For Horn and Piano Reduction. Composed by Carl Maria von Weber (1786-1826). E...(+)
For Horn and Piano
Reduction. Composed by
Carl
Maria von Weber
(1786-1826).
Edited by Dominik Rahmer.
Sheet Music. Paperbound.
Henle Music Folios. With
additional Horn part in E
und F. Classical.
Softcover
Piano Reduction. 44
pages.
G. Henle #HN1179.
Published
by G. Henle
Chamber Music & Piano Accompaniment 1 F Horn 1 Piano - Grade 1 SKU: FL.FX0735...(+)
Chamber Music & Piano
Accompaniment 1 F Horn 1
Piano - Grade 1
SKU:
FL.FX073581
Composed
by Pascal Proust.
Original Composition.
Classical, Educational.
Score and Set of Parts. 9
(score); 8 (parts) pages.
Duration 6 minutes, 30
seconds. FLEX Editions
#FX073581. Published by
FLEX Editions
(FL.FX073581).
The F Horn du
cote de chez Proust is a
series of pieces composed
by Pascal PROUST with
piano accompaniment. Each
piece is also published
separately.
This
volume, for beginners, is
a visit full of surprises
in an incredible zoo
where nice elephants
applaude a parade of
ants... These 6 short
pieces for very young F
Horn players reflect
those rare moments! ;
Instruments: 1 F Horn 1
Piano; Difficuly Level:
Grade 1.
Horn and piano (solo: hn - 0.2.0.2 - 0.0.0.0 - str) SKU: BR.EB-10701 U...(+)
Horn and piano (solo: hn
- 0.2.0.2 - 0.0.0.0 -
str)
SKU:
BR.EB-10701
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. Arranged by Jan
Philip Schulze. Solo
instruments; stapled.
Edition Breitkopf.
In
Cooperation with G. Henle
Verlag
Solo concerto;
Classical. Piano
reduction. 44 pages.
Duration 12'. Breitkopf
and Haertel #EB 10701.
Published by Breitkopf
and Haertel
(BR.EB-10701).
ISBN
9790201807010. 9.5 x 12
inches.
With the
publication of the score
and parts of the D-major
Horn Concerto K. 412/514,
the Mozart expert Henrik
Wiese adds another
milestone to his edition
of this important work
group which was begun in
2013. In the course of
time, the piece that was
first edited in the Old
Mozart Edition of 1881 as
Mozarts 1st Horn Concerto
turned out to be a
pasticcio: while the
opening movement is
indisputably by Mozart,
the elaboration of the
Rondo must now be
attributed to Sussmayr.
This movement is
transmitted solely as a
sketch in Mozarts hand.
The present edition
contains both the
Sussmayr Rondo (K. 514 =
smWV 502) and the
Mozartian Rondo fragment
(K. 412) which was
carefully completed by
Wiese. The performer will
thus have the choice
between the traditional
version (with Sussmayr)
and the version
presumably intended by
Mozart, all in one
practical
edition.
In
Cooperation with G. Henle
Verlag. EB 10701 contains
the parts for horn in F
and Eb.
Horn and piano (Original scoring: hn,orch) SKU: BR.EB-7435 Piano Reduc...(+)
Horn and piano (Original
scoring: hn,orch)
SKU:
BR.EB-7435
Piano
Reductions. Composed
by Wolfgang Amadeus
Mozart. Edited by P Damm
/ R Weber. Arranged by P
Damm and R Weber. Solo
instruments; stapled.
Edition Breitkopf. Solo
concerto; Classical.
Piano reduction. 44
pages. Breitkopf and
Haertel #EB 7435.
Published by Breitkopf
and Haertel (BR.EB-7435).
ISBN 9790004173961. 9
x 12 inches.
The
French-born horn player
Henri Kling edited
Mozart's horn concertos
for Breitkopf & Hartel.
He prepared the piano
reductions himself and
set markings in the solo
parts. In subsequent
printings the editions
were supplemented by a
part for horn in F, thus
making them ideally
suited for the
performance practice.
(Horn/Piano) SKU: HL.48181836 Composed by Eugene Bozza. Leduc. Post-1900....(+)
(Horn/Piano)
SKU:
HL.48181836
Composed
by Eugene Bozza. Leduc.
