Bass trombone solo with 6-part trombone choir - advanced

SKU: CY.CC2580

Composed by Ryan Diefendorfer. Arranged by Ryan Diefendorfer. Contemporary. Score and parts. Published by Cherry Classics (CY.CC2580).

Stephansdom is a new composition, descriptive of the iconic St. Stephan's Cathedral in central Vienna. Ryan Diefendorfer wrote this work for the Indiana University Trombone Ensemble for Bass Trombone solo and Trombone Choir (6-part) to be performed by Carl Lenthe at the 2012 Eastern Music Festival. Ryan's work was awarded the winner of the 2012 Eastern Trombone Workshop National Composition Competition.

St. Stephen's Cathedral, also known as Stephansdom, is one of Vienna's most remarkable city icons. Dating back to 1137, Stephandsom towers above the rest of Vienna's skyline and has been a constant presence in the lives of the Viennese for nearly one thousand years. Among the buildings that the Viennese find closest to their hearts, Stephansdom is certainly one of them

I. Groundbreaking
The first movement depicts the troubles that St. Stephen's Cathedral had in getting its groundbreaking as a church. The opening of the piece marks the celebration of the Viennese when St. Stephen's was first constructed in 1137, during the Romanesque era. However, the church faced many issues—from being destroyed by the Babenberg Empire to being decimated by a fire—before the church began its construction in the Gothic style in 1307. The first movement depicts these struggles before resolving to an open chord.


II. Steffl
Steffl, the nickname for Stephansdom's soaring north tower, is one of the characteristics of the cathedral that the Viennese find so endearing. This movement is very upbeat and is meant to portray the excitement shared by the Viennese for this beautiful addition to Stephansdom, which was completed in 1433. Stephansdom's north tower is the tallest structure in Vienna, and distinctly stands out within Vienna's skyline.


II I. 1945
As World War II was coming to a close in 1945, Stephansdom's roof caught fire from a neighboring building, destroying large portions of the church. One climax occurs at m.30, which depicts Stephansdom's great bell, the Pummerin, crashing down to the ground. This movement depicts the chaotic nature of the raging fire of 1945.


IV. Anton Pilgrim
Anton Pilgrim was the last, and perhaps most beloved, architect who worked on St. Stephen's Cathedral in the Gothic style. One of his most famous projects was the St. Stephen's organ loft, which is depicted by an opening organ-like canon. The final movement to the piece ends in a chorale-like fashion, demonstrating the Viennese's love for Anton Pilgrim, as well as Stephansdom, one of Vienna's most iconic sights.

This work of 12 minutes in length is appropriate for advanced performers.

8-part Trombone Ensemble - Advanced

SKU: CY.CC3163

Composed by Bach. J. S. Arranged by Ralph Sauer. Classical. Score and Parts. Cherry Classics #CC3163. Published by Cherry Classics (CY.CC3163).

ISBN 9790530111338. 8.5 x 11 in inches.

Motet Furchte dich nicht, BWV 228 was certainly written for a funeral (the text comes from Isaiah), however the date of composition is not certain but likely written during his Weimar period. Mr. Sauer has done a magnificent job transcribing all six of Bach's choral motets BWV 225-230 for 8-part Trombone Ensemble. This is a major undertaking. All are very worthy additions to the Trombone Ensemble repertoire. This work for 8-part Trombone ensemble is in two movements and about 7 1/2 minutes in length. This music is appropriate for advanced performers. The top two voices have parts supplied in both alto and tenor clef.

Composed by Johann Sebastian Bach (1685-1750). Arranged by Ralph Sauer. Baroque. Score & Parts. 24 pages. Cherry Classics #2977. Published by Cherry Classics

Trombone Octet - advanced

SKU: CY.CC2824

Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque. Score and parts. Published by Cherry Classics (CY.CC2824).

Bach's Fantasia & Fugue in C minor, BWV 537 is a work for Organ written around the year 1723 while the composer was in residence in Weimar.

Bach composed many of his greatest organ works during this period.

The music of the Fantasia is lush and ornate. The Fugue is an amazing 130 bars in length.


Thi s work was transcribed for orchestra in 1921 by Edward Elgar who mourned after the death of his wife. He was to orchestrate the Fugue and Richard Strauss agreed to do the Fantasia, however after two years Elgar completed the entire work as Strauss never held up his part of the bargain.

Mr. Sauer has subtly added phrasings, breaths and articulations to the original score to aid in the performance for Trombone choir.

The music is about eight minutes in length and is appropriate for advanced performers.