Horn and Piano - early intermediate

SKU: BT.DHP-1125295-400

Composed by Ed Wennink and Nettie Vening. Two is a team. Book with CD. Composed 2013. 56 pages. De Haske Publications #DHP 1125295-400. Published by De Haske Publications (BT.DHP-1125295-400).

ISBN 9789043141819. 9x12 inches. English-German-French-Dut ch.

Performance pieces for piano and horn in which the level of difficulty for both players is similar are always in demand. The 20 pieces in this book — arrangements of well-known tunes as well as original compositions — are aimed at pupils who have been playing for approximately three years. Both players will learn a great deal and will have double the playing fun. Two is a Team — after all playing together is almost always at the heart of music!

Er blijkt steeds weer behoefte te zijn aan samenspeelstukken voor piano en hoorn waarin beide partijen een vergelijkbare moeilijkheidsgraad hebben. De 20 stukken in dit boek — zowel bewerkingen van bekende liedjes als originele composities — zijn bedoeld voor leerlingen die ongeveer drie jaar spelen. Beiden zullen er veel van leren en er dubbel plezier aan beleven. Two is a Team — in de muziek draait het immers vrijwel altijd om samenspel!

Es gibt immer Bedarf an Stücken für Klavier und Horn, in denen die Stimmen für beide Spieler ähnlich schwer sind. Die 20 Stücke in diesem Buch — die sowohl bekannte Melodien als auch originale Kompositionen umfassen — richten sich an Instrumentalschüler , die bereits etwa drei Jahre Unterricht hatten. So können beide etwas lernen und haben doppelt Spaß. Two is a Team — denn schließlich geht es beim Musizieren doch fast immer um das gemeinsame Musikerlebnis!

La littérature musicale semblerait être dénuée de morceaux de concert pour piano et cor dont le degré de difficulté soit peu près le même pour les deux musiciens. Les 20 morceaux de ce recueil — arrangements d’airs connus et compositions originales — sont destinés aux élèves qui jouent depuis environ trois ans. Ils profiteront tous deux de ce travail et prendront doublement plaisir interpréter ces morceaux. Après tout, jouer avec d’autres est un des grands plaisirs qu’apporte la pratique de la musique !

Two is a Team raccoglie composizioni originali e brani del repertorio classico noto al pubblico, indirizzati agli strumentisti con circa tre anni di studio alle spalle. Il livello di difficolt dei brani contenuti nella pubblicazione è molto simile per entrambi gli strumentisti, rendendo così più facile un’esecuzione con l’accompagnamento del piano.

(for Horn in F and Piano). Composed by Alexander Glazunov (1865-1936). Edited by Dominik Rahmer. For French Horn, Piano Accompaniment. Henle Music Folios. Softcover. G. Henle #HN1285. Published by G. Henle

Chamber Music Horn, Piano

SKU: PR.114417780

For Horn and Piano. Composed by Eric Ewazen. Sws. Set of Score and Parts. With Standard notation. 12+2 pages. Duration 7 minutes. Theodore Presser Company #114-41778. Published by Theodore Presser Company (PR.114417780).

ISBN 9781491108192. UPC: 680160636600. 9x12 inches.

A Song from the Heart for Horn and PianoA beautiful cantabile song without words, A SONG FROM THE HEART has all of Ewazen’s expressive elegance, yet is performable by advanced students as well as on professional and college recitals. Transcribed for Horn by the composer, A SONG FROM THE HEART was originally composed for Trumpet and Piano and premiered by Charles Schlueter, long-time principal trumpet of the Boston Symphony.
A SONG FROM THE HEART was originally composed for Trumpet andPiano and is dedicated to Dennis Caron on the occasion of his retirement. It was commissioned by his wife, Marsha Caron, and was premiered at Dennis’s retirement party by our mutual friend Charles Schlueter, long-time principal trumpet of the Boston Symphony. A SONG FROM THE HEART is filled with lyricism and rich harmonies, as the trumpet line sings and soars over a rich accompaniment.

Tenor, Horn, Piano

SKU: PE.EP73697

For Tenor, Horn and Piano. Composed by Julian Philips and Words by Robert Louis Stevenson. Chamber Ensemble Score & Parts. Peters Contemporary Chamber Series. Classical; Contemporary. Score and Part(s). 60 pages. Edition Peters #98-EP73697. Published by Edition Peters (PE.EP73697).

ISBN 9790577023502.

