Horn and Piano - easy SKU: BT.DHP-1115159-400 Ausgewählte Werke fÃ...(+)
Horn and Piano - easy
SKU:
BT.DHP-1115159-400
Ausgewählte Werke
für den Junior- und
D1-Bereich. Composed
by Arcangelo Corelli,
Carl Czerny, Fons Van
Gorp, Forest L. Buchtel,
Franz Schubert, Johann
Philipp Kirnberger,
Johann Sebastian Bach, M.
Goddard, Pam Wedgwood,
Robert W. Getchell, and
Ronald Hammer. Arranged
by Carol Barratt,
Clarence E. Hurrell,
Leonard B. Smith, and
Stefan de Schepper. Book
with CD. Composed 2011.
28 pages. De Haske
Publications #DHP
1115159-400. Published by
De Haske Publications
(BT.DHP-1115159-400).
ISBN 9789043145503.
9x12 inches.
German.
Starke
Töne ist eine
Sammlung, die in
Zusammenarbeit mit der
Bläserjugend des
Bundes Deutscher
Blasmusikverbände
(BDB) entstanden ist. Die
Sammlung enthält eine
Auswahl der beliebtesten
Titel aus den
Literaturlisten zum
Jungmusiker-Leistungsabze
ichen Bronze (D1) bzw.
Junior. Die Vorteile
liegen dabei klar auf der
Hand: Die
Instrumentalisten sparen
mit diesem Buch nicht nur
wertvolle
Vorbereitungszeit,
sondern auch bares Geld,
denn wer früher
mehrere Hefte anschaffen
musste, hat mit Starke
Töne bereits das
Beste in einem Band
versammelt. Somit
befriedigt diese Ausgabe
eine lang bestehende
Nachfrage. In jeder
Ausgabe ist jedes
Stück mit
einerKlavierbegleitung
notiert; ursprüngliche
Solostücke wurden
eigens mit einer neu
komponierten Begleitung
versehen. Der Klavierpart
ist in der Regel einfach
bis mittelschwer, sodass
die Begleitung auch von
fortgeschrittenen
Klavierschülern
übernommen werden
kann.Ein großer
Vorteil für die
Vorbereitung auf die
praktischen
Leistungsprüfungen ist
die jedem Heft
beiliegende CD, welche
die auf einem echten
Konzertflügel
aufgenommenen
Klavierbegleitungen
enthält. Neben
Einspielungen im
Originaltempo sind die
meisten Stücke zum
leichteren Einstudieren
auch in einer weiteren
Version im langsameren
Tempo zu hören.Mit
Starke Töne ist
in Zusammenarbeit mit dem
BDB eine wertvolle
Sammlung für alle
Blasinstrumente und
Klavier sowie für
Schlagzeug entstanden,
die selbstverständlich
auch unabhängig von
den Leistungsabzeichen
das Unterrichts- und
Vortragsrepertoire für
jede dieser Besetzungen
bereichert.
Composed by Various. Arranged by David Marlatt. For F Horn and Piano. Brass - Fr...(+)
Composed by Various.
Arranged by David
Marlatt. For F Horn and
Piano. Brass - French
Horn Method or
Collection. Eighth Note
Publications: Solo
Performer Series.
Renaissance. Book.
Published by Eighth Note
Publications
By George Frideric Handel. Arranged by Tom Wade-West. For F Horn and Keyboard. B...(+)
By George Frideric
Handel. Arranged by Tom
Wade-West. For F Horn and
Keyboard. Brass - French
Horn Solo. Baroque.
Level: Medium. Duration
00:01:55. Published by
Eighth Note Publications.
Arranged by Daniel Kelley. For French Horn and Piano. Solos. Recital. Level: Int...(+)
Arranged by Daniel
Kelley. For French Horn
and Piano. Solos.
Recital. Level:
Intermediate/Advanced.
Piano Score and Solo
Part. Published by Last
Resort Music Publishing.
Edited by Kristy Morrell. Arranged by Daniel Kelley. For French Horn and Piano. ...(+)
Edited by Kristy Morrell.
Arranged by Daniel
Kelley. For French Horn
and Piano. Solos.
