Mah-Na Mah-Na Ensemble de Percussions [Partition + CD-ROM] - Facile Tapspace Publications
(arranged for percussion ensemble). Composed by Piero Umiliani. Arranged by Chri...(+)
(arranged for percussion
ensemble). Composed by
Piero Umiliani. Arranged
by Christopher M.
Retschulte. Percussion
Ensembles. For
Glockenspiel, xylophone,
vibraphone, 4.3-octave
marimba (low A, shared)
drumset* (kick, snare,
hi-hat, crash), 4 concert
toms, vibraslap,
tambourine, claves,
police whistle, cowbell,
and bird calls (or other
sound effects) *The
drumset part may be split
i (8-14 players). The
optional instrumentation
is as follows: Chimes,
solo instrument (e.g.,
trumpet, saxophone,
vocalist, etc.),
synthesizer, bass guitar.
Difficulty: Medium-Easy.
Folio and CD-ROM. 24
pages. Duration 3:00.
Published by Tapspace
Publications
(Developing Independence Through Ensemble Performance). By Eric Rath and Ralph H...(+)
(Developing Independence
Through Ensemble
Performance). By Eric
Rath and Ralph Hicks. 4
to 10 players. Method
Book. Easy to
Medium-Easy. Book and
DVD. 126 pages. Published
by Tapspace Publications
Percussion Ensemble SKU: HL.14041798 A Light Hour 2008. Composed b...(+)
Percussion Ensemble
SKU: HL.14041798
A Light Hour 2008.
Composed by Per Norgard.
Music Sales America.
Classical. Set. Composed
2013. Edition Wilhelm
Hansen #WH30964A.
Published by Edition
Wilhelm Hansen
(HL.14041798).
ISBN
9788759818077.
12.5x16.5x1.13
inches.
Set of
parts for Per
Nørgård
's En Lys Time /
A Light Hour
(2008-09) for a variable
Percussion Ensemble (min.
10 players).
In A Light
Hour everything
- rhythms and motifs
– is based on
Nørgård&acut
e;s special infinity
series.
Score: WH30964
Programme
note
A Light Hour
is for ‘any number
of percussion
musicians’ (but a
minimum of ten). The
duration is about 60
minutes. The
instrumentation is in
principle open, as long
as percussion is used
within the three types
specified in the score:
skin, metal and wood.
Each musicianuses two
sound sources with two
different sounds, one of
which is bright (or
light) and the other
dark. Certain passages
also include tuned
percussion instruments
– vibraphone,
xylophone, marimba,
gamelan, glockenspiel,
steel drums, crotales and
the
like.
The
work integrates and
combines a number of
rhythms that
Nørgård has
used in percussion works
since the 1970s, for
example in Early Spring
Dance (for choir and
percussion), and
percussion works like I
Ching, Easy Beats,
Whirls, Zigzag, Nemo
Dynamo and Echo Zone
I-II-III.
Special
“tone-feasts”
(the composer’s
term) – followed by
a rest – are an
recognizable me
lodic feature of the
work.: the first minute
end with a short
tone-feast (and a rest),
the first four minutes
end with a tone-feast
lasting a minute (and a
rest), the first quarter
of an hour ends with a
tone-feast of four
minutes (and a rest)
– and the work ends
with a tone-feast lasting
quarter of an hour (and a
rest, when the work is
over
...).
The
first 15 minutes have a
bright, light character
throughout, and alternate
between rhythms
and melodic play. The
following 15 minutes are
more insistent and
decidedly percu
ssion-based, Afro-Cuban,
whereas the third quarter
of A Light Hour moves in
the.
Crown of Thorns Ensemble de Percussions C. Alan Publications
Composed by David Maslanka. Percussion ensemble. For glockenspiel, vibraphone I,...(+)
Composed by David
Maslanka. Percussion
ensemble. For
glockenspiel, vibraphone
I, vibraphone II, marimba
I (4-octave), marimba II
(4.3-octave), marimba III
(4.3-octave), marimba IV
(4.3-octave), bass
marimba (5-octave) (8
players). Difficulty:
Difficult. Duration
14:00. Published by C.
Alan Publications