For Horn And Piano. Composed by Eric Ewazen. Contemporary. Solo part with piano reduction. With Standard notation. Composed 2005. 16 pages. Duration 2 minutes, 40 seconds. Theodore Presser Company #114-41728. Published by Theodore Presser Company (PR.114417280).

Eb Cornet & Piano (Organ) or CD Play Back / Play Along - Grade 2

SKU: MA.EMR-905UC

Composed by Dennis Armitage and Marc Reift. Eb Cornet & CD Playback (Play Along). Score and parts. Duration 11'44. Editions Marc Reift #EMR 905UC. Published by Editions Marc Reift (MA.EMR-905UC).

Adagio (Albinoni) / Die Ehre Gottes aus der Natur (Beethoven) / I Got Rhythm (Gershwin) / Tristesse (Chopin) / Fanfare - Rondeau (Mouret).

By Arthur Campbell. For Horn and Piano. Book; Brass - French Horn Method or Collection; Method/Instruction. Faber Edition. Published by Faber Music

Eb Cornet & Piano or CD Play Back / Play Along - Grade 1, Grade 2

SKU: MA.EMR-54747

Melodies pour Debutants / Melodien fur Anfanger. Composed by John G. Mortimer. Score and parts. Duration 10'39. Editions Marc Reift #EMR 54747. Published by Editions Marc Reift (MA.EMR-54747).

Superhero / Summer Holiday / Rainy Afernoon / Lazy Samba / Rumba Rhythm / Setting Sail / Jasmine Blossom / New Year's Polka.

Arranged by John Iveson. For Horn in F & Piano. Solo Brass. Medium. Collection. Published by Brass Wind Publications

By Dennis Armitage. For horn in F & piano (organ). Swiss import. Score and parts. Published by Editions Marc Reift. (EMR 905K)
Level: 3.

F Horn & Piano or CD Play Back / Play Along - Grade 1, Grade 2

SKU: MA.EMR-54743

Melodies pour Debutants / Melodien fur Anfanger. Composed by John G. Mortimer. Score and parts. Duration 10'39. Editions Marc Reift #EMR 54743. Published by Editions Marc Reift (MA.EMR-54743).

Superhero / Summer Holiday / Rainy Afernoon / Lazy Samba / Rumba Rhythm / Setting Sail / Jasmine Blossom / New Year's Polka.

Horn and piano

SKU: BR.EB-32113

Urtext. Composed by Camillo Schumann. Solo instruments; stapled. Edition Breitkopf.

The first edition of a forgotten treasure

Sonata; Late-romantic. Score. 48 pages. Breitkopf and Haertel #EB 32113. Published by Breitkopf and Haertel (BR.EB-32113).

ISBN 9790004186787. 9 x 12 inches.

Schumann's horn sonatas were composed in 1936/37. Considering the slim repertoire offered horn players from this period, it is more than surprising that these two masterpieces could have slumbered for so long. Both sonatas are similar in structure, with op. 118 being one Schumann's few three-movement sonatas. The first movements of the pieces sparkle with melancholically lyrical melodies, whereas passages strongly marked rhythmically, variously shape the two outer movements. Virtuoso moments can be found, respectively, in the final movements, bringing the works to a brilliant close. The horn parts predominantly range within the full, sonorous middle register, where occasional outbursts up to the notated a flat'' are also not lacking. The clever handling of the balance of sounds, the possibilities on the early valve horn as well as the inner interweaving of themes differentiating horn and piano make the sonatas an exceedingly vivid testimony to Schumann's mature compositional art.

Schumann's horn sonatas are a crucial enhancement to each horn player's repertoire. The first edition of a forgotten treasure.

Horn and piano

SKU: BR.EB-32114

Urtext. Composed by Camillo Schumann. Solo instruments; stapled. Edition Breitkopf.

The first edition of a forgotten treasureThis edition contains the original solo part for horn in D as well as a version for horn in F.

Sonata; Late-romantic. Score. 68 pages. Breitkopf and Haertel #EB 32114. Published by Breitkopf and Haertel (BR.EB-32114).

ISBN 9790004186794. 9 x 12 inches.

Schumann's horn sonatas were composed in 1936/37. Considering the slim repertoire offered horn players from this period, it is more than surprising that these two masterpieces could have slumbered for so long. Both sonatas are similar in structure, with op. 118 being one Schumann's few three-movement sonatas. The first movements of the pieces sparkle with melancholically lyrical melodies, whereas passages strongly marked rhythmically, variously shape the two outer movements. Virtuoso moments can be found, respectively, in the final movements, bringing the works to a brilliant close. The horn parts predominantly range within the full, sonorous middle register, where occasional outbursts up to the notated a flat'' are also not lacking. The clever handling of the balance of sounds, the possibilities on the early valve horn as well as the inner interweaving of themes differentiating horn and piano make the sonatas an exceedingly vivid testimony to Schumann's mature compositional art.

Schumann's horn sonatas are a crucial enhancement to each horn player's repertoire.

By Robert W. Getchell. Edited by Thom Proctor. Instrumental method/supplement. Level: book 1. 36 pages. Published by Belwin.