Horn and Piano. Composed by Camille Saint-Sa�«ns. Edited by Dominik ...(+)
Horn and Piano.
Composed by Camille
Saint-Sa�«ns. Edited
by Dominik Rahmer. Henle
Music Folios. Softcover.
24 pages. G. Henle
#HN1284. Published by G.
Henle (HL.51481284).
Chamber Music English Horn, Piano SKU: PR.114417250 For English Horn a...(+)
Chamber Music English
Horn, Piano
SKU:
PR.114417250
For
English Horn and
Orchestra. Composed
by Gaetano Donizetti.
Edited by Mark Biggam
Pedro Diaz. Sws each. See
the Historical Notes by
Michael Finkelman on the
second and third pages.
Romantic. Set of Score
and Parts. With Standard
notation. 16+8 pages.
Duration 12:30. Theodore
Presser Company
#114-41725. Published by
Theodore Presser Company
(PR.114417250).
ISBN
9781491110928. UPC:
680160631469. 9x12
inches. Key:
F.
Concertino in
FÂ for English Horn and
OrchestraPreviously known
only through a spurious
edition in G Major, the
authentic Concertino in F
was recently discovered
in Italy by Pedro Diaz,
English Hornist of the
Metropolitan Opera
Orchestra. Diaz prepared
this ground-breaking
authentic edition through
comparison of the
multiple historical
sources and an intimate
knowledge of Donizetti's
works. The new edition in
F Major is embellished
with footnotes regarding
sources and
ornamentation. The piano
reduction and orchestral
score and parts
(available on rental)
were prepared by
composer/oboist Mark
Biggam in tandem with
Diaz's work, and the
publication includes
extensive historical
notes by scholar Michael
Finkelman. PEDRO DIAZ
joined The Metropolitan
Opera Orchestra in 2005
and has performed as solo
English Hornist in
hundreds of productions.
As a sought after
teacher, Mr. DÃaz has
lectured extensively at
top music conservatories
including The Juilliard
School, The Manhattan
School of Music, The
Eastman School of
Music,The Hartt Music
School, and Duquesne
University. His
international appearances
include masterclasses in
Panama, Italy, Mexico,
Canada, Puerto Rico,
Leipzig, Berlin, and
Italy.A native of Puerto
Rico, he received his
early musical training in
the “Escuela Libre
de Musica,†an
esteemed public school
for the performing arts.
He has performed as a
guest artist with the
Chicago Symphony, New
York Philharmonic, and
many other leading
ensembles. His playing
has been hailed by
critics as evocative,
eloquent and expressive
and is considered one of
the pre-eminent players
of his generation. Mr.
DÃaz has performed
Wagner’s Tristan
und Isolde 24 times under
the batons of James
Levine, Daniel Barenboim,
and Sir Simon
Rattle.Pedro
DÃaz’s
recording of the
Donizetti Concertino in F
and other concerti is
available from Fox
Products and online
sources, performed with
members of the
Metropolitan Opera
Orchestra. MARK
BIGGAM’s
compositions have been
recognized in various
venues throughout the
United States, Central
America, Asia, and
Europe. He has received
awards from ASCAP and the
Cleveland Foundation. An
oboist himself, many of
Biggam’s
compositions have been
performed by notable
oboists and English Horn
players including John
Mack, Joseph Robinson,
Pedro DÃaz, Carolyn
Hove, and Dwight Parry.
Premieres of his works
have been featured at
events including the
International Double Reed
Society and John Mack
Legacy
Camp.Biggam’s
choral works have gained
recognition, awards, and
commissions from
organizations including
the Moravian Music
Foundation, Ohio
BoyChoir, and Triad Pride
Men’s Chorus. He
also has published
arrangements and piano
reductions of J.S.
Bach’s music for
Bärenreiter-Verlag.
His collaborations with
Pedro DÃaz include the
Donizetti Concertino in F
as well as works of the
lesser-known composers
Pilotti and Mares,
recorded by Mr. Diaz and
members of the
Metropolitan Opera
Orchestra. Biggam has
alsoprepared arrangements
and settings of works for
symphonic band, which
have been performed by
the Piedmont Wind
Symphony.
