Horn Sonatas Cor et Piano [Conducteur] Breitkopf & Härtel
Horn and piano SKU: BR.EB-32113 Urtext. Composed by Camillo Schuma...(+)
Horn and piano
SKU:
BR.EB-32113
Urtext. Composed
by Camillo Schumann. Solo
instruments; stapled.
Edition Breitkopf.
The
first edition of a
forgotten treasure
Sonata; Late-romantic.
Score. 48 pages.
Breitkopf and Haertel #EB
32113. Published by
Breitkopf and Haertel
(BR.EB-32113).
ISBN
9790004186787. 9 x 12
inches.
Schumann's
horn sonatas were
composed in 1936/37.
Considering the slim
repertoire offered horn
players from this period,
it is more than
surprising that these two
masterpieces could have
slumbered for so long.
Both sonatas are similar
in structure, with op.
118 being one Schumann's
few three-movement
sonatas. The first
movements of the pieces
sparkle with
melancholically lyrical
melodies, whereas
passages strongly marked
rhythmically, variously
shape the two outer
movements. Virtuoso
moments can be found,
respectively, in the
final movements, bringing
the works to a brilliant
close. The horn parts
predominantly range
within the full, sonorous
middle register, where
occasional outbursts up
to the notated a flat''
are also not lacking. The
clever handling of the
balance of sounds, the
possibilities on the
early valve horn as well
as the inner interweaving
of themes differentiating
horn and piano make the
sonatas an exceedingly
vivid testimony to
Schumann's mature
compositional
art.
Schumann's
horn sonatas are a
crucial enhancement to
each horn player's
repertoire. The first
edition of a forgotten
treasure.
Horn Sonatas Cor et Piano [Conducteur] Breitkopf & Härtel
Horn and piano SKU: BR.EB-32114 Urtext. Composed by Camillo Schuma...(+)
Horn and piano
SKU:
BR.EB-32114
Urtext. Composed
by Camillo Schumann. Solo
instruments; stapled.
Edition Breitkopf.
The
first edition of a
forgotten treasureThis
edition contains the
original solo part for
horn in D as well as a
version for horn in
F.
Sonata;
Late-romantic. Score. 68
pages. Breitkopf and
Haertel #EB 32114.
Published by Breitkopf
and Haertel
(BR.EB-32114).
ISBN
9790004186794. 9 x 12
inches.
Schumann's
horn sonatas were
composed in 1936/37.
Considering the slim
repertoire offered horn
players from this period,
it is more than
surprising that these two
masterpieces could have
slumbered for so long.
Both sonatas are similar
in structure, with op.
118 being one Schumann's
few three-movement
sonatas. The first
movements of the pieces
sparkle with
melancholically lyrical
melodies, whereas
passages strongly marked
rhythmically, variously
shape the two outer
movements. Virtuoso
moments can be found,
respectively, in the
final movements, bringing
the works to a brilliant
close. The horn parts
predominantly range
within the full, sonorous
middle register, where
occasional outbursts up
to the notated a flat''
are also not lacking. The
clever handling of the
balance of sounds, the
possibilities on the
early valve horn as well
as the inner interweaving
of themes differentiating
horn and piano make the
sonatas an exceedingly
vivid testimony to
Schumann's mature
compositional
art.
Schumann's
horn sonatas are a
crucial enhancement to
each horn player's
repertoire.
Chamber Music Clarinet, Horn, Piano SKU: PR.114423640 Composed by Stacy G...(+)
Chamber Music Clarinet,
Horn, Piano
SKU:
PR.114423640
Composed
by Stacy Garrop. Set of
Score and Parts. 36+12+12
pages. Duration 14:15.
Theodore Presser Company
#114-42364. Published by
Theodore Presser Company
(PR.114423640).
UPC:
680160688562.
The
first time I saw
slipstreaming in action
with professional
cyclists, I was in awe.
The competitors were
riding inches away from
each other; when the lead
rider would swerve left
or right, the pursuers
would immediately follow
suit. The physics behind
what appears on the
surface to be sheer
daredevil antics are
quite solid: the cyclists
riding directly behind
the leader are
benefitting from reduced
air and wind resistance.