Recital, Church.
Intermediate/Advanced.
Piano Score and Solo Part
(Version for Violoncello With Marked and Unmarked String Parts). Composed by Cam...(+)
(Version for Violoncello
With Marked and Unmarked
String Parts). Composed
by Camille Saint-Saens
(1835-1921). Edited by
Dominik Rahmer. For
Cello, Piano
Accompaniment. Henle
Music Folios. Softcover.
G. Henle #HN1168.
Published by G. Henle
Horn and Piano - easy SKU: HL.14034490 Composed by Austin Boothroyd. Musi...(+)
Horn and Piano - easy
SKU: HL.14034490
Composed by Austin
Boothroyd. Music Sales
America. Classical. Book
[Softcover]. 12 pages.
Music Sales #NOV120702.
Published by Music Sales
(HL.14034490).
ISBN
9780853609162.
8.25x11.75x0.053
inches.
Up And Away
is designed to enable the
beginner to experience
the satisfaction of
performing with others
from the very first
lesson up to the time
when the student has
acquired enough skill to
be able to perform
confidently with a school
band or orchestra. The
twelve pieces are
arranged in order of
increasing difficulty;
notes, rhythmic figures ,
dotted notes, ties,
rests, dynamic markings,
slurs etc. are all
introduced carefully.
Three pieces concentrate
on the important skill of
pitching different notes
without the aid of a
change in fingering.
For Horn and Piano Reduction. Composed by Carl Maria von Weber (1786-1826). E...(+)
For Horn and Piano
Reduction. Composed by
Carl
Maria von Weber
(1786-1826).
Edited by Dominik Rahmer.
Sheet Music. Paperbound.
Henle Music Folios. With
additional Horn part in E
und F. Classical.
Softcover
Piano Reduction. 44
pages.
G. Henle #HN1179.
Published
by G. Henle
18 Festival Solos with Piano Accompaniment. Composed by Tyler Arcari and Larry...(+)
18 Festival Solos with
Piano
Accompaniment. Composed
by
Tyler Arcari and Larry
Clark.
Solo and Ensemble Music.
Solo
Performnace Collection.
Collection. Wingert-Jones
Publications #WB2223.
Published by
Wingert-Jones
Publications
Arranged by Richard Bissell and Arthur Campbell. For French Horn and Piano. Book...(+)
Arranged by Richard
Bissell and Arthur
Campbell. For French Horn
and Piano. Book; Brass -
French Horn Method or
Collection;
Method/Instruction. Faber
Edition: Going Solo.
Published by Faber Music
For Horn And Piano. Composed by Eric Ewazen. Contemporary. Solo part with...(+)
For Horn And
Piano. Composed by
Eric Ewazen.
Contemporary. Solo part
with piano reduction.
With Standard notation.
Composed 2005. 16 pages.
Duration 2 minutes, 40
seconds. Theodore Presser
Company #114-41728.
Published by Theodore
Presser Company
(PR.114417280).
(for Horn in F and Piano). Composed by Alexander Glazunov (1865-1936). Edited by...(+)
(for Horn in F and
Piano). Composed by
Alexander Glazunov
(1865-1936). Edited by
Dominik Rahmer. For
French Horn, Piano
Accompaniment. Henle
Music Folios. Softcover.
G. Henle #HN1285.
Published by G. Henle
By W. Duncombe. Arranged by Sandy Feldstein, Larry Clark. For French Horn. The Y...(+)
By W. Duncombe. Arranged
by Sandy Feldstein, Larry
Clark. For French Horn.
The Yamaha Advantage Solo
Series. Play along. Solo
Book with CD. Published
by Playintime.
Chamber Music Clarinet, Horn, Piano SKU: PR.114423640 Composed by Stacy G...(+)
Chamber Music Clarinet,
Horn, Piano
SKU:
PR.114423640
Composed
by Stacy Garrop. Set of
Score and Parts. 36+12+12
pages. Duration 14:15.
Theodore Presser Company
#114-42364. Published by
Theodore Presser Company
(PR.114423640).
UPC:
680160688562.
The
first time I saw
slipstreaming in action
with professional
cyclists, I was in awe.
