With Cadenzas by J. Ritzkowsky - for Horn and Orchestra - Piano Reduction. By Fr...(+)
With Cadenzas by J.
Ritzkowsky - for Horn and
Orchestra - Piano
Reduction. By Franz
Joseph Haydn. Edited by
M. Ohmiya, S. Gerlach.
This edition: HN461.
Horn. Henle Music Folios.
Pages: Score = III and 20
* Horn Part in D = 6.
Piano Reduction-paper
bound. 38 pages.
Published by G. Henle.
Solo Album Volume 08 Cornet et Piano [Conducteur et Parties séparées] - Facile Editions Marc Reift (Swiss import)
Eb Cornet & Piano (Organ) or CD Play Back / Play Along - Grade 2 SKU: MA.EMR-...(+)
Eb Cornet & Piano (Organ)
or CD Play Back / Play
Along - Grade 2
SKU:
MA.EMR-911UC
Composed
by Dennis Armitage and
Marc Reift. Eb Cornet &
CD Playback (Play Along).
Score and parts. Duration
9'23. Editions Marc Reift
#EMR 911UC. Published by
Editions Marc Reift
(MA.EMR-911UC).
Ave Maria
(Bach) / Polovetzian
Dance (Borodine) / 4
Fanfares (Armitage) /
Minuet From Royal
Firework Music (Handel) /
Joshua Fit The Battle Of
Jericho.
(Arranged for Horn in F and Piano With a CD of Piano Accompaniments). Composed b...(+)
(Arranged for Horn in F
and Piano With a CD of
Piano Accompaniments).
Composed by Leonard
Bernstein (1918-1990).
Arranged by Joel Boyd and
Joshua Parman. For Horn,
Piano Accompaniment
(Horn). Instrumental.
Softcover with CD. 88
pages. Boosey and Hawkes
#M051106455. Published by
Boosey and Hawkes
French Horn; Piano Accompaniment (Horn/Piano) SKU: HL.49046947 Transcr...(+)
French Horn; Piano
Accompaniment
(Horn/Piano)
SKU:
HL.49046947
Transcribed for Horn
and Piano. Composed
by Joseph Schwantner.
Brass Solo. Classical.
Softcover. Schott Music
#ED30414. Published by
Schott Music
(HL.49046947).
ISBN
9781705172278. UPC:
842819117162.
9.0x12.0x0.089
inches.
Transcribed
for Horn and Piano (from
the original version for
flute and piano).
Andante From Symphony No. 5, "reformation", Composed by Felix Bartholdy Mendelss...(+)
Andante From Symphony No.
5, "reformation",
Composed by Felix
Bartholdy Mendelssohn
Aria (Kirchen Arie)
Composed by Alessandro
Stradella
I See A Huntsman From
Julius Caesar, Composed
by George Frideric Handel
Largo And Allegro
Composed by Arthur
Frackenpohl
Reveries Composed by
Alexander Glazunov
Romance Composed by
Camille Saint-saens
Rondo From Horn Quintet.
K. 407, Composed by
Wolfgang Amadeus Mozart,
Wolfgang Amadeus Mozart
Scherzo From Septet. Op.
20, Composed by Ludwig
Van Beethoven
Theme And Variations
Composed by Joseph Labor
Villanelle Composed by
Paul Dukas
Pavane Pour Une Infante
Defunte Composed by
Maurice Ravel
I Attempt From Love's
Sickness To Fly Composed
by Henry Purcell
Solos for the Horn Player
(book only). Edited by
Mason Jones and M Jones.
For horn solo and piano
accompaniment. Schirmer's
Solo Series. Classical.
Difficulty: medium to
medium-difficult. Book
only. Solo part, standard
notation and piano
accompaniment. 128 pages.
G. Schirmer #ED2462.
Published by G.
Schirmer
Chamber Music English Horn, Piano SKU: PR.114417250 For English Horn a...(+)
Chamber Music English
Horn, Piano
SKU:
PR.114417250
For
English Horn and
Orchestra. Composed
by Gaetano Donizetti.
Edited by Mark Biggam
Pedro Diaz. Sws each. See
the Historical Notes by
Michael Finkelman on the
second and third pages.
Romantic. Set of Score
and Parts. With Standard
notation. 16+8 pages.
Duration 12:30. Theodore
Presser Company
#114-41725. Published by
Theodore Presser Company
(PR.114417250).
ISBN
9781491110928. UPC:
680160631469. 9x12
inches. Key:
F.
