For Horn and Piano Reduction. Composed by Carl Maria von Weber (1786-1826). Edited by Dominik Rahmer. Sheet Music. Paperbound. Henle Music Folios. With additional Horn part in E und F. Classical. Softcover Piano Reduction. 44 pages. G. Henle #HN1179. Published by G. Henle

Chamber Music & Piano Accompaniment 1 F Horn 1 Piano - Grade 4

SKU: FL.FX073702

Composed by Jerome Naulais. Original Composition. Classical, Educational. Score and Set of Parts. 8 (score); 3 (parts) pages. Duration 4 minutes, 10 seconds. FLEX Editions #FX073702. Published by FLEX Editions (FL.FX073702).

This concertante piece is a trip to Spain, and especially to Andalusia with a stop in Seville ... - Jerome NAULAIS ; A pice that can beplayed from 6 years of instrument practice ; Instruments: 1 F Horn 1 Piano; Difficuly Level: Grade 4.

For French Horn and Piano. By Wolfgang Amadeus Mozart. Arranged by Max Pottag. For French Horn Solo, Piano. Score and parts. K 447. 27 pages. Duration 18:15. Published by Carl Fischer.

By Ludwig Schuncke (1810-1834). For Horn, Piano. This edition: paperbound. Score with parts. Language: all languages. 32 pages. Duration 20 min

Composed by Robert Schumann (1810-1856). Set of performance parts and accompaniment CD for horn (or violin, viola, cello) and piano. Op.70. 27 pages. Published by C.F. Peters.

Composed by Joseph Guy-ropartz (1864-1955). Set of performance parts for cornet (trumpet) and piano. 9 pages. Published by Carl Fischer.

Horn and piano

SKU: BR.EB-32113

Urtext. Composed by Camillo Schumann. Solo instruments; stapled. Edition Breitkopf.

The first edition of a forgotten treasure

Sonata; Late-romantic. Score. 48 pages. Breitkopf and Haertel #EB 32113. Published by Breitkopf and Haertel (BR.EB-32113).

ISBN 9790004186787. 9 x 12 inches.

Schumann's horn sonatas were composed in 1936/37. Considering the slim repertoire offered horn players from this period, it is more than surprising that these two masterpieces could have slumbered for so long. Both sonatas are similar in structure, with op. 118 being one Schumann's few three-movement sonatas. The first movements of the pieces sparkle with melancholically lyrical melodies, whereas passages strongly marked rhythmically, variously shape the two outer movements. Virtuoso moments can be found, respectively, in the final movements, bringing the works to a brilliant close. The horn parts predominantly range within the full, sonorous middle register, where occasional outbursts up to the notated a flat'' are also not lacking. The clever handling of the balance of sounds, the possibilities on the early valve horn as well as the inner interweaving of themes differentiating horn and piano make the sonatas an exceedingly vivid testimony to Schumann's mature compositional art.

Schumann's horn sonatas are a crucial enhancement to each horn player's repertoire. The first edition of a forgotten treasure.

Horn and piano

SKU: BR.EB-32114

Urtext. Composed by Camillo Schumann. Solo instruments; stapled. Edition Breitkopf.

The first edition of a forgotten treasureThis edition contains the original solo part for horn in D as well as a version for horn in F.

Sonata; Late-romantic. Score. 68 pages. Breitkopf and Haertel #EB 32114. Published by Breitkopf and Haertel (BR.EB-32114).

ISBN 9790004186794. 9 x 12 inches.

Schumann's horn sonatas were composed in 1936/37. Considering the slim repertoire offered horn players from this period, it is more than surprising that these two masterpieces could have slumbered for so long. Both sonatas are similar in structure, with op. 118 being one Schumann's few three-movement sonatas. The first movements of the pieces sparkle with melancholically lyrical melodies, whereas passages strongly marked rhythmically, variously shape the two outer movements. Virtuoso moments can be found, respectively, in the final movements, bringing the works to a brilliant close. The horn parts predominantly range within the full, sonorous middle register, where occasional outbursts up to the notated a flat'' are also not lacking. The clever handling of the balance of sounds, the possibilities on the early valve horn as well as the inner interweaving of themes differentiating horn and piano make the sonatas an exceedingly vivid testimony to Schumann's mature compositional art.

Schumann's horn sonatas are a crucial enhancement to each horn player's repertoire.

Composed by Richard Strauss (1864-1949). Set of performance parts for french horn (in F) and piano. With solo part and piano reduction. 24 pages. Published by G. Schirmer, Inc.

Composed by Camille Saint-Saens (1835-1921). Set of performance parts (includes separate pull-out horn part) for F french horn and piano. With solo part and piano accompaniment. 15 pages. Published by Alfred Publishing.

Composed by Franz Strauss (1822-1905). Set of performance parts for horn in F and piano. Db Major. 11 pages. Published by Universal Edition.

Tenor, Horn, Piano

SKU: PE.EP73697

For Tenor, Horn and Piano. Composed by Julian Philips and Words by Robert Louis Stevenson. Chamber Ensemble Score & Parts. Peters Contemporary Chamber Series. Classical; Contemporary. Score and Part(s). 60 pages. Edition Peters #98-EP73697. Published by Edition Peters (PE.EP73697).

ISBN 9790577023502.

< em>The Country of Larks by Julian Philips is a miniature cantata for Tenor, Horn and Piano that investigates an epiphanous moment of connection with nature. The text was extracted and reassembled from Robert Louis Stevenson's An Autumn Effect, an 1875 essay that describes an autumnal hike through the Chilterns, philosophical, comical and poignant by turns. Stevenson's narrative framework is filleted into a short sequence of short recitative and arioso sections, culminating in an extended musical response to his fascination for the larks. The Country of Larks was commissioned by the 2021 Oxford Lieder Festival, on the occasion of its twentieth anniversary and was premiered at the 2022 edition of the festival on 25 October 2022 by Stuart Jackson (Tenor), Jocelyn Freeman (Piano) and George Strivens (Horn). This edition is published as part of the Peters Contemporary Chamber Series.

This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.

Composed by Gordon Jacob (1895-1986). Set of performance parts for F horn and piano. 33 pages. Published by Galaxy Music Corporation.

By Franz Schubert (1797-1828). Edited by Kazimierz Machala. For Horn, Piano, Horn, Piano. This edition: Volume I. Twenty-One Lieder for Horn and Piano. Classical. Score and parts. Standard notation. 50 pages

(Horn/Piano)

SKU: HL.48181836

Composed by Eugene Bozza. Leduc. Post-1900. Softcover. 4 pages. Alphonse Leduc #AL21789. Published by Alphonse Leduc (HL.48181836).

UPC: 888680860950. 9.0x12.0x0.048 inches.

“Fare way Song is a piece for F Horn and Piano by Eugène Bozza. Written for intermediate players, this melodious work is divided into three distinct parts: Slow (6/8), Allegro moderato (4/4) and Slow (6/8). Really energetic, Fareway Song sees the Piano and the Horn answering to each other. The piece lasts a total of four minutes during which the Horn appears as a really majestic instrument. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin, conducting and composition, as well as the Grand Prix de Rome. He composed several operas, chamber works and ballets among others.”.

(French Horn and Piano) Composed by Wolfgang Amadeus Mozart (1756-1791). For french horn and piano accompaniment. Schirmer Library, volume 1807. Format: set of performance parts (includes separate pull-out horn part). With solo part and piano reduction. Classical period. 127 pages. 9x12 inches. Published by Schirmer.