< em>The Country of Larks by Julian Philips is a miniature cantata for Tenor, Horn and Piano that investigates an epiphanous moment of connection with nature. The text was extracted and reassembled from Robert Louis Stevenson's An Autumn Effect, an 1875 essay that describes an autumnal hike through the Chilterns, philosophical, comical and poignant by turns. Stevenson's narrative framework is filleted into a short sequence of short recitative and arioso sections, culminating in an extended musical response to his fascination for the larks. The Country of Larks was commissioned by the 2021 Oxford Lieder Festival, on the occasion of its twentieth anniversary and was premiered at the 2022 edition of the festival on 25 October 2022 by Stuart Jackson (Tenor), Jocelyn Freeman (Piano) and George Strivens (Horn). This edition is published as part of the Peters Contemporary Chamber Series.

This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.

Chamber Music Clarinet, Horn, Piano

SKU: PR.114423640

Composed by Stacy Garrop. Set of Score and Parts. 36+12+12 pages. Duration 14:15. Theodore Presser Company #114-42364. Published by Theodore Presser Company (PR.114423640).

UPC: 680160688562.

The first time I saw slipstreaming in action with professional cyclists, I was in awe. The competitors were riding inches away from each other; when the lead rider would swerve left or right, the pursuers would immediately follow suit. The physics behind what appears on the surface to be sheer daredevil antics are quite solid: the cyclists riding directly behind the leader are benefitting from reduced air and wind resistance. On a larger scale, a peloton (the French term for a pack of riders) benefits multiple riders whoare behind the leaders of the pack. While riding so close to other riders carries great risk of colliding, that risk is outweighed by the benefit of preserving one’s energy.Slipstream was inspired by the love of cycling shared by Haley Hoops, horn, and Stephen Ahearn, clarinet, for whom the piece was commissioned. They are drawn to cycling for the adventure of it, to discover new places, and to meet new people. Haley also expressed her enjoyment of taking solo bike rides. Additionally, I found great inspiration in watching the daily highlight videos of the three-week 2020 Tour de France, which happened to be taking place while I composed Slipstream.The piece opens with The Horizon Beckons. A cyclist hears an enticing call emanating from the mountains, then the cyclist starts pedaling towards the mountains in search of adventure. Riding Solo, the second movement, explores the quiet of riding alone, the beauty of the landscape, and the shifting of the light and clouds, all while we hear the bike’s wheels in constant motion. Adrenaline Rush, the third and final movement, depicts the heat of competition. We hear the constant jockeying of cyclists within a peloton as they slipstream with each other and move with the wind. At the very end of the movement, we hear sprinters race for the finish line with everything they have left in their legs.

Chamber Music English Horn, Piano

SKU: PR.114422630

Composed by Stacy Garrop. Sws. Set of Score and Parts. 8+2 pages. Duration 5 minutes. Theodore Presser Company #114-42263. Published by Theodore Presser Company (PR.114422630).

UPC: 680160684793. 9 x 12 inches.

