For Horn and Piano with Recorded Accompaniments. Composed by John Williams. For Classical Players. Classical, Movies. Softcover Audio Online. 72 pages. Published by Hal Leonard

By William Presser. For French Horn, Piano. Published by Tritone/Tenuto Publications.

By Robert Sibbing. For French Horn, Piano. Published by Tritone Press & Tenuto Publications.

By William Presser. For French Horn, Piano. Published by Tritone Press & Tenuto Publications.

Horn in F and Piano - intermediate

SKU: XC.LS1804

Composed by Franz Strauss. Arranged by Larry Clark. Legacy Solo Series. Solo with Piano. Classical, Acoustic. Score and part. Excelcia Music Publishing #LS1804. Published by Excelcia Music Publishing (XC.LS1804).

UPC: 812598030099. 12 x 9 inches.

The Legacy Solo Series contains masterworks meticulously edited and set beautifully by one of the most popular composers of music for students today, Larry Clark. These solos are routinely found on many state festival lists throughout the United States and are perfect for use at an adjudicated solo festival or recital. Commonly featured on college audition lists, these works are a cornerstone of the solo repertoire. Piano players will enjoy piano reductions that are clean and feature the solo line in concert pitch for easy rehearsal. Each Legacy Solo, compatible with Smartmusic, comes with beautifully set parts and piano accompaniment. Piano recordings for rehearsal or performance of each piece are available for download from the Excelcia Music Publishing website.

By Franz Schubert (1797-1828). Edited by Kazimierz Machala. For Horn, Piano, Horn, Piano. This edition: Volume I. Twenty-One Lieder for Horn and Piano. Classical. Score and parts. Standard notation. 50 pages

(Arranged for Horn in F and Piano With a CD of Piano Accompaniments). Composed by Leonard Bernstein (1918-1990). Arranged by Joel Boyd and Joshua Parman. For Horn, Piano Accompaniment (Horn). Instrumental. Softcover with CD. 88 pages. Boosey and Hawkes #M051106455. Published by Boosey and Hawkes

For Horn And Piano. Composed by Eric Ewazen. Contemporary. Solo part with piano reduction. With Standard notation. Composed 2005. 16 pages. Duration 2 minutes, 40 seconds. Theodore Presser Company #114-41728. Published by Theodore Presser Company (PR.114417280).

(Brass Solos & Ensemble/Horn And Piano/organ). By Wolfgang Amadeus Mozart (1756-1791). Arranged by Lorenzo Sansone. For Horn (Horn). Brass Solos & Ensembles - Horn And Piano/Organ. Southern Music. Grade 5. Southern Music Company #SS341. Published by Southern Music Company

(Brass Solos & Ensemble/Horn And Piano/organ). By Wolfgang Amadeus Mozart (1756-1791). Arranged by Lorenzo Sansone. For Horn (Horn). Brass Solos & Ensembles - Horn And Piano/Organ. Southern Music. Grade 5. 32 pages. Southern Music Company #SS342. Published by Southern Music Company

(Horn). Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Lorenzo Sansone. For Horn, Brass. Brass Solos and Ensembles - Horn And Piano/Organ. Southern Music. Grade 5. K412. 16 pages. Southern Music Company #SS340. Published by Southern Music Company

By Oliver Knussen (1952-). For French Horn and Piano. Brass - French Horn Solo; Masterworks; Part(s); Solo. Faber Edition. 20th Century; Masterwork. Published by Faber Music

By Ramskill. For Horn in Eb & Piano. Solo Brass. Medium. Collection. Published by Brass Wind Publications

(Brass Solos and Ensemble/Horn And Piano/organ). By Strauss, Franz. Arranged by Lorenzo Sansone. For Horn (Horn). Brass Solos and Ensembles - Horn And Piano/Organ. Southern Music. Grade 5. 20 pages. Southern Music Company #SS352. Published by Southern Music Company

(Horn and Piano). By Robert Schumann. Edited by Ernst Herttrich. Henle Music Folios. Book only. G. Henle #HN1023. Published by G. Henle

