Two is a Team Cor et Piano [Partition + CD] - Facile De Haske Publications
Horn and Piano - early intermediate SKU: BT.DHP-1125295-400 Composed by E...(+)
Horn and Piano - early
intermediate
SKU:
BT.DHP-1125295-400
Composed by Ed Wennink
and Nettie Vening. Two is
a team. Book with CD.
Composed 2013. 56 pages.
De Haske Publications
#DHP 1125295-400.
Published by De Haske
Publications
(BT.DHP-1125295-400).
ISBN 9789043141819.
9x12 inches.
English-German-French-Dut
ch.
Performance
pieces for piano and horn
in which the level of
difficulty for both
players is similar are
always in demand. The 20
pieces in this book
— arrangements of
well-known tunes as well
as original compositions
— are aimed at
pupils who have been
playing for approximately
three years. Both players
will learn a great deal
and will have double the
playing fun. Two is a
Team — after
all playing together is
almost always at the
heart of music!
Er
blijkt steeds weer
behoefte te zijn aan
samenspeelstukken voor
piano en hoorn waarin
beide partijen een
vergelijkbare
moeilijkheidsgraad
hebben. De 20 stukken in
dit boek — zowel
bewerkingen van bekende
liedjes als originele
composities — zijn
bedoeld voor leerlingen
die ongeveer drie jaar
spelen. Beiden zullen er
veel van leren en er
dubbel plezier aan
beleven. Two is a
Team — in de
muziek draait het immers
vrijwel altijd om
samenspel!
Es gibt
immer Bedarf an
Stücken für
Klavier und Horn, in
denen die Stimmen
für beide Spieler
ähnlich schwer sind.
Die 20 Stücke in
diesem Buch — die
sowohl bekannte Melodien
als auch originale
Kompositionen umfassen
— richten sich an
Instrumentalschüler
, die bereits etwa drei
Jahre Unterricht hatten.
So können beide etwas
lernen und haben doppelt
Spaß. Two is a
Team — denn
schließlich geht es
beim Musizieren doch fast
immer um das gemeinsame
Musikerlebnis!
Two is a
Team raccoglie
composizioni originali e
brani del repertorio
classico noto al
pubblico, indirizzati
agli strumentisti con
circa tre anni di studio
alle spalle. Il livello
di difficolt dei brani
contenuti nella
pubblicazione è molto
simile per entrambi gli
strumentisti, rendendo
così più facile
un’esecuzione con
l’accompagnamento
del piano.
Horn and piano SKU: BR.EB-32113 Urtext. Composed by Camillo Schuma...(+)
Horn and piano
SKU:
BR.EB-32113
Urtext. Composed
by Camillo Schumann. Solo
instruments; stapled.
Edition Breitkopf.
The
first edition of a
forgotten treasure
Sonata; Late-romantic.
Score. 48 pages.
Breitkopf and Haertel #EB
32113. Published by
Breitkopf and Haertel
(BR.EB-32113).
ISBN
9790004186787. 9 x 12
inches.
Schumann's
horn sonatas were
composed in 1936/37.
Considering the slim
repertoire offered horn
players from this period,
it is more than
surprising that these two
masterpieces could have
slumbered for so long.
Both sonatas are similar
in structure, with op.
118 being one Schumann's
few three-movement
sonatas. The first
movements of the pieces
sparkle with
melancholically lyrical
melodies, whereas
passages strongly marked
rhythmically, variously
shape the two outer
movements. Virtuoso
moments can be found,
respectively, in the
final movements, bringing
the works to a brilliant
close. The horn parts
predominantly range
within the full, sonorous
middle register, where
occasional outbursts up
to the notated a flat''
are also not lacking. The
clever handling of the
balance of sounds, the
possibilities on the
early valve horn as well
as the inner interweaving
of themes differentiating
horn and piano make the
sonatas an exceedingly
vivid testimony to
Schumann's mature
compositional
art.
Schumann's
horn sonatas are a
crucial enhancement to
each horn player's
repertoire. The first
edition of a forgotten
treasure.
Horn and piano SKU: BR.EB-32114 Urtext. Composed by Camillo Schuma...(+)
Horn and piano
SKU:
BR.EB-32114
Urtext. Composed
by Camillo Schumann. Solo
instruments; stapled.
Edition Breitkopf.
The
first edition of a
forgotten treasureThis
edition contains the
original solo part for
horn in D as well as a
version for horn in
F.
Sonata;
Late-romantic. Score. 68
pages. Breitkopf and
Haertel #EB 32114.
Published by Breitkopf
and Haertel
(BR.EB-32114).
ISBN
9790004186794. 9 x 12
inches.
Schumann's
horn sonatas were
composed in 1936/37.
Considering the slim
repertoire offered horn
players from this period,
it is more than
surprising that these two
masterpieces could have
slumbered for so long.
Both sonatas are similar
in structure, with op.
118 being one Schumann's
few three-movement
sonatas. The first
movements of the pieces
sparkle with
melancholically lyrical
melodies, whereas
passages strongly marked
rhythmically, variously
shape the two outer
movements. Virtuoso
moments can be found,
respectively, in the
final movements, bringing
the works to a brilliant
close. The horn parts
predominantly range
within the full, sonorous
middle register, where
occasional outbursts up
to the notated a flat''
are also not lacking. The
clever handling of the
balance of sounds, the
possibilities on the
early valve horn as well
as the inner interweaving
of themes differentiating
horn and piano make the
sonatas an exceedingly
vivid testimony to
Schumann's mature
compositional
art.
Schumann's
horn sonatas are a
crucial enhancement to
each horn player's
repertoire.
Horn and piano (solo: hn - 0.2.0.2. - 0.0.0.0. - str) SKU: BR.EB-8698 ...(+)
Horn and piano (solo: hn
- 0.2.0.2. - 0.0.0.0. -
str)
SKU:
BR.EB-8698
Original Version and
Revised Version by Mozart
completed by Robert D.
Levin - Urtext.
Composed by Wolfgang
Amadeus Mozart. Edited by
Robert D. Levin. Arranged
by Christian Rudolf
Riedel. Solo instruments;
stapled. Edition
Breitkopf. Solo concerto;
Classical. Piano
reduction. 56 pages.
Duration 12'. Breitkopf
and Haertel #EB 8698.
Published by Breitkopf
and Haertel (BR.EB-8698).
ISBN 9790004184813. 9
x 12 inches.
The
two-movement,
incompletely transmitted
Horn Concerto in D major
K. 412 was long
considered as Mozarts
first horn concerto; it
is, however, his last,
and was written between
March and December 1791.
Mozart undertook
revisions in the
autograph which contains
the most important
orchestral parts next to
the entire solo horn part
in order to adjust the
work to the modest
technical abilities of
the planned soloist
Joseph Leutgeb. Mozart
revised and completed the
first movement,
eliminated lower notes in
the solo part, rewrote
difficult passages and
expanded orchestral
interludes to give
Leutgeb additional breath
rests. Mozart also made
similar simplifications
in the second movement as
well, but his early death
prevented the completion
of the work. Robert D.
Levin reconstructed both
versions of the concerto
on the basis of the
autograph. Next to the
version revised by Mozart
(post correcturam), he
now presents the original
version (ante
correcturam) for the
first time in a musical
text revised and
supplemented according to
rigorous philological
criteria.