4 airs russes, dans un arrangement réalisé par Henk Hogestein. Part 1 Fl Htb Cl. Si? Sax. S. Trp Part 2 Fl Cor Angl. Cl.B. Cl. Alto Sax. A. Trp Cor Part 3 Cl. Alto Sax. T. Basson Cor Trb Eup. Part 4 Sax. T. Basson Trb Eup. Part 5 Cl. B. Sax. B. Basson Trb Eup. Tuba C. Cordes / Ensemble Divers

Chariots of Fire is comprised of two instrumental pieces that Vangelis wrote for the 1981 film of the same name. Roland Kernen has created a stylish arrangement for a five-part variable instrumentation with drums.Voix 1 Fl Htb Cl. Si b Sax. S. TrpVoix 2 Fl Cl. Si b Cl. Alto Sax. A. Trp CorVoix 3 Cl. Alto Sax. T. Basson Cor Trb Euph.Voix 4 Sax. T. Basson Trb Euph.Voix 5 Cl. Basson Sax. B. Basson Trb Euph. Tuba C. CordesOpt. Perc.Claviers Timb. Perc. 1 Perc. 2 / Ensemble Divers

8 pièces pour toute occasion festive. Sommaire: Prelude (Te Deum -Charpentier) - Trumpet Voluntary (Prince of Denmark's March - Clarke) - Air (Suite #3 - J. S. Bach) - Marche Nuptiale (Le Songe d'une nuit d'été - Mendelssohn Bartholdy) - Ave Maria (Schubert) - Trumpet Tune (Purcell) - Antonius-Choral (Haydn) - Happy Birthday (Trad.)Part 1 Fl Htb Cl. Si? Sax. S. Trp Part 2 Fl Cor Angl. Cl. Si? Cl. Alto Sax. A Trp Cor Part 3 Cl. Si? Cl. Alto Sax. T. Basson Cor Trb Euph. Part 4 Cl. Basse Sax. B. Basson Trb Euph. Tuba C. Cordes / Ensemble Divers

4 excellentes variations autour de la célèbre chanson Sur le pont d'Avignon.Voix 1 Fl Htb Cl. Si b/Mi b Sax. s. TrpVoix 2 Fl Cor Angl. Cl. Si b Cl. Alto Sax. A. Trp CorVoix 3 Cl. Mi b Sax. T. Basson Cor Trb Euph.Voix 4 Cl. Si b Sax. B. Basson Trb Euph. Tuba C. CordesOpt. Gl.sp Perc 1 Perc 2 / Ensemble Divers

The title No people. comes from the surrealist Raymond Roussel. In 1932 he published a long poem called New Impressions of Africa. For this he commissioned 59 drawings to illustrate the text. The commission was given to the artist through a detective agency so he never knew who the commissioner was or saw the text he was supposed to illustrate. All he got was instructions for each drawing and he had to make the drawings accordingly. A typical instruction might beNocturnal landscape. Very starry sky with a thin crescent of moon. (No people.)orA rambler, arm raised and fingers outspread, dropping a pebble (still visible) down a well and seemingly straining to hear the sound of its splash. (No other people.)When Roussel put the drawings and text together, the ordinary everyday drawings took on a strangeness they might otherwise not have had if the artist had drawn with the text in front of him. It's the juxtaposition of both unknowns - text/drawings - that gives the final work its strange quality. / Ensemble Divers