(A Comprehensive Curriculum for use during Fundementals Time). By Scott Rush / Rich Moon. For french horn. Band method. High school and middle school bands. Published by GIA Publications

Compiled and arranged by Andrew Skirrow, Paul Harris. Collection and set of performance parts for horn. 33 pages. Published by ABRSM (Associated Board of the Royal Schools of Music).

(An All-Purpose Book for Games, Pep Rallies, and other Stuff) Arranged by John Wasson, edited by Larry Clark. Performance part for F french horn III. With standard notation. 12 pages. Published by Alfred Publishing.

Performed by The Beatles. Chart. Softcover. Size 9x12 inches. 94 pages. Published by Hal Leonard Corporation.

(An Innovative Method for Adults Returning to Play). Arranged by Larry Clark. For french horn. Method book. Published by Carl Fischer

Horn

SKU: FG.55011-774-7

Composed by Tommi Hyytinen. Classical, contemporary, pedagogical. Book. Fennica Gehrman #55011-774-7. Published by Fennica Gehrman (FG.55011-774-7).

ISBN 9790550117747.

Tomm i Hyytinen (DMus, Finnish horn player and pedagogue) writes about this collections:

I composed these 30 Etudes for Low Horn to be at the same time instructive and at the same time fun and interesting to play. The etudes consist similar technical challenges than a low horn player confronts in orchestra. The etudes also encompass many of the technical challenges that a horn player encounters in chamber music and in solo repertoire, especially since many of the touring soloists in the 18th and 19th centuries were Cor-Basse players. Some of these etudes are not the most serious in nature in the horn literature, but nevertheless they challenge and develop the playing technique in wide variety of ways. The ambitus of the etudes is very virtuosic, encompassing almost four octaves. Some of the etudes are more melodic and concentrate in lyrical phrasing, legato-playing, sound and intonation, others contain technically tricky passages, articulations and fingerings. Rhythmic accuracy and ‘finding the groove' is of utmost importance in all of the etudes. The etudes develop the sound and control of the low register of the horn and flexibility between the registers. These 30 Concert Etudes work as individual pieces or as a set of pieces. You can for example choose a set of etudes and perform them in a concert or matinée. I hope you have as much fun practising and playing these etudes as I had composing them..

How To Play Bagpipe Method and Songbook with CD for bagpipe. This edition: Paperback. Instructional. How to Play series. Method. Book and CD. Text Language: English. 48 pages. Published by Santorella Publications

(Comprehensive Band Method). By Bruce Pearson and Ryan Nowlin. Band. For F horn. Band methods. Tradition of Excellence. Book A,1. Method book and DVD. Published by Neil A. Kjos Music Company

ABRSM Exam Pieces. 16 pages. Published by ABRSM (Associated Board of the Royal Schools of Music) (A3.9781848499720).

(Horn in F). Arranged by Various. For Horn in F. Book; CD; Instrumental Series; Play-Along. Top Hits Instrumental Solos. Broadway; Movie; TV. Grade 2; Grade 3. 76 pages. Published by Alfred Music

Horn (unaccompanied) - Advanced

SKU: CY.CC2136

Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque solo. PDF files. Published by Cherry Classics (CY.CC2136).

Bach's Unaccompanied Suites beautifully and meticulously edited for Horn by Ralph Sauer, are now available for the first time in pdf format as a file download from our server to your computer. You store the files and print out as required. Mr. Sauer's thoughtful version of the Six Suites gives the performer room to breathe musically. To quote Mr. Sauer and Pablo Casals,I refrained from using fanciful descriptive terms such as con brio, or quasi una fantasia because they may suggest a particular style...This transcription is not intended to be a blueprint to be followed exactly, but rather, it is the raw material from which a personal interpretation can be built.To quote Pablo Casals, Where interpreting Bach's music is concerned, there are no hard and fast rules...The best thing to do is to discard all preconceived ideas and try to approach in our performances whatever the music conveys to us....