chaque livre. Compositions originales de Furtok Boguslaw enrichir les volumes.- Basé sur les méthodes essayées et testées Sassmannshaus pour violon, alto et violoncelle- Volume 1: éditions séparées en allemand et en anglais- Les volumes 2 et 3: bilingue, éditions allemand / anglais- Augmentation modérée en difficultéLa position de jeu, duos -- Comprend les nouvelles compositions originales de B. Furtok3 tome avec accompagnements de piano à 7 pièces -Les auteursHolger Sassmannshaus est un bassiste avec le Sinfoniker Niederrheinische à Mönchengladbach / Krefeld. Il enseigne également la contrebasse et se produit avec plusieurs autres ensembles.J. Peter Close est un enseignant pour violoncelle et contrebasse à Munich. / Contrebasse