Arranged by John Iveson. For Horn in F & Piano. Solo Brass. Medium. Collection. Published by Brass Wind Publications

(Concerto for French Horn and Orchestra Horn and Piano Reduction). By Kenneth Fuchs. For Horn, Piano Accompaniment. E.B. Marks. 40 pages. Published by Edward B. Marks Music

By Parker. For Horn in F and Piano. Solo Brass. Medium. Collection. Published by Brass Wind Publications

(Opera-comique de Daniel-Francois-Esprit Auber (1782 - 1871) - (Comic opera by Daniel-Francois-Esprit Auber)). By Jean-Baptiste Arban. For Bb Trumpet, Piano. Collection Guy Touvron. 16 pages. Duration 8 minutes, 10 seconds. Published by Gerard Billaudot Editeur

Horn and Piano

SKU: HL.49016006

By Mason Jones. By Rehberg. Edition Schott. Classical. Book Only. 644 pages. Schott Music #GS33005. Published by Schott Music (HL.49016006).

ISBN 9780793554003. UPC: 073999444711. 305 X 229 inches.

Contents: Aria (Stradella) oe I Attempt from Love's Sickness oe I See a Huntsman oe Largo & Allegro oe Pavane pour une Infante Defunte oe Reveries oe Romance oe Rondo oe Scherzo oe Symphony No. 5 oe Theme & Variations oe Villanelle.

A collection of music for French Horn, intended to display the instrument's characteristic tone qualities, both lyric and fanfare-like. Transcribed (with Piano accompaniment) and edited by Mason Jones.

Contents: Aria (Stradella) oe I Attempt from Love's Sickness oe I See a Huntsman oe Largo & Allegro oe Pavane pour une Infante Defunte oe Reveries oe Romance oe Rondo oe Scherzo oe Symphony No. 5 oe Theme & Variations oe Villanelle.

Contents: Aria (Stradella) PS I Attempt from Love's Sickness PS I See a Huntsman PS Largo & Allegro PS Pavane pour une Infante Defunte PS Reveries PS Romance PS Rondo PS Scherzo PS Symphony No. 5 PS Theme & Variations PS Villanelle.

THE book for all horn enthousiasts: this well-known Schirmer edition contains 14 classical pieces for horn and piano.NEW: The accompaniment CD with all 14 titles is playable on both your CD player and computer. It is enhanced so that when used in computers it has tempo adjustment software to aid in practice (order-no. HL 50490439).

Horn & Piano

SKU: SU.50025220

For Horn & Piano. Composed by Teresa Procaccini. Brass, Horn. Score & Parts. Seesaw Music Corp #50025220. Published by Seesaw Music Corp (SU.50025220).

Published by: Seesaw Music.

By Jan Koetsier. For 3 horns in F & piano. Swiss import. Level: 4+. Score and parts. Published by Editions Marc Reift. (EMR 5207)

Horn and Piano - early intermediate

SKU: BT.DHP-1125295-400

Composed by Ed Wennink and Nettie Vening. Two is a team. Book with CD. Composed 2013. 56 pages. De Haske Publications #DHP 1125295-400. Published by De Haske Publications (BT.DHP-1125295-400).

ISBN 9789043141819. 9x12 inches. English-German-French-Dut ch.

Performance pieces for piano and horn in which the level of difficulty for both players is similar are always in demand. The 20 pieces in this book — arrangements of well-known tunes as well as original compositions — are aimed at pupils who have been playing for approximately three years. Both players will learn a great deal and will have double the playing fun. Two is a Team — after all playing together is almost always at the heart of music!

Er blijkt steeds weer behoefte te zijn aan samenspeelstukken voor piano en hoorn waarin beide partijen een vergelijkbare moeilijkheidsgraad hebben. De 20 stukken in dit boek — zowel bewerkingen van bekende liedjes als originele composities — zijn bedoeld voor leerlingen die ongeveer drie jaar spelen. Beiden zullen er veel van leren en er dubbel plezier aan beleven. Two is a Team — in de muziek draait het immers vrijwel altijd om samenspel!

