Starter Solos Cor et Piano [Partition + Accès audio] Anglo Music
Horn and Piano - easy SKU: BT.AMP-154-404 20 Progressive Pieces with P...(+)
Horn and Piano - easy
SKU:
BT.AMP-154-404
20
Progressive Pieces with
Piano Accompaniment for
Horn. Composed by
Philip Sparke. Starter
Solos. Tuition. Book with
Part and Audio-Online.
Composed 2022. 32 pages.
Anglo Music Press #AMP
154-404. Published by
Anglo Music Press
(BT.AMP-154-404).
ISBN
9789043165198.
English-German-French-Dut
ch.
Philip
Sparke’s
Starter Solos is
the first volume of a
progressive series of
books that takes the
young wind player from
beginner to accomplished
musician. Specifically
tailored for each
instrument, this
collection of 20solos
starts with pieces based
on only a handful of
notes and carefully
introduces new musical
elements, such as
articulation, dynamics
and key signatures, in a
structured progression to
speed the learning
process. The booksprovide
invaluable additional
material to complement
any teaching method. Starter Solos
comes with an online
audio access. The
advantages of playing
either with piano or
audio accompaniment are
that the beginning
playercan now experience
the important aspects of
ensemble playing from
their earliest lessons,
thus developing the
essential skills of
listening while they play
and maintaining strict
tempo, which is not
always a factor when
playingalone.
Philip
Sparke’s
Starter Solos is
het eerste deel van een
serie boeken met muziek
voor jonge blazers. Deze
bundel van twintig
solo’s
begint met stukken die op
een handvol noten zijn
gebaseerd. Nieuwe
muzikale
elementen(articulatie,
dynamiek, enz.) worden op
een doordachte,
gestructureerde manier
toegevoegd. Dit
studiemateriaal vult elke
leermethode aan en is
steeds toegesneden op het
betreffende instrument.
Uitgave met online
audio: Devoordelen van
het spelen met
begeleiding - hetzij met
een pianist, hetzij met
de opname - zijn dat de
beginnende speler de
belangrijke aspecten van
het ensemblespel kan
ervaren vanaf de eerste
lessen en
essentiële
vaardigheden kanaanleren:
het luisteren tijdens het
spelen en het handhaven
van een strak tempo. Bij
het alleen spelen komen
deze factoren minder aan
de orde.
Das
frühe Lernstadium
ist, neben einem guten
Lehrer im Unterricht,
für jedes
Instrument zweifellos das
Wichtigste. Von
großer Bedeutung
ist aber auch
motivierendes
Lehrmaterial. FÃÂÂ
¼r diese Ausgabe beriet
sich Philip Sparke
mitvielen Lehrern, wie
man am besten neue Noten
einführt und
zugleich einen Rahmen
schafft, in den sich neue
musikalische Elemente in
sinnvoller Reihenfolge
einfügen lassen.
Unterstützt von
diesen Soli und
Etüden in
dreiverschiedenen
Schwierigkeitsstufen
können
Instrumentalschüle
r schnell zu richtigen
Musikern heranreifen.
Jedes Buch ist genau auf
die Bedürfnisse
und Anforderungen des
einzelnen Instrumentes
zugeschnitten. Die
Stücke in
dieserAusgabe
können dank der im
Buch in Notenform
enthaltenen und online
als Audiotracks
zugänglichen
Begleitungen auch gut
alleine oder mit einem
Pianisten einstudiert und
aufgeführt werden.
Der Vorteil dabei ist,
dass Anfänger
sonicht nur die
wichtigsten Aspekte des
Ensemblespiels erfahren,
sondern auch von Anfang
an die Fähigkeit
entwickeln,
während des
Spielens zugleich
zuzuhören und das
Tempo zu
halten.
Accanto
ad un buon insegnante, il
materiale da studio
valido è senza
dubbio la cosa più
importante al fine di un
buon apprendimento.
E’ quindi
importante mettere a
disposizione
dell’allie
vo materiale motivante.
Nello scriverequesti
soli, Philip Sparke si
è consultato a
più riprese con
insegnanti ed allievi per
mettere a punto brani che
consentono anche ai
più inesperti di
suonare in modo
soddisfacente. Gli
accompagnamenti al piano
sono accessibilionline
come file MP3.