On a larger scale, a
peloton (the French term
for a pack of riders)
benefits multiple riders
whoare behind the leaders
of the pack. While riding
so close to other riders
carries great risk of
colliding, that risk is
outweighed by the benefit
of preserving
one’s
energy.Slipstream was
inspired by the love of
cycling shared by Haley
Hoops, horn, and Stephen
Ahearn, clarinet, for
whom the piece was
commissioned. They are
drawn to cycling for the
adventure of it, to
discover new places, and
to meet new people. Haley
also expressed her
enjoyment of taking solo
bike rides. Additionally,
I found great inspiration
in watching the daily
highlight videos of the
three-week 2020 Tour de
France, which happened to
be taking place while I
composed Slipstream.The
piece opens with The
Horizon Beckons. A
cyclist hears an enticing
call emanating from the
mountains, then the
cyclist starts pedaling
towards the mountains in
search of adventure.
Riding Solo, the second
movement, explores the
quiet of riding alone,
the beauty of the
landscape, and the
shifting of the light and
clouds, all while we hear
the bike’s wheels
in constant motion.
Adrenaline Rush, the
third and final movement,
depicts the heat of
competition. We hear the
constant jockeying of
cyclists within a peloton
as they slipstream with
each other and move with
the wind. At the very end
of the movement, we hear
sprinters race for the
finish line with
everything they have left
in their legs.
Cartoons Cor et Piano [Conducteur et Parties séparées] - Intermédiaire FLEX Editions
Chamber Music & Piano Accompaniment 1 F Horn 1 Piano - Grade 4 SKU: FL.FX0730...(+)
Chamber Music & Piano
Accompaniment 1 F Horn 1
Piano - Grade 4
SKU:
FL.FX073044
Composed
by Pascal Proust.
Original Composition.
Classical, Educational.
Score and Set of Parts.
Duration 4 minutes, 30
seconds. FLEX Editions
#FX073044. Published by
FLEX Editions
(FL.FX073044).
We play this
music with images of a
fun little movie in our
head... For a hearing or
an exam from 6 years of
practice. ; Instruments:
1 F Horn 1 Piano;
Difficuly Level: Grade
4.
For Horn and Piano with Recorded Accompaniments. Composed by John Williams. F...(+)
For Horn and Piano with
Recorded Accompaniments.
Composed by John
Williams.
For Classical Players.
Classical, Movies.
Softcover
Audio Online. 72 pages.
Published by Hal Leonard
Rhapsody Cor et Piano [Conducteur et Parties séparées]
Horn and Piano SKU: SU.28040210 For Horn and Piano. Composed by Jo...(+)
Horn and Piano
SKU:
SU.28040210
For
Horn and Piano.
Composed by John Newell.
Brass, Horn. Accompanied
by piano. Score and
Parts. Abierto Music
#28040210. Published by
Abierto Music
(SU.28040210).
A work in four
highly evocative
movements: From the
Sanctuary of Dreams,
Dance of the Spirits,
Soliloquy, Worlds
Passing.Horn and
Piano Duration: 18'
Composed: 1989 Published
by: Abierto Music A
perusal score and audio
preview are available at
the composer's web site:
johnnewellmusic.com/works
/instrumental-solo/
Horn and piano SKU: BR.MN-9720 Little Suite in 3 Sets. Composed by...(+)
Horn and piano
SKU:
BR.MN-9720
Little
Suite in 3 Sets.
Composed by Boris
Mersson. Solo
instruments; Softcover.
Musikverlag Nepomuk.
Music post-1945. Score.
Composed 1994. 28 pages.
Duration 10'. Breitkopf
and Haertel #MN 9720.
Published by Breitkopf
and Haertel (BR.MN-9720).
ISBN 9790004791028. 9
x 12 inches.
The
Molnaresca was initiated
by the horn player Jozsef
Molnar to whom it is also
dedicated. The three
movements: 1. Parade -
impulsive-burlesque, 2.
Idyll - calm-spherical,
3. Cupidon -
sensual-mysterious.
Two Latin Dances Cor et Piano [Conducteur et Parties séparées] Theodore Presser Co.
Chamber Music Horn, Piano SKU: PR.144407400 Composed by Lauren Bernofsky....(+)
Chamber Music Horn, Piano
SKU: PR.144407400
Composed by Lauren
Bernofsky. Sws. Score and
parts. 24 pages. Duration
7 minutes. Theodore
Presser Company
#144-40740. Published by
Theodore Presser Company
(PR.144407400).
ISBN
9781491135990. UPC:
680160685318. 9 x 12
inches.
TWO LATIN
DANCES is a beautifully
evocative and sizzling
work based on Bossa Nova
and Tango rhythms. While
at first sounding as two
distinct movements, the
characteristic dances
gradually intertwine to
create a uniquely
integrated whole. By
popular demand, Lauren
Bernofsky has transcribed
the work, already a
staple of the trombone
repertoire, for horn so
that more musicians may
join in the
excitement!