Es gibt immer Bedarf an Stücken für Klavier und Horn, in denen die Stimmen für beide Spieler ähnlich schwer sind. Die 20 Stücke in diesem Buch — die sowohl bekannte Melodien als auch originale Kompositionen umfassen — richten sich an Instrumentalschüler , die bereits etwa drei Jahre Unterricht hatten. So können beide etwas lernen und haben doppelt Spaß. Two is a Team — denn schließlich geht es beim Musizieren doch fast immer um das gemeinsame Musikerlebnis!

La littérature musicale semblerait être dénuée de morceaux de concert pour piano et cor dont le degré de difficulté soit peu près le même pour les deux musiciens. Les 20 morceaux de ce recueil — arrangements d’airs connus et compositions originales — sont destinés aux élèves qui jouent depuis environ trois ans. Ils profiteront tous deux de ce travail et prendront doublement plaisir interpréter ces morceaux. Après tout, jouer avec d’autres est un des grands plaisirs qu’apporte la pratique de la musique !

Two is a Team raccoglie composizioni originali e brani del repertorio classico noto al pubblico, indirizzati agli strumentisti con circa tre anni di studio alle spalle. Il livello di difficolt dei brani contenuti nella pubblicazione è molto simile per entrambi gli strumentisti, rendendo così più facile un’esecuzione con l’accompagnamento del piano.

Horn and piano

SKU: BR.EB-32113

Urtext. Composed by Camillo Schumann. Solo instruments; stapled. Edition Breitkopf.

The first edition of a forgotten treasure

Sonata; Late-romantic. Score. 48 pages. Breitkopf and Haertel #EB 32113. Published by Breitkopf and Haertel (BR.EB-32113).

ISBN 9790004186787. 9 x 12 inches.

Schumann's horn sonatas were composed in 1936/37. Considering the slim repertoire offered horn players from this period, it is more than surprising that these two masterpieces could have slumbered for so long. Both sonatas are similar in structure, with op. 118 being one Schumann's few three-movement sonatas. The first movements of the pieces sparkle with melancholically lyrical melodies, whereas passages strongly marked rhythmically, variously shape the two outer movements. Virtuoso moments can be found, respectively, in the final movements, bringing the works to a brilliant close. The horn parts predominantly range within the full, sonorous middle register, where occasional outbursts up to the notated a flat'' are also not lacking. The clever handling of the balance of sounds, the possibilities on the early valve horn as well as the inner interweaving of themes differentiating horn and piano make the sonatas an exceedingly vivid testimony to Schumann's mature compositional art.

Schumann's horn sonatas are a crucial enhancement to each horn player's repertoire. The first edition of a forgotten treasure.

Horn and piano

SKU: BR.EB-32114

Urtext. Composed by Camillo Schumann. Solo instruments; stapled. Edition Breitkopf.

The first edition of a forgotten treasureThis edition contains the original solo part for horn in D as well as a version for horn in F.

Sonata; Late-romantic. Score. 68 pages. Breitkopf and Haertel #EB 32114. Published by Breitkopf and Haertel (BR.EB-32114).

ISBN 9790004186794. 9 x 12 inches.

Schumann's horn sonatas were composed in 1936/37. Considering the slim repertoire offered horn players from this period, it is more than surprising that these two masterpieces could have slumbered for so long. Both sonatas are similar in structure, with op. 118 being one Schumann's few three-movement sonatas. The first movements of the pieces sparkle with melancholically lyrical melodies, whereas passages strongly marked rhythmically, variously shape the two outer movements. Virtuoso moments can be found, respectively, in the final movements, bringing the works to a brilliant close. The horn parts predominantly range within the full, sonorous middle register, where occasional outbursts up to the notated a flat'' are also not lacking. The clever handling of the balance of sounds, the possibilities on the early valve horn as well as the inner interweaving of themes differentiating horn and piano make the sonatas an exceedingly vivid testimony to Schumann's mature compositional art.