Concertino in
FÂ for English Horn and
OrchestraPreviously known
only through a spurious
edition in G Major, the
authentic Concertino in F
was recently discovered
in Italy by Pedro Diaz,
English Hornist of the
Metropolitan Opera
Orchestra. Diaz prepared
this ground-breaking
authentic edition through
comparison of the
multiple historical
sources and an intimate
knowledge of Donizetti's
works. The new edition in
F Major is embellished
with footnotes regarding
sources and
ornamentation. The piano
reduction and orchestral
score and parts
(available on rental)
were prepared by
composer/oboist Mark
Biggam in tandem with
Diaz's work, and the
publication includes
extensive historical
notes by scholar Michael
Finkelman. PEDRO DIAZ
joined The Metropolitan
Opera Orchestra in 2005
and has performed as solo
English Hornist in
hundreds of productions.
As a sought after
teacher, Mr. DÃaz has
lectured extensively at
top music conservatories
including The Juilliard
School, The Manhattan
School of Music, The
Eastman School of
Music,The Hartt Music
School, and Duquesne
University. His
international appearances
include masterclasses in
Panama, Italy, Mexico,
Canada, Puerto Rico,
Leipzig, Berlin, and
Italy.A native of Puerto
Rico, he received his
early musical training in
the “Escuela Libre
de Musica,†an
esteemed public school
for the performing arts.
He has performed as a
guest artist with the
Chicago Symphony, New
York Philharmonic, and
many other leading
ensembles. His playing
has been hailed by
critics as evocative,
eloquent and expressive
and is considered one of
the pre-eminent players
of his generation. Mr.
DÃaz has performed
Wagner’s Tristan
und Isolde 24 times under
the batons of James
Levine, Daniel Barenboim,
and Sir Simon
Rattle.Pedro
DÃaz’s
recording of the
Donizetti Concertino in F
and other concerti is
available from Fox
Products and online
sources, performed with
members of the
Metropolitan Opera
Orchestra. MARK
BIGGAM’s
compositions have been
recognized in various
venues throughout the
United States, Central
America, Asia, and
Europe. He has received
awards from ASCAP and the
Cleveland Foundation. An
oboist himself, many of
Biggam’s
compositions have been
performed by notable
oboists and English Horn
players including John
Mack, Joseph Robinson,
Pedro DÃaz, Carolyn
Hove, and Dwight Parry.
Premieres of his works
have been featured at
events including the
International Double Reed
Society and John Mack
Legacy
Camp.Biggam’s
choral works have gained
recognition, awards, and
commissions from
organizations including
the Moravian Music
Foundation, Ohio
BoyChoir, and Triad Pride
Men’s Chorus. He
also has published
arrangements and piano
reductions of J.S.
Bach’s music for
Bärenreiter-Verlag.
His collaborations with
Pedro DÃaz include the
Donizetti Concertino in F
as well as works of the
lesser-known composers
Pilotti and Mares,
recorded by Mr. Diaz and
members of the
Metropolitan Opera
Orchestra. Biggam has
alsoprepared arrangements
and settings of works for
symphonic band, which
have been performed by
the Piedmont Wind
Symphony.
By Franz Joseph Haydn (1732-1809). Edited by Eusebius Mandyczewski. For Horn, Or...(+)
By Franz Joseph Haydn
(1732-1809). Edited by
Eusebius Mandyczewski.
For Horn, Orchestra. This
edition: Horn, Piano.
Paperback. Edition
Breitkopf. Piano
reduction. 28 pages
Horn and piano (solo: hn - 0.2.0.0 - 2.0.0.0 - str) SKU: BR.EB-10702 U...(+)
Horn and piano (solo: hn
- 0.2.0.0 - 2.0.0.0 -
str)
SKU:
BR.EB-10702
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. Arranged by Jan
Philip Schulze. Solo
instruments; stapled.
Edition Breitkopf.
In
Cooperation with G. Henle
Verlag
Solo concerto;
Classical. Piano
reduction. 40 pages.
Duration 15'. Breitkopf
and Haertel #EB 10702.
Published by Breitkopf
and Haertel
(BR.EB-10702).
ISBN
9790201807027. 9.5 x 12.5
inches.
