Composed by Camille Saint-Saens (1835-1921). Set of performance parts (includes separate pull-out horn part) for F french horn and piano. With solo part and piano accompaniment. 15 pages. Published by Alfred Publishing.

Horn and Piano (Horn)

SKU: HL.14008472

Music Sales America. Exam Material. Book [Softcover]. Composed 2005. 40 pages. Chester Music #CH55428. Published by Chester Music (HL.14008472).

ISBN 9780711928800. 9.0x12.0x0.135 inches.

Horn solos written and arranged by Ifor James and Stefan De Haan. Includes parts for both F and E flat Horn.

Set of performance parts. By Wolfgang Amadeus Mozart. Arranged by Barry Tuckwell. Brass. Size 9x12 inches. 152 pages. Published by G. Schirmer, Inc.

Composed by Gordon Jacob (1895-1986). Set of performance parts for F horn and piano. 33 pages. Published by Galaxy Music Corporation.

Chamber Music English Horn, Piano

SKU: PR.114422630

Composed by Stacy Garrop. Sws. Set of Score and Parts. 8+2 pages. Duration 5 minutes. Theodore Presser Company #114-42263. Published by Theodore Presser Company (PR.114422630).

UPC: 680160684793. 9 x 12 inches.

In 2014, I enjoyed a wonderful residence at the Ucross Foundation in Clearmont,
Wyoming. Ucross is an artist colony that gives writers, composers, and visual artists the
gift of time, space, and support to follow their artistic pursuits; we are provided with
studio space, housing, and meals so that we can work continuously on our projects. I have
been in residence at numerous artist colonies; however, nothing in my previous
experiences prepared me for living in such isolated, wild country. Ucross is situated on a
20,000-acre cattle ranch at nearly 4,000 feet in elevation with fewer than 150 people
living within the town. But what Clearmont lacks in population, it makes up for
abundantly and spectacularly in wilderness and wildlife. I composed the sextet Postcards
from Wyoming to offer three glimpses of what I found to be the most striking aspects of
my residence. The Solitude of Stars, the third and final movement of the original sextet,
was inspired by the stunning nightly display of the heavens above. Without city lights
dimming the night sky, countless stars shone brightly over the vast expanse of the prairie.
This edition is part of The Solitude of Stars Project that I undertook during the 2020
COVID-19 pandemic, which consists of a series of arrangements that I made for
colleagues and friends.
In 2014, I enjoyed a wonderful residence at the Ucross Foundation in Clearmont, Wyoming. Ucross is an artist colony that gives writers, composers, and visual artists the gift of time, space, and support to follow their artistic pursuits; we are provided with studio space, housing, and meals so that we can work continuously on our projects. I have been in residence at numerous artist colonies; however, nothing in my previous experiences prepared me for living in such isolated, wild country. Ucross is situated on a 20,000-acre cattle ranch at nearly 4,000 feet in elevation with fewer than 150 people living within the town. But what Clearmont lacks in population, it makes up for abundantly and spectacularly in wilderness and wildlife. I composed the sextet Postcards from Wyoming to offer three glimpses of what I found to be the most striking aspects of my residence. The Solitude of Stars, the third and final movement of the original sextet, was inspired by the stunning nightly display of the heavens above. Without city lights dimming the night sky, countless stars shone brightly over the vast expanse of the prairie. This edition is part of The Solitude of Stars Project that I undertook during the 2020 COVID-19 pandemic, which consists of a series of arrangements that I made for colleagues and friends.
In 2014, I enjoyed a wonderful residence at the Ucross Foundation in Clearmont,Wyoming. Ucross is an artist colony that gives writers, composers, and visual artists thegift of time, space, and support to follow their artistic pursuits; we are provided withstudio space, housing, and meals so that we can work continuously on our projects. I havebeen in residence at numerous artist colonies; however, nothing in my previousexperiences prepared me for living in such isolated, wild country. Ucross is situated on a20,000-acre cattle ranch at nearly 4,000 feet in elevation with fewer than 150 peopleliving within the town. But what Clearmont lacks in population, it makes up forabundantly and spectacularly in wilderness and wildlife. I composed the sextet Postcardsfrom Wyoming to offer three glimpses of what I found to be the most striking aspects ofmy residence. The Solitude of Stars, the third and final movement of the original sextet,was inspired by the stunning nightly display of the heavens above. Without city lightsdimming the night sky, countless stars shone brightly over the vast expanse of the prairie.This edition is part of The Solitude of Stars Project that I undertook during the 2020COVID-19 pandemic, which consists of a series of arrangements that I made forcolleagues and friends.