The competitors were
riding inches away from
each other; when the lead
rider would swerve left
or right, the pursuers
would immediately follow
suit. The physics behind
what appears on the
surface to be sheer
daredevil antics are
quite solid: the cyclists
riding directly behind
the leader are
benefitting from reduced
air and wind resistance.
On a larger scale, a
peloton (the French term
for a pack of riders)
benefits multiple riders
whoare behind the leaders
of the pack. While riding
so close to other riders
carries great risk of
colliding, that risk is
outweighed by the benefit
of preserving
one’s
energy.Slipstream was
inspired by the love of
cycling shared by Haley
Hoops, horn, and Stephen
Ahearn, clarinet, for
whom the piece was
commissioned. They are
drawn to cycling for the
adventure of it, to
discover new places, and
to meet new people. Haley
also expressed her
enjoyment of taking solo
bike rides. Additionally,
I found great inspiration
in watching the daily
highlight videos of the
three-week 2020 Tour de
France, which happened to
be taking place while I
composed Slipstream.The
piece opens with The
Horizon Beckons. A
cyclist hears an enticing
call emanating from the
mountains, then the
cyclist starts pedaling
towards the mountains in
search of adventure.
Riding Solo, the second
movement, explores the
quiet of riding alone,
the beauty of the
landscape, and the
shifting of the light and
clouds, all while we hear
the bike’s wheels
in constant motion.
Adrenaline Rush, the
third and final movement,
depicts the heat of
competition. We hear the
constant jockeying of
cyclists within a peloton
as they slipstream with
each other and move with
the wind. At the very end
of the movement, we hear
sprinters race for the
finish line with
everything they have left
in their legs.
Chamber Music & Piano Accompaniment 1 F Horn 1 Piano - Grade 1 SKU: FL.FX0728...(+)
Chamber Music & Piano
Accompaniment 1 F Horn 1
Piano - Grade 1
SKU:
FL.FX072893
Composed
by Pascal Proust.
Original Composition.
Classical, Educational.
Score and Set of Parts.
Duration 2 minutes, 10
seconds. FLEX Editions
#FX072893. Published by
FLEX Editions
(FL.FX072893).
As its name
suggests, here is a
little air that can last
a very long time! For
young instrumentalists
from the first year of
practice. - Pascal PROUST
; Instruments: 1 F Horn 1
Piano; Difficuly Level:
Grade 1.
By Giacomo Puccini (1858 - 1924). Arranged by Tom Wade-West. For F Horn and Keyb...(+)
By Giacomo Puccini (1858
- 1924). Arranged by Tom
Wade-West. For F Horn and
Keyboard. Brass - French
Horn Solo. Romantic.
Level: Medium. Duration
00:01:50. Published by
Eighth Note Publications.
Chamber Music English Horn, Piano SKU: PR.114417250 For English Horn a...(+)
Chamber Music English
Horn, Piano
SKU:
PR.114417250
For
English Horn and
Orchestra. Composed
by Gaetano Donizetti.
Edited by Mark Biggam
Pedro Diaz. Sws each. See
the Historical Notes by
Michael Finkelman on the
second and third pages.
Romantic. Set of Score
and Parts. With Standard
notation. 16+8 pages.
Duration 12:30. Theodore
Presser Company
#114-41725. Published by
Theodore Presser Company
(PR.114417250).
ISBN
9781491110928. UPC:
680160631469. 9x12
inches. Key:
F.
Concertino in
FÂ for English Horn and
OrchestraPreviously known
only through a spurious
edition in G Major, the
authentic Concertino in F
was recently discovered
in Italy by Pedro Diaz,
English Hornist of the
Metropolitan Opera
Orchestra. Diaz prepared
this ground-breaking
authentic edition through
comparison of the
multiple historical
sources and an intimate
knowledge of Donizetti's
works. The new edition in
F Major is embellished
with footnotes regarding
sources and
ornamentation. The piano
reduction and orchestral
score and parts
(available on rental)
were prepared by
composer/oboist Mark
Biggam in tandem with
Diaz's work, and the
publication includes
extensive historical
notes by scholar Michael
Finkelman. PEDRO DIAZ
joined The Metropolitan
Opera Orchestra in 2005
and has performed as solo
English Hornist in
hundreds of productions.