In 2014, I enjoyed a wonderful residence at the Ucross Foundation in Clearmont,
Wyoming. Ucross is an artist colony that gives writers, composers, and visual artists the
gift of time, space, and support to follow their artistic pursuits; we are provided with
studio space, housing, and meals so that we can work continuously on our projects. I have
been in residence at numerous artist colonies; however, nothing in my previous
experiences prepared me for living in such isolated, wild country. Ucross is situated on a
20,000-acre cattle ranch at nearly 4,000 feet in elevation with fewer than 150 people
living within the town. But what Clearmont lacks in population, it makes up for
abundantly and spectacularly in wilderness and wildlife. I composed the sextet Postcards
from Wyoming to offer three glimpses of what I found to be the most striking aspects of
my residence. The Solitude of Stars, the third and final movement of the original sextet,
was inspired by the stunning nightly display of the heavens above. Without city lights
dimming the night sky, countless stars shone brightly over the vast expanse of the prairie.
This edition is part of The Solitude of Stars Project that I undertook during the 2020
COVID-19 pandemic, which consists of a series of arrangements that I made for
colleagues and friends.
In 2014, I enjoyed a wonderful residence at the Ucross Foundation in Clearmont, Wyoming. Ucross is an artist colony that gives writers, composers, and visual artists the gift of time, space, and support to follow their artistic pursuits; we are provided with studio space, housing, and meals so that we can work continuously on our projects. I have been in residence at numerous artist colonies; however, nothing in my previous experiences prepared me for living in such isolated, wild country. Ucross is situated on a 20,000-acre cattle ranch at nearly 4,000 feet in elevation with fewer than 150 people living within the town. But what Clearmont lacks in population, it makes up for abundantly and spectacularly in wilderness and wildlife. I composed the sextet Postcards from Wyoming to offer three glimpses of what I found to be the most striking aspects of my residence. The Solitude of Stars, the third and final movement of the original sextet, was inspired by the stunning nightly display of the heavens above. Without city lights dimming the night sky, countless stars shone brightly over the vast expanse of the prairie. This edition is part of The Solitude of Stars Project that I undertook during the 2020 COVID-19 pandemic, which consists of a series of arrangements that I made for colleagues and friends.
In 2014, I enjoyed a wonderful residence at the Ucross Foundation in Clearmont,Wyoming. Ucross is an artist colony that gives writers, composers, and visual artists thegift of time, space, and support to follow their artistic pursuits; we are provided withstudio space, housing, and meals so that we can work continuously on our projects. I havebeen in residence at numerous artist colonies; however, nothing in my previousexperiences prepared me for living in such isolated, wild country. Ucross is situated on a20,000-acre cattle ranch at nearly 4,000 feet in elevation with fewer than 150 peopleliving within the town. But what Clearmont lacks in population, it makes up forabundantly and spectacularly in wilderness and wildlife. I composed the sextet Postcardsfrom Wyoming to offer three glimpses of what I found to be the most striking aspects ofmy residence. The Solitude of Stars, the third and final movement of the original sextet,was inspired by the stunning nightly display of the heavens above. Without city lightsdimming the night sky, countless stars shone brightly over the vast expanse of the prairie.This edition is part of The Solitude of Stars Project that I undertook during the 2020COVID-19 pandemic, which consists of a series of arrangements that I made forcolleagues and friends.

Horn in E-flat and F Horn; Horn in E-flat; Piano Accompaniment (Horn/Piano)

SKU: HL.51481255

Horn in E-Flat/F and Piano. Composed by Richard Strauss. Edited by Hans Pizka. Henle Music Folios. Classical, Concerto. Softcover. 66 pages. G. Henle #HN1255. Published by G. Henle (HL.51481255).

UPC: 196288308126. 9.25x12.25x0.22 inches.

As if looking back on his youth toward the end of his life, Richard Strauss wrote a second concerto for horn and orchestra, again in Eb major, around sixty years after his first concerto for horn. This sublimely beautiful late work, which gives no indication of the oppressive circumstances of Strauss� poor health and the Second World War, was premiered in 1943 by Gottfried von Freiberg under the direction of Karl Böhm. It was not until after Strauss� death that the concerto appeared in print in London, making a critical new edition on the basis of the autograph sources and performance material more than overdue. The editor, Hans Pizka, former principal horn of the Bavarian State Opera in Munich, learned first-hand about the performance tradition and genesis of the concerto as a pupil of Gottfried von Freiberg. For use in lessons and for performances, the especially playable piano reduction by Johannes Umbreit is a great help.

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Horn and Piano. Composed by Camille Saint-Sa�«ns. Edited by Dominik Rahmer. Henle Music Folios. Softcover. 24 pages. G. Henle #HN1284. Published by G. Henle (HL.51481284).

By Alexander Scriabin (1872-1915). Edited by Michael Schneidt. For Horn. Henle Music Folios. Softcover. G. Henle #HN576. Published by G. Henle

French Horn, Piano SKU: HU.HN1332 For Horn and Piano. Composed by Richard Strauss. Edited by Dominik Rahmer. Brass, Repertoire, Solos. Andante in C major. Softcover Book. 12 pages. G. Henle #HN1332. Published by G. Henle (HU.HN1332).

Horn and Piano - intermediate

SKU: BT.AMP-434-400

Arranged by Philip Sparke. Anglo Music Play-Along Series. Book with CD. Composed 2015. 40 pages. Anglo Music Press #AMP 434-400. Published by Anglo Music Press (BT.AMP-434-400).

ISBN 9789043148658. English-German-French-Dut ch.

Part of the Anglo Music Play-Along Series, Philip Sparke’s 15 Intermediate Christmas Carols is aimed at the young instrumentalist who can play about an octave and a half and follows on from Sparke’s 15 Easy ChristmasCarols. Specifically tailored to suit the individual instrument, this book introduces the developing player to the world’s most popular Christmas tunes by selecting simple yet attractive melodies that fit their limited range. The book willprovide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.