Schumann's horn sonatas are a crucial enhancement to each horn player's repertoire.

Chamber Music English Horn, Piano

SKU: PR.114422630

Composed by Stacy Garrop. Sws. Set of Score and Parts. 8+2 pages. Duration 5 minutes. Theodore Presser Company #114-42263. Published by Theodore Presser Company (PR.114422630).

UPC: 680160684793. 9 x 12 inches.

In 2014, I enjoyed a wonderful residence at the Ucross Foundation in Clearmont,
Wyoming. Ucross is an artist colony that gives writers, composers, and visual artists the
gift of time, space, and support to follow their artistic pursuits; we are provided with
studio space, housing, and meals so that we can work continuously on our projects. I have
been in residence at numerous artist colonies; however, nothing in my previous
experiences prepared me for living in such isolated, wild country. Ucross is situated on a
20,000-acre cattle ranch at nearly 4,000 feet in elevation with fewer than 150 people
living within the town. But what Clearmont lacks in population, it makes up for
abundantly and spectacularly in wilderness and wildlife. I composed the sextet Postcards
from Wyoming to offer three glimpses of what I found to be the most striking aspects of
my residence. The Solitude of Stars, the third and final movement of the original sextet,
was inspired by the stunning nightly display of the heavens above. Without city lights
dimming the night sky, countless stars shone brightly over the vast expanse of the prairie.
This edition is part of The Solitude of Stars Project that I undertook during the 2020
COVID-19 pandemic, which consists of a series of arrangements that I made for
colleagues and friends.
In 2014, I enjoyed a wonderful residence at the Ucross Foundation in Clearmont, Wyoming. Ucross is an artist colony that gives writers, composers, and visual artists the gift of time, space, and support to follow their artistic pursuits; we are provided with studio space, housing, and meals so that we can work continuously on our projects. I have been in residence at numerous artist colonies; however, nothing in my previous experiences prepared me for living in such isolated, wild country. Ucross is situated on a 20,000-acre cattle ranch at nearly 4,000 feet in elevation with fewer than 150 people living within the town. But what Clearmont lacks in population, it makes up for abundantly and spectacularly in wilderness and wildlife. I composed the sextet Postcards from Wyoming to offer three glimpses of what I found to be the most striking aspects of my residence. The Solitude of Stars, the third and final movement of the original sextet, was inspired by the stunning nightly display of the heavens above. Without city lights dimming the night sky, countless stars shone brightly over the vast expanse of the prairie. This edition is part of The Solitude of Stars Project that I undertook during the 2020 COVID-19 pandemic, which consists of a series of arrangements that I made for colleagues and friends.
In 2014, I enjoyed a wonderful residence at the Ucross Foundation in Clearmont,Wyoming. Ucross is an artist colony that gives writers, composers, and visual artists thegift of time, space, and support to follow their artistic pursuits; we are provided withstudio space, housing, and meals so that we can work continuously on our projects. I havebeen in residence at numerous artist colonies; however, nothing in my previousexperiences prepared me for living in such isolated, wild country. Ucross is situated on a20,000-acre cattle ranch at nearly 4,000 feet in elevation with fewer than 150 peopleliving within the town. But what Clearmont lacks in population, it makes up forabundantly and spectacularly in wilderness and wildlife. I composed the sextet Postcardsfrom Wyoming to offer three glimpses of what I found to be the most striking aspects ofmy residence. The Solitude of Stars, the third and final movement of the original sextet,was inspired by the stunning nightly display of the heavens above. Without city lightsdimming the night sky, countless stars shone brightly over the vast expanse of the prairie.This edition is part of The Solitude of Stars Project that I undertook during the 2020COVID-19 pandemic, which consists of a series of arrangements that I made forcolleagues and friends.

Horn and Piano - easy

SKU: BT.DHP-1165693-401

Composed by Pascal Proust. De Haske Brass Series. Book Only. Composed 2016. 8 pages. De Haske Publications #DHP 1165693-401. Published by De Haske Publications (BT.DHP-1165693-401).