As a sought after
teacher, Mr. DÃaz has
lectured extensively at
top music conservatories
including The Juilliard
School, The Manhattan
School of Music, The
Eastman School of
Music,The Hartt Music
School, and Duquesne
University. His
international appearances
include masterclasses in
Panama, Italy, Mexico,
Canada, Puerto Rico,
Leipzig, Berlin, and
Italy.A native of Puerto
Rico, he received his
early musical training in
the “Escuela Libre
de Musica,†an
esteemed public school
for the performing arts.
He has performed as a
guest artist with the
Chicago Symphony, New
York Philharmonic, and
many other leading
ensembles. His playing
has been hailed by
critics as evocative,
eloquent and expressive
and is considered one of
the pre-eminent players
of his generation. Mr.
DÃaz has performed
Wagner’s Tristan
und Isolde 24 times under
the batons of James
Levine, Daniel Barenboim,
and Sir Simon
Rattle.Pedro
DÃaz’s
recording of the
Donizetti Concertino in F
and other concerti is
available from Fox
Products and online
sources, performed with
members of the
Metropolitan Opera
Orchestra. MARK
BIGGAM’s
compositions have been
recognized in various
venues throughout the
United States, Central
America, Asia, and
Europe. He has received
awards from ASCAP and the
Cleveland Foundation. An
oboist himself, many of
Biggam’s
compositions have been
performed by notable
oboists and English Horn
players including John
Mack, Joseph Robinson,
Pedro DÃaz, Carolyn
Hove, and Dwight Parry.
Premieres of his works
have been featured at
events including the
International Double Reed
Society and John Mack
Legacy
Camp.Biggam’s
choral works have gained
recognition, awards, and
commissions from
organizations including
the Moravian Music
Foundation, Ohio
BoyChoir, and Triad Pride
Men’s Chorus. He
also has published
arrangements and piano
reductions of J.S.
Bach’s music for
Bärenreiter-Verlag.
His collaborations with
Pedro DÃaz include the
Donizetti Concertino in F
as well as works of the
lesser-known composers
Pilotti and Mares,
recorded by Mr. Diaz and
members of the
Metropolitan Opera
Orchestra. Biggam has
alsoprepared arrangements
and settings of works for
symphonic band, which
have been performed by
the Piedmont Wind
Symphony.
Horn and piano (solo: hn - 0.2.0.2 - 0.0.0.0 - str) SKU: BR.EB-10701 U...(+)
Horn and piano (solo: hn
- 0.2.0.2 - 0.0.0.0 -
str)
SKU:
BR.EB-10701
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Henrik
Wiese. Arranged by Jan
Philip Schulze. Solo
instruments; stapled.
Edition Breitkopf.
In
Cooperation with G. Henle
Verlag
Solo concerto;
Classical. Piano
reduction. 44 pages.
Duration 12'. Breitkopf
and Haertel #EB 10701.
Published by Breitkopf
and Haertel
(BR.EB-10701).
ISBN
9790201807010. 9.5 x 12
inches.
With the
publication of the score
and parts of the D-major
Horn Concerto K. 412/514,
the Mozart expert Henrik
Wiese adds another
milestone to his edition
of this important work
group which was begun in
2013. In the course of
time, the piece that was
first edited in the Old
Mozart Edition of 1881 as
Mozarts 1st Horn Concerto
turned out to be a
pasticcio: while the
opening movement is
indisputably by Mozart,
the elaboration of the
Rondo must now be
attributed to Sussmayr.
This movement is
transmitted solely as a
sketch in Mozarts hand.
The present edition
contains both the
Sussmayr Rondo (K. 514 =
smWV 502) and the
Mozartian Rondo fragment
(K. 412) which was
carefully completed by
Wiese. The performer will
thus have the choice
between the traditional
version (with Sussmayr)
and the version
presumably intended by
Mozart, all in one
practical
edition.
In
Cooperation with G. Henle
Verlag. EB 10701 contains
the parts for horn in F
and Eb.