Wolfgang
Amadeus Mozart's horn
concertos: the Mozart
expert Henrik Wiese edits
the central work genre of
Viennese classicism
according to the current
status of international
Mozart research. Mozart
wrote the Horn Concerto
K. 417 - like the other
works of this genre as
well - for his
horn-playing friend
Joseph Leutgeb. The jokes
which the composer made
at Leutgeb's expense are
wellknown. For example,
he called the dedicatee a
donkey in the autograph,
and, as Henrik Wiese
evidences in his preface,
Mozart also occasionally
enjoyed a bit of
tomfoolery with the
soloist in the musical
text as well.Otherwise
the editor's task was
anything but amusing. The
main source - the
autograph score - is
incomplete: missing are
the close of Movement I
as well as the entire
slow middle movement. For
these two sections, Wiese
used a copy of the score
from the archive of the
publisher Johann Andre.
The unusual circumstance
that Mozart generally
left the horn part almost
unmarked recurs in the
Concerto K. 417 and was
deliberately maintained
in the Urtext
edition.
Horn and piano (solo: hn - 0.2.0.0 - 2.0.0.0 - str) SKU: BR.EB-10704 U...(+)
Horn and piano (solo: hn
- 0.2.0.0 - 2.0.0.0 -
str)
SKU:
BR.EB-10704
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. Arranged by Jan
Philip Schulze. Solo
instruments; stapled.
Edition Breitkopf.
In
Cooperation with G. Henle
Verlag
Solo concerto;
Classical. Piano
reduction. 44 pages.
Duration 16'. Breitkopf
and Haertel #EB 10704.
Published by Breitkopf
and Haertel
(BR.EB-10704).
ISBN
9790201807041. 9.5 x 12
inches.
Prank or
Color Code? Mozart
composed all of his horn
concertos for Joseph
Leutgeb, a long-standing
friend of his family. In
Salzburg Leutgeb was in
the service of the court
ensemble as horn player
and violinist before
departing for Vienna,
where he became known as
a performer of Mozart's
horn concertos. In 1786
Mozart wrote his fourth
horn concerto in E flat
major, which,
unfortunately, survives
only as an incomplete
fragment. For the present
new edition in Breitkopf
Urtext, a reliable early
print for the missing
sections is used.
Nevertheless, this
autograph is still a very
valuable source, since it
contains Mozart's
notation of the work in
colored ink! The question
as to whether this was
one of Mozart's typical
jokes aimed at Leutgeb or
whether he had something
else in mind, remains
inconclusive to this day.
Whoever is curious can
take a guess as well,
since Breitkopf is
printing (in its new
edition and in autograph
form) the sections in
color that were
originally transmitted as
such.
Horn and piano (solo: hn - 0.2.0.2. - 0.0.0.0. - str) SKU: BR.EB-8698 ...(+)
Horn and piano (solo: hn
- 0.2.0.2. - 0.0.0.0. -
str)
SKU:
BR.EB-8698
Original Version and
Revised Version by Mozart
completed by Robert D.
Levin - Urtext.
Composed by Wolfgang
Amadeus Mozart. Edited by
Robert D. Levin. Arranged
by Christian Rudolf
Riedel. Solo instruments;
stapled. Edition
Breitkopf. Solo concerto;
Classical. Piano
reduction. 56 pages.
Duration 12'. Breitkopf
and Haertel #EB 8698.
Published by Breitkopf
and Haertel (BR.EB-8698).
ISBN 9790004184813. 9
x 12 inches.
The
two-movement,
incompletely transmitted
Horn Concerto in D major
K. 412 was long
considered as Mozarts
first horn concerto; it
is, however, his last,
and was written between
March and December 1791.
Mozart undertook
revisions in the
autograph which contains
the most important
orchestral parts next to
the entire solo horn part
in order to adjust the
work to the modest
technical abilities of
the planned soloist
Joseph Leutgeb. Mozart
revised and completed the
first movement,
eliminated lower notes in
the solo part, rewrote
difficult passages and
expanded orchestral
interludes to give
Leutgeb additional breath
rests. Mozart also made
similar simplifications
in the second movement as
well, but his early death
prevented the completion
of the work. Robert D.
Levin reconstructed both
versions of the concerto
on the basis of the
autograph. Next to the
version revised by Mozart
(post correcturam), he
now presents the original
version (ante
correcturam) for the
first time in a musical
text revised and
supplemented according to
rigorous philological
criteria.
For Cornet or Trumpet and Piano. Composed by Joseph Edouard Barat. Leduc. Cla...(+)
For Cornet or Trumpet and
Piano. Composed by Joseph
Edouard Barat. Leduc.
Classical. Softcover. 10
pages. Alphonse Leduc
#AL21923. Published by
Alphonse Leduc