8-part Trombone Choir - advanced SKU: CY.CC2933 Composed by Gustav Mahler...(+)
8-part Trombone Choir -
advanced
SKU:
CY.CC2933
Composed by
Gustav Mahler. Arranged
by Jeremy Niles Kempton.
German late Romantic.
Score and parts. 28
pages. Cherry Classics
#2933. Published by
Cherry Classics
(CY.CC2933).
ISBN
9790530057520.
Jere
my Kempton has arranged
selections from the 1st
movement of Mahler's
Symphony No. 3 for 8-part
Trombone Choir, featuring
the dramatic opening and
the iconic 1st Trombone
solo. This 10-minute
work is appropriate for
advanced performers.
12-part Trombone Choir - Advanced SKU: CY.CC3171 Composed by Gustav Mahle...(+)
12-part Trombone Choir -
Advanced
SKU:
CY.CC3171
Composed by
Gustav Mahler. Arranged
by Ohad Wand. Classical.
Score and Parts. Cherry
Classics #CC3171.
Published by Cherry
Classics (CY.CC3171).
ISBN 9790530111413.
8.5 x 11 in
inches.
Mahler
composed his 3rd Symphony
in the summers of 1893
and 1894 in Steinbach on
the Attersee near
Salzburg. He spent most
of his days those two
summers composing in a
tiny hut built to his
specifications where he
could compose in the
meadow on the shore of
the lake - undisturbed.
Movement 5, What The
Morning Bell Tells Me
includes the voices of
women's chorus, children
and alto soloist and is a
relatively short 4-minute
bright rowdy episode,
full of laughing voices,
bells and angels. Ohad
Wand arranged this great
music for 12-part
Trombone Choir while
studying at the Eastman
School and it was
subsequently beautifully
recorded by the Eastman
Trombone Choir, directed
by Dr. John
Marcellus.
Tre Volti Ensemble de Trombones De Haske Publications
Trombone Ensemble - very difficult SKU: BT.DHP-1125253-070 For Trombon...(+)
Trombone Ensemble - very
difficult
SKU:
BT.DHP-1125253-070
For Trombone
Ensemble. Composed by
Jan Van der Roost. De
Haske Brass Series.
Concert Piece. Set (Score
and Parts). Composed
2012. 44 pages. De Haske
Publications #DHP
1125253-070. Published by
De Haske Publications
(BT.DHP-1125253-070).
9x12 inches.
International.
T
re Volti (Three
Faces) has been
commissioned by the
renowned
ââ¬ÅNew
Trombone
Collectiveââ¬Â,
exclusively existing of
top-trombonists from the
Dutch symphony
orchestras. The world
première was given
by the commissioners and
took place in
ââ¬ÅDe
Doelenââ¬Â in
Rotterdam on april 16th
2011 - during the
ââ¬ÅSlide
Factoryââ¬Â -
European Trombone
Festival.The composer
aimed to illustrate 3
different aspects of the
instrument in as many
movements. Effetti e
Tecniche (Effects and
Techniques) displays a
large amount of specific
spectacular and acrobatic
possibilities and also
various colors and sounds
by using different mutes.
It contains many
ââ¬ÅglissandiÃ
¢â¬Â as well as
clusters with semi tones
andquarter tones, all
being
ââ¬Åtypicalâ
â¬Â for the
trombone indeed. The
Lamento Lirico
(Lyrical Lamento)
combines the rather
serious and noble voice
of the trombone with an
aspect which not
automatically is
connected to that
instrument: the melodical
character. The overall
atmosphere of this
movement is somewhat sad
and strained and refers
to the many beautiful but
rather dark passages in
the orchestral and opera
literature where the
trombone section as such
is used ...The final
movement is called
Sonata Antica
(Antique Sonata) and is
directly inspired by two
ââ¬Åsonatasâ
â¬Â for 3 and 4
trombones by Daniel Speer
(1636 - 1707). It
illustrates the
ââ¬Åhistorical
¢â¬Â dimension
of the trombone: indeed
it was the only brass
instrument being able to
play chromatically - many
centuries before all
other brass instruments -
thanks to the unique
slide system which even
during the Middle Ages
was applicable already.
The antiphonal position,
the dialoguing motives
and the
ââ¬Åneo-early-b
aroqueââ¬Â
idiom really pay homage
to Daniel Speer: he
composed a certain number
of pieces for brass
instruments indeed and
the composer used
thematic material from
his Sonatas in d and a in
various ways, thus
concluding this varied
composition in a festive
way.
Een
driedelige - uitdagende -
suite voor trombone
ensemble.
Tre
Volti (zu deutsch:
Drei Gesichter) - In drei
deutlich kontrastierenden
Bewegungen versucht der
Komponist, ebenso viele
Facetten der Posaune zu
beleuchten. Der erste
Teil EFFETTI E TECNICHE
präsentiert eine
Reihe akrobatischer und
spektakulärer
Effekte, die auf diesem
vielseitigen Instrument
möglich sind,
sowie einige Klangfarben
(letztere mit einem
Dämpfer gespielt).
Das LAMENTO LIRICO
enthält die eher
ernsten Töne,
welche die Posaune in der
Regel spielt und
kombiniert diese mit
einem Aspekt, der doch
eher ungewöhnlich
für dieses
Instrument ist: einem
melodischen Charakter.
Der dritte Satz - SONATA
ANTICA - wurde
unmittelbar von zwei der
bekanntesten Sonaten
vonDaniel Speer
(1636-1701) inspiriert.
Hier geht es um die
historische Dimension der
Posaune:
Tatsächlich war
sie das erste
Blechblasinstrument, auf
dem man - Jahrhunderte
vor allen anderen - schon
chromatisch spielen
konnte.