6 Easy Pieces Cor et Piano [Partie seule] - Facile Digital Music Print
By Various. Edited by Frans Hanssen. For Horn (F) and Piano. Educational. Instru...(+)
By Various. Edited by
Frans Hanssen. For Horn
(F) and Piano.
Educational. Instrumental
Collection. Classical.
Level: Easy. Book and
Solo Part. 24 8 pages.
Duration 22 minutes.
Published by Digital
Music Print (Belgian
import).
Horn; Piano Accompaniment (Horn/Piano) SKU: HL.51481332 Horn in F and ...(+)
Horn; Piano Accompaniment
(Horn/Piano)
SKU:
HL.51481332
Horn
in F and Piano.
Composed by Richard
Strauss. Edited by
Dominik Rahmer. Henle
Music Folios. Classical.
Softcover. 12 pages. G.
Henle #HN1332. Published
by G. Henle
(HL.51481332).
UPC:
196288308133.
9.25x12.25x0.07
inches.
In the
summer of 1888, while
also working on his tone
poem Don Juan, Richard
Strauss composed this
brief Andante for his
father, Franz Strauss, a
member of the Munich
Court Opera and one of
the greatest horn players
of his age. The Andante
was intended as the slow
movement âof a still
unfinishedâ sonata
that Strauss, however,
never did complete (to
the chagrin of all horn
players). The piece thus
remained unpublished
until 1973. For the new
Urtext edition by G.
Henle Publishers, the
original autograph
manuscript held at the
Munich Public Library was
able to be examined
directly. The Andante is
of only moderate
difficulty and is ideally
suitedfor teaching
purposes and as an
effective Romantic
performance piece.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Starter Solos Cor et Piano [Partition + Accès audio] Anglo Music
Horn and Piano - easy SKU: BT.AMP-154-404 20 Progressive Pieces with P...(+)
Horn and Piano - easy
SKU:
BT.AMP-154-404
20
Progressive Pieces with
Piano Accompaniment for
Horn. Composed by
Philip Sparke. Starter
Solos. Tuition. Book with
Part and Audio-Online.
Composed 2022. 32 pages.
Anglo Music Press #AMP
154-404. Published by
Anglo Music Press
(BT.AMP-154-404).
ISBN
9789043165198.
English-German-French-Dut
ch.
Philip
Sparkeââ¬â¢s
Starter Solos is
the first volume of a
progressive series of
books that takes the
young wind player from
beginner to accomplished
musician. Specifically
tailored for each
instrument, this
collection of 20solos
starts with pieces based
on only a handful of
notes and carefully
introduces new musical
elements, such as
articulation, dynamics
and key signatures, in a
structured progression to
speed the learning
process. The booksprovide
invaluable additional
material to complement
any teaching method. Starter Solos
comes with an online
audio access. The
advantages of playing
either with piano or
audio accompaniment are
that the beginning
playercan now experience
the important aspects of
ensemble playing from
their earliest lessons,
thus developing the
essential skills of
listening while they play
and maintaining strict
tempo, which is not
always a factor when
playingalone.
Philip
Sparkeââ¬â¢s
Starter Solos is
het eerste deel van een
serie boeken met muziek
voor jonge blazers. Deze
bundel van twintig
soloââ¬â¢s
begint met stukken die op
een handvol noten zijn
gebaseerd. Nieuwe
muzikale
elementen(articulatie,
dynamiek, enz.) worden op
een doordachte,
gestructureerde manier
toegevoegd. Dit
studiemateriaal vult elke
leermethode aan en is
steeds toegesneden op het
betreffende instrument.
Uitgave met online
audio: Devoordelen van
het spelen met
begeleiding - hetzij met
een pianist, hetzij met
de opname - zijn dat de
beginnende speler de
belangrijke aspecten van
het ensemblespel kan
ervaren vanaf de eerste
lessen en
essentiële
vaardigheden kanaanleren:
het luisteren tijdens het
spelen en het handhaven
van een strak tempo. Bij
het alleen spelen komen
deze factoren minder aan
de orde.