Post-1900. Softcover. 4
pages. Alphonse Leduc
#AL21789. Published by
Alphonse Leduc
(HL.48181836).
UPC:
888680860950.
9.0x12.0x0.048
inches.
“Fare
way Song is a piece for F
Horn and Piano by
Eugène Bozza. Written
for intermediate players,
this melodious work is
divided into three
distinct parts: Slow
(6/8), Allegro moderato
(4/4) and Slow (6/8).
Really energetic, Fareway
Song sees the Piano and
the Horn answering to
each other. The piece
lasts a total of four
minutes during which the
Horn appears as a really
majestic instrument.
Eugène Bozza won
different prizes at the
Conservatoire de Paris
such as the First Prizes
for the Violin,
conducting and
composition, as well as
the Grand Prix de Rome.
He composed several
operas, chamber works and
ballets among
others.â€.
Horn and piano SKU: BR.EB-32113 Urtext. Composed by Camillo Schuma...(+)
Horn and piano
SKU:
BR.EB-32113
Urtext. Composed
by Camillo Schumann. Solo
instruments; stapled.
Edition Breitkopf.
The
first edition of a
forgotten treasure
Sonata; Late-romantic.
Score. 48 pages.
Breitkopf and Haertel #EB
32113. Published by
Breitkopf and Haertel
(BR.EB-32113).
ISBN
9790004186787. 9 x 12
inches.
Schumann's
horn sonatas were
composed in 1936/37.
Considering the slim
repertoire offered horn
players from this period,
it is more than
surprising that these two
masterpieces could have
slumbered for so long.
Both sonatas are similar
in structure, with op.
118 being one Schumann's
few three-movement
sonatas. The first
movements of the pieces
sparkle with
melancholically lyrical
melodies, whereas
passages strongly marked
rhythmically, variously
shape the two outer
movements. Virtuoso
moments can be found,
respectively, in the
final movements, bringing
the works to a brilliant
close. The horn parts
predominantly range
within the full, sonorous
middle register, where
occasional outbursts up
to the notated a flat''
are also not lacking. The
clever handling of the
balance of sounds, the
possibilities on the
early valve horn as well
as the inner interweaving
of themes differentiating
horn and piano make the
sonatas an exceedingly
vivid testimony to
Schumann's mature
compositional
art.
Schumann's
horn sonatas are a
crucial enhancement to
each horn player's
repertoire. The first
edition of a forgotten
treasure.
Divide Cor et Piano [Conducteur et Parties séparées] Theodore Presser Co.
(For Horn and Piano). By Robert Maggio (1964-). For Horn, Piano. Classical. Scor...(+)
(For Horn and Piano). By
Robert Maggio (1964-).
For Horn, Piano.
Classical. Score and
parts. Standard notation.
Composed JUNE, 1999. 14
pages. Duration 9:20
Horn and piano (solo: hn - 0.2.0.0 - 2.0.0.0 - str) SKU: BR.EB-10702 U...(+)
Horn and piano (solo: hn
- 0.2.0.0 - 2.0.0.0 -
str)
SKU:
BR.EB-10702
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. Arranged by Jan
Philip Schulze. Solo
instruments; stapled.
Edition Breitkopf.
In
Cooperation with G. Henle
Verlag
Solo concerto;
Classical. Piano
reduction. 40 pages.
Duration 15'. Breitkopf
and Haertel #EB 10702.
Published by Breitkopf
and Haertel
(BR.EB-10702).
ISBN
9790201807027. 9.5 x 12.5
inches.
Wolfgang
Amadeus Mozart's horn
concertos: the Mozart
expert Henrik Wiese edits
the central work genre of
Viennese classicism
according to the current
status of international
Mozart research. Mozart
wrote the Horn Concerto
K. 417 - like the other
works of this genre as
well - for his
horn-playing friend
Joseph Leutgeb. The jokes
which the composer made
at Leutgeb's expense are
wellknown. For example,
he called the dedicatee a
donkey in the autograph,
and, as Henrik Wiese
evidences in his preface,
Mozart also occasionally
enjoyed a bit of
tomfoolery with the
soloist in the musical
text as well.Otherwise
the editor's task was
anything but amusing. The
main source - the
autograph score - is
incomplete: missing are
the close of Movement I
as well as the entire
slow middle movement. For
these two sections, Wiese
used a copy of the score
from the archive of the
publisher Johann Andre.
