Melodies for Beginners Volume 3 Cornet et Piano [Conducteur et Parties séparées] - Débutant Editions Marc Reift (Swiss import)
Eb Cornet & Piano or CD Play Back / Play Along - Grade 1 SKU: MA.EMR-45003(+)
Eb Cornet & Piano or CD
Play Back / Play Along -
Grade 1
SKU:
MA.EMR-45003
Melodies pour
Debutants / Melodien fur
Anfanger. Composed by
Bertrand Moren. Eb Cornet
& CD Playback (Play
Along). Score and parts.
Duration 16'15. Editions
Marc Reift #EMR 45003.
Published by Editions
Marc Reift
(MA.EMR-45003).
Grandfather
Clock / Snail, come out
to play! / Rain is
Falling / Joy To The
World / William Tell /
Tenderness / Let's Climb
the Ladder / Little
Ladybird / It's Christmas
/ Santa Claus's Toy /
Pirouette, Cacahuete /
Doctor Staccato...
F Horn & Piano or CD Play Back / Play Along - Grade 1 SKU: MA.EMR-45010 <...(+)
F Horn & Piano or CD Play
Back / Play Along - Grade
1
SKU:
MA.EMR-45010
Melodies pour
Debutants / Melodien fur
Anfanger. Composed by
Bertrand Moren. Horn & CD
Playback (Play Along).
Score and parts. Duration
16'15. Editions Marc
Reift #EMR 45010.
Published by Editions
Marc Reift
(MA.EMR-45010).
Grandfather
Clock / Snail, come out
to play! / Rain is
Falling / Joy To The
World / William Tell /
Tenderness / Let's Climb
the Ladder / Little
Ladybird / It's Christmas
/ Santa Claus's Toy /
Pirouette, Cacahuete /
Doctor Staccato...
Violin, horn and piano SKU: HL.49019896 Trio for violin, horn and pian...(+)
Violin, horn and piano
SKU: HL.49019896
Trio for violin, horn
and piano. Composed
by Alexander Goehr. This
edition: Saddle
stitching. Sheet music.
Ensemble. Softcover.
Composed 2012. Op. 91. 60
pages. Duration 20'.
Schott Music #ED13509.
Published by Schott Music
(HL.49019896).
ISBN
9790220133824. UPC:
888680633110.
9.0x12.0x0.166
inches.
Largo
Siciliano is a slow dance
movement in a simple
metre comprising a
sequence of variations,
separated by a refrain; a
single idea is
continually reworked and
recast. This idea, or
little siciliano, is a
reference to Mode de
Valeurs et d'intensites,
written in 1948 by
Messiaen with whom the
composer studied. He
writes: 'From this piece
sprang the whole
development of 'total
serialism'. But
Messiaen's piece was not
serial, and nor is mine.
What was originally
considered as a study or
experiment is, for me, a
point of departure for
quite different
expressive
intentions'.