Have You Heard Ensemble de Percussions [Partition + CD-ROM] - Avancé Tapspace Publications
(for percussion ensemble and rhythm section). By Olin Johannessen. By Pat Methen...(+)
(for percussion ensemble
and rhythm section). By
Olin Johannessen. By Pat
Metheny. Arranged by Olin
Johannessen. 8. For
Glockenspiel, two sets of
basket shakers, two
vibraphones, three
triangles, Marimba
(4-oct), 4.5 or 5 oct.
marimba (low F or low C),
guiro, bass guitar, mark
tree, bongos, congas,
drumset (8 players). This
edition: Percussion
ensemble. Concert
Percussion Ensembles.
Have You Heard is a
popular piece by the
musical legend, Pat
Metheny. In this
arrangement Olin
Johannessen basically
creates a mallet band
to recapture the
exuberance of the
original. Mallet players
are accompanied by a
rhythm section of bass
guitar, dr. Advanced.
Folio parts on CD-Rom.
16 pages. Duration 4:00 -
6:00
(for percussion ensemble). By Maurice Ravel (1875-1937). Arranged by Ralph Hardi...(+)
(for percussion
ensemble). By Maurice
Ravel (1875-1937).
Arranged by Ralph
Hardimon. Percussion
Ensemble. For
glockenspiel, xylophone,
2 vibraphones, 3 marimbas
(4.3 octave - low A), 5
timpani, triangle (8
players). Advanced. Score
and parts on CD-ROM. 20
pages. Duration 3'30 .
Published by Tapspace
Publications
Composed by Mel Torme and Robert Wells. Arranged by R. Gipson. Percussion ensemb...(+)
Composed by Mel Torme and
Robert Wells. Arranged by
R. Gipson. Percussion
ensemble. For bells,
vibraphone I, vibraphone
II, crotales, marimba I
(4-octave), marimba II
(4-octave), marimba III
(4-octave), marimba IV
(4-octave), bass marimba
(5-octave), percussion I
(finger cymbals,
suspended cymbal),
percussion II (triangle),
percussion III (m (12
players). Difficulty:
Medium. Duration 3:25.
Published by C. Alan
Publications
Crown of Thorns Ensemble de Percussions C. Alan Publications
Composed by David Maslanka. Percussion ensemble. For glockenspiel, vibraphone I,...(+)
Composed by David
Maslanka. Percussion
ensemble. For
glockenspiel, vibraphone
I, vibraphone II, marimba
I (4-octave), marimba II
(4.3-octave), marimba III
(4.3-octave), marimba IV
(4.3-octave), bass
marimba (5-octave) (8
players). Difficulty:
Difficult. Duration
14:00. Published by C.
Alan Publications
(for percussion ensemble and rhythm section). By Bela Fleck. Arranged by Tom Gie...(+)
(for percussion ensemble
and rhythm section). By
Bela Fleck. Arranged by
Tom Gierke. Percussion
Ensemble. For 2 low A
marimbas (adaptable for
3), 1 low E marimba, 2
vibraphones, 1 xylophone,
1 glockenspiel, 5
timpani, 1 drumset with
optional electronic
trigger pads, bongos,
djembe, windchimes,
triangle, finger cymbal
(9 players). This
edition: Percussion
ensemble. Concert
Percussion Ensembles. For
percussion ensemble and
rhythm section. Advanced.
Folio parts on CD-Rom.
22 pages. Duration 3:10
(for percussion ensemble). Composed by Jim Casella. For Percussion Ensemble (8 p...(+)
(for percussion
ensemble). Composed by
Jim Casella. For
Percussion Ensemble (8
players). Percussion
Ensembles. Medium-Easy.
Folio and Parts on
CD-ROM. 16 pages.
Duration 4 minutes, 30
seconds. Published by
Tapspace Publications
(I Wonder As I Wander and We Three Kings). Composed by Nathan Daughtrey. Percu...(+)
(I Wonder As I Wander
and We Three Kings).
Composed by Nathan
Daughtrey. Percussion
Ensemble. For Percussion
Ensemble (Bells
Vibraphone 1 Vibraphone 2
a!! optional Chimes
Marimba 1 (4-octave)
Marimba 2 (4.3-octave)
Marimba 3 (5-octave) a!!
optional Percussion (2
Timpani [29a!! and
26a!!], Triangle, Mark
Tree, Suspended Cymbal)
Optional Piano a!! Only
two marimbas are needed).
Medium. Score and parts.
Duration 4:30. Published
by C. Alan Publications
Scherzo Ensemble de Percussions [Conducteur et Parties séparées] - Intermédiaire Tapspace Publications
(Mvt. 3 from Symphony No. 4 arranged for percussion ensemble). Composed by Peter...(+)
(Mvt. 3 from Symphony No.
4 arranged for percussion
ensemble). Composed by
Peter Ilyich Tchaikovsky
(1840-1893). Arranged by
Eric Rath. Percussion
Ensemble. For crotales,
chimes, glockenspiel, two
vibraphones, five
marimbas (two 4 octave,
two 4.3 octave, and one 5
octave)*, piano, two
timpani (26 , 29 ) *Three
marimbas (two 4.3 octave
and one 5 octave) can be
used in place of five.
Also, in the absence of a
5 oct (12 players).
Concert Percussion
Ensembles. Medium. Score
and parts on CD-ROM. 30
pages. Duration 4'30 -
5'30 . Published by
Tapspace Publications
Percussion Ensemble SKU: HL.14041798 A Light Hour 2008. Composed b...(+)
Percussion Ensemble
SKU: HL.14041798
A Light Hour 2008.
Composed by Per Norgard.
Music Sales America.
Classical. Set. Composed
2013. Edition Wilhelm
Hansen #WH30964A.
Published by Edition
Wilhelm Hansen
(HL.14041798).
ISBN
9788759818077.
12.5x16.5x1.13
inches.
Set of
parts for Per
Nørgård
's En Lys Time /
A Light Hour
(2008-09) for a variable
Percussion Ensemble (min.
10 players).
In A Light
Hour everything
- rhythms and motifs
– is based on
Nørgård&acut
e;s special infinity
series.
Score: WH30964
Programme
note
A Light Hour
is for ‘any number
of percussion
musicians’ (but a
minimum of ten). The
duration is about 60
minutes. The
instrumentation is in
principle open, as long
as percussion is used
within the three types
specified in the score:
skin, metal and wood.
Each musicianuses two
sound sources with two
different sounds, one of
which is bright (or
light) and the other
dark. Certain passages
also include tuned
percussion instruments
– vibraphone,
xylophone, marimba,
gamelan, glockenspiel,
steel drums, crotales and
the
like.
The
work integrates and
combines a number of
rhythms that
Nørgård has
used in percussion works
since the 1970s, for
example in Early Spring
Dance (for choir and
percussion), and
percussion works like I
Ching, Easy Beats,
Whirls, Zigzag, Nemo
Dynamo and Echo Zone
I-II-III.
Special
“tone-feasts”
(the composer’s
term) – followed by
a rest – are an
recognizable me
lodic feature of the
work.: the first minute
end with a short
tone-feast (and a rest),
the first four minutes
end with a tone-feast
lasting a minute (and a
rest), the first quarter
of an hour ends with a
tone-feast of four
minutes (and a rest)
– and the work ends
with a tone-feast lasting
quarter of an hour (and a
rest, when the work is
over
...).
The
first 15 minutes have a
bright, light character
throughout, and alternate
between rhythms
and melodic play. The
following 15 minutes are
more insistent and
decidedly percu
ssion-based, Afro-Cuban,
whereas the third quarter
of A Light Hour moves in
the.