ISBN 9789043150057. English-German-French-Dut ch.

The poetry of the sound of the horn evokes dreamlike images of the grand blue southern seas…. The composer Pascal Proust has many years’ experience as a musician and music teacher. His output includes several hundred compositions for the most diverse instrumentations. He wrote Moorea for horn players at the level of approximately one year’s study and paid special attention to an easy-to-follow, attractive musical style. As a result, Moorea is an ideal performance or competition work for young musicians.

De poëzie van de klank van de hoorn roept droombeelden op van het glorieuze blauw van zuidelijke zeeën…. De componist Pascal Proust kan bogen op een jarenlange ervaring als muzikant en muziekdocent. Zijn oeuvre omvat honderden composities voor de meest diverse instrumentaties. Hij schreef Moorea voor hoornisten die ongeveer een jaar les hebben gehad, waarbij hij speciaal aandacht heeft besteed aan een makkelijk te volgen, aantrekkelijke muziekstijl. Daardoor is Moorea een ideaal voordrachts- of wedstrijdstuk voor jonge muzikanten.

Der poetische Klang des Horns regt zum Träumen von der großen blauen Südsee an… Der Komponist Pascal Proust kann aus seiner langjährigen Erfahrung als Musiker und Musikpädagoge schöpfen; sein Oeuvre umfasst mehrere hundert Kompositionen für verschiedenste Besetzungen. Er schrieb Moorea für Hornisten mit ungefähr einem Jahr Unterrichtserfahrung und legte besonderes Augenmerk auf einen leicht verständlichen, attraktiven musikalischen Stil. Dadurch eignet sich Moorea ideal als Vortrags- und Wettbewerbsstück für junge Musiker.

La poésie du son du cor incite la rêverie, face au grand bleu des mers du sud…. Le compositeur Pascal Proust puise volonté dans son immense expérience de musicien et professeur de musique ; son catalogue d’oeuvres englobe plusieurs centaines de compositions pour divers instruments. Il a notamment écrit Moorea pour cornistes ayant environ une année de pratique, dans un style musical accessible et coloré. De ce fait, Moorea est la pièce idéale pour tout examen ou audition de jeunes musiciens.

Chamber Music Clarinet, Horn, Piano

SKU: PR.114423640

Composed by Stacy Garrop. Set of Score and Parts. 36+12+12 pages. Duration 14:15. Theodore Presser Company #114-42364. Published by Theodore Presser Company (PR.114423640).

UPC: 680160688562.

The first time I saw slipstreaming in action with professional cyclists, I was in awe. The competitors were riding inches away from each other; when the lead rider would swerve left or right, the pursuers would immediately follow suit. The physics behind what appears on the surface to be sheer daredevil antics are quite solid: the cyclists riding directly behind the leader are benefitting from reduced air and wind resistance. On a larger scale, a peloton (the French term for a pack of riders) benefits multiple riders whoare behind the leaders of the pack. While riding so close to other riders carries great risk of colliding, that risk is outweighed by the benefit of preserving one’s energy.Slipstream was inspired by the love of cycling shared by Haley Hoops, horn, and Stephen Ahearn, clarinet, for whom the piece was commissioned. They are drawn to cycling for the adventure of it, to discover new places, and to meet new people. Haley also expressed her enjoyment of taking solo bike rides. Additionally, I found great inspiration in watching the daily highlight videos of the three-week 2020 Tour de France, which happened to be taking place while I composed Slipstream.The piece opens with The Horizon Beckons. A cyclist hears an enticing call emanating from the mountains, then the cyclist starts pedaling towards the mountains in search of adventure. Riding Solo, the second movement, explores the quiet of riding alone, the beauty of the landscape, and the shifting of the light and clouds, all while we hear the bike’s wheels in constant motion. Adrenaline Rush, the third and final movement, depicts the heat of competition. We hear the constant jockeying of cyclists within a peloton as they slipstream with each other and move with the wind. At the very end of the movement, we hear sprinters race for the finish line with everything they have left in their legs.