By Various Composers. Instrumental Folio. Size 9x12 inches. 146 pages. Published by Hal Leonard.

For Bagpipes. Traditional, Folk. Level: Intermediate. Sheet Music. 136 pages. Published by Paterson Ltd.

For Horn. By Various. Instrumental Folio. Softcover. 160 pages. Published by Hal Leonard

By Various. Edited by Frans Hanssen. For Horn (F) and Piano. Educational. Instrumental Collection. Classical. Level: Intermediate. Book and Solo Part. 24+12 pages. Duration 22 minutes. Published by Digital Music Print (Belgian import).

Composed by Various. Arranged by Kenneth D. Friedrich. For horn solo. Level 2 to 4. Published by Kenneth D. Friedrich

For Horn. By Various. Instrumental Folio. Christmas. Softcover. 96 pages. Published by Hal Leonard

Horn

SKU: YM.GTW01098162

Brass. Studies/Exercises. Score. Yamaha Music Media #GTW01098162. Published by Yamaha Music Media (YM.GTW01098162).

ISBN 9784636981629.

Know ing the right approach to practice lone tones is very important because those exercises are something you do every day. This great instructional guide explains that the purpose of practicing long tones is to improve sound quality and techniques by finding the best way to sound your instrument as you emphasize musicality without physical strain. Take advantage of this guide for your daily long-tone exercises!

Horn (unaccompanied) - Advanced

SKU: CY.CC2136

Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque solo. PDF files. Published by Cherry Classics (CY.CC2136).

Bach's Unaccompanied Suites beautifully and meticulously edited for Horn by Ralph Sauer, are now available for the first time in pdf format as a file download from our server to your computer. You store the files and print out as required. Mr. Sauer's thoughtful version of the Six Suites gives the performer room to breathe musically. To quote Mr. Sauer and Pablo Casals,I refrained from using fanciful descriptive terms such as con brio, or quasi una fantasia because they may suggest a particular style...This transcription is not intended to be a blueprint to be followed exactly, but rather, it is the raw material from which a personal interpretation can be built.To quote Pablo Casals, Where interpreting Bach's music is concerned, there are no hard and fast rules...The best thing to do is to discard all preconceived ideas and try to approach in our performances whatever the music conveys to us....