The unusual circumstance
that Mozart generally
left the horn part almost
unmarked recurs in the
Concerto K. 417 and was
deliberately maintained
in the Urtext
edition.
Horn and piano SKU: BR.EB-32114 Urtext. Composed by Camillo Schuma...(+)
Horn and piano
SKU:
BR.EB-32114
Urtext. Composed
by Camillo Schumann. Solo
instruments; stapled.
Edition Breitkopf.
The
first edition of a
forgotten treasureThis
edition contains the
original solo part for
horn in D as well as a
version for horn in
F.
Sonata;
Late-romantic. Score. 68
pages. Breitkopf and
Haertel #EB 32114.
Published by Breitkopf
and Haertel
(BR.EB-32114).
ISBN
9790004186794. 9 x 12
inches.
Schumann's
horn sonatas were
composed in 1936/37.
Considering the slim
repertoire offered horn
players from this period,
it is more than
surprising that these two
masterpieces could have
slumbered for so long.
Both sonatas are similar
in structure, with op.
118 being one Schumann's
few three-movement
sonatas. The first
movements of the pieces
sparkle with
melancholically lyrical
melodies, whereas
passages strongly marked
rhythmically, variously
shape the two outer
movements. Virtuoso
moments can be found,
respectively, in the
final movements, bringing
the works to a brilliant
close. The horn parts
predominantly range
within the full, sonorous
middle register, where
occasional outbursts up
to the notated a flat''
are also not lacking. The
clever handling of the
balance of sounds, the
possibilities on the
early valve horn as well
as the inner interweaving
of themes differentiating
horn and piano make the
sonatas an exceedingly
vivid testimony to
Schumann's mature
compositional
art.
Schumann's
horn sonatas are a
crucial enhancement to
each horn player's
repertoire.
Horn and piano (solo: hn - 0.2.0.2. - 0.0.0.0. - str) SKU: BR.EB-8698 ...(+)
Horn and piano (solo: hn
- 0.2.0.2. - 0.0.0.0. -
str)
SKU:
BR.EB-8698
Original Version and
Revised Version by Mozart
completed by Robert D.
Levin - Urtext.
Composed by Wolfgang
Amadeus Mozart. Edited by
Robert D. Levin. Arranged
by Christian Rudolf
Riedel. Solo instruments;
stapled. Edition
Breitkopf. Solo concerto;
Classical. Piano
reduction. 56 pages.
Duration 12'. Breitkopf
and Haertel #EB 8698.
Published by Breitkopf
and Haertel (BR.EB-8698).
ISBN 9790004184813. 9
x 12 inches.
The
two-movement,
incompletely transmitted
Horn Concerto in D major
K. 412 was long
considered as Mozarts
first horn concerto; it
is, however, his last,
and was written between
March and December 1791.
Mozart undertook
revisions in the
autograph which contains
the most important
orchestral parts next to
the entire solo horn part
in order to adjust the
work to the modest
technical abilities of
the planned soloist
Joseph Leutgeb. Mozart
revised and completed the
first movement,
eliminated lower notes in
the solo part, rewrote
difficult passages and
expanded orchestral
interludes to give
Leutgeb additional breath
rests. Mozart also made
similar simplifications
in the second movement as
well, but his early death
prevented the completion
of the work. Robert D.
Levin reconstructed both
versions of the concerto
on the basis of the
autograph. Next to the
version revised by Mozart
(post correcturam), he
now presents the original
version (ante
correcturam) for the
first time in a musical
text revised and
supplemented according to
rigorous philological
criteria.
Chamber Music Horn, Piano SKU: PR.114419470 Composed by Samuel Adler. Sws...(+)
Chamber Music Horn, Piano
SKU: PR.114419470
Composed by Samuel Adler.
Sws. Set of Score and
Parts. 24+8 pages.
Duration 12 minutes.
Theodore Presser Company
#114-41947. Published by
Theodore Presser Company
(PR.114419470).
UPC:
680160677160. 9 x 12
inches.