Chamber Music English Horn, Piano SKU: PR.114422630 Composed by Stacy Gar...(+)
Chamber Music English
Horn, Piano
SKU:
PR.114422630
Composed
by Stacy Garrop. Sws. Set
of Score and Parts. 8+2
pages. Duration 5
minutes. Theodore Presser
Company #114-42263.
Published by Theodore
Presser Company
(PR.114422630).
UPC:
680160684793. 9 x 12
inches.
In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in
Clearmont, Wyoming.
Ucross is an artist
colony that gives
writers, composers, and
visual artists
the gift of time,
space, and support to
follow their artistic
pursuits; we are provided
with studio space,
housing, and meals so
that we can work
continuously on our
projects. I have been
in residence at numerous
artist colonies; however,
nothing in my
previous experiences
prepared me for living in
such isolated, wild
country. Ucross is
situated on
a 20,000-acre cattle
ranch at nearly 4,000
feet in elevation with
fewer than 150
people living within
the town. But what
Clearmont lacks in
population, it makes up
for abundantly and
spectacularly in
wilderness and wildlife.
I composed the sextet
Postcards from Wyoming
to offer three glimpses
of what I found to be the
most striking aspects
of my residence. The
Solitude of Stars, the
third and final movement
of the original
sextet, was inspired
by the stunning nightly
display of the heavens
above. Without city
lights dimming the
night sky, countless
stars shone brightly over
the vast expanse of the
prairie. This edition
is part of The Solitude
of Stars Project that I
undertook during the
2020 COVID-19
pandemic, which consists
of a series of
arrangements that I made
for colleagues and
friends. In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in Clearmont,
Wyoming. Ucross is an
artist colony that gives
writers, composers, and
visual artists the gift
of time, space, and
support to follow their
artistic pursuits; we are
provided with studio
space, housing, and meals
so that we can work
continuously on our
projects. I have been in
residence at numerous
artist colonies; however,
nothing in my previous
experiences prepared me
for living in such
isolated, wild country.
Ucross is situated on a
20,000-acre cattle ranch
at nearly 4,000 feet in
elevation with fewer than
150 people living within
the town. But what
Clearmont lacks in
population, it makes up
for abundantly and
spectacularly in
wilderness and wildlife.
I composed the sextet
Postcards from Wyoming to
offer three glimpses of
what I found to be the
most striking aspects of
my residence. The
Solitude of Stars, the
third and final movement
of the original sextet,
was inspired by the
stunning nightly display
of the heavens above.
Without city lights
dimming the night sky,
countless stars shone
brightly over the vast
expanse of the prairie.
This edition is part of
The Solitude of Stars
Project that I undertook
during the 2020 COVID-19
pandemic, which consists
of a series of
arrangements that I made
for colleagues and
friends. In 2014, I
enjoyed a wonderful
residence at the Ucross
Foundation in
Clearmont,Wyoming. Ucross
is an artist colony that
gives writers, composers,
and visual artists
thegift of time, space,
and support to follow
their artistic pursuits;
we are provided
withstudio space,
housing, and meals so
that we can work
continuously on our
projects. I havebeen in
residence at numerous
artist colonies; however,
nothing in my
previousexperiences
prepared me for living in
such isolated, wild
country. Ucross is
situated on a20,000-acre
cattle ranch at nearly
4,000 feet in elevation
with fewer than 150
peopleliving within the
town. But what Clearmont
lacks in population, it
makes up forabundantly
and spectacularly in
wilderness and wildlife.
I composed the sextet
Postcardsfrom Wyoming to
offer three glimpses of
what I found to be the
most striking aspects
ofmy residence. The
Solitude of Stars, the
third and final movement
of the original
sextet,was inspired by
the stunning nightly
display of the heavens
above. Without city
lightsdimming the night
sky, countless stars
shone brightly over the
vast expanse of the
prairie.This edition is
part of The Solitude of
Stars Project that I
undertook during the
2020COVID-19 pandemic,
which consists of a
series of arrangements
that I made forcolleagues
and friends.