French Horn; Piano Accompaniment (F Horn) SKU: HL.49045984 F Horn and ...(+)
French Horn; Piano
Accompaniment (F Horn)
SKU: HL.49045984
F Horn and Piano.
Composed by Erik Satie.
Edited by Wolfgang
Birtel. Brass Solo.
Classical. Softcover. 10
pages. Duration 310
seconds. Schott Music
#ED09955. Published by
Schott Music
(HL.49045984).
The music scene
took notice of Erik Satie
all of a sudden: The
world premiere of his
ballet 'Parade' in 1917
caused quite a
scandal.The production
divided the music scene
of Paris, yet made the
composer widely known.
Satie who hardly had had
any solid musical
training developed a new
musical style, in
deliberate rejection of
the 'Wagnerisme' of his
time, the perfect example
being his '3 Gymnopedies'
of 1888 the first of
which was here arranged
for a solo instrument
with piano accompaniment:
Thanks to its easy
playability, it can also
be used for educational
purposes.
Chamber Music & Piano Accompaniment 1 F Horn 1 Piano - Grade 1 SKU: FL.FX0740...(+)
Chamber Music & Piano
Accompaniment 1 F Horn 1
Piano - Grade 1
SKU:
FL.FX074045
Composed
by Pascal Proust.
Original Composition.
Classical, Educational.
Score and Set of Parts.
FLEX Editions #FX074045.
Published by FLEX
Editions (FL.FX074045).
8 short and
easy pieces for the first
year of instrument
practice, with piano
accompaniment - Pascal
PROUST ;
8 pieces
to be played from 1 year
of practice: Chevaux de
Bois, Marche des
Pingouins, Le Castor
Laborieux, Le Herisson
Reveur, Le Cerf
Majestueux, Sages
Hippocampes, Un Aigle
Plane, Un Lapin Malin ;
Instruments: 1 F Horn 1
Piano; Difficuly Level:
Grade 1.
Chamber Music Clarinet, Horn, Piano SKU: PR.114423640 Composed by Stacy G...(+)
Chamber Music Clarinet,
Horn, Piano
SKU:
PR.114423640
Composed
by Stacy Garrop. Set of
Score and Parts. 36+12+12
pages. Duration 14:15.
Theodore Presser Company
#114-42364. Published by
Theodore Presser Company
(PR.114423640).
UPC:
680160688562.
The
first time I saw
slipstreaming in action
with professional
cyclists, I was in awe.
The competitors were
riding inches away from
each other; when the lead
rider would swerve left
or right, the pursuers
would immediately follow
suit. The physics behind
what appears on the
surface to be sheer
daredevil antics are
quite solid: the cyclists
riding directly behind
the leader are
benefitting from reduced
air and wind resistance.
On a larger scale, a
peloton (the French term
for a pack of riders)
benefits multiple riders
whoare behind the leaders
of the pack. While riding
so close to other riders
carries great risk of
colliding, that risk is
outweighed by the benefit
of preserving
one’s
energy.Slipstream was
inspired by the love of
cycling shared by Haley
Hoops, horn, and Stephen
Ahearn, clarinet, for
whom the piece was
commissioned. They are
drawn to cycling for the
adventure of it, to
discover new places, and
to meet new people. Haley
also expressed her
enjoyment of taking solo
bike rides. Additionally,
I found great inspiration
in watching the daily
highlight videos of the
three-week 2020 Tour de
France, which happened to
be taking place while I
composed Slipstream.The
piece opens with The
Horizon Beckons. A
cyclist hears an enticing
call emanating from the
mountains, then the
cyclist starts pedaling
towards the mountains in
search of adventure.
Riding Solo, the second
movement, explores the
quiet of riding alone,
the beauty of the
landscape, and the
shifting of the light and
clouds, all while we hear
the bike’s wheels
in constant motion.
Adrenaline Rush, the
third and final movement,
depicts the heat of
competition. We hear the
constant jockeying of
cyclists within a peloton
as they slipstream with
each other and move with
the wind. At the very end
of the movement, we hear
sprinters race for the
finish line with
everything they have left
in their legs.