Philip Sparkes 15 Intermediate Christmas Carols sind Teil der Reihe Anglo Music Play-Along und richten sich an junge Instrumentalisten, die einen Tonumfang von ungefähr eineinhalb Oktaven beherrschen. Die Ausgabe schließt sich anSparkes 15 Easy Christmas Carols an. Für diesen Band wurden einfache und zugleich ansprechende Melodien ausgewählt, die genau auf das jeweilige Instrument zugeschnitten sind, sich für dessen begrenzten Tonumfang eignen, und den soSchüler an die weltweit beliebtesten Weihnachtslieder heranführen. 15 Intermediate Christmas Carols bietet damit wertvolles Ergänzungsmaterial, das zu jeder Instrumentalschulepasst und sowohl eine Klavierbegleitung als auch einePlay-Along-CD enthält.

Faisan t partie de l’Anglo Music Play-Along Series, les 15 Intermediate Christmas Carols(15 chants de Noël de niveau intermédiaire) de Philip Sparke visent les instrumentistes qui arrivent jouer environ une octave etdemi. Adapté pour convenir chaque instrument spécifique, ce recueil introduit le musicien de niveau moyen aux chants de Noël les plus populaires en sélectionnant les mélodies simples les plus intéressantes qui correspondent leur registre limité.Ce livre fournit du matériel supplémentaire indispensable qui complète n’importe quelle méthode pédagogique et inclut un accompagnement pour piano ainsi qu’une version sur CD avec démos.

For Horn And Piano. Composed by Eric Ewazen. Contemporary. Solo part with piano reduction. With Standard notation. Composed 2005. 16 pages. Duration 2 minutes, 40 seconds. Theodore Presser Company #114-41728. Published by Theodore Presser Company (PR.114417280).

Composed by Gary Gazlay. Score and Parts. Imagine Music Publishing #IMS193. Published by Imagine Music Publishing

F Horn & Piano or CD Play Back / Play Along - Grade 3

SKU: MA.EMR-51061

Composed by Rene Willener. Score and parts. Duration 15'42. Editions Marc Reift #EMR 51061. Published by Editions Marc Reift (MA.EMR-51061).

1. Bei Onkel Jules / 2. Der Stolz Holzfallern / 3. Wasser oder Rotwein / 4. Buzibutz / 5. Yodlogag.

Edited by Jenny Kim, Kristy Morrell. Arranged by Daniel Kelley. For French Horn and Piano. Solos. Christmas. Level: Intermediate/Advanced. Piano Score and Solo Part. Published by Last Resort Music Publishing.

(Version for Violoncello With Marked and Unmarked String Parts). Composed by Camille Saint-Saens (1835-1921). Edited by Dominik Rahmer. For Cello, Piano Accompaniment. Henle Music Folios. Softcover. G. Henle #HN1168. Published by G. Henle

Horn

SKU: HL.48183146

Composed by Michel Defaye Jean. Leduc. Classical. Softcover. 10 pages. Alphonse Leduc #AL25129. Published by Alphonse Leduc (HL.48183146).

UPC: 888680876357. 9.0x12.0x0.061 inches.

“Alph a is a piece for Horn and Piano accompaniment by Jean-Michel Defaye dedicated to Georges Barboteu, a professor at the National Conservatoire. Starting slowly with an exchange between the Horn and the Piano, this piece features a Cadenza section with a Horn solo followed by ?a Tempo? part (112). The final of the piece is to be played ?Lento? (60). This piece has some really strong and expressive moments, quite dramatic from time to time, and was initially written for a Conservatoire contest. It lasts approximately 8 minutes 40. As a pianist, composer, producer and arranger, Jean-Michel Defaye mainly created pieces for brass and wind instruments. He won the Premier Second Grand Prix de Rome in 1958 and the Belgian Queen Elizabeth composition competition in 1959.”.

Horn and Piano - Advanced

SKU: CY.CC3141

Composed by Gustav Mahler. Arranged by Ralph Sauer. Classical. Score and Parts. Cherry Classics #CC3141. Published by Cherry Classics (CY.CC3141).

ISBN 9790530111093. 8.5 x 11 in inches.

Composed in 1901-02, Mahler's 5th Symphony contains the Adagietto movement scored for strings and harp, perhaps the most serene, simple, spiritual and peaceful music of his entire output. The music was likely composed as a love song to his new wife Alma. Ralph Sauer has beautifully arranged the movement for solo Horn with Piano accompaniment. The 8 minute long work is appropriate for advanced performers.