SKU: PR.114418110

ISBN 9781491111994. UPC: 680160640423.

The film noir genre of 1940s cinema typically includes a strong but flawed male lead (often a detective), a beautiful woman who coerces the male into committing murder or is a killer herself (a “femme fatale”), and a twisting plot line that involves one or more homicides. These movies typically are shot in black and white, with emphasis on shadows and light, alcohol and cigarettes, trench coats and fedoras. Most of the story lines do not have happy endings. Inspired by this genre, NOIR VIGNETTES consists of four movements, each depicting an aspect of film noir: Murder at Midnight, Loaded Gun, Femme Fatale, and Last Cigarette. String bass parts are provided both for standard orchestral tuning and for solo tuning.
In the mid-1940s, film critics in France noticed a trend emerging in movies from the United States, which they coined film noir (which translates to “black film”). These movies were dark, moody, and pessimistic, reflecting the agitation and anxiety present in society following World War II. Several characteristics are commonly found in many of these movies, including a strong but flawed male lead (often a detective), a beautiful woman who either coerces the male lead into committing murder for her or is a killer herself (a “femme fatale”), and a twisting, turning plot line that involves one or more homicides. Additionally, there are several visual elements that these movies share: many are shot in black and white, with great emphasis on the use of shadows and light; alcohol and cigarettes are heavily consumed by men and women alike; and men typically wear trench coats and fedoras. Most of the story lines do not have happy endings. Examples of film noir include Orson Welles’ The Lady from Shanghai, Billy Wilder’s Double Indemnity, and John Huston’s The Maltese Falcon.NOIR VIGNETTES for Double Bass and Piano consists of four movements, each depicting a different aspect of film noir: Murder at Midnight, Loaded Gun, Femme Fatale, and Last Cigarette.This piece was commissioned by the University of Illinois Research Board on behalf of double bassist Michael Cameron.-Stacy Garrop.

SKU: HL.49046027

ISBN 9790001204828. UPC: 842819101871. 9.0x12.0 inches.

Joseph Reinagle (1762-1825), pupil of the well-known cellist Johann Georg Schetky, was a versatile musician and composer. In 1800 he published 'A Concise Introduction to the Playing of the Violoncello' from which the three movements of the Sonatina have been taken. With its appealing melody and classical style, this music closes a major gap in the beginner's literature for double bass and piano. Reinagle's Sonatina is highly recommended for pupils' concerts and competitions. The musical text is based on the text of the first edition, using the original bowing and phrasing. Dynamic indications have been added by the editor as suggestions for lessons.

SKU: HL.48024778

UPC: 888680966331. 10.5x14.0x0.35 inches.

Angel of Dusk for double bass, two pianos and percussion is a chamber ensemble version of Einojuhani Rautavaara's double bass concerto dating from 1980/1993. The work is dedicated to Olga Koussevitzky, the widow of Sergey Koussevitzky. The Koussevitzky foundation sent Einojuhani Rautavaara to study with Aaron Copland in Tanglewood, and it was Sibelius who chose Rautavaara as the recipient of this scholarship. The solo part has been corrected by the composer in the summer of 2015.