Horn and piano (solo: hn - 0.2.0.2 - 0.0.0.0 - str) SKU: BR.EB-10701 U...(+)
Horn and piano (solo: hn
- 0.2.0.2 - 0.0.0.0 -
str)
SKU:
BR.EB-10701
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. Arranged by Jan
Philip Schulze. Solo
instruments; stapled.
Edition Breitkopf.
In
Cooperation with G. Henle
Verlag
Solo concerto;
Classical. Piano
reduction. 44 pages.
Duration 12'. Breitkopf
and Haertel #EB 10701.
Published by Breitkopf
and Haertel
(BR.EB-10701).
ISBN
9790201807010. 9.5 x 12
inches.
With the
publication of the score
and parts of the D-major
Horn Concerto K. 412/514,
the Mozart expert Henrik
Wiese adds another
milestone to his edition
of this important work
group which was begun in
2013. In the course of
time, the piece that was
first edited in the Old
Mozart Edition of 1881 as
Mozarts 1st Horn Concerto
turned out to be a
pasticcio: while the
opening movement is
indisputably by Mozart,
the elaboration of the
Rondo must now be
attributed to Sussmayr.
This movement is
transmitted solely as a
sketch in Mozarts hand.
The present edition
contains both the
Sussmayr Rondo (K. 514 =
smWV 502) and the
Mozartian Rondo fragment
(K. 412) which was
carefully completed by
Wiese. The performer will
thus have the choice
between the traditional
version (with Sussmayr)
and the version
presumably intended by
Mozart, all in one
practical
edition.
In
Cooperation with G. Henle
Verlag. EB 10701 contains
the parts for horn in F
and Eb.
For Horn and Piano Reduction. Composed by Carl Maria von Weber (1786-1826). E...(+)
For Horn and Piano
Reduction. Composed by
Carl
Maria von Weber
(1786-1826).
Edited by Dominik Rahmer.
Sheet Music. Paperbound.
Henle Music Folios. With
additional Horn part in E
und F. Classical.
Softcover
Piano Reduction. 44
pages.
G. Henle #HN1179.
Published
by G. Henle
Chamber Music Clarinet, Horn, Piano SKU: PR.114423640 Composed by Stacy G...(+)
Chamber Music Clarinet,
Horn, Piano
SKU:
PR.114423640
Composed
by Stacy Garrop. Set of
Score and Parts. 36+12+12
pages. Duration 14:15.
Theodore Presser Company
#114-42364. Published by
Theodore Presser Company
(PR.114423640).
UPC:
680160688562.
The
first time I saw
slipstreaming in action
with professional
cyclists, I was in awe.
The competitors were
riding inches away from
each other; when the lead
rider would swerve left
or right, the pursuers
would immediately follow
suit. The physics behind
what appears on the
surface to be sheer
daredevil antics are
quite solid: the cyclists
riding directly behind
the leader are
benefitting from reduced
air and wind resistance.
On a larger scale, a
peloton (the French term
for a pack of riders)
benefits multiple riders
whoare behind the leaders
of the pack. While riding
so close to other riders
carries great risk of
colliding, that risk is
outweighed by the benefit
of preserving
one’s
energy.Slipstream was
inspired by the love of
cycling shared by Haley
Hoops, horn, and Stephen
Ahearn, clarinet, for
whom the piece was
commissioned. They are
drawn to cycling for the
adventure of it, to
discover new places, and
to meet new people. Haley
also expressed her
enjoyment of taking solo
bike rides. Additionally,
I found great inspiration
in watching the daily
highlight videos of the
three-week 2020 Tour de
France, which happened to
be taking place while I
composed Slipstream.The
piece opens with The
Horizon Beckons. A
cyclist hears an enticing
call emanating from the
mountains, then the
cyclist starts pedaling
towards the mountains in
search of adventure.
Riding Solo, the second
movement, explores the
quiet of riding alone,
the beauty of the
landscape, and the
shifting of the light and
clouds, all while we hear
the bike’s wheels
in constant motion.
Adrenaline Rush, the
third and final movement,
depicts the heat of
competition. We hear the
constant jockeying of
cyclists within a peloton
as they slipstream with
each other and move with
the wind. At the very end
of the movement, we hear
sprinters race for the
finish line with
everything they have left
in their legs.
Chamber Music Horn, Piano SKU: PR.114417780 For Horn and Piano. Co...(+)
Chamber Music Horn, Piano
SKU: PR.114417780
For Horn and
Piano. Composed by
Eric Ewazen. Sws. Set of
Score and Parts. With
Standard notation. 12+2
pages. Duration 7
minutes. Theodore Presser
Company #114-41778.
Published by Theodore
Presser Company
(PR.114417780).
ISBN
9781491108192. UPC:
680160636600. 9x12
inches.
A Song from
the Heart for Horn and
PianoA beautiful
cantabile song without
words, A SONG FROM THE
HEART has all of
Ewazen’s
expressive elegance, yet
is performable by
advanced students as well
as on professional and
college recitals.
Transcribed for Horn by
the composer, A SONG FROM
THE HEART was originally
composed for Trumpet and
Piano and premiered by
Charles Schlueter,
long-time principal
trumpet of the Boston
Symphony. A SONG FROM
THE HEART was originally
composed for Trumpet
andPiano and is dedicated
to Dennis Caron on the
occasion of his
retirement. It was
commissioned by his wife,
Marsha Caron, and was
premiered at
Dennis’s
retirement party by our
mutual friend Charles
Schlueter, long-time
principal trumpet of the
Boston Symphony. A SONG
FROM THE HEART is filled
with lyricism and rich
harmonies, as the trumpet
line sings and soars over
a rich accompaniment.
Horn and Piano - easy SKU: HL.14034490 Composed by Austin Boothroyd. Musi...(+)
Horn and Piano - easy
SKU: HL.14034490
Composed by Austin
Boothroyd. Music Sales
America. Classical. Book
[Softcover]. 12 pages.
Music Sales #NOV120702.
Published by Music Sales
(HL.14034490).
ISBN
9780853609162.
8.25x11.75x0.053
inches.
Up And Away
is designed to enable the
beginner to experience
the satisfaction of
performing with others
from the very first
lesson up to the time
when the student has
acquired enough skill to
be able to perform
confidently with a school
band or orchestra. The
twelve pieces are
arranged in order of
increasing difficulty;
notes, rhythmic figures ,
dotted notes, ties,
rests, dynamic markings,
slurs etc. are all
introduced carefully.
Three pieces concentrate
on the important skill of
pitching different notes
without the aid of a
change in fingering.