Chamber Music & Piano Accompaniment 1 F Horn 1 Piano - Grade 2

SKU: FL.FX073582

Composed by Pascal Proust. Original Composition. Classical, Educational. Score and Set of Parts. 14 (score); 7 (parts) pages. Duration 10 minutes, 15 seconds. FLEX Editions #FX073582. Published by FLEX Editions (FL.FX073582).

The F Horn du cote de chez Proust is a series of pieces composed by Pascal PROUST with piano accompaniment. Each piece is also published separately.

This volume puts together 5 original pieces that can be played from 3 years of F Horn practice. ; Instruments: 1 F Horn 1 Piano; Difficuly Level: Grade 2.

Chamber Music & Piano Accompaniment 1 F Horn 1 Piano - Grade 3

SKU: FL.FX073671

Composed by Andre Telman. Original Composition. Classical, Educational. Score and Set of Parts. 6 (score); 2 (parts) pages. Duration 3 minutes, 15 seconds. FLEX Editions #FX073671. Published by FLEX Editions (FL.FX073671).

An orginal piece, in an asian mood, to be played from 3 or 4 years of Horn practice ; Instruments: 1 F Horn 1 Piano; Difficuly Level: Grade 3.

Chamber Music & Piano Accompaniment 1 F Horn 1 Piano - Grade 2

SKU: FL.FX073753

Composed by Jerome Naulais. Original Composition. Classical, Educational. Score and Set of Parts. 4 (score); 1 (parts) pages. Duration 2 minutes, 15 seconds. FLEX Editions #FX073753. Published by FLEX Editions (FL.FX073753).

This piece is a tribute to a small island off the west coast of Finistere, in front Ouessant Island. The beginning of the piece depicts a landscape of Breton moor. It then presents typical dances from this region. - Jerome NAULAIS ;

A piece that can be played from 3 years of instrument practice ; Instruments: 1 F Horn 1 Piano; Difficuly Level: Grade 2.

For French Horn and Piano. By Wolfgang Amadeus Mozart. Arranged by Max Pottag. For French Horn Solo, Piano. Score and parts. K 447. 27 pages. Duration 18:15. Published by Carl Fischer.

Chamber Music Clarinet, Horn, Piano

SKU: PR.114423640

Composed by Stacy Garrop. Set of Score and Parts. 36+12+12 pages. Duration 14:15. Theodore Presser Company #114-42364. Published by Theodore Presser Company (PR.114423640).

UPC: 680160688562.

The first time I saw slipstreaming in action with professional cyclists, I was in awe. The competitors were riding inches away from each other; when the lead rider would swerve left or right, the pursuers would immediately follow suit. The physics behind what appears on the surface to be sheer daredevil antics are quite solid: the cyclists riding directly behind the leader are benefitting from reduced air and wind resistance. On a larger scale, a peloton (the French term for a pack of riders) benefits multiple riders whoare behind the leaders of the pack. While riding so close to other riders carries great risk of colliding, that risk is outweighed by the benefit of preserving one’s energy.Slipstream was inspired by the love of cycling shared by Haley Hoops, horn, and Stephen Ahearn, clarinet, for whom the piece was commissioned. They are drawn to cycling for the adventure of it, to discover new places, and to meet new people. Haley also expressed her enjoyment of taking solo bike rides. Additionally, I found great inspiration in watching the daily highlight videos of the three-week 2020 Tour de France, which happened to be taking place while I composed Slipstream.The piece opens with The Horizon Beckons. A cyclist hears an enticing call emanating from the mountains, then the cyclist starts pedaling towards the mountains in search of adventure. Riding Solo, the second movement, explores the quiet of riding alone, the beauty of the landscape, and the shifting of the light and clouds, all while we hear the bike’s wheels in constant motion. Adrenaline Rush, the third and final movement, depicts the heat of competition. We hear the constant jockeying of cyclists within a peloton as they slipstream with each other and move with the wind. At the very end of the movement, we hear sprinters race for the finish line with everything they have left in their legs.