Das
frühe Lernstadium
ist, neben einem guten
Lehrer im Unterricht,
für jedes
Instrument zweifellos das
Wichtigste. Von
großer Bedeutung
ist aber auch
motivierendes
Lehrmaterial. FÃÂ
r diese Ausgabe beriet
sich Philip Sparke
mitvielen Lehrern, wie
man am besten neue Noten
einführt und
zugleich einen Rahmen
schafft, in den sich neue
musikalische Elemente in
sinnvoller Reihenfolge
einfügen lassen.
Unterstützt von
diesen Soli und
Etüden in
dreiverschiedenen
Schwierigkeitsstufen
können
Instrumentalschüle
r schnell zu richtigen
Musikern heranreifen.
Jedes Buch ist genau auf
die Bedürfnisse
und Anforderungen des
einzelnen Instrumentes
zugeschnitten. Die
Stücke in
dieserAusgabe
können dank der im
Buch in Notenform
enthaltenen und online
als Audiotracks
zugänglichen
Begleitungen auch gut
alleine oder mit einem
Pianisten einstudiert und
aufgeführt werden.
Der Vorteil dabei ist,
dass Anfänger
sonicht nur die
wichtigsten Aspekte des
Ensemblespiels erfahren,
sondern auch von Anfang
an die Fähigkeit
entwickeln,
während des
Spielens zugleich
zuzuhören und das
Tempo zu
halten.
Accanto
ad un buon insegnante, il
materiale da studio
valido è senza
dubbio la cosa più
importante al fine di un
buon apprendimento.
Eââ¬â¢ quindi
importante mettere a
disposizione
dellââ¬â¢allie
vo materiale motivante.
Nello scriverequesti
soli, Philip Sparke si
è consultato a
più riprese con
insegnanti ed allievi per
mettere a punto brani che
consentono anche ai
più inesperti di
suonare in modo
soddisfacente. Gli
accompagnamenti al piano
sono accessibilionline
come file MP3.
Horn in E-flat and F Horn; Horn in E-flat; Piano Accompaniment (Horn/Piano) S...(+)
Horn in E-flat and F
Horn; Horn in E-flat;
Piano Accompaniment
(Horn/Piano)
SKU:
HL.51481255
Horn
in E-Flat/F and
Piano. Composed by
Richard Strauss. Edited
by Hans Pizka. Henle
Music Folios. Classical,
Concerto. Softcover. 66
pages. G. Henle #HN1255.
Published by G. Henle
(HL.51481255).
UPC:
196288308126.
9.25x12.25x0.22
inches.
As if
looking back on his youth
toward the end of his
life, Richard Strauss
wrote a second concerto
for horn and orchestra,
again in Eb major, around
sixty years after his
first concerto for horn.
This sublimely beautiful
late work, which gives no
indication of the
oppressive circumstances
of Strauss� poor
health and the Second
World War, was premiered
in 1943 by Gottfried von
Freiberg under the
direction of Karl
Böhm. It was not until
after Strauss� death
that the concerto
appeared in print in
London, making a critical
new edition on the basis
of the autograph sources
and performance material
more than overdue. The
editor, Hans Pizka,
former principal horn of
the Bavarian State Opera
in Munich, learned
first-hand about the
performance tradition and
genesis of the concerto
as a pupil of Gottfried
von Freiberg. For use in
lessons and for
performances, the
especially playable piano
reduction by Johannes
Umbreit is a great
help.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
French Horn; Piano Accompaniment (F Horn) SKU: HL.49045984 F Horn and ...(+)
French Horn; Piano
Accompaniment (F Horn)
SKU: HL.49045984
F Horn and Piano.
Composed by Erik Satie.
Edited by Wolfgang
Birtel. Brass Solo.
Classical. Softcover. 10
pages. Duration 310
seconds. Schott Music
#ED09955. Published by
Schott Music
(HL.49045984).
The music scene
took notice of Erik Satie
all of a sudden: The
world premiere of his
ballet 'Parade' in 1917
caused quite a
scandal.The production
divided the music scene
of Paris, yet made the
composer widely known.
Satie who hardly had had
any solid musical
training developed a new
musical style, in
deliberate rejection of
the 'Wagnerisme' of his
time, the perfect example
being his '3 Gymnopedies'
of 1888 the first of
which was here arranged
for a solo instrument
with piano accompaniment:
Thanks to its easy
playability, it can also
be used for educational
purposes.