Composed by Johan Halvorsen. Arranged by Matt Johnston. Alry Publications #CC169. Published by Alry Publications (AY.CC169).

Clarinet Choir

SKU: IS.CC7002EM

Composed by Ferenc Farkas. Woodwinds - Clarinet. Vanoosthuyse, Eddy. Metropolis Music Publishers #CC7002EM. Published by Metropolis Music Publishers (IS.CC7002EM).

ISBN 9790365070022.

Fere nc Farkas wrote about the origin of the Passacaglia: In 1931, while I was still a student by Ottorino Respighi in Rome, I began to compose a Partita in 4 movements for orchestra, whose third movement should be a Passacaglia. From this work, I only finished the Passacaglia and the Scherzo. In 1968, I took over the Passacaglia and transcribed it for organ without any modification, except the last 6 bars, I partially changed. In the shape of an arch, the work is based on a theme that is repeated thirteen times. Piano initially it evolves in crescendo to a climax in the 33rd bar, then falls gradually to a gently end. We do not know when and for whom Ferenc Farkas wrote this version for 6 clarinets of the Passacaglia.

Clarinet Choir

SKU: IS.CC7003EM

Composed by Ferenc Farkas. Woodwinds - Clarinet. Vanoosthuyse, Eddy. Metropolis Music Publishers #CC7003EM. Published by Metropolis Music Publishers (IS.CC7003EM).

ISBN 9790365070039.

In 1941, I was invited by Viktor Vaszy to take on a choice double role, as a teacher of composition at the Cluj Conservatory as well as chorus master at the Cluj National Theatre. For me, this meant both an official state appointment and a substantial increase in my income. At the time I was over 35 years old and still without a permanent post. I took up my new duties at the end of the summer. My wife and I felt very much at home in Cluj but the most important for me was that along with my artistic obligations I found time to compose. Unfortunately we do not know why Farkas wrote in 1992 a new version of the Three Burlesques for clarinet quintet and for whom it was intended. The first movement Allegro, arc shaped, is more a succession of rhythmic patterns than melodies, with hectic ostinatos and staccato chords. In the middle of the movement, a short figure, like a second theme, brings a bit of calm and gentleness. The second movement, an expressive Moderato comodo and the final Allegro are shorter and also contrast with staccato chords.