Horn and piano (solo: hn - 0.2.0.0 - 2.0.0.0 - str) SKU: BR.EB-10702 U...(+)
Horn and piano (solo: hn
- 0.2.0.0 - 2.0.0.0 -
str)
SKU:
BR.EB-10702
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. Arranged by Jan
Philip Schulze. Solo
instruments; stapled.
Edition Breitkopf.
In
Cooperation with G. Henle
Verlag
Solo concerto;
Classical. Piano
reduction. 40 pages.
Duration 15'. Breitkopf
and Haertel #EB 10702.
Published by Breitkopf
and Haertel
(BR.EB-10702).
ISBN
9790201807027. 9.5 x 12.5
inches.
Wolfgang
Amadeus Mozart's horn
concertos: the Mozart
expert Henrik Wiese edits
the central work genre of
Viennese classicism
according to the current
status of international
Mozart research. Mozart
wrote the Horn Concerto
K. 417 - like the other
works of this genre as
well - for his
horn-playing friend
Joseph Leutgeb. The jokes
which the composer made
at Leutgeb's expense are
wellknown. For example,
he called the dedicatee a
donkey in the autograph,
and, as Henrik Wiese
evidences in his preface,
Mozart also occasionally
enjoyed a bit of
tomfoolery with the
soloist in the musical
text as well.Otherwise
the editor's task was
anything but amusing. The
main source - the
autograph score - is
incomplete: missing are
the close of Movement I
as well as the entire
slow middle movement. For
these two sections, Wiese
used a copy of the score
from the archive of the
publisher Johann Andre.
The unusual circumstance
that Mozart generally
left the horn part almost
unmarked recurs in the
Concerto K. 417 and was
deliberately maintained
in the Urtext
edition.
Horn and piano (solo: hn - 0.2.0.0 - 2.0.0.0 - str) SKU: BR.EB-10704 U...(+)
Horn and piano (solo: hn
- 0.2.0.0 - 2.0.0.0 -
str)
SKU:
BR.EB-10704
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. Arranged by Jan
Philip Schulze. Solo
instruments; stapled.
Edition Breitkopf.
In
Cooperation with G. Henle
Verlag
Solo concerto;
Classical. Piano
reduction. 44 pages.
Duration 16'. Breitkopf
and Haertel #EB 10704.
Published by Breitkopf
and Haertel
(BR.EB-10704).
ISBN
9790201807041. 9.5 x 12
inches.
Prank or
Color Code? Mozart
composed all of his horn
concertos for Joseph
Leutgeb, a long-standing
friend of his family. In
Salzburg Leutgeb was in
the service of the court
ensemble as horn player
and violinist before
departing for Vienna,
where he became known as
a performer of Mozart's
horn concertos. In 1786
Mozart wrote his fourth
horn concerto in E flat
major, which,
unfortunately, survives
only as an incomplete
fragment. For the present
new edition in Breitkopf
Urtext, a reliable early
print for the missing
sections is used.
Nevertheless, this
autograph is still a very
valuable source, since it
contains Mozart's
notation of the work in
colored ink! The question
as to whether this was
one of Mozart's typical
jokes aimed at Leutgeb or
whether he had something
else in mind, remains
inconclusive to this day.
Whoever is curious can
take a guess as well,
since Breitkopf is
printing (in its new
edition and in autograph
form) the sections in
color that were
originally transmitted as
such.
Horn and piano (solo: hn - 0.2.0.2. - 0.0.0.0. - str) SKU: BR.EB-8698 ...(+)
Horn and piano (solo: hn
- 0.2.0.2. - 0.0.0.0. -
str)
SKU:
BR.EB-8698
Original Version and
Revised Version by Mozart
completed by Robert D.
Levin - Urtext.
Composed by Wolfgang
Amadeus Mozart. Edited by
Robert D. Levin. Arranged
by Christian Rudolf
Riedel. Solo instruments;
stapled. Edition
Breitkopf. Solo concerto;
Classical. Piano
reduction. 56 pages.
Duration 12'. Breitkopf
and Haertel #EB 8698.
Published by Breitkopf
and Haertel (BR.EB-8698).
ISBN 9790004184813. 9
x 12 inches.
The
two-movement,
incompletely transmitted
Horn Concerto in D major
K. 412 was long
considered as Mozarts
first horn concerto; it
is, however, his last,
and was written between
March and December 1791.