French Horn; Piano Accompaniment (F Horn) SKU: HL.49045984 F Horn and ...(+)
French Horn; Piano
Accompaniment (F Horn)
SKU: HL.49045984
F Horn and Piano.
Composed by Erik Satie.
Edited by Wolfgang
Birtel. Brass Solo.
Classical. Softcover. 10
pages. Duration 310
seconds. Schott Music
#ED09955. Published by
Schott Music
(HL.49045984).
The music scene
took notice of Erik Satie
all of a sudden: The
world premiere of his
ballet 'Parade' in 1917
caused quite a
scandal.The production
divided the music scene
of Paris, yet made the
composer widely known.
Satie who hardly had had
any solid musical
training developed a new
musical style, in
deliberate rejection of
the 'Wagnerisme' of his
time, the perfect example
being his '3 Gymnopedies'
of 1888 the first of
which was here arranged
for a solo instrument
with piano accompaniment:
Thanks to its easy
playability, it can also
be used for educational
purposes.
Chamber Music Horn, Piano SKU: PR.114417780 For Horn and Piano. Co...(+)
Chamber Music Horn, Piano
SKU: PR.114417780
For Horn and
Piano. Composed by
Eric Ewazen. Sws. Set of
Score and Parts. With
Standard notation. 12+2
pages. Duration 7
minutes. Theodore Presser
Company #114-41778.
Published by Theodore
Presser Company
(PR.114417780).
ISBN
9781491108192. UPC:
680160636600. 9x12
inches.
A Song from
the Heart for Horn and
PianoA beautiful
cantabile song without
words, A SONG FROM THE
HEART has all of
Ewazen’s
expressive elegance, yet
is performable by
advanced students as well
as on professional and
college recitals.
Transcribed for Horn by
the composer, A SONG FROM
THE HEART was originally
composed for Trumpet and
Piano and premiered by
Charles Schlueter,
long-time principal
trumpet of the Boston
Symphony. A SONG FROM
THE HEART was originally
composed for Trumpet
andPiano and is dedicated
to Dennis Caron on the
occasion of his
retirement. It was
commissioned by his wife,
Marsha Caron, and was
premiered at
Dennis’s
retirement party by our
mutual friend Charles
Schlueter, long-time
principal trumpet of the
Boston Symphony. A SONG
FROM THE HEART is filled
with lyricism and rich
harmonies, as the trumpet
line sings and soars over
a rich accompaniment.
Horn and piano (solo: hn - 0.2.0.2. - 0.0.0.0. - str) SKU: BR.EB-8698 ...(+)
Horn and piano (solo: hn
- 0.2.0.2. - 0.0.0.0. -
str)
SKU:
BR.EB-8698
Original Version and
Revised Version by Mozart
completed by Robert D.
Levin - Urtext.
Composed by Wolfgang
Amadeus Mozart. Edited by
Robert D. Levin. Arranged
by Christian Rudolf
Riedel. Solo instruments;
stapled. Edition
Breitkopf. Solo concerto;
Classical. Piano
reduction. 56 pages.
Duration 12'. Breitkopf
and Haertel #EB 8698.
Published by Breitkopf
and Haertel (BR.EB-8698).
ISBN 9790004184813. 9
x 12 inches.
The
two-movement,
incompletely transmitted
Horn Concerto in D major
K. 412 was long
considered as Mozarts
first horn concerto; it
is, however, his last,
and was written between
March and December 1791.
Mozart undertook
revisions in the
autograph which contains
the most important
orchestral parts next to
the entire solo horn part
in order to adjust the
work to the modest
technical abilities of
the planned soloist
Joseph Leutgeb. Mozart
revised and completed the
first movement,
eliminated lower notes in
the solo part, rewrote
difficult passages and
expanded orchestral
interludes to give
Leutgeb additional breath
rests. Mozart also made
similar simplifications
in the second movement as
well, but his early death
prevented the completion
of the work. Robert D.
Levin reconstructed both
versions of the concerto
on the basis of the
autograph. Next to the
version revised by Mozart
(post correcturam), he
now presents the original
version (ante
correcturam) for the
first time in a musical
text revised and
supplemented according to
rigorous philological
criteria.