Adler's
second Horn Sonata is
dedicated to Andrew
Pelletier, Professor of
Horn at Bowling Green
State University (OH) and
current President of the
International Horn
Society (IHS). Pelletier
will perform the premiere
at the opening day
afternoon concert at the
IHS 2019 Symposium in
Belgium this July.
Chamber Music English Horn, Piano SKU: PR.114422630 Composed by Stacy Gar...(+)
Chamber Music English
Horn, Piano
SKU:
PR.114422630
Composed
by Stacy Garrop. Sws. Set
of Score and Parts. 8+2
pages. Duration 5
minutes. Theodore Presser
Company #114-42263.
Published by Theodore
Presser Company
(PR.114422630).
UPC:
680160684793. 9 x 12
inches.
In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in
Clearmont, Wyoming.
Ucross is an artist
colony that gives
writers, composers, and
visual artists
the gift of time,
space, and support to
follow their artistic
pursuits; we are provided
with studio space,
housing, and meals so
that we can work
continuously on our
projects. I have been
in residence at numerous
artist colonies; however,
nothing in my
previous experiences
prepared me for living in
such isolated, wild
country. Ucross is
situated on
a 20,000-acre cattle
ranch at nearly 4,000
feet in elevation with
fewer than 150
people living within
the town. But what
Clearmont lacks in
population, it makes up
for abundantly and
spectacularly in
wilderness and wildlife.
I composed the sextet
Postcards from Wyoming
to offer three glimpses
of what I found to be the
most striking aspects
of my residence. The
Solitude of Stars, the
third and final movement
of the original
sextet, was inspired
by the stunning nightly
display of the heavens
above. Without city
lights dimming the
night sky, countless
stars shone brightly over
the vast expanse of the
prairie. This edition
is part of The Solitude
of Stars Project that I
undertook during the
2020 COVID-19
pandemic, which consists
of a series of
arrangements that I made
for colleagues and
friends. In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in Clearmont,
Wyoming. Ucross is an
artist colony that gives
writers, composers, and
visual artists the gift
of time, space, and
support to follow their
artistic pursuits; we are
provided with studio
space, housing, and meals
so that we can work
continuously on our
projects. I have been in
residence at numerous
artist colonies; however,
nothing in my previous
experiences prepared me
for living in such
isolated, wild country.
Ucross is situated on a
20,000-acre cattle ranch
at nearly 4,000 feet in
elevation with fewer than
150 people living within
the town. But what
Clearmont lacks in
population, it makes up
for abundantly and
spectacularly in
wilderness and wildlife.
I composed the sextet
Postcards from Wyoming to
offer three glimpses of
what I found to be the
most striking aspects of
my residence. The
Solitude of Stars, the
third and final movement
of the original sextet,
was inspired by the
stunning nightly display
of the heavens above.
Without city lights
dimming the night sky,
countless stars shone
brightly over the vast
expanse of the prairie.
This edition is part of
The Solitude of Stars
Project that I undertook
during the 2020 COVID-19
pandemic, which consists
of a series of
arrangements that I made
for colleagues and
friends. In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in
Clearmont,Wyoming. Ucross
is an artist colony that
gives writers, composers,
and visual artists
thegift of time, space,
and support to follow
their artistic pursuits;
we are provided
withstudio space,
housing, and meals so
that we can work
continuously on our
projects. I havebeen in
residence at numerous
artist colonies; however,
nothing in my
previousexperiences
prepared me for living in
such isolated, wild
country. Ucross is
situated on a20,000-acre
cattle ranch at nearly
4,000 feet in elevation
with fewer than 150
peopleliving within the
town. But what Clearmont
lacks in population, it
makes up forabundantly
and spectacularly in
wilderness and wildlife.
I composed the sextet
Postcardsfrom Wyoming to
offer three glimpses of
what I found to be the
most striking aspects
ofmy residence. The
Solitude of Stars, the
third and final movement
of the original
sextet,was inspired by
the stunning nightly
display of the heavens
above. Without city
lightsdimming the night
sky, countless stars
shone brightly over the
vast expanse of the
prairie.This edition is
part of The Solitude of
Stars Project that I
undertook during the
2020COVID-19 pandemic,
which consists of a
series of arrangements
that I made forcolleagues
and friends.