Mozart undertook
revisions in the
autograph which contains
the most important
orchestral parts next to
the entire solo horn part
in order to adjust the
work to the modest
technical abilities of
the planned soloist
Joseph Leutgeb. Mozart
revised and completed the
first movement,
eliminated lower notes in
the solo part, rewrote
difficult passages and
expanded orchestral
interludes to give
Leutgeb additional breath
rests. Mozart also made
similar simplifications
in the second movement as
well, but his early death
prevented the completion
of the work. Robert D.
Levin reconstructed both
versions of the concerto
on the basis of the
autograph. Next to the
version revised by Mozart
(post correcturam), he
now presents the original
version (ante
correcturam) for the
first time in a musical
text revised and
supplemented according to
rigorous philological
criteria.
Horn in E-flat and F Horn; Horn in E-flat; Piano Accompaniment (Horn/Piano) S...(+)
Horn in E-flat and F
Horn; Horn in E-flat;
Piano Accompaniment
(Horn/Piano)
SKU:
HL.51481255
Horn
in E-Flat/F and
Piano. Composed by
Richard Strauss. Edited
by Hans Pizka. Henle
Music Folios. Classical,
Concerto. Softcover. 66
pages. G. Henle #HN1255.
Published by G. Henle
(HL.51481255).
UPC:
196288308126.
9.25x12.25x0.22
inches.
As if
looking back on his youth
toward the end of his
life, Richard Strauss
wrote a second concerto
for horn and orchestra,
again in Eb major, around
sixty years after his
first concerto for horn.
This sublimely beautiful
late work, which gives no
indication of the
oppressive circumstances
of Strauss� poor
health and the Second
World War, was premiered
in 1943 by Gottfried von
Freiberg under the
direction of Karl
Böhm. It was not until
after Strauss� death
that the concerto
appeared in print in
London, making a critical
new edition on the basis
of the autograph sources
and performance material
more than overdue. The
editor, Hans Pizka,
former principal horn of
the Bavarian State Opera
in Munich, learned
first-hand about the
performance tradition and
genesis of the concerto
as a pupil of Gottfried
von Freiberg. For use in
lessons and for
performances, the
especially playable piano
reduction by Johannes
Umbreit is a great
help.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
French Horn, Piano SKU: HU.HN1332 For Horn and Piano. Composed by Richard Strau...(+)
French Horn, Piano
SKU: HU.HN1332
For Horn and Piano.
Composed by Richard
Strauss. Edited by
Dominik Rahmer. Brass,
Repertoire, Solos.
Andante in C major.
Softcover Book. 12 pages.
G. Henle #HN1332.
Published by G. Henle
(HU.HN1332).
Horn; Piano Accompaniment (Horn/Piano) SKU: HL.51481332 Horn in F and ...(+)
Horn; Piano Accompaniment
(Horn/Piano)
SKU:
HL.51481332
Horn
in F and Piano.
Composed by Richard
Strauss. Edited by
Dominik Rahmer. Henle
Music Folios. Classical.
Softcover. 12 pages. G.
Henle #HN1332. Published
by G. Henle
(HL.51481332).
UPC:
196288308133.
9.25x12.25x0.07
inches.
In the
summer of 1888, while
also working on his tone
poem Don Juan, Richard
Strauss composed this
brief Andante for his
father, Franz Strauss, a
member of the Munich
Court Opera and one of
the greatest horn players
of his age. The Andante
was intended as the slow
movement âof a still
unfinishedâ sonata
that Strauss, however,
never did complete (to
the chagrin of all horn
players). The piece thus
remained unpublished
until 1973. For the new
Urtext edition by G.
Henle Publishers, the
original autograph
manuscript held at the
Munich Public Library was
able to be examined
directly. The Andante is
of only moderate
difficulty and is ideally
suitedfor teaching
purposes and as an
effective Romantic
performance piece.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
For Horn and Piano Reduction. Composed by Carl Maria von Weber (1786-1826). E...(+)
For Horn and Piano
Reduction. Composed by
Carl
Maria von Weber
(1786-1826).
Edited by Dominik Rahmer.
Sheet Music. Paperbound.
Henle Music Folios. With
additional Horn part in E
und F. Classical.
Softcover
Piano Reduction. 44
pages.
G. Henle #HN1179.
Published
by G. Henle
(for Horn in F and Piano). Composed by Alexander Glazunov (1865-1936). Edited by...(+)
(for Horn in F and
Piano). Composed by
Alexander Glazunov
(1865-1936). Edited by
Dominik Rahmer. For
French Horn, Piano
Accompaniment. Henle
Music Folios. Softcover.
G. Henle #HN1285